Sicario: Day of the Soldado


Hispanics with guns: Donald Trump’s nightmare.

(2018) Action (Columbia) Benicio del Toro, Josh Brolin, Isabela Moner, Jeffrey Donovan, Manuel Garcia-Ruffo, Catherine Keener, Matthew Modine, Shea Whigham, Elijah Rodriguez, Howard Ferguson Jr., David Castañeda, Jacqueline Torres, Raoul Trujillo, Bruno Bichir, Jake Picking, Tenzin Marco-Taylor, Alfredo Quinoz, Nick Shakoour, Lourdes del Rio Garcia. Directed by Stefano Sollima

 

Our Southern border has been a hot button item for those on the left and on the right. Blue staters tend to look at the issue as a humanitarian crisis born largely of our own policies in Latin America while red staters see it as an invasion of criminals, layabouts and terrorists.

Following the destruction of a Kansas City big box store by suicide bombers, the U.S. Government has had more than enough. They bring in “consultant” Matt Graver (Brolin) and his nearly indestructible assassin Alejandro (del Toro) to ferment war among the Mexican cartels who were responsible for smuggling the bombers across the border. To do that, Alejandro kidnaps the daughter (Moner) of a particularly vicious cartel boss. This predictably stirs up a hornet’s nest and while it gets the desired results, the conscience of Alejandro – whose family was wiped out by drug lords like the girl’s father – doesn’t go unscathed.

The movie sorely misses Denis Villaneuve who directed the first one; his sure hand could have made this a better film. Italian television director Sollima, best known for the ultra-violent Gomorrah series, does pretty well with the action series and keeps the pacing of the film up to snuff. He has more trouble with character development as other than the three characters mentioned above, nearly all the characters get lost in the shuffle, including a young Mexican-American boy in McAllen, Texas played by Rodriguez who falls into working for the cartels and ends up in a violent confrontation with Alejandro. A little more depth of character there might have given the film some oomph.

Del Toro and Brolin are both outstanding and are the real reason to see the film. I understand that this is meant to be the middle chapter in a proposed trilogy and although the box office numbers don’t really seem to point the way for a third installment, I nonetheless wouldn’t mind seeing one.

Emily Blunt, who starred in the first film, is also sorely missed and while the filmmakers assert her story had gone full circle, it still leaves the film without much of a moral center and I suppose that is merely appropriate. When one considers that in many ways this movie is making the case for the right’s take on the border, it’s hard to justify it in the face of children who continue to be separated from their parents at the border. But then, that’s just my own personal bias rearing its head. I guess it is fairer to say that Sicario: Day of the Soldado is a solid action film that has political elements that makes it very relevant to what’s going on at our border. If you leave the theater chanting “Build that wall” though, it’s on you.

REASONS TO SEE: Brolin and del Toro make an excellent team.
REASONS TO AVOID: A little less focused and a little more cliché than the first film.
FAMILY VALUES: There is a surfeit of violence and profanity as well as some fairly bloody images.
TRIVIAL PURSUIT: Denis Villaneuve, who directed Sicario, was unable to commit to the sequel due to scheduling conflicts.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Starz, Vudu, YouTube
CRITICAL MASS: As of 8/20/19: Rotten Tomatoes: 63% positive reviews: Metacritic: 61/100.
COMPARISON SHOPPING: Miss Bala
FINAL RATING: 6/10
NEXT:
Tomorrow, Maybe?

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The Incredibles 2


The Incredibles live in a bubble.

(2018) Animated Feature (Disney*Pixar) Starring the voices of Holly Hunter, Craig T. Nelson, Samuel L. Jackson, Sarah Vowell, Huckleberry Milner, Catherine Keener, Eli Fucile, Bob Odenkirk, Michael Bird, Sophia Bush, Brad Bird, Phil LaMarr, Isabella Rossellini, Jonathan Banks, Barry Bostwick, Adam Gates, John Ratzenberger, Bill Wise, Kimberly Adair Clark. Directed by Brad Bird

 

Pixar’s 2004 animated superhero movie The Incredibles is for many fans of comic books their favorite offering from the computer animated giant. After 14 years, director Brad Bird has finally found a story to tell that he thinks is worthy of the franchise, but is it?

