New Releases for the Week of December 20, 2019


STAR WARS: RISE OF THE SKYWALKER

(Disney) Daisy Ridley, Adam Driver, Oscar Isaac, John Boyega, Carrie Fisher, Mark Hamill, Anthony Daniels, Domhnall Gleeson, Richard E. Grant. Directed by J.J. Abrams

Forty years and ten movies on, and it all comes to this; the final chapter in the saga of the Skywalker family, from Anakin to Luke and now the last generation, the story that has spanned four decades comes to a conclusion. Is it going to be as emotionally satisfying as the MCU finale earlier this year? Probably not.

See the trailer here
For more on the movie this is the website
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for sci-fi violence and action)

A Hidden Life

(Fox Searchlight) August Diehl, Valerie Pachner, Maria Simon, Tobias Moretti. The true story of Austrian farmer Franz Jägerstätter who refused to fight for the Nazis during the Second World War at great personal cost to himself and his family. This is the latest from recently prolific director Terrence Malick.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for traumatic material including violent images)

Bombshell

(Lionsgate) Charlize Theron, Nicole Kidman, Margot Robbie, John Lithgow. A group of women at Fox News take on Roger Ailes to try and change the toxic masculine atmosphere he created, leading to a profound shakeup at the official network of the Republican party.

See the trailer here
For more on the movie this is the website  
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Lake Square, AMC West Oaks, Cinemark Orlando, Cinepolis Hamlin, Cinepolis Polk County, Cobb Daytona Luxury, Epic Theaters of Clermont, Regal Oviedo Marketplace, Regal Pavilion Port Orange, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs Square
Rating: R (for sexual material and language throughout)

Cats

(Universal) James Corden, Judi Dench, Idris Elba, Jennifer Hudson. At long last comes the screen version of the hit Broadway musical by Andrew Lloyd Webber, depicting a group of cats meeting to determine which one of them will ascend to the Heaviside Layer and return to a new and better life. The film has gotten a great deal of blowback due to the trailer which some found the CGI make-up effects disconcerting.

See the trailer here
For more on the movie this is the website  
Genre: Musical
Now Playing: Wide Release
Rating: PG (for some rude and suggestive material)
 

Dabangg 3

(Yash Raj) Salman Khan, Arbaaz Khan, Mahie Gill, Girish Taurani. India’s beloved badass cop Inspector Chulbul Pandey is back to take on a new case.

See the trailer here
For more on the movie this is the website  
Genre: Action
Now Playing: Cinemark Universal Citywalk, Touchstar Southchase
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Hero</em
Prati Roju Pandage
Ruler
Thambi

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Hero
Only Cloud Knows
Prati Roju Pandage
Ruler
Thambi

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Ruler

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Prati Roju Pandage

SCHEDULED FOR REVIEW:

A Hidden Life
Bombshell
Cats
Star Wars: The Rise of Skywalker

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Mistletoe Movie Madness, Dania Beach, FL

Star Wars: The Last Jedi


In any Star Wars film sparks will fly and stuff will burn.

(2017) Science Fiction (Disney) Daisy Ridley, John Boyega, Oscar Isaac, Mark Hamill, Adam Driver, Carrie Fisher, Laura Dern, Andy Serkis, Domhnall Gleeson, Lupita Nyong’o, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Frank Oz, Benicio Del Toro, Justin Theroux, Billie Lourd, Joonas Suotomo, Amanda Lawrence, Jimmy Vee, Veronica Ngo. Directed by Rian Johnson

In the annals of all things cinematic, no film franchise has ever elicited as much anticipation as the Star Wars franchise has with every film that’s come out since the first one. Say what you want about their fandom, they are among the most loyal of any fanbase for just about anything anywhere; many of its fans go back to the first 1977 film forty years before the latest one came out.

And there are no signs of the franchise slowing down anytime soon. Not only is there a standalone Han Solo film coming out this summer, but earlier this year it was announced that another trilogy has been approved by Disney (to nobody’s surprise) after the current trilogy concludes next year. Rian Johnson, director of this episode, will be overseeing it although whether that means he will be directing all three of the films, writing them or acting more like a kind of Yoda for the filmmakers who will be involved with the fourth trilogy remains to be seen.

While this is the longest of the films to date, for the most part it doesn’t seem that way thanks to incredible special effects which have become and remained the norm for the series. Like The Force Awakens there seems like a lot of story lines that were cobbled from other films in the series (a last stand on an ice planet? C’mon, guys) and elsewhere. On top of that there are all sorts of threads going on here and while they seem to reach a conclusion, it still feels like we’re slogging through story more than we should be.

