(1993) Romance (Tri-Star) Tom Hanks, Meg Ryan, Rosie O’Donnell, Bill Pullman, Victor Garber, Ross Malinger, Rita Wilson, Carey Lowell, David Hyde Pierce, Barbara Garrick, Frances Conroy, Tom Riis Farrell, Rob Reiner, Gaby Hoffman, Dana Ivey, Calvin Trillin, Michael Badalucco, Kevin O’Morrison, La Clanche du Rand, Tom Tammi, Valerie Wright, Caroline Aaron. Directed by Nora Ephron
Back in the 90s (and who knows, maybe it’s still true) radio call-in shows were big. Many of them provided a kind of social service, therapy for those who couldn’t afford a therapist and didn’t mind thousands of people (and maybe millions in the case of syndicated talk show hosts) listened in on their problems and phobias.
Annie Reed (Ryan) is a reporter for the Baltimore Sun. She doesn’t really believe in romance, although she believes that she doesn’t want to be alone. She’s engaged to Walter (Pullman), a nice enough guy who clearly adores her but she just doesn’t feel inspired, particularly as Walter is allergic to – um, everything. She listens to the Dr. Marcia (Aaron) show late at night and yaks about it with her good friend and editor Becky (O’Donnell) the next day.
Sam Baldwin (Hanks) – not one of the lost Baldwin brothers – is in a deep funk. His wife Maggie (Lowell) succumbed to cancer a year and a half ago but things just aren’t getting any better, not even after moving to Seattle from Chicago with his son Jonah (Malinger). Jonah worries about his dad, who can’t seem to get past his wife’s death and resume living and maybe even find happiness. Sam is skeptical about it – he knew he had found his soulmate from the first touch. “It was magic,” he muses, “You don’t get that lucky twice.”
Jonah is so concerned that he phones in the Dr. Marcia show and calls his dad to the phone. Reluctantly he gets on and tells his story and as Dr. Marcia coaxes his feelings about Maggie out of him, Sam is so eloquent, so heartfelt, so lost that he stimulates the maternal instincts of every woman listening. From then on he gets bags of mail from women proposing marriage or just wanting to meet.
One of the listeners is Annie who is drawn to his story. After watching a rebroadcast of An Affair to Remember she impulsively writes an expressive letter to Sam, proposing that they meet at the top of the Empire State Building on Valentine’s Day. At the urging of Becky (who also mails the letter after Annie chickens out), she flies out to Seattle to ostensibly do a story on the talk radio phenomenon but primarily to find Sam. However, after seeing him with his sister Suzy (Wilson) she gets the mistaken impression that he has a girlfriend and flees back to Baltimore, ready to marry Walter.
In the meantime, Jonah reads Annie’s letter and tries to get his dad, who by now is dating a co-worker (Garrick) that Jonah hates, to make the rendezvous but Sam refuses. Instead, Jonah writes Annie as Sam and tells her that he’ll be there.
More I will not tell you. Either you know what happens so there’s no point in recapping the plot further, or you don’t know and I don’t want to ruin the expert heartstring tugging you’ll undergo. Romantic movies tend to be very much formulaic these days, but this one is certainly not. Yes, it does borrow liberally from classic romances (particularly the aforementioned An Affair to Remember) but it’s smarter than most rom-coms and treats its audience as intelligent people while gently poking fun at how men and women express their emotions.
The interesting thing about this movie is that Hanks and Ryan spend very little screen time together but are often considered to be one of the prime screen couples of the last 20 years – yes, it’s been two decades since this came out. The characters are so compelling thanks in no small part to the sterling performances by Hanks and Ryan that people root for them to be together with unbridled fervor. The chemistry between the two is often discussed when this picture comes up for discussion, but maybe people are channeling their performances from Joe vs. the Volcano which they both previously starred in. They would go on to do one more movie together but for many they are the greatest screen couple since Hepburn and Tracy.
The interesting thing is that Walter, Annie’s fiancée, is really a nice guy whose only fault is that he’s not Tom Hanks. Pullman and O’Donnell both deliver solid supporting performances. The only acting letdown belongs to Malinger and it’s really through no fault of his own; the script (particularly during the last third which focuses more on him) calls on him to do more precocious things and instead of being cute it becomes painfully obnoxious. He’s one of those screen kids who knows better than adults and outwits them, often with the help of his friend Jessica (Hoffman).
This is one of the classic romantic movies. There are women who get misty-eyed at the mere mention of the film. As Valentine’s Day cuddle movies go, you could certainly do much worse. Undoubtedly putting this on the TV and snuggling up together with some microwaved popcorn and a couple of glasses of wine could lead to a memorable evening of your own.
WHY RENT THIS: Terrific performances by Hanks and Ryan. The prototypical multi-hankie modern romance.
WHY RENT SOMETHING ELSE: The kid can be a bit obnoxious.
FAMILY VALUES: There’s some mild bad language.
TRIVIAL PURSUIT: The radio call-in listener Desperate in Denver is voiced by Nora Ephron.
NOTABLE HOME VIDEO EXTRAS: The most recent limited edition Blu-Ray includes a separate score only track as well as a music video.
BOX OFFICE PERFORMANCE: $227.8M on a $21M production budget.
COMPARISON SHOPPING: An Affair to Remember
FINAL RATING: 8.5/10
NEXT: The LEGO Movie