New Releases for the Week of October 19, 2018


HALLOWEEN

(Blumhouse/Universal/Miramax) Jamie Lee Curtis, Judy Greer, Will Patton, Andi Matichak, Nick Castle, James Jude Courtney, Haluk Bilginer, Virginia Gardner. Directed by David Gordon Green

Laurie Strode is a survivor. She survived the Halloween massacre in Haddonfield, Illinois 40 years ago. Since then she has been preparing for the night her brother Michael Myers returns. He has been thus far kept in a facility for the criminally insane but something has triggered him, he’s escaped and now he’s headed home to unleash some fresh carnage. For her part, Laurie will stop at nothing to protect her family – and kill the man who has haunted her entire life..

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, Dolby, GDX RPX, XD
Genre: Horror
Now Playing: Wide Release

Rating: R (for horror violence and bloody images, language, brief drug use and nudity)

The Oath

(Roadside Attractions) Ike Barinholtz, Tiffany Haddish, Billy Magnussen, John Cho. When the White House institutes a loyalty oath that Americans are required to sign before Thanksgiving, high-strung social justice warrior Chris and his level-headed wife Kai are at first horrified and then defiant. But as the deadline approaches and family of varying opinions begin to appear for the holiday, things get tense but it really goes off the rails when a pair of government agents show up.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Old Mill Playhouse, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language throughout, violence and some drug use)

The Old Man and the Gun

(Fox Searchlight) Robert Redford, Casey Affleck, Sissy Spacek, Danny Glover. Forrest Tucker captivated the American imagination when he escaped from San Quentin at the age of 70, then embarked on a series of daring robberies. This is potentially Redford’s final film acting performance, although recently he did amend that and say he’d be open to another role if it interested him enough.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cinemark Artegon Marketplace, Cinemark Universal Citywalk, Old Mill Playhouse, Regal Winter Park Village

Rating: PG-13 (for brief strong language)

The Sisters Brothers

(Annapurna) John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal, Riz Ahmed. In the Wild West, two brothers work as assassins for hire. One is a hard-drinking roustabout, the other a more introspective man who yearns for a normal life. As they ride into one dangerous assignment after another, the brothers begin to squabble and in the West, there is no forgiving anything other then total unity between killers.

See the trailer and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Western Comedy
Now Playing: Wide Release

Rating: R (for violence including disturbing images, language and some sexual content)

ALSO OPENING IN ORLANDO/DAYTONA:

Badhaai Ho
The Bill Murray Stories: Life Lessons Learned From a Mythical Man
Hello Guru Prema Kosame
Living in the Future’s Past
Namaste England
Transformer
Vada Chennai
Varathan

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Badhaai Ho
Boys
Galveston
Hal
Hello Guru Prema Kosame
High Voltage
Loving Pablo
Namaste England
Pandemkodi 2
Peter Pan: The Quest for the Never Book
Reach
Sandakozhi 2
Studio 54
Un Traductor
Vada Chennai
Wild Nights With Emily

ALSO OPENING IN TAMPA/ST. PETERSBURG:

An Evening with Beverly Luff Linn
Badhaai Ho
Change in the Air
Malicious
Sandakozhi 2
Vada Chennai

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Badhaai Ho
Hello Guru Prema Kosame
Pandemkodi 2
Running for Grace
Sandakozhi 2
Vada Chennai

SCHEDULED FOR REVIEW:

Halloween
The Oath
The Old Man and the Gun

A Ghost Story


When I’m left alone, there’s a ghost in the house.

(2017) Drama (A24) Casey Affleck, Rooney Mara, McColm Cephas Jr., Kenneisha Thompson, Grover Coulson, Liz Cardenas Franke, Barlow Jacobs, Richard Krause, Dagger Salazar, Sonia Acevedo, Carlos Bermudez, Yasmina Gutierrez, Kimberly Fiddes, Daniel Escudero, Kesha Sebert, Jared Kopf, Afomia Hailemeskel, Will Oldham, Brea Grant, Augustine Frizzell. Directed by David Lowery

 

Life inevitably ends with death. It is a defining factor of our lives; most fear death as the ultimate unknown, the cessation of things familiar. Some, those in pain or those who have lived too long, welcome it. Either way, we all eventually experience it.