But there is a whole lot to like about the movie as well. One of the main things is Mark Hamill. He has delivered one of his best performances ever and certainly his best Luke Skywalker ever. I worried early on that he would be curmudgeonly “get off my lawn” Luke for the whole movie but thankfully he shows some growth, particularly in the final act. The film ends on a grace note that is as magical a moment as you’ll find in the entire series.

There are other fine performances and storylines here but Ridley as Rey was not as compelling as she was previously. Boyega also seems to be written as kind of a one-note character. Laura Dern is a welcome addition to the Star Wars Universe, giving a performance that matches some of the veteran cast members note for note. Oscar Isaac seems to be developing into a very interesting character and the storyline with Rose (Tran) was one of the best in the film. However, I think the movie will be long-remembered for being Carrie Fisher’s last appearance as Princess Lea (Episode IX director J.J. Abrams has stated that Fisher won’t be appearing in any form in that movie).

On the other hand, there’s Snoke, the Supreme Leader of the First Order who is played via motion capture by the great Andy Serkis. When you have maybe the best motion capture performer of all time to utilize it seems a bloody shame to use so little of him. He is almost casually dispatched early in the movie which may end up being a tactical error or not. The Emperor surrogate role now falls to Adam Driver as Kylo Ren who may not be wholly evil after all as Anakin Skywalker was. But can anyone be both Darth Vader and Emperor Palpatine at once? That remains to be seen.

This is superior entertainment and helped 2017 end on a record-breaking note. While many fans sniped over some of the story points (even Hamill reportedly wasn’t happy about the direction his charcter was taking) there’s no doubt that the franchise is as healthy as it ever was. Most people reading this have likely already seen the film multiple times in the theaters and await with varying degrees of eagerness for it to become available for their home collections. Well, so is this critic.

REASONS TO GO: As always, the special effects are as breathtaking as any in the movies. The action sequences are also top of the line. Hamill delivers his best performance of the series.
REASONS TO STAY: The buildup for Snoke led to somewhat of a letdown. The story is unnecessarily convoluted and once again feels like it was borrowed from other episodes..
FAMILY VALUES: As you would expect from a film of this franchise there is all sorts of action and violence.
TRIVIAL PURSUIT: In addition to playing Luke Skywalker, Hamill also played a CGI character who can be seen putting money into BB-8 during the casino scene.
CRITICAL MASS: As of 2/1/18: Rotten Tomatoes: 91% positive reviews. Metacritic: 85/100.
COMPARISON SHOPPING: Star Wars Episode II: Attack of the Clones
FINAL RATING: 7.5/10
NEXT:
Scorched Earth

New Releases for the Week of December 15, 2017


STAR WARS: THE LAST JEDI

(Disney) Daisy Ridley, Mark Hamill, Oscar Isaac, Carrie Fisher, Laura Dern, John Boyega, Adam Driver, Domhnall Gleeson, Andy Serkis.  Directed by Rian Johnson

Rey, having utilized some of her nascent Jedi powers, has found Luke Skywalker but he is unwilling to teach any more disciples the secrets of the Force. At last, begrudgingly, he is convinced but the more Rey discovers about the Force the more she discovers about her mysterious past.

See the trailer and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D, RPX, D-Box, Dolby Atmos
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for scenes of sci-fi action and violence)

Ferdinand

(20th Century Fox) Starring the voices of John Cena, Kate McKinnon, Jeremy Sisto, Anthony Anderson. A big-hearted bull is mistaken for a wild beast and brought to the arena to be a fighting bull. Knowing that he won’t come out of the arena alive, he attempts an escape to get back home where he belongs along with his misfit friends.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard 
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for rude humor, action and some thematic elements)

Wonder Wheel

(Focus) Kate Winslet, Jim Belushi, Juno Temple, Justine Timberlake. Four lives intersect in the Coney Island of the 1950s; an emotionally volatile former actress now working as a waitress in a clam joint; her rough and tumble carousel operator husband; a lifeguard with dreams of becoming a playwright and the estranged daughter of the waitress and her husband who is hiding out from gangsters in her father’s apartment.

