Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton


Jim Carrey channels Andy Kaufman.

(2017) Documentary (NetflixJim Carrey, Andy Kaufman, Bob Zmuda, George Shapiro, Danny DeVito, Carol Kaufman, Judd Hirsch, Paul Giamatti, Stacey Sher, Milos Forman, Ron Meyer, Carol Kane, Bill Corso, Peter Bonerz, Michael Stipe, Jerry Lawler, Courtney Love, Gerry Becker, Elton John, Lynne Margulies, Linda Hill, Angela Jones. Directed by Chris Smith

 

Sometimes an actor will get so lost in their role that it’s nearly impossible to tell where the character ends and the actor begins. Is it art or is it simply self-indulgence?

Jim Carrey notoriously went through this when he was playing the late cult comic Andy Kaufman in Milos Forman’s Man in the Moon back in 1999. Carrey refused to break character during filming, even allowing the notorious lounge lizard/obnoxious jerk character Tony Clifton to take over, sometimes to uncomfortable lengths. Universal kept the backstage footage in the vaults for nearly 20 years before they finally allowed it to be shown in this documentary.

We get a sense of the method here and Carrey candidly discusses the strain of playing Kaufman and the way it effected his career. You get the sense that Carrey doesn’t enter any role lightly but this one did a number on him, as he admits to feeling the emotional after-effects for years afterwards. The documentary is well-filmed, utilizing footage filmed by Smith in 2016 as well as the backstage footage from the shoot in 1998 shot by Kaufman’s writing partner Zmuda and his girlfriend Margulies. Members of Kaufman’s family even came on set to commune with their deceased loved one (Kaufman passed away from lung cancer in 1984) in the form of Carrey.

I wasn’t a big fan of Man in the Moon when it came out but the documentary does give a better appreciation of the film. I wish that someone had asked Carrey the question that stays with me after seeing the doc: was the performance worth the pain? I suppose that’s a question for posterity to figure out.

REASONS TO SEE: Carrey comes off more thoughtful than you’d imagine. A portrait of a man lost in his role.
REASONS TO AVOID: Doesn’t ask some important questions.
FAMILY VALUES: There’s a bit of profanity and some nudity.
TRIVIAL PURSUIT: Both Kaufman and Carrey share a birthday (January 17th).
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 11/19/19: Rotten Tomatoes: 96% positive reviews: Metacritic: 767/100.
COMPARISON SHOPPING: Lost in La Mancha
FINAL RATING: 7/10
NEXT:
Radioflash

New Releases for the Week of June 14, 2019


MEN IN BLACK INTERNATIONAL

(Columbia) Chris Hemsworth, Tessa Thompson, Emma Thompson, Liam Neeson, Rebecca Ferguson, Rafe Spall, Kumail Nanjiani. Directed by F. Gary Gray

The Men in Black have long protected the Earth from extraterrestrial villains but now they face their biggest threat yet; one of their own, a mole in their own organization. Agents H and M will be challenged more than any other agent before them in this new installment in the franchise, the first without either Will Smith or Tommy Lee Jones.

See the trailer, video featurettes and clips here
For more on the movie this is the website
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for sci-fi action, some language and suggestive material)

5B

(RYOT) Hank Plante, Cliff Morrison, Mary Magee, Lorraine Day. The first dedicated AIDS ward in the country was built at San Francisco General Hospital in 1983. This is the story of those who built it; the nurses and caregivers and the often heartbreaking stories of loss, courage and triumph.

See the trailer here
For more on the movie this is the website  
Genre: Documentary
Now Playing: Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for thematic content including unsettling images, and some strong language)

American Woman

(Roadside Attractions/Vertical) Sienna Miller, Christina Hendricks, Aaron Paul, Amy Madigan. When a woman’s adult daughter disappears, she is left as caregiver for her infant granddaughter while trying to solve the mystery of her daughter’s disappearance, a journey that takes far longer than she anticipated.