Well, nearly. A telecommunications mogul (Odenkirk) and his whiz-kid sister (Keener) want very much to lift the superhero ban that has hamstrung the caped heroes of old but rather than choosing Mr. Incredible (Nelson) as their poster boy, instead they select his wife Elasti-Girl (Hunter) who is far less destructive and a role model for women. With new superheroes coming out of the woodwork, Mr. Incredible becomes something of a house-husband taking care of angsty teenager Violet (Vowell), hyperactive kid Dash (Milner) and baby Jack-Jack (Fucile) who is developing some destructive powers of his own. However, there’s a villain (LaMarr) out there who is hypnotizing people through their computer/smartphone/tablet screens into acts of violence. Can Elasti-Girl stop the carnage?

Maybe it’s just the glut of superhero films talking but this feels kind of tired and old hat. The technical end is, as we’ve come to expect from Pixar, dazzling and the superhero battles (including one between Jack-Jack and a persistent raccoon) rival anything Marvel or DC have done. Hunter does a great job carrying the film largely but as with most team superhero movies, there are too many characters and that means many of them get little sunlight. Overall, the movie feels aimed more at a younger audience (despite the subtext that those devices that connect us to the Internet fail to connect us to life) but at just about two hours in running length, it seems a bit much to ask most kids to sit still for that much time.

REASONS TO SEE: The superhero battles are nicely done.
REASONS TO AVOID: Very formulaic and predictable; it feels like it was aimed at a much younger audience than the first film.
FAMILY VALUES: There is some comic book action violence and some mild profanity.
TRIVIAL PURSUIT: Dash is shown eating Sugar Bombs, the chocolate frosted version of which is the favorite cereal of Calvin of Calvin and Hobbes.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play, iTunes, Movies Anywhere, Netflix, Vudu, YouTube
CRITICAL MASS: As of 7/14/19: Rotten Tomatoes: 94% positive reviews: Metacritic: 80/100.
COMPARISON SHOPPING: The Fantastic Four
FINAL RATING: 6.5/10
NEXT:
Destination Dewsbury

New Releases for the Week of June 29, 2018


SICARIO: DAY OF THE SOLDADO

(Columbia) Josh Brolin, Benicio del Toro, Matthew Modine, Isabella Moner, Jeffrey Donovan, Catherine Keener, Shea Whigham. Directed by Stefano Sollima

The drug war on the Mexican border is escalating as the cartels grow more brazen and more violent in fighting American authorities. It is decided to go after the cartels directly – by any means necessary. That is however much easier said than done.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence, bloody images, and language)

Sanju

(Fox Star) Ranbir Kapoor, Sonam Kapoor, Paresh Rawal, Vicky Kaushal. This is the story of Sanjay Dutt who overcame a checkered past and personal demons to become one of the biggest stars in Bollywood.

See the trailer, music videos and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

Uncle Drew

(Summit) Kyrie Irving, Lil Rel Howery, Shaquille O’Neal, Tiffany Haddish. Harlem’s famed Rucker Tournament of street basketball teams will never be the same as a group of septuagenarians take the kids to school. This was originally a series of short films commissioned by Pepsi.