See the trailer and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Winter Park Village, Rialto Spanish Springs

Rating: PG-13 (for thematic content including some sexuality, language and smoking)

ALSO OPENING IN ORLANDO/DAYTONA:

Love Ni Bhavi
The Tribes of Palos Verdes

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Dealt
Love Ni Bhavi
Oro
The Shape of Water
The Tribes of Palos Verdes
Youth

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hedgehogs
Love Ni Bhavi

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Unrest

SCHEDULED FOR REVIEW:

Ferdinand
The Shape of Water
Star Wars: The Last Jedi
Unrest

Star Wars: The Force Awakens


Home at last!

Home at last!

(2015) Science Fiction (Disney) Harrison Ford, Daisy Ridley, John Boyega, Oscar Isaac, Carrie Fisher, Adam Driver, Lupita Nyong’o, Andy Serkis, Mark Hamill, Domhnall Gleeson, Anthony Daniels, Max von Sydow, Peter Mayhew, Gwendoline Christie, Simon Pegg, Pip Torrens, Greg Grunberg, Kiran Shah, Andrew Jack, Warwick Davis, Sasha Frost. Directed by JJ Abrams

So, no joke, this is the cinematic event of the year – and one of the biggest event movies ever. Certainly it’s box office explosion, mowing down box office records like so many innocent civilians at the hands of Stormtroopers, gives credence to that. People weren’t just excited to see it – they were absolutely insane to see it. Many have gone back and seen it three or four or more times since it opened. But is it worth all the hype?

As the iconic opening crawl informs us, thirty years has passed since the Empire has fallen and the Republic was re-established. From the ashes of the Empire has risen the First Order, run by the shadowy Supreme Leader Snoke (Serkis) who appears via hologram as kind of a gigantic mummified cross between Abe Lincoln and C3PO (Daniels). Who appears later on in the film. C3PO, not Abe Lincoln.

I digress. Everyone is looking for Luke Skywalker (Hamill), the last Jedi Knight who has disappeared after some sort of catastrophe involving training new Jedi Knights that went horribly wrong. The First Order wants to stop him from doing what the Resistance (tacitly supported by the Republic) want him to do – to lead them to victory against the First Order. To that end, they have sent cocky pilot Poe Dameron (Isaac) to the desert world Jakku to retrieve a map which leads to Skywalker. However, the First Order led by their Sith-like leader Kylo Ren (Driver) show up and Dameron is forced to give the chip containing the map to his trusty droid BB8 (kind of like a Beach Ball with the top of a droid on it – perhaps that’s what BB stands for) and sends him rolling off to the nearest settlement. He’s captured and interrogated but eventually rescued by Fin (Boyega), a Stormtrooper who develops a conscience.

BB8 discovers Rey (Ridley), a metal scavenger who has been on her own since her parents left her on Jakku to fend for herself. In the meantime, Fin and Dameron get separated and Fin finds Rey and BB8 but with the Emp…er, First Order hot on their heels, they escape in what turns out to be a familiar spaceship.

Once away they run into familiar faces and new ones, and discover that an all-new and improved solar-powered Death Star is getting ready to do its worst. The new Resistance heroes must go to this new weapon and destroy it, but that is no easy task, even with the old Rebellion heroes on their side.

After the prequel trilogy left the Star Wars fandom and moviegoers in general underwhelmed, I can safely say that this had a pretty high bar to meet, but it has done so in spades. Frankly put, this is one of the best movies of the year and I never thought I’d say that about a Star Wars film. As you’d expect, the special effects are marvelous and mostly achieved through practical means. However, there’s more to the film than that.

Let’s talk about the story a little bit. Some have complained that there are too many similar elements to the very first film, which is now titled Episode IV: A New Hope in canon. That’s a pretty fair complaint and it is occasionally distracting, but the storylines aren’t terribly identical. I do wish they’d used something other than a desert planet to open the movie with although I suspect that the universe has more desert planets than those with greenery. But one can have a fairly barren terrain without having the same sand dunes that characterized Tatooine. However, the important thing is that the story has retained that epic quality that characterized the first trilogy (not the prequels so much).

That said, the acting here is marvelous. Ford in particular brings Han Solo back to life, giving him the same gruff, roguish qualities in the first trilogy but tempering it with melancholy – there have been events in his life since the fall of the Empire that have been bitter and some even tragic. Not all of those are gone into with much detail, but let’s just say that as a father and a husband he makes a good smuggler.