This masterpiece of a film starts with a young couple – Affleck and Mara – moving into a single story ranch house. He’s a musician; the two are quietly, deeply in love. There are some strange bumps in the night but they seem content enough. Their happiness in their new home is short-lived; he dies in a car accident just yards from his front door. She goes to the morgue to identify his body, then attendant and wife leave the room. The body sits straight up in a parody of horror film tropes. The ghost, resembling an imagination-challenged Halloween costume of a sheet with eye holes cut out, shuffles out of the hospital, pausing before a bright light and then shuffling on home.

There the ghost observes the grief of his wife, watching her numbly eat a pie a neighbor left, slumping on the floor, tears falling as she eats. Eventually, she leaves but the ghost remains through different owners, even past when the home is leveled and an office building put in. Future becomes past. Time circles in on itself.

And that is all the plot you need to know. This is an elegiac film, melancholy almost to the point of heartbreak. A gorgeous score heightens the feeling. Affleck after the first few minutes must act entirely with body language and one can sense the sadness and longing coming from him despite the fact we cannot see anything of his face or body, he contributes to the emotional tone. Mara gets to put on a more traditional performance and she’s excellent. Everything is filmed in a kind of gauzy sepia with the corners of the screen rounded, like an antique photograph.

Not everyone is going to like this or “get” this. When it debuted at Sundance earlier this year the audience was sharply divided. Among my friends there are those who loved this film and others who didn’t like it at all. Some of you are going to find it boring and confusing. Others are going to find insights that will keep you haunted by this film for a long time to come. It likely won’t make a lot of awards lists this year but even so it may very well be the best movie of 2017 and should be seen, even just to decide whether you love it or hate it.

REASONS TO GO: The movie is beautiful and melancholy. The score is lovely and atmospheric. Lowery lets the audience fill in the blanks. This is more of a cinematic poem than a traditional story.
REASONS TO STAY: The non-linear storytelling method may be confusing to some.
FAMILY VALUES: There is some profanity as well as a single disturbing image.
TRIVIAL PURSUIT: Lowery used profits from Pete’s Dragon to make this film. It was filmed in secret and the project not even announced until filming had already wrapped.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 12/8/17: Rotten Tomatoes: 90% positive reviews. Metacritic: 84/100.
COMPARISON SHOPPING: If I Stay
FINAL RATING: 10/10
NEXT:
A Different Set of Cards

New Releases for the Week of July 28, 2017


ATOMIC BLONDE

(Focus) Charlize Theron, James McAvoy, Eddie Marsan, John Goodman, Toby Jones, Sofia Boutella, Til Schweiger, Barbara Sukowa, James Faulkner. Directed by David Leitch

The most lethal assassin in MI6 is sent on assignment to Berlin to smuggle a dossier out of the city which has been destabilized by opposing forces. In a simmering cauldron of betrayal and murder, she is allied with the embedded station chief to navigate the back alleys and halls of power to get what Her Majesty’s government requires of her. She soon realizes that she has been betrayed from within and you know what they say hell hath no fury like. This is based on the Oni Press graphic novel The Coldest City.

See the trailer, clips, interviews, B-roll video and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for sequences of strong violence, language throughout and some sexuality/nudity)

A Ghost Story

(A24) Casey Affleck, Rooney Mara, Kesha Sebert, Will Oldham. Recently deceased, a ghost – complete with white sheet – haunts his beloved home while silently observing his grief-stricken wife. He is also able to see other inhabitants of the house both past and present. The latest film from director David Lowery has gotten much acclaim on the festival circuit.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: R (for brief language and a disturbing image)

The Emoji Movie

(Columbia) Starring the voices of T.J. Miller, James Corden, Anna Faris, Patrick Stewart. Deep in the heart of your smart phone lies a place called Textopolis where all your favorite emojis live. Each one of them has but one facial expression – except for poor Gene who has many. Wanting to be normal, he and his friends Hi-Five and Jailbreak search the phone and all its apps to find the code that will fix Gene. When unwittingly they discover a greater danger threatening the entire phone, the resourceful emojis will have to use all their skills to keep the emojis from being deleted for good.