See the trailer and clips here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language, sexual content and drug use)

The Dead Don’t Die

(Focus) Bill Murray, Adam Driver, Tilda Swinton, Carol Kane. A sleepy small town is beset by the living dead who are looking for a free meal in the latest by quirkmeister Jim Jarmusch.

See the trailer, a video featurette and a clip here
For more on the movie this is the website  
Genre: Horror Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Winter Park Village
Rating: R (for zombie violence/gore, and for language)

Late Night

(Amazon) Emma Thompson, Mindy Kaling, Hugh Dancy, John Lithgow. A veteran late night talk show host, in danger of becoming irrelevant, hires a woman of color to join her stable of writers. The two women, who couldn’t be more different, find themselves sharing more in common than they would have thought.

See the trailer, video featurettes and an interview here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Wide Release
Rating: R (for language throughout and some sexual references)

Shaft

(Warner Brothers/New Line) Samuel L. Jackson, Jesse T. Usher, Richard Roundtree, Regina Hall. The son of the baddest private eye in New York City has a completely different methodology than his father. When a close friend of the son turns up dead, he will need a crash course in street tough from his dad, who was absent throughout his childhood but John Shaft has an agenda and no mutha is going to keep him from achieving it, family or not.

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Action Comedy
Now Playing: Wide Release
Rating: R (for pervasive language, violence, sexual content, some drug material and brief nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Blackbear
Changeland
Hampstead
Plus One
Rainbow’s Sunset</em
The Souvenir
Vault

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Game Over
Los Viejos – The Oldies
Nureyev
Plus One
Premier Padmini
Remember Amnesia
The Souvenir

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Daughter of the Wolf
Game Over
Heavy Water
The Souvenir
Vault

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

The Dead Don’t Die
Late Night
Men in Black International
Shaft

Scrooged


Tiny bubbles...

Tiny bubbles…

(1988) Comedy (Paramount) Bill Murray, Karen Allen, John Forsythe, John Glover, Bobcat Goldthwait, David Johansen, Carol Kane, Robert Mitchum, Michael J. Pollard, Alfre Woodard, Nicholas Phillips, Mabel King, Jamie Farr, Robert Goulet, John Houseman, Buddy Hackett, Lee Majors, Brian Doyle-Murray. Directed by Richard Donner

 The Holly and the Quill

Some Christmas tales are so timeless, so meaningful that they can survive being twisted, pulled, yanked out of shape and modified into something quite different and still be meaningful and timeless.

Frank Cross (Murray) is the programming VP at the IBS network and he’s the youngest in the industry. He’s the golden boy, the one who has the eye of network head Preston Rhinelander (Mitchum). It’s Christmastime and Cross has an ace up his sleeve for the Yule season – a live broadcast of Scrooge from various locations, with Buddy Hackett as Scrooge, John Houseman narrating and Mary Lou Retton as Tiny Tim. God bless us, every one.

The people who work around Frank could use all the blessings they can manage. Frank is a world-class a-hole with a mean streak wider than the Long Island Expressway. This live show is crucial to his career; if it succeeds he is on the fast track to Rhinelander’s job. If it fails, he’s on the fast track to unemployment, where he has already put nebbish assistant Eliot Loudermilk (Goldthwait). He tries to keep his long-suffering assistant Grace Cooley (Woodard) working late, preventing her from taking her mute son Calvin (Phillips) to a needed doctor’s appointment.

But if you think Frank is callous in his professional life, you should see his personal life. He spurns his brother Earl’s (Doyle-Murray) invitation to dinner. He is as alone as alone can be. That wasn’t always the case. He was once deeply in love with the pretty community activist Claire Phillips (Allen) but that was from a long time ago. He’s barely thought about her over the years…well, that’s what he’d have you think anyway.