Ridley and Boyega, who share the heroic role, both show a good deal of screen charisma and promise as the new kids on the block. They both realize they don’t have to carry the film, but something tells me either one or both could if they had to. Boyega, particularly, has an incredible amount of potential, not just here but in all of the films he’s been in. His character is the most interesting one of the new ones, although Kylo Ren has some definite Daddy issues that no doubt are going to develop into something else.

The movie moves along at breakneck speed; even the pauses are well-placed and well-paced. It’s not a short movie but it never feels long. Considering all the expectations that were heaped on this property that Disney paid $4 billion for, it’s good to see that for once not only were those expectations met but exceeded. Looks like Disney has gotten an excellent return on their investment.

REASONS TO GO: Spectacular! Recaptures everything about the first trilogy that made it great. Will appeal to kids and adults as well. Surprisingly good performances.
REASONS TO STAY: Story a little too much like the very first movie.
FAMILY VALUES: Some sci-fi violence.
TRIVIAL PURSUIT: Abrams preferred to use actual locations and practical effects over green screen and CGI in order to be more aesthetically similar to the first trilogy.
CRITICAL MASS: As of 12/28/15: Rotten Tomatoes: 94% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Star Wars Episode IV: A New Hope
FINAL RATING: 9.5/10
NEXT: Hitchcock/Truffaut

New Releases for the Week of December 18, 2015


Star Wars Episode VII The Force AwakensSTAR WARS: THE FORCE AWAKENS

(Disney) Daisy Ridley, Mark Hamill, Carrie Fisher, Harrison Ford, Oscar Isaac, Adam Driver, Max von Sydow, John Boyega, Simon Pegg, Lupita Nyong’o. Directed by J.J. Abrams

The wait is finally over as the most eagerly anticipated movie in maybe a decade finally debuts in theaters and everyone is going gaga over it. I’d give a plot summary here but does it really matter? The reviews have been strong, word of mouth is as usual critical from the fanboys and aging fans are reliving their youth all over the globe, and that can’t be a bad thing. Merry Christmas, Disney accountants!

See the trailer, promos, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence)

Alvin and the Chipmunks: Road Chip

(20th Century Fox) Jason Lee, Justin Long (voice), Kimberly Williams-Paisley, Matthew Gray Gubler (voice). The chipmunks and Dave take their act on the road. Just as long as it takes them away from wherever I am.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family Comedy
Now Playing: Wide Release

Rating: PG-13 (for some thematic elements and brief suggestive material)

The Assassin

(Well Go USA) Qi Shu, Chen Chang, Satoshi Tsumabuki, Dahong Ni. A young woman, abducted as a child from her home by a general of the army, trained into adulthood to be an assassin, is ordered to kill the man she is betrothed to. She must discover why she was chosen for this job and in doing so confront her past before she makes the choice to leave the only life she’s ever known or murder the only man she’s ever loved.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Martial Arts
Now Playing: Enzian Theater

Rating: NR

Bajirao Mastani

(Eros International) Priyanka Chopra, Deepika Padukone, Ranveer Singh, Mahesh Manjrekar. In ancient India, a cunning general and his second wife are fated to be caught in events that are sweeping through the sub-continent. This true story has the production values of an epic and may be one of the most sumptuously filmed movies to ever come out of that country.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance Adventure
Now Playing: AMC Loew’s Universal Citiplex, Touchstar Southchase

Rating: NR

Dilwale

(Red Chillies) Shah Rukh Khan, Kajol, Kriri Sanon, Varun Dhawan. A little bit like Romeo and Juliet, two families that compete in business, in politics and in just about everything else are separated when one family moves away. Fifteen years afterwards, the children meet again and sparks fly – as well as romantic ones.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Touchstar Southchase

Rating: NR

Hitchcock/Truffaut

(Cohen) Alfred Hitchcock, Francois Truffaut, Matthieu Amalric (voice), Martin Scorsese. One of the most influential books in the history of filmmaking is the interview between French New Wave director Truffaut and the Master of Suspense Hitchcock. Two of the all-time best in the business (many say Hitchcock was the best) talk about directing with a candidness that they might never have given during a mainstream interview. The book made from the interview has influenced many of the greatest directors of this generation; excerpts from the original interviews and commentary on what the book meant to their careers are included.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: PG-13 (for suggestive material and violent images)

Sisters

(Universal) Tina Fey, Amy Poehler, John Cena, Maya Rudolph. Two very different sisters – one a divorced mouse, the other a single party animal, come home to discover their parents are putting their childhood home up for sale. Distraught, they decide to relive their glory years one last time with a blow-out party that will perhaps provide the catharsis they need and the laughs that we need.