See the trailer, a featurette and premiere footage here.
For more on the movie this is the website

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for rude humor)

The Exception

(A24) Christopher Plummer, Jai Courtney, Lily James, Janet McTeer. As the Second World War looms, Kaiser Wilhelm II lives in exile in the Netherlands. A German soldier is assigned to determine whether the Dutch resistance has a spy or spies in the former ruler’s household. In the course of his investigation he falls for a Dutch Jewish girl who may or may not be the droid he’s looking for.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: Enzian Theater

Rating: R (for sexuality, graphic nudity, language and brief violence)

OPENING IN ORLANDO/DAYTONA:

Manifesto
Mubarakan
Vikram Vedha

ALSO OPENING IN MIAMI:

13 Minutes
A Family Man
Imperfections
Lady Macbeth
Landline
Mubarakan
My Father’s Land
My Journey Through French Cinema
Vikram Vedha
Wolf Warrior 2

ALSO OPENING IN TAMPA:

A Family Man
The Black Prince
Imperfections
The Last Face
Maurizio Cattelan: Be Right Back
Mubarakan

ALSO OPENING IN JACKSONVILLE:

I, Daniel Blake
Mubarakan
Vikram Vedha

SCHEDULED FOR REVIEW:

A Ghost Story
Atomic Blonde
The Emoji Movie
The Exception
Lady Macbeth
Landline

 

Manchester by the Sea


Grief is an emotion best shared.

Grief is an emotion best shared.

(2016) Drama (Roadside Attractions/Amazon) Casey Affleck, Lucas Hedges, Michelle Williams, Kyle Chandler, C.J. Wilson, Josh Hamilton, Tate Donovan, Jami Tennille Mingo, Anna Baryshnikov, Liam McNeill, Gretchen Mol, Kara Hayward, Joe Stapleton, Brian Chamberlain, Christian Mallen, Oscar Wahlberg, Ruibo Qian, Tom Kemp, Chloe Dixon, Matthew Broderick, Quincy Tyler Bernstine. Directed by Kenneth Lonergan

 

Joseph Conrad famously wrote that “that which does not kill us makes us stronger” but like all aphorisms, it isn’t always true. There are some things, some horrible terrible things, that may not necessarily kill us but they destroy us emotionally, mentally and spiritually. They turn us into the living dead, unable to recover, unable to die.

Lee Chandler (Affleck) is someone like that. He works as a handyman/janitor in several apartment buildings in Quincy, Massachusetts, taken for granted and overlooked – and quite happy in that circumstance. He’s good at what he does, but when he gets guff from the tenants he tends to give it right back. He hangs out in bars, ignoring the come-ons of attractive women and then getting into meaningless bar fights, exploding over the slightest provocation.

His routine is disrupted with the news that his big brother Joe (Chandler) has died suddenly. Joe has had heart problems for years so it isn’t completely unexpected but it is still a devastating blow. Both brothers are divorced but Joe does have a son Patrick (Hedges) that lives with him since it turns out that his mom (Mol) is a raging alcoholic. Lee for whatever reason has been unable to forgive her for this. Lee goes back to Manchester-by-the-sea, a North Shore town where he grew up but he has left for good reason.

To Lee’s dismay, it turns out that Joe in his will named Lee as Patrick’s guardian. It also turns out that Joe has left enough money that will assist Lee in paying for things that Patrick will need. Lee has no intention of taking care of Patrick in Manchester – he wants Patrick to finish out the school year and then live with him in Quincy until he goes to college but Patrick balks. His whole life is there in Manchester – two girlfriends and a truly bad garage band – but he doesn’t want to start over, particularly with his Uncle who is taciturn, grim-faced and possessed of an explosive temper that gets him into trouble.

Lee’s ex-wife Randi (Williams) is seeing someone else but seems eager to re-connect with Lee, which Lee seems absolutely against. There are those in town who seem to have some sort of issue with Lee as well; most seem to shy away from him, as if he’s a bomb with a hair trigger. Bit by bit, we discover why Lee has these walls up…but can anything bring them down?

Most Hollywood movies dealing with a broken man (and Lee Chandler is most assuredly broken) who is forced unwillingly to become responsible for a child (although Patrick is 16 years old) usually end up with the broken man being fixed by the experience. Manchester by the Sea is a refreshing change from that trope as Lee is changed, but not fixed. The pain he is in is still there when the movie ends, and it is clear that pain will always be with him – and understandably so. What he has to live with is not something that people can just fix and forget.