Frank is on a one-way trip to the hot seat but there are those who think he has something inside him worth saving – one being his mentor Lew Hayward (Forsythe), who pays Frank a visit on Christmas eve to try and reason with him. Never mind that Lew’s been dead for years; he’s really got Frank’s best interests at heart. He sure doesn’t want his protégé to end up like him – a rotting corpse doomed to walk the earth for eternity. To help the reluctant Frank along, Lew’s sending three ghosts to show him the way – the Ghost of Christmas Past (Johansen), the Ghost of Christmas Present (Kane) and…you get the picture.

This was a much ballyhooed remake of the Dickens classic that Murray, who had last tasted success with Ghostbusters four years earlier, had his imprint all over. SNL compatriots Michael O’Donoghue and Mitch Glaser co-wrote it and many of Murray’s cronies from SNL and from his other movies, as well as all of his brothers, were in the film. The film is very much set around Murray and his style of humor, so if you don’t like him much you’re not going to find a lot of reasons to see the film.

Still, if you do like him, this is one of his most iconic performances, one that will live with most of his classic performances in Stripes and the aforementioned Ghostbusters. The movie didn’t resonate with the critics very much – at the movie’s conclusion, Murray delivers a speech about the true meaning of Christmas which some felt was treacly and not heartfelt (although I beg to differ).

The ghosts are all amazing and fun, particularly Kane who beats the snot out of Murray (in one scene she pulled his lip so hard that filming had to be halted for several days while he recovered). The special effects are fun and if they are a little dated by modern standards (the movie will turn 25 next year) they still hold up pretty well.

The movie remains if not a Christmas classic at least a Christmas perennial. It runs regularly on cable this time of year and is easily available on streaming or for rent. It is perhaps less serious than most other Christmas movies but it has edgier laughs and that’s certainly worth something.

WHY RENT THIS: Kane, Forsythe and Johansen make some terrific ghosts.

WHY RENT SOMETHING ELSE: Seems like an overly long SNL skit at times.

FAMILY VALUES:  There are a few scary images and some bad language. A little rude humor to tide you over as well.

TRIVIAL PURSUIT: The Tiny Tim-like character Calvin Cooley was named for former President Calvin Coolidge who was known for being taciturn.

NOTABLE HOME VIDEO EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $60.3M on an unknown production budget; in its time the movie was a big box office disappointment.

COMPARISON SHOPPING: Fred Claus

FINAL RATING: 7/10

NEXT: The Holly and the Quill continues!

Sleepwalk With Me


Sleepwalk With Me

Mike Birbiglia listens to Mitt Romney’s greatest speeches.

(2012) Dramedy (IFC) Mike Birbiglia, Lauren Ambrose, James Rebhorn, Carol Kane, Lucy DeVito, Philip Ettinger, Marc Maron, Emily Meade, Sondra James, Cristin Milioti, Amanda Perez, Amy Schumer, Ben Levin, Kristen Schaal, Loudon Wainwright III. Directed by Mike Birbiglia and Seth Barrish

 

Stand-up comedy is not a career for the faint of heart. It is also mighty rough on relationships. Aspiring comics spend long, lonely nights on the road and often utilize intimate details of their relationships as fodder for their acts.

Mike Birbiglia knows that better than most. His experiences as a struggling stand-up comic led him to write an Off-Broadway one man show, a regular gig on the NPR hit This American Life, a best-selling book and a comedy album, all of which this film is based on. In other words, on his own life.

Here he plays Matt Pandamiglia, the son of a driven, somewhat judgmental physician (Rebhorn) who praises his gay physician son (Levin) while constantly criticizing the son he views as a failure – unmarried, working in a bar, his career non-existent. He has a point.

But Matt isn’t entirely unsuccessful. He has a beautiful girlfriend named Abby (Ambrose) who puts up with his idiosyncrasies with the patience of a saint. They’ve been together eight years, pointed out in a somewhat snarky manner by Dear Old Dad when the comparison to Matt’s sister Janet (Milioti), who is wedding her beau after two years, is made.