See the trailer, clips, a promo, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content and language throughout, and for drug use)

Scream 3


We've seen this movie before.

We’ve seen this movie before.

(2000) Horror Comedy (Dimension) Neve Campbell, Courtney Cox-Arquette, David Arquette, Liev Schreiber, Patrick Dempsey, Lance Henriksen, Kelly Rutherford, Parker Posey, Emily Mortimer, Jenny McCarthy, Kevin Smith, Jason Mewes, Deon Richmond, Patrick Warburton, Jamie Kennedy, Heather Matarazzo, Carrie Fisher, Scott Foley, Julie Janney. Directed by Wes Craven

As one character says, in the third installment of a trilogy, all bets are off. That can be a good thing and bad – it gives you the freedom to deviate from the course set by the first two films but sometimes lose the essence of what made them successful in the first place. Perhaps that’s why so few of them are really that successful, both artistically and financially.

Talk show host Cotton Weary (Schreiber), the man accused of the murder of Sydney Prescott’s (Campbell) mother (and later exonerated by the events of the first movie), is brutally killed in his apartment, and of course intrepid (and irritating) journalist Gail Weathers (Cox-Arquette) is on the case. Meanwhile over in Woodsboro a movie called Stab 3 is being shot.

Soon, cast members of the third movie of a series of movies based on the events in Scream (talk about art imitating art) are beginning to turn up dead, in the exact order that they are bumped off in the script. Former deputy-turned-technical advisor to the movie Dewey Riley (Arquette), in his own laconic way, is out to protect his friend Sydney, as well as rekindle a romance with Gail, with whom he has broken up twice (art imitating life, kind of). Sydney, for her part, has secreted herself in an isolated, rural home with lots of high-tech security. Still, even Dewey can’t protect her from the visions of her dead mother and for the most part, from the Ghostface killer who continues to stalk her.

Much of Scream 3 is pretty formulaic and is just the kind of movie, ironically, that the original Scream poked fun of. Although Craven deviates here from the tradition of murdering a lovely young starlet before the opening credits (a la Drew Barrymore and Jada Pinkett) by taking out Schreiber, they do manage to send Jenny McCarthy to join the Choir Invisible, getting a hearty “Amen!” from critics everywhere. We critics are a vindictive lot.

Still, director Wes Craven knows how to yank out all the stops, but the loss of screenwriter Kevin Williamson, who penned the first two Screams, is keenly felt (he would return for the fourth installment). This one doesn’t have the hipness quotient, the humor, or the insight into horror movies that Williamson has. I didn’t guess who the killer was, but by the time the identity of the killer behind the Edvard Munch mask is revealed, I pretty much didn’t care.

Although not bad by the standards of horror movies of the late 90s and early part of the following decade, Scream 3 belongs in the clutches of the robots of Mystery Science Theater 3000 which puts it far beneath the standards of the first two movies. That’s a little too much painful irony for my taste. At the time that this came out, I thought it was just as well Craven decided to bury the franchise at that point, since the corpse was smelling mighty bad. Scream 4 was a bit of a redemption but not enough to make up for this, the worst installment of the franchise to date – although it DOES get points for the Jay and Silent Bob cameo. Craven knows hip when he sees it. Honestly though, once you’ve seen the first two movies in the series you’re pretty much done.

WHY RENT THIS: Jay and Silent Bob show up. Seriously, that’s about it. There are some fans of the series who are very affectionate about this movie though.

WHY RENT SOMETHING ELSE: Been there, done that, done better.

FAMILY MATTERS: Plenty of violence and foul language although not as much as in earlier films of the series.

TRIVIAL PURSUITS: Nick Cave’s “Red Right Hand” is played at some point in all three films of the original trilogy.

NOTABLE HOME VIDEO FEATURES: There is a music video by Creed, an outtake reel and a montage of footage from all three films (fittingly set to “Red Right Hand”).

BOX OFFICE PERFORMANCE: $161.8M on a $40M production budget; the movie was a big hit for Miramax/Dimension.

COMPARISON SHOPPING: Scary Movie (only unintentionally funny)

FINAL RATING: 4/10

NEXT: Brother’s Justice

Sorority Row


Sorority Row

Most sorority sisters will tell you that a sorority house is just a series of excuses to dress up in lingerie.