Affleck, who in many ways has always been in the shadows of his brother Ben, has emerged with this performance. Oh sure, we always knew he could act – Gone Baby Gone and The Assassination of Jesse James by the Coward Robert Ford and several other examples are proof of that. Here though he is an odds on favorite to win the Best Actor Oscar and is a lock to get at least a nomination. This is the kind of performance that sears the soul of the viewer and stays there; it is a performance one can view again and again and still find something fresh and new about it. It is the step one takes from being a good actor to being a great one, and it is worth celebrating – we can always use great actors and Casey Affleck has become one.

Much of the movie is concerned with grief and how different people experience it. One point that Lonergan makes is that no matter how together someone seems on the surface, eventually that pain must manifest itself in some way or another, either through tears or walls or both. There are several scenes – a late film encounter between Lee and his ex, the moment when Patrick finally breaks down, the aftermath of a tragedy – that are as important as any you’ll see in a movie this year, or any other for that matter.

This is a movie firmly entrenched in working class values. Hollywood has a tendency to either mythologize those values, or condescend towards them. Lonergan does neither; he simply presents them as he sees them and allows the audience to draw their own conclusions. He doesn’t shy away from allowing people to think either; there are a lot of concepts here worthy of post-movie discussion and while it can be a hard movie to sit through, it is rewarding because of that reason. The subject matter is heavy and Lonergan refuses to take short cuts or dumb things down.

I know a lot of people mistrust Hollywood as a bastion of liberal elitism and there’s some justification for that. Those people who feel that way should see this movie. It is a celebration of life in the midst of pain and death. It doesn’t shy away from the realities of life but it doesn’t wallow in them either. It finds the quiet bravery of just getting up in the morning without making a fuss about it. In short, this is one of the best movies of 2016 and one which you should make every effort to see.

REASONS TO GO: A show-stopping performance by Casey Affleck is one of the best of the year. Grief is looked at in an honest and realistic way. The attitude is completely working class in a good way. This film doesn’t dumb itself down for its audience.
REASONS TO STAY: The pacing is a little bit on the slow side.
FAMILY VALUES: There is plenty of foul language, some sexual situations and adult themes.
TRIVIAL PURSUIT: The project was originally intended for Matt Damon to direct and star in, but conflicts with The Martian forced him to withdraw.
CRITICAL MASS: As of 12/29/16: Rotten Tomatoes: 97% positive reviews. Metacritic: 96/100.
COMPARISON SHOPPING: Angels Crest
FINAL RATING: 10/10
NEXT: Vacancy

New Releases for the Week of December 9, 2016


Office Christmas PartyOFFICE CHRISTMAS PARTY

(Paramount) Jennifer Aniston, Jason Bateman, Olivia Munn, T.J. Miller, Kate McKinnon, Courtney B. Vance, Jillian Bell, Rob Corddry, Jamie Chung. Directed by Josh Gordon and Will Speck

The CEO of a large company wants nothing better than to close down the branch that her hard-partying screw-up of a brother manages. The Chief Technical Officer wants to save the jobs of the people there. The only way to do it is to close a big sale and the only way to do that is with a Christmas party of epic proportions.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content and language throughout, drug use and graphic nudity)

All We Had

(Gravitas) Katie Holmes, Stefania Owen, Richard Kind, Luke Wilson. A young mother of a teenage daughter flees yet another ill-advised boyfriend and heads out on the road. When the money runs out and the car breaks down, they are stranded in a small town where a kind-hearted diner owner gives her a waitressing job and the two find out that the world may not be as bad a place as they thought it was. Look for a review for this here on Cinema365 shortly.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

The Bounce Back

(Viva) Shemar Moore, Nadine Velazquez, Matthew Willig, Kali Hawk. A relationship expert appears on a talk show whose host is convinced he is a charlatan. Of course, you know he’s going to fall in love with her and in doing so must confront the painful truth of his past relationships.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, Cinemark Artegon Marketplace, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: PG-13 (for sexual content, language and brief drug use)

Frank and Lola

(Paladin) Michael Shannon, Imogen Poots, Justin Long, Rosanna Arquette. An up-and-coming chef and an aspiring fashion designer have a torrid affair. It seems to be everything he ever wanted – until a man from her past appears on the scene, calling into question everything he thinks he knows about her – and himself.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Premiere Fashion Square Cinemas