Matt’s career as a stand-up comic is in neutral and quite frankly, with only eleven minutes of material – none of it any good – and the kind of delivery that would put a meth addict high as a kite instantly to sleep. Matt is also showing signs of sleepwalking, which concerns his father but also Abby as well, both of whom urge Matt to seek help.

Matt is a master avoider however, and pretends not to hear when un-pleasantries are brought up, or simply changes the subject. He is the very definition of passive-aggressive and isn’t always the sweet cuddly guy he seems to be.

However, when it comes to stand-up comedy, it’s often more who you know than how talented you are. He finds himself an agent (James) who gets him crap gigs in crap venues for crap wages. It keeps him on the road, which is just as well since it’s just as easy to bomb at home as it is to bomb somewhere else. However, as he starts working his frustrations with Abby, who wants to get married – and who in a moment of panic not wanting to lose her he has proposed to – into the act, his act begins to improve. The gigs begin to get better. The road trips begin to get longer. The relationship begins to crumble. And the sleepwalking gets worse.

Birbiglia asserts that all of this is true on several occasions and it has that ring of truth to it that comes from an autobiographical work. Birbiglia for the most part comes off as likable and charismatic, which bodes well for his future; however, he sometimes comes off as a real bastard which shows more bravery than his character Matt shows at any time here.

One of the nifty things about the film is that often it is difficult to tell if you are observing Matt’s life or one of his dreams until things start to get weird. It keeps the audience just off-balance enough to keep us honest. The stand-up comedy, particularly in the later sequences when Matt gets good at it, are pretty damn funny.

This is really all about Birbiglia. The other characters in the movie, even Abby who shares the most screen time with him, really don’t get a ton of development. Even the delightful Carol Kane, as Matt’s mom, is given little to do than to act batty and protective. Matt’s passiveness is often frustrating but this is definitely worth hanging in there with. When Birbiglia focuses on his relationships, the movie seems more energized. When focusing on Birbiglia alone, it loses focus a little bit. It’s not a perfect movie (few movies are) but it is certainly worthwhile enough to make an effort to seek out if you can.

REASONS TO GO: Birbiglia is engaging most of the time. Weaves dream sequences in skillfully.

REASONS TO STAY: Could have used more character development of the characters not named Matt.

FAMILY VALUES:  A bit of sexuality and a bit of bad language.

TRIVIAL PURSUIT: In order to play himself, Birbiglia lost more than 20 pounds.

CRITICAL MASS: As of 11/7/12: Rotten Tomatoes: 86% positive reviews. Metacritic: 71/100. The reviews are definitely positive.

COMPARISON SHOPPING: Punchline

STAND-UP COMEDY LOVERS: There are several sequences of stand-up comics, particularly Birbiglia, practicing their craft.

FINAL RATING: 7.5/10

NEXT: Waltz With Bashir

New Releases for the Week of October 26, 2012


October 26, 2012

CLOUD ATLAS

(Warner Brothers) Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, Xun Zhou, James D’Arcy, Keith David, Susan Sarandon, Hugh Grant. Directed by Tom Tykwer, Andy Wachowski and Lana Wachowski

Based on the bestselling novel by David Mitchell, six stories through various eras from the 19th century to the distant future. Events in all eras ripple through time in ways both directly and subtly to effect characters who have much more to do with one another than a startling resemblance to one another.

See the trailer, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Science Fiction/Fantasy/Drama

Rating: R (for violence, language, sexuality/nudity and some drug use)

Ajab Gazabb Love

(Puja) Arjun Rampal, Jakky Bhagnani, Nidhi Subbiah, Arshad Warsi. The heir to a worldwide automobile empire falls in love with a girl who’s only interested in social justice and could never have anything to do with a rich guy. The young man convinces his family to play “poor” so that the girl of his dreams will accept him. This is a remake of the Telugu film Seema Tapakai.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Chakravyuh

