(2013) Drama (Black Kettle) Zenzo Ngqobe, Nozipho Nkelemba, Jerry Mofokeng, Lebohang Ntsane, Moshoshoe Chabeli, Lillian Dube, Sam Phillips, Jerry Phele, Reitumetse Qobo, Silas Monyatsi, Leonard Mopeli, Jabari Makhooane, Khotso Molibei, Mokoenya Cheli, Stephen Mofokeng, Harriet Manamela. Directed by Andrew Mudge.
When one is a young man, one tends to judge the actions of their father quite harshly. We think of our old man as just that – an old man, ignorant in the ways of the modern world, one who doesn’t understand us and what we’re going through, one whose own actions are as unfathomable as a Lars von Trier film. Yet when we get some life experience of our own, most times the sins of our fathers (real or imagined) are brought into crystal clarity.
Joseph (Ngqobe) is a young man, living in Johannesburg, South Africa with a huge chip on his shoulder. He drinks, he carouses, he womanizes and he doesn’t seem to give a damn about anything or anybody. When he hears his father is ill, he’s not too concerned – his father has always been ill. When he goes to visit him in a mean, dirty tenement in a shantytown outside of the city, he discovers that his father (Phele) has passed away.
It becomes apparent that his father wants to be buried in Lesotho, a country completely surrounded by South Africa where Joseph (whose tribal name is Atang, which seems to irritate him) was born. After the death of his mother and after his father contracted AIDS, Dad had sent Atang into Jo-burg, which didn’t sit well with Joseph/Atang – ah hell, Atang – at all. However, he can’t deny his father his final rest so he takes the body back to the village in Lesotho.
The priest (Chabeli) seems to think that Atang’s father was a good man but Atang is having none of it – to him, his father was a coward who abandoned him when he needed him most. Atang is getting ready to go home when he is reintroduced to Dineo (Nkelemba), a childhood friend who has become the local schoolteacher. The two catch up somewhat and Atang realizes that his feelings for Dineo have deepened. However at last he has to go back to Johannesburg.
He gets a job, motivated to make some money and marry Dineo. However, when he arrives back at the village, he discovers that Dineo’s father (Mofokeng) has moved the family to a distant, remote village inaccessible by road or train. Dineo’s sister (Qobo) has also contracted AIDS and the shame has prompted dear old dad to move the whole family away, where he can lock up his diseased daughter away from the world.
With the aid of an Orphan (Ntsane) who happens to have a couple of horses, Atang goes off on a journey across the vast landscape of Lesotho. It is a journey in which he will discover who his father was, who he is and what is truly important.
Putting it bluntly, this is an early contender for the Best Movie of 2013. It is rare to find a movie that packs such narrative impact as well as emotional connection without having to sacrifice one for the other. The cinematography is breathtaking and Robert Miller has contributed a wonderful score that enhances the mood without distracting you from it.
While there are plenty of veteran South African actors in the cast, there are also many local actors and non-actors also in the cast. The performances are all compelling, but particularly that of Ngqobe who undergoes quite a transformation during the course of the film, from a somewhat sullen and self-centered man into one who has become much more self-aware and loving. His transformation is the center of the film, and the journey that he and the Orphan take across the stunning landscape of Lesotho is centered on that change.
Yes, in some ways this is a road picture in the tradition of Hope and Crosby but while there are some moments that are funny, this isn’t a comedy – but the basics are there. This is more of a self-discovery rather than a means to find laughs and as Atang discovers himself, so too will the audience. I can’t speak for everyone, but I felt very keenly the need to explore my own relationship with my father and my son, as well as my own roles as both. I felt my own background wash over me like a warm blanket, followed by the sense of Africa covering me and holding me in a warm embrace.
It is easy to sentimentalize Africa (considering that most of us, myself included, have never been there) but it is the cradle of civilization and evidence points that we all have a connection there in one form or another as human life began there. This movie neither sentimentalizes Africa nor demonizes it; we get a sense of some of the problems there, but we also get a sense of the beauty of the environment and of its people, not to mention the wisdom of their civilization which in many ways far outdistances that of our own. This is a movie everyone should experience and I’m very grateful that I got to see this with my own mother. It’s one that will dwell in both your heart and mind for a very long time to come.
REASONS TO GO: Beautifully photographed and a story that will grab hold of you from beginning to end. Surprisingly well-acted.
REASONS TO STAY: American audiences seem to have a built-in prejudice against subtitled films.
FAMILY VALUES: Adult themes, some bad language and a lot of smoking.
TRIVIAL PURSUIT: Both Ngqobe and Nkelemba were cast members in the popular South African soap opera Rhythm City.
CRITICAL MASS: As of 4/29/13: Rotten Tomatoes: no score yet. Metacritic: no score yet; the movie is just embarking on the festival circuit.
COMPARISON SHOPPING: The Straight Story
FINAL RATING: 10/10
NEXT: Offshoring, Day 5