Rating: R (for some disturbing violence and language throughout)

Manchester by the Sea

(Roadside Attractions/Amazon) Casey Affleck, Michelle Williams, Lucas Hedges, Kyle Chandler. A janitor living in Boston is shocked to discover that he has been named guardian of his teenage nephew after his older brother dies. Moving to his hometown – a quaint New England fishing village – his life is transformed by the experience.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for language throughout and some sexual content)

Miss Sloane

(EuropaCorp) Jessica Chastain, Sam Waterston, John Lithgow, Allison Pill.  Elizabeth Sloane is one of the most formidable and successful lobbyists in Washington. She is known for doing whatever it takes to win but when she takes on the most powerful opponent of her career, she must choose whether winning is worth the price she must pay for it.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language and some sexuality)

New Releases for the Week of February 26, 2016


Eddie the EagleEDDIE THE EAGLE

(20th Century Fox) Taron Egerton, Hugh Jackman, Christopher Walken, Jo Hartley, Tim McInnerny, Edvin Endre, Ania Sowinski, Rune Temte, Anastasia Harrold. Directed by Dexter Fletcher

=Michael “Eddie” Edwards is a bit of a folk hero in England. From a young age he dreamed of being an Olympic champion. He never let the fact that he was a crappy athlete get in his way. Inspired to become a ski jumper (since there were essentially no ski jumpers in England), he has to claw and fight and scratch his way to the 1988 Calgary Winter Olympics where he will jump into the ages.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Biography
Now Playing: Wide Release

Rating: PG-13 (for some suggestive material, partial nudity and smoking)

Gods of Egypt

(Summit) Gerard Butler, Nikolaj Coster-Waldau, Brenton Thwaites, Elodie Yung. When the gods make war amongst themselves, their human followers suffer. The great god Set has taken over Egypt, running it with an iron hand. Only the courageous hero Bek can save the day with the aid of the god Horus, but the two will have to overcome mighty odds.

See the trailer, clips, interviews and a promo here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D
Genre: Fantasy
Now Playing: Wide Release
Rating: PG-13 (for sexual material, some language and smoking)

Neerja

(Fox Star) Sonam Kapoor, Shabana Azmi, Ali Baldiwala, Alex Kozyrev. The 1986 hijacking of Pan-Am flight 73 in India by terrorists is one of those unforgettable stories that could have been a lot worse. The courage of flight attendant Neerja Bhanot is credited with saving lives aboard that flight; she is a national hero in India and her story is told for the first time on the big screen here.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

Son of Saul

(Sony Classics) Géza Röhrig, Levente Molnár, Urs Rechn, Todd Charmont. Near the end of the Second World War, an Auschwitz inmate charged with burying the bodies of the dead discovers a corpse that he takes to be his son. Not wanting his son’s body to be burned with the others, he must find a rabbi willing to deliver the funeral rites and help him give the body a proper burial. This is the odds-on favorite to win the Best Foreign Language Film Oscar at Sunday’s award ceremony.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R  (for disturbing violent content, and some graphic nudity)

Triple 9

(Open Road) Kate Winslet, Casey Affleck, Chiwetel Ejiofor, Woody Harrelson. A group of dirty cops are blackmailed into pulling off a nearly impossible heist. The only way they can make it work is to call in a code 999, officer down – which would involve killing a fellow police officer. But will they be able to pull it off – and what happens if they can’t?

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence and language throughout, drug use and some nudity)

The Finest Hours


Romance by storm.

Romance by storm.

(2016) True Life Drama (Disney) Chris Pine, Casey Affleck, Holliday Grainger, Ben Foster, Eric Bana, John Ortiz, Kyle Gallner, John Magaro, Graham McTavish, Michael Raymond-James, Beau Knapp, Josh Stewart, Abraham Benrubi, Keiynan Lonsdale, Rachel Brosnahan, Benjamin Koldyke, Matthew Maher, Jesse Gabbard, Alexander Cook, Danny Connelly, Angela Hope Smith. Directed by Craig Gillespie

The men and women of the Coast Guard have a thankless job. In many ways they are the most overlooked of the armed forces, but they put their lives on the line every day to protect our shores from smugglers and pirates, and to rescue sea craft that are in trouble. They have been doing that since America was brand new.

In 1952 there is a Coast Guard installation in Chatham, Massachusetts. Barney Webber (Pine) is a Boatswain’s Mate First Class for the Coast Guard, a quiet and perhaps a bit socially awkward man who is liked but warily; during an attempted rescue mission years before, he had been unsuccessful in navigating the infamous Chatham Bar during a storm and a local fisherman had died because of it. People think he isn’t a bad guy, but there’s that distance between the town and Barney.

One townie who doesn’t feel that way is Miriam (Grainger), a feisty beautiful woman who meets Ray and instantly falls for him. The two begin going out and end up falling in love. But that last step is lacking and the forward Miriam finally asks Ray to marry her. At first he is very reluctant – what he does is dangerous and he doesn’t want to leave a widow behind. Eventually he relents and the two become engaged pending the approval of the Coast Guard.

On February 18, 1952, a massive Nor’easter slams into the New England coast. The S.S. Pendleton, an oil tanker, is on its way in when the old ship breaks in half. The aft section sinks almost immediately, leaving 33 survivors in the stern section with Chief Engineer Ray Sybert (Affleck) in charge.

Station chief Daniel Cluff (Bana) orders Webber to go an effect a rescue. Most of the Coast Guard’s bigger boats are in the midst of rescuing another tanker that had broken in half, the S.S. Mercer. All Barney is left with is a 36-foot motor lifeboat to go out into a squall that is producing 60 foot waves and high winds. With a small crew including Seamen Richard Livesey (Foster) and Ervin Maske (Magaro), he heads out resolutely into Chatham Bay to affect a mission that is almost surely suicide. With the compass wrecked and little or no navigation equipment, it seems like an impossible task, but little does anyone know that he is setting out into history.

Gillespie is a reliable director for Disney who has done movies based on fact before. This story because of how long ago it took place is essentially unknown today although there are those in New England who are thoroughly familiar with it. Most of the participants have since passed on (although Miriam is still alive apparently) so it is well that Disney is making this film now. While the tag lines tell us that it was one of the most daring small boat rescues in Coast Guard history tells us that because it is a rescue, we can assume that Webber is successful, we don’t know mainly how many got rescued and whether Webber himself made it home alive. We therefore have a sense of suspense as we watch the movie, not knowing what’s going to happen next.

The storm sequences are harrowing; if what the real crew went through was half as rough as this, it’s a wonder anyone made it home alive. Both the crew of the Pendleton and the rescue boat were heroic in extreme circumstances. It’s truly an inspiring story from that aspect. The CGI is impressive albeit not groundbreaking. Certainly it is enough to make that an integral part of the movie experience.

Pine is usually a lot more affable of a character than the one he plays here. Both Webber and Casey Affleck’s Sybert are a little bit socially awkward, somewhat reserved and not at all the types of characters we’re used to seeing from those actors and both do very well with them. I’ve seen it said elsewhere that Holliday Grainger already looks like she’s from that era and she does; the period dress and make-up only make her look more natural.

Because Barney is so awkward, the romance doesn’t have a lot of sparks. I don’t think it’s an issue of Pine and Grainger so much as how the characters are written. In many ways Miriam is forced to be the aggressor in the relationship which I don’t object to in and of itself but it just feels like there’s no chemistry, even though both actors are capable.

In fact in many ways that’s pretty much indicative of the film overall; it’s not anything that’s going to set the world on fire but it accomplishes what it needs to quietly and without fanfare. The story is certainly inspiring enough; however, you won’t go home thinking you’ve just seen a cinematic masterpiece.

REASONS TO GO: Keeps you on the edge of your seat. Mind-blowing storm scenes.
REASONS TO STAY: Solid but not spectacular. The romance lacks fire.
FAMILY VALUES: There are scenes of storm-related peril.
TRIVIAL PURSUIT: The boat the real Bernie Webber used in the rescue still exists and is maintained in pristine condition at the Rock Harbor in Orleans, Massachusetts – not far from Chatham.
CRITICAL MASS: As of 2/8/16: Rotten Tomatoes: 59% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: The Perfect Storm
FINAL RATING: 6/10
NEXT: Hotel Transylvania 2