(Eros International) Arjun Rampal, Abhay Deol, Manoj Bajpai, Om Puri. The very real Naxalite rebellion in India is examined as young activists battle extreme poverty and social injustice. Pushed into a corner, it seems that a violent uprising may be the only way to achieve justice for the poor and defenseless.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Chasing Mavericks

(20th Century Fox) Gerard Butler, Elisabeth Shue, Abigail Spencer, Jonny Weston. A young man yearns to surf the most dangerous waves in the world.  A local legend takes him under his wing and that young man would become Jay Moriarty, one of the most beloved of the big wave surfers.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sports Biography

Rating: PG (for thematic elements and some perilous action)

Dhenikaina Ready

(24 Frames) Vishnu Manchu, Hansika Motwani, Brahmanandam, Kota Srinivasa Rao. When a couple from Hindi and Muslim families elope, the two families enter open hostilities. When a court case ends the dispute, the couple tries to mend fences between the two families.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Fun Size

(Paramount) Victoria Justice, Thomas Mann, Chelsea Handler, Jane Levy. A pretty high school senior with attitude to spare gets invited to the biggest, most important Halloween party…like, ever in the history of the universe. But there’s just one thing – her skanky mom is going to her own dress-like-a-slut Halloween party leaving the senior to babysit his little brother. And when her little brother gets lost she’ll have to rely on, like, geeks to save her night and set her on the path to awesomeness.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for crude and suggestive material, partying and language)

Silent Hill: Revelation

(Open Road) Adelaide Clemens, Sean Bean, Radha Mitchell, Carrie-Anne Moss.  A father and his daughter are on the run from powerful supernatural forces. As she approaches her 18th birthday, disturbing nightmares plague her and when her father disappears she will have to go to Silent Hill to rescue him and come face to face with the truth of who she really is.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Supernatural Horror

Rating: R (for violence and disturbing images, some language and brief nudity)

Sleepwalk With Me

(IFC) Mike Birbiglia, Lauren Ambrose, James Rebhorn, Carol Kane. A stand-up comedian deals with a stalled career, disapproving parents, a deteriorating relationship and a sleepwalking habit increasing in length and severity. Did we mention this is a comedy?

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for some sexual content and brief language)

V/H/S

(Magnet) Joe Swanberg, Adam Wingard, Sophia Takal, Calvin Reeder. A group of thieves hired to find a specific VHS tape in an abandoned house finds a whole stack of them, each one more morbid and horrifying than the last. As they continue to watch it soon becomes terrifyingly apparent that these tapes are much more than they seem to be.

See the trailer or stream the full movie from Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror Anthology

Rating: R (for blood violence, strong sexuality, graphic nudity, pervasive language and some drug use)

The Princess Bride


The Princess Bride

True love's kiss always comes complete with horse and sunset.

(1987) Romantic Fantasy (20th Century Fox) Cary Elwes, Robin Wright, Chris Sarandon, Mandy Patinkin, Andre the Giant, Wallace Shawn, Christopher Guest, Billy Crystal, Carol Kane, Fred Savage, Peter Falk, Peter Cook, Mel Smith. Directed by Rob Reiner

 

Some romances have a fairy tale quality to them – brave princes, fair princesses, monsters and magic, quests and daring rescues. Okay that doesn’t happen much in real life but sometimes we all love to feel as if our romance is fairy tale-esque.

Buttercup (Wright) is the daughter of a simple farmer who has the farmboy Wesley (Elwes) wrapped around her finger. It isn’t too long before they fall deeply in love with one another. However, Wesley cannot marry Buttercup as a farmboy, so he sails across the sea to seek his future. His ship is taken by the Dread Pirate Roberts and sent to the bottom of Davey Jones’ locker and Wesley with it.

Buttercup is inconsolable. However she attracts the eye of Prince Humperdink (Sarandon), heir to the throne of Floran. She becomes engaged to marry him but remains sad and unhappy. She will marry him but her heart belongs to the late, lamented Wesley.

