(2021) Documentary (Gravitas) Michelle Boyaner, Elaine Boyaner George, Brother Kenneth, Morris Boyaner, Esther Lapiduss, Maxine Lapiduss, Sally Lapiduss. Directed by Michelle Boyaner
We are seeing a shift in America’s age; we are getting older as a nation. The baby boomers are now retiring and often, being forced into retirement communities and assisted living centers. Their adult children often end up caring for them the same way their parents cared for them as children. It’s time, the film seems to be saying, to return the favor.
Documentary director Michelle Boyaner found herself in that position with her own parents. She has a bit of a unique situation; her parents divorced when she was younger after having had eight children together. Her mom Elaine decided (for reasons that she sort of addresses in the movie) that she couldn’t be a mom any longer, so all eight of the children were sent to live with their father while Elaine moved to Utah, converted to the Church of Latter-Day Saints, and married a new husband. Michelle, the oldest, helped raise her siblings, but a chasm had been formed between her and her mother. The relationship between the two women was cordial, but very cold.
It was assumed that Michelle’s younger sister Danielle would be the one to look after Elaine when her mom started showing signs of dementia, but Danielle passed away unexpectedly. On her deathbed, she made Elaine promise to look after their mom. Michelle, still harboring resentment towards her mother, reluctantly agreed.
The film is subtitled The Humor and Heartache of Raising Elderly Parents and there is some humor here. Michelle (and most of the other caregiving subjects interviewed here) counsels patience, and that’s excellent advice. For example, Elaine has trouble remembering that she sold her house on Serenade Lane in Huntington Beach in 1983. She constantly refers to the house and Michelle often has to remind her that it’s no longer hers.
Michelle spends a good deal of time interviewing a whole lot of other people in similar situations – adult children acting as caregivers to elderly parents, most with some form of dementia or another. For example, we get the vivacious 96-year-old entertainer from Pittsburgh whose daughters don’t quite have the energy to keep up with her, or the aging monk who runs a care home for retired monks who have no family to care for them, or the former dancer on Broadway who is visited by members of the LGBTQ community who act as “chosen family” members. Some of their stories are touching, others humorous but many of them are actually kind of similar. This is a case where less is definitely more; I would have preferred fewer testimonials, but more in-depth ones. Then again, I’m definitely a quality over quantity kind of guy.
The central story revolves around a metaphor of an amusement park in which you try to survive the rides without throwing up afterwards, and the metaphor is kind of apt. One thing for certain is that you have to have a plan; most of us are going to face the aging of our loved ones at some point and should have a working idea of the options available to them. The movie does show a few of them – parents living with their children, parents living in residential care facilities, parents with visiting health care professionals that perform in-home treatment on a regular basis.
The movie has some truly heartbreaking moments and wise viewers will have some tissue paper handy to dab away moisture at the corner of their eyes that might unexpectedly erupt. One of the things that I took away from the film was that the estrangement between Michelle and her mother more or less evaporated during the time she was caring for her and the time the two spent together actually strengthened their bonds which I don’t think the younger woman expected. I wouldn’t say that this is indispensable – the film is a bit unfocused and repetitive in places, and could have done with more information on how to find support if you find yourself in a situation where you’re providing care for an elderly parent or parents with dementia. However, this certainly gives a perspective on the situation and might be a good starting point for those who see the road ahead leading in that very direction.
REASONS TO SEE: The journey is heartbreaking. The ending is extremely poignant.
REASONS TO AVOID: Could have used fewer interview subjects and more depth on the ones they chose to keep.
FAMILY VALUES: There are some frank conversations about the consequences of aging and dementia.
TRIVIAL PURSUIT: Boyaner was previously nominated for an Emmy for her 2015 film Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.
BEYOND THE THEATERS: AppleTV, Google Play, Microsoft, Vimeo, Vudu, YouTube
CRITICAL MASS: As of 6/21/21: Rotten Tomatoes: No score yet; Metacritic: No score yet.
COMPARISON SHOPPING: It Is Not Over Yet
FINAL RATING: 7.5/10
NEXT: Undercover Punch and Gun