(2009) Slasher Horror (Summit) Briana Evigan, Leah Pipes, Rumer Willis, Jamie Chung, Audrina Partridge, Carrie Fisher, Julian Morris, Margo Harshman, Matt O’Leary. Directed by Stewart Hendler

The slasher movie is a time-honored tradition that usually involves a mysterious, hooded or masked maniac, lots of women in lingerie, bikinis, miniskirts or nothing at all and a series of grisly but imaginative murders. The 1983 opus The House on Sorority Row combined all of these elements and while not a classic of the genre, was certainly one of its better moments.

Flash forward to 2009 and an all-new rendition of it, mostly starring ladies from television shows (Audrina Partridge from “The Hills,” Leah Pipes from “Terminator: The Sarah Connors Chronicles”) or low-rent movies (Briana Evigan from Step Up 2, Jamie Chung from Dragonball: Evolution) with daughters of the famous (Rumer Willis – daughter of Bruce Willis and Demi Moore, Evigan – daughter of “BJ and the Bear’s” Greg Evigan). It would seem to be a winning mix.

The sisters of the Theta Pi sorority at Rosman College (the original party school) decide to pull a stunt on the cheating boyfriend of Megan (Partridge) by convincing him that the date rape drug they supplied him with had caused an overdose, after which they would have to dispose of the body. This takes place at a sorority house party in which ingénues in lingerie stage beer chugging contests, pillow fights in a scenario that could only take place in the fevered imagination of an adolescent male who yearns for the opportunity to see a bare breast up close and personal – or the mind of a cynical Hollywood screenwriter who is catering to him.

The prank goes horribly wrong when the panicky frat boy, wanting to make sure the “dead” Megan is truly dead, shoves a tire iron into her chest with lethal force. The shocked sisters are bullied by Jessica (Pipes), the queen bee of the crew, to toss the body down the mine shaft (which was what they had convinced the frat boy they were going to do in the first place) and Never Speak of This Again to Anybody. Yeah, right – as if. Cassidy (Evigan), the brainy one who has the closest thing to a moral center at first refuses but is peer pressured into reluctantly agreeing to it.

Months later as the group prepares for their graduation party, they begin to get text messages from the victims’ cell phone. Could it be Megan – back from the dead and seeing revenge? Or maybe her creepy sister, who has turned up unexpectedly?  In any case, sisters start turning up sliced and diced by a mysterious hooded figure wielding a tire iron. Now that’s what I call a party.

The clichés are abounding here, and director Hendler doesn’t seem much disposed to straying beyond them. Mostly, the girls have little to do but wear clothes that say less college sorority girl and more slut and scream periodically. While I admit it’s nice to see Carrie Fisher onscreen (as the feisty house mother whose best line is “Do you think you scare me? I run a house with fifty bitches in it!”), the part is so very beneath her. You’d think that Princess Leia would be able to get better parts.

Now I know what you’re thinking. Carlos – this is a slasher movie. Nobody goes to see it for the acting – their target audience just wants boobs and really clever murders, the more gruesome the better. While there are plenty of boobs, where the movie fails to deliver is on the murders. The payoffs are rarely there and even the build-ups are pretty lame. Yes, a couple of the murders are nicely done but the bulk of them are rather anticlimactic. That’s not a word you want to use when describing a slasher flick.

The fact that the movie was profitable is owed more to its low production cost rather than its quality. A word to prospective producers of slasher movies; think how much more profitable your movies would be if you threw a well-scripted, well-executed movie with exciting murder scenes on top of the breasts and lingerie? This movie demonstrates that the market is there for it. Now we just need some filmmakers to deliver on it; unfortunately, these didn’t.

WHY RENT THIS: Some nice scares and a couple of really well-done murders. It’s nice to see Fisher onscreen, even though it’s in a role that’s clearly beneath her.  

WHY RENT SOMETHING ELSE: The concept has been done to death and the movie doesn’t particularly bring anything new to the table. While there are a few good scares, mostly it’s just gruesome.

FAMILY VALUES: Lots of violence, plenty of gore, sexuality and nudity, foul language, teen drinking – pretty much the whole gamut.

TRIVIAL PURSUIT: Rosman College, the setting for the movie, is named for Mark Rosman, who wrote and directed the 1983 original and is an executive producer on this film.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $27.2M on a $12.5M production budget; the movie was profitable.

FINAL RATING: 4/10

TOMORROW: The Mechanic (2011)