Then one day while she is out for her daily horseback ride she is abducted by three men – Vizzini (Shawn) the Sicilian mastermind, Inigo Montoya (Patinkin) a Spanish swordsman looking to avenge his father who was murdered by a six-fingered man some years back, and Fezzik (Andre), a giant from parts unknown.

They ride for Gilder, the sworn enemy of Floran with the Prince and his right hand man, Count Rugen (Guest) hot on their heels. Also right behind them is a mysterious man in black who catches up with them and in turn dispatches Montoya, Fezzik and Vizzini. He then takes Buttercup who guesses him to be the Dread Pirate Roberts – which turns out to be correct. But in her attempt to escape she discovers he is also Wesley, who has assumed the identity of Roberts when the pirate using that name retired.

But with the Prince right behind them, they run into the Fire Swamp to evade capture. Sadly, although they survive the Fire Swamp, they do not evade capture and they are taken  back to Floran where the Prince prepares for his wedding and the Count prepares to torture Wesley. Will true love win in the end? Only with the help of Miracle Max (Crystal) and his buttinsky wife Valerie (Kane) will the heroes save the day, rescue the princess and allow true love to triumph. That and a holocaust cloak.

Let’s start out by saying this is one of my very favorite movies of all time. Not a single misstep is made, nothing feels wrong from the framing device of the devoted grandfather (Falk) reading to his sick grandson (Savage) to the haunting score by Dire Straits frontman Mark Knopfler.

Reiner assembles an impressive cast who all inhabit their characters impressively and the fact that they are given a marvelous script full of great dialogue helps immensely. Who can forget Mandy Patinkin repeating “Hello! My name is Inigo Montoya. You killed my father. Prepare to die” as he fights Count Rugen, the six fingered man, to the death. Who can forget Wesley begging Buttercup “Gentlyyyyyyy!” as they are reunited or his regular “As you wish” whenever she asks something of him.

There is a certain cheese factor in the somewhat low-budget special effects and sets. This is meant to be a Grimm’s Fairy Tale with a slightly modern twist, pre-Shrek but minus the pop culture references. The cast is without exception top-notch with Elwes giving a career-defining performance. Wright made her film debut here and has since gone on to a long and acclaimed career of 25 years.

Patinkin, one of the more versatile actors out there, channels Errol Flynn (down to the moustache) and has a genuinely affectionate chemistry with the late Andre the Giant, who remarked later that he had never felt so accepted as he did on the set of this movie. You can feel the camaraderie of the cast come through onscreen – this is the type of movie that leaves you with as good a feeling as it is possible to come away with from a movie.

This should definitely be at or near the top of the list for romantic movie night viewing. This is a movie that understands love, understands its magic and is able to translate that to the screen. If you aren’t in love when you start watching this film, you will be by the time it’s over.

WHY RENT THIS: One of the most romantic movies ever, with great wit, panache and Andre the Giant.

WHY RENT SOMETHING ELSE: You are freaked out by Rodents of Unusual Size.

FAMILY VALUES:  There are a few items of mildly crude humor and a few scary moments of Andre the Giant flambé but this really is perfectly fine for kids of all ages.

TRIVIAL PURSUIT: Max and Valerie are named for original author William Goldman’s parents. And by the way, the Dread Pirate Roberts was a real person – Bartholomew Roberts, also known as Black Bart. He was a very successful 18th Century Pirate. Inconceivable, no?

NOTABLE DVD EXTRAS: There have been several DVD releases of the film, including a Special Edition (2001) which includes home movies taken on set by Elwes and a Dread Pirate edition (2006) that includes that and a featurette on the real Dread Pirate Roberts, a featurette about fairy tales and their similarities, a tourist brochure for Floran and an interactive trivia game. The 20th Anniversary edition (2007) strangely contains none of these things but does have featurettes on the swordplay in the movie as well as a bit on how folklore is incorporated into The Princess Bride and how it compares and contrasts to other books in a similar genre. All of these are available on the Blu-Ray release (2009) which makes it the best choice for extras.

