(2009) Horror (Lionsgate) Henry Cavill, Dominic Purcell, Michael Fassbender, Emma Booth, Rainer Winkelvoss, Laszlo Matray, Joy McBrinn, Shea Whigham, Tony Barger, Douglas Roger, Michael Ntumba, Razvan Oprea, Ana Popescu, Florin Piersic Jr., Gerald McSorley, Vlad Voda, Albert Gherasim, Wentworth Miller, Lynn Collins. Directed by Joel Schumacher
Some horror movies one must admire for their ambition but criticize for their execution. Some are just the opposite. Most fall in between.
In West Virginia circa 1936 a family of German émigrés working on a farm receive a letter asking them to host a German occultist doing research on a Viking runestone that they found in their barn. As they are barely making ends meet in the Depression-era rural South, the $150 a month they would receive for hosting the professor would be a Godsend.
At first Dr, Richard Wirth (Fassbender) seems like a harmless academic but soon it becomes clear that Dr. Wirth has a far more sinister motive in mind. The family is forced to set a spell trapping Wirth in their barn and the family is also caught up in the spell, not becoming immortal as Wirth did but certainly not aging normally.
Cut to modern times. Farmer Evan Marshall (Cavill) receives a visit one night from his brother Victor (Purcell). This wouldn’t ordinarily arouse comment except that Victor has been missing for months and when he shows up he is hideously scarred and looks like a cross between one of the Deliverance hillbillies and Frankenstein’s monster. He ropes Evan into taking him back to the farm where he had been held captive and getting his revenge on the family that kept him there.
You can guess which farm and which family he’s talking about. What you couldn’t guess – or maybe you could if you’ve seen a lot of horror movies – is that Wirth has mutated into a kind of Nazi vampire zombie master with terrifying powers. Although the comely farmer’s daughter Liese (Booth) tries to persuade Evan that they’re actually the good guys keeping the monster at Bay for well over three quarters of a century, Victor is having none of it with predictable consequences.
Lionsgate had at one time in the studio’s history released a glut of horror movies onto the market and in the latter part of the first decade of the 21st century began to be a little pickier about what they put their distribution behind. Therefore nifty little movies like this and Midnight Meat Train got microscopic releases, in Blood Creek‘s case a mere 25 theaters nationwide, mostly of the dollar variety.
I think this deserved better. Certainly it’s flawed but there are some pretty nifty elements that I’d certainly recommend. For one thing Fassbender, on the eve of his breakthrough as an actor, makes a thoroughly compelling and hissable villain. Cavill and Purcell both did competent jobs as the heroic leads and while Booth wasn’t given a whole lot to do is at least easy to look at.
There is an awful lot of hand-held camera work in the movie to its own detriment. At times it’s really difficult to make out what’s going on and some important plot elements become confusing and for those of us who are sensitive to shaky cam, the movie can be painful at times. While the movie builds up to its conclusion well, the actual ending is a bit of a letdown.
But then again as much as I would have liked more spectacle, you (and I as well) have to realize that this is a pretty low-budget affair – how tight a budget do you have to have when West Virginia is too expensive a location to shoot in? For the record, Romania stands in for West Virginia which makes perfect sense and quite frankly, it looks a lot of the West Virginia I’ve seen on the Internet.
Anyway, as low budget horror movies go this isn’t half bad. There are some genuine scares, plenty of gore and some nifty ideas. There are also some lapses in logic which is often a bugaboo in horror movies. If you like a good scare and want to try something out you haven’t seen before, you could certainly do worse than this. Not a hidden gem so much as a surprisingly good but flawed grindhouse flick.
WHY RENT THIS: Really nice concept. Fassbender rocks the villain. Smartly paced.
WHY RENT SOMETHING ELSE: Overuse of hand-held “shaky” cams. Ending lacked punch.
FAMILY VALUES: Plenty of violence and gore as well as some pretty crude language.
TRIVIAL PURSUIT: Jesse Metcalf was originally set to star but had to drop out of the production for undisclosed reasons. Cavill was brought in to take the lead role.
NOTABLE HOME VIDEO EXTRAS: None listed.
BOX OFFICE PERFORMANCE: Not available.
COMPARISON SHOPPING: Dead Snow
FINAL RATING: 5.5/10
NEXT: Anchorman 2: The Legend Continues