See the trailer, clips, interviews and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for suggestive material, language and brief nudity)

Woman Walks Ahead

(A24) Jessica Chastain, Sam Rockwell, Michael Greyeyes, Ciarán Hinds. A widowed artist sets out from New York to North Dakota in the 1880s to paint a portrait of Sitting Bill. Unexpectedly, the two become good friends and she becomes a fierce ally in the Native American battle for land rights. This is based on a true story.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Western
Now Playing: AMC Universal Cineplex

Rating: R (for brief violence and language)

ALSO OPENING IN ORLANDO/DAYTONA:

A Kid Like Jake
Abrahaminte Santhathikal
Ee Nagaraniki Emaindi

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Abrahaminte Santhathikal
Always at the Carlyle
Animal World
Damsel
The Domestics
Ee Nagaraniki Emaindi
El Inca

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Ee Nagaraniki Emaindi
Godard Mon Amour

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Abrahaminte Santhathikal
Ee Nagaraniki Emaindi

SCHEDULED FOR REVIEW:

Sicario: Day of the Soldado
Uncle Drew

New Releases for the Week of June 15, 2018


THE INCREDIBLES 2

(Disney*Pixar) Starring the voices of Holly Hunter, Craig T. Nelson, Samuel L. Jackson, Sophia Bush, Catherine Keener, Sarah Vowell, Bob Odenkirk, Huck Milner. Directed by Brad Bird

After having had to hide their powers for years, the world is ready for superheroes  to return. But it is Elasti-girl who will be saving the day, not her powerful husband Mr. Incredible. He’ll be home taking care of baby Jack-Jack who may turn out to be more powerful than anyone in the family. However, a new and greater threat has risen and it may take the entire family – including Jack-Jack – and the help of a few friends to save the world yet again.

See the trailer, interviews, video featurettes, a clip and B-roll video here.
For more on the movie this is the website.

Release Formats :Standard, 3D, D-BOX, D-BOX 3D, Dolby, IMAX, RPX, RPX 3D, XD
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for action sequences and some brief mild language)

Gotti

(Vertical) John Travolta, Kelly Preston, Stacy Keach, Pruitt Taylor Vince. The story of notorious mobster “Gentleman” John Gotti, his rise to power and his fall from grace as seen through the eyes of his son. This has found a new distributor after a previous distributor dropped the film literally within weeks of its original scheduled release date.

See the trailer, video featurettes and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: R (for strong violence and pervasive language)

Race 3

(Yash Raj) Anil Kapoor, Salman Khan, Jacqueline Fernandez, Bobby Deol. The third installment of the popular Indian franchise that follows a crime family whose brutality, vindictiveness and ruthlessness make them a force to be reckoned with.

See the trailer and a music video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex, Touchstar Southchase

Rating: NR

Superfly

(Columbia) Trevor Jackson, Jason Mitchell, Michael Kenneth Williams, Jennifer Morrison. A remake of the 1973 Blaxploitation classic that follows a successful young drug dealer who wants to finish off one last deal so he can retire a wealthy man. Remakes are cool and all but no way will they be able to outdo Curtis Mayfield on the titular theme song.

See the trailer and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release (opened Wednesday)

Rating: R (for violence and language throughout, strong sexuality, nudity and drug content)

Tag

(New Line) Jeremy Renner, Ed Helms, Jon Hamm, Isla Fisher. A group of men who have been friends since childhood organize an annual game of tag, some of whom have to travel across the country to get there. This year they are out to get the one member of the group who has never – ever – been tagged.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for language throughout, crude sexual content, drug use and brief nudity)

Won’t You Be My Neighbor?

(Focus) Fred Rogers, Joanne Rogers, Robert F. Kennedy, Yo-Yo Ma. Generations of kids have grown up with Mister Fred Rogers, in whose neighborhood we learned to be neighbors and to love each other. While some look at his teachings to be pure schmaltz, they are lessons nonetheless we need more than ever today.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Documentary
Now Playing: Enzian Theater

Rating: PG-13 (for some thematic elements and language)

ALSO OPENING IN ORLANDO/DAYTONA:

A Kid Like Jake
Naa Nuvve
Sammohanam
The Year of Spectacular Men
The Yellow Birds

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

49 Pulses
The Doctor from India
The Guardians
Hearts Beat Loud
The Misandrists
Naa Nuvve
Sammohanam
Summer 1993
The Yellow Birds

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Affairs of State
Naa Nuvve
Sammohanam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Naa Nuvve
Sammohanam

SCHEDULED FOR REVIEW:

Hearts Beat Loud
The Incredibles 2
Superfly
Tag
Would You Like to Be My Neighbor?

New Releases for the Week of March 2, 2018


RED SPARROW

(20th Century Fox) Jennifer Lawrence, Joel Edgerton, Matthias Schoenaerts, Charlotte Rampling, Mary-Louise Parker, Ciarán Hinds, Joely Richardson. Directed by Francis Lawrence

A ballerina is recruited for the Soviet-era “Sparrow School” in which beautiful young women are trained to be ruthless assassins, using their sexuality as a weapon. She is given the target of a CIA agent with whom she develops feelings for. She is playing a dangerous game and there is no way to know who to trust. Her own agency is after her and her beloved mother; the only way out may be to betray all that she was.

See the trailer, clips, interviews, video featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, Dolby Atmos, IMAX
Genre: Spy Action
Now Playing: Wide Release

Rating: R (for strong violence, torture, sexual content, language and some graphic nudity)

A Fantastic Woman

(Sony Classics) Daniela Vidal, Francisco Reyes, Luis Gnecco, Aline Kupperheim. Marina is a transsexual woman who works as a waitress and moonlights as a nightclub singer. It is hard enough to survive as a transsexual in Latin America but when her boyfriend abruptly dies she is left floundering and wondering if she can go on.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language, sexual content, nudity and a disturbing assault)

Death Wish

(Annapurna/MGM) Bruce Willis, Elisabeth Shue, Vincent D’Onofrio, Camilla Morrone. A family man whose wife and daughter are brutally attacked becomes a vigilante when he finds that the police can’t help him find justice – so he goes after the perpetrators himself. This is Eli Roth’s version of the classic Charles Bronson revenge thriller.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action 
Now Playing: Wide Release

Rating: R (for strong bloody violence and language throughout)

Nostalgia

(Bleecker Street) Jon Hamm, Catherine Keener, Bruce Dern, Ellen Burstyn. This is an anthology of tales about loss and love, and the artifacts, memories and emotions that shape our lives.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some language)

The Vanishing of Sidney White

(A24) Michelle Monaghan, Elle Fanning, Logan Lerman, Kyle Chandler. A young writer pens a bestseller about the death of a high school classmate. As the controversy surrounding his hit novel grows, his relationship with his girlfriend disintegrates and at last he disappears without a trace. A decade later a dogged detective searches for the legendary author when his cult classic book is linked to a string of arsons. Florida Film Festival alumnus Shawn Christensen co-wrote and directed this.

See the trailer and an interview here.
For more on the movie this is the website

Release Formats: Standard
Genre: Mystery
Now Playing: AMC Universal Cineplex

Rating: R (for language and some sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Dance Academy: The Comeback

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Dance Academy: The Comeback
In Between
Let Yourself Go
The Lullaby
The Party

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Dance Academy: The Comeback
Pari

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

Death Wish
Red Sparrow
The Vanishing of Sidney White

FILM FESTIVALS TAKING PLACE IN FLORIDA:

WineFest: Wine’s World, Tampa

New Releases for the Week of December 8, 2017


THE DISASTER ARTIST

(A24) Dave Franco, James Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Zac Efron, Josh Hutcherson, Megan Mullally, Sharon Stone  Directed by James Franco

Greg Sestero, an aspiring actor, meets an intense young man named Tommy Wiseau in an acting class. The two men determine to go to Hollywood and make movies; their magnum opus is The Room which some have called the best worst movie ever made. This has been getting some awards season buzz.

See the trailer, interviews and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: Wide Release

Rating: R (for language throughout and some sexuality/nudity)

Just Getting Started

(Broad Green) Morgan Freeman, Tommy Lee Jones, Rene Russo, Glenne Headley. A former Mob Lawyer now living in Witness Protection has it pretty good. The cock of the walk at the retirement home, he has all the ladies’ attention; that is, until a brash former FBI Agent shows up. When it turns out the Mob has figured out where their former counselor is and have ordered a hit, the two must put aside their petty differences in order to stay in the land of the living.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for language, suggestive material and brief violence)

My Friend Dahmer

(The Orchard) Ross Lynch, Alex Wolff, Anne Heche, Vincent Kartheiser. Before he was a notorious serial killer and a cannibal, Jeffrey Dahmer was a high school kid. As told by someone who knew him well at that time, this film is based on the graphic novel of the same name.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Universal Cineplex

Rating: R (for disturbing images, language, teen drug use, drinking and sexual content, and for brief nudity)

November Criminals

(Vertical) Ansel Elgort, Chloë Grace Moretz, Catherine Keener, David Strathairn. When a classmate is brutally murdered, two college kids – unsatisfied with the progress police are making – decide to do the investigating themselves. It takes them deep into a world they have no experience with and puts the both of them in serious danger.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Crime
Now Playing: AMC Universal Cineplex

Rating: PG-13 (for mature thematic content including teen sexuality, drug material, brief violence and strong language)

Thelma

(The Orchard) Elli Harboe, Kaya Wilkins, Henrik Rafaelsen, Ellen Dorrit Petersen. A woman falling in love is a beautiful thing, but when Thelma does it, she discovers that she has strange and frightening powers. Sometimes the most terrifying discovery is who you really are.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Regal Winter Park Village

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Black Clover
Fukrey Returns
Richie
Unexpectedly Yours

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

After You’re Gone
Fukrey Returns
Groove
Haldaa
The Light of the Moon
Lord, Give Me Patience
The Other Side of Hope

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Black Clover
Fukrey Returns
Malli Raava

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Unexpectedly Yours

SCHEDULED FOR REVIEW:

The Disaster Artist
Just Getting Started
The Light of the Moon

Get Out


Daniel Kaluuya finds out we like him…we really, really like him.

(2017) Horror (Blumhouse/Universal) Daniel Kaluuya, Allison Williams, Catherine Keener, Bradley Whitford, Caleb Landry Jones, Marcus Henderson, Betty Gabriel, Lakeith Stanfield, Stephen Root, Lil Rel Howery, Ashley LeConte Campbell, John Wilmot, Caren Larkey,Julie Ann Doan, Rutherford Cravens, Geraldine Singer, Yasuhiko Oyama, Richard Herd, Erika Alexander. Directed by Jordan Peele

 

Given the situation and history of race in America, it could be forgiven if some African-Americans might have nightmares that white America is out to get them. Certainly given institutional racism in the past, the need for Black Lives Matter in the present and not a lot of hope for change for the future, life in these United States might seem like one great big horror movie for people of color.

Chris (Kaluuya) is a photographer who’s just getting started in his career. He is an African-American with ties to the community but he also has a white girlfriend – Rose (Williams) who has yet to inform her parents that she’s dating a black guy. But not to worry, she tells him – her parents are liberal progressives from way back. They’ll have no problem with it. When you’re taking your boyfriend to meet your parents for the first time, please understand that those words offer no comfort whatsoever.

Rose’s parents are pretty well-to-do – they have a vacation home in upstate New York that most would probably classify as an estate. Her Dad (Whitford) is a neurosurgeon and her Mom (Keener) a psychiatrist specializing in hypnotherapy. Dad is that kind of guy whose attempts to sound hip and current are awkward and unintentionally funny (“So how long has this thang been going on?” he  asks much to Chris’ bemusement). Mom offers to help cure Chris of his smoking habit which he politely refuses. He doesn’t want anyone messing with his head.

But awkward first meeting weekend gives way to some legitimate misgivings. The African-American domestics Walter (Henderson) and Georgina (Gabriel) seem anachronistic. The bonhomie of a family and friends gathering reveals racism bubbling just under the surface. The drunken brother (Jones) seems unusually aggressive.  Chris has nightmares and realizes that someone has been messing with his head after all. But the messing with Chris’ head is nothing compared with what’s going to mess with ours.

Peele is best known up to now for being part of Key and Peele who have one of the most respected shows on Comedy Central. Methinks that he has something else that he’s going to be best known for. He shows a confident, deft hand which is unusual for a first-time director and he took a nearly microscopic budget for a movie released by a major studio and parlayed it into what is sure to be one of the most profitable movies of the year.

He does it with a smartly written film that lightens the tone of the deeper issues it explores and doesn’t allow the audience to get angry or frustrated given the climate of the times. While I’ve heard some mutterings that the movie is racist towards whites, I would tend to disregard that kind of talk and compare it to certain SNL sketches that poke fun of white stereotypes. We all, after all, have our prejudices whether we admit to them or not.

He also does it with a near-perfect cast of largely unknowns from a feature standpoint although Whitford and Keenan are both veterans and Jones and Stanfield have some good performances under their belts as well. Each cog in the wheel performs exactly as they need to which helps ratchet up the creepy factor when it appears that Chris has entered a weird Stepford Wives town for Caucasians.

As light as Peele keeps it he does save room for some heavy horror moments although there’s not a lot of viscera here. It’s more the concepts that are horrifying rather than any visual gore although there are a few images where Peele brings on the red stuff. He’s not shying away from it so much as using it effectively.

Kaluuya, a British actor playing an American here, has star written all over him. He is absolutely mesmerizing onscreen and delivers an excellent performance that’s bound to get him noticed for more high-profile roles. He reminds me a lot of John Boyega and we all know that his career brought him into the Star Wars universe; something similar could conceivably happen to Kaluuya who I think would make a fantastic John Stewart in the upcoming Green Lantern Corps movie for DC/Warner Brothers.

This is one of those occasions where the critics and the general public have both embraced a film. It’s certainly bound to be one of the better horror movies to come out this year and some might well keep it in mind for one of the best movies of the year period. I’m not quite on board for that kind of lofty praise but this is definitely a movie worth seeking out if you haven’t seen it already and savvy movie buffs are likely to add it to their collection when it comes out on home video later on this year.

REASONS TO GO: A comic-horror look at African-American perceptions and racial stereotypes. There are some good laughs as well as some good scares.
REASONS TO STAY: Some might be made uncomfortable by the film’s attitudes towards racism.
FAMILY VALUES: There is a good amount of violence, some bloody images, profanity and sexual references.
TRIVIAL PURSUIT: Peele became the first African-American director to earn over $100 million at the box office on his debut feature film.
CRITICAL MASS: As of 4/8/17: Rotten Tomatoes: 99% positive reviews. Metacritic: 84/100.
COMPARISON SHOPPING: The Wicker Man
FINAL RATING: 7.5/10
NEXT: My Life as a Zucchini

New Releases for the Week of February 24, 2017


Get OutGET OUT

(Universal/Blumhouse) Daniel Kaluuya, Allison Williams, Keith Stanfield, Bradley Whitford, Catherine Keener, Caleb Landry Jones, Erika Alexander. Directed by Jordan Peele

A young African-American man has reached that dreaded milestone in his relationship with his girlfriend; it’s time to meet the parents. There’s extra pressure on the situation because his girlfriend is white. When the two of them are invited on a weekend retreat at the parents’ estate-like getaway home, it’s nervousness and awkwardness all around as you might expect. However, he learns to his shock that this is merely a cover for something far more sinister. This is a very different side of Peele, one-half the acclaimed comedy team of Key and Peele.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for violence, bloody images, and language including sexual references)

Bitter Harvest

(Roadside Attractions) Max Irons, Lucy Brown, Barry Pepper, Terence Stamp. In 1933, Stalin had seized control of the Soviet Union. His ambitions however ran to further expansion of the communist regime. In order to do that, he decided to enforce a program of mass starvation in the Ukraine. Millions would die while a young artist tried to keep his lover alive by any means necessary. If you’re wondering why the Ukrainian people are so vehemently opposed to a Russian tyrant, this is why.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: R (for violence and disturbing images

Collide

(Open