BOX OFFICE PERFORMANCE: $45.7M on a $40M production budget; the movie was unable to recoup its production budget during its theatrical run.

FINAL RATING: 10/10

TOMORROW: An Affair to Remember

The Bounty Hunter


The Bounty Hunter

Jennifer Aniston and Gerard Butler are crusing the byways of New Jersey in a big blue whale.

(Columbia) Jennifer Aniston, Gerard Butler, Jason Sudeikis, Dorian Missick, Joel Marsh Garland, Christine Baranski, Jeff Garlin, Cathy Moriarty, Richie Coster, Carol Kane, Tracy Thorne, Adam Rose, Siobhan Fallon Hogan. Directed by Andy Tennant

Sometimes life drops a gift into our laps. It could be an inheritance from a previously unknown relative, or a long-forgotten stock gift hitting paydirt. It can even be something far more simpler but much more satisfying.

Nicole Hurly (Aniston) is a reporter whose life is her job. She is investigating the apparent suicide of a police property clerk under suspicious circumstances. When a snitch calls her to set up a meeting with important evidence on the line, she blows off a bail hearing for a traffic crime to go to the meet.

Milo Boyd (Butler) used to be a police detective but he’s made a few career missteps so now he works for his friend Sid (Garlin) as a bounty hunter for bail skip-outs. When he receives the ticket for his ex-wife – you guessed it, Nicole Hurly – over the fourth of July weekend, he is more than jazzed. He is simply ecstatic.

While searching his ex-wife’s apartment, he runs into her love-struck co-worker Stewart (Sudeikis) who believes that he is having a torrid relationship with Nicole (which was in reality a single night of drunken making out). With his intimate knowledge of the client he heads over to Atlantic City where Nicole has also blown off lunch with her cabaret entertainer mom (Baranski) to go to the track and think. He collars her at the track and its clear that she despises him and vice versa.

Milo is also in debt to some bookies for a good deal of dough and Mama Irene (Moriarty) wants it collected. A couple of thugs are on the look-out for Milo, and there are some crooked cops who are after Nicole. Now half the state of New Jersey is looking for both of them and they can’t stand each other – but they’ll have to rely on each other to make it back to New York.

In years gone by this would have been a screwball comedy with Rita Hayworth or Cary Grant in the lead roles, with lots of snappy one-liners and clever dialogue. Today, it’s a formula romantic comedy that shows little imagination in anything other than the casting of the leads with attractive, bankable stars.

Director Andy Tennant has made movies like Hitch and Sweet Home Alabama, both light entertainments that are way better than this is. This is bloodless and by the numbers. Aniston and Butler are both solid actors who have made some good movies but this isn’t one of them. Butler, who was solid in last year’s The Ugly Truth, is in a similar man-slob role but unlike that movie doesn’t have a whole lot of redeeming qualities. The sweetness that was at the core of his character in that movie is completely missing here.

There’s some talent in the supporting roles, from Baranski as Nicole’s oversexed mom to the great Carol Kane as a bed and breakfast owner. For the most part though, it’s wasted with pointless slapstick bits and one-liners that are punchless and none too funny. It’s not a complete waste of time, but it isn’t anything to write home about either.

In fact, this is a completely formulaic movie that holds no surprises whatsoever. You know where the romance is going, and you know who the bad guys are the minute they show up onscreen. It’s a no-brainer for even the non-discerning audience.  

REASONS TO GO: Aniston and Butler are attractive leads.

REASONS TO STAY: A passionless, formulaic script with no surprises whatsoever.

FAMILY VALUES: Some sexual situations and a little bit of violence and foul language but for the most part perfectly harmless.

TRIVIAL PURSUIT: The production filmed at Monmouth Racetrack in New Jersey; notices were posted throughout the track that those who didn’t want to be filmed should leave the premises.

HOME OR THEATER: No problem waiting for this to hit the home video market.

FINAL RATING: 5/10

TOMORROW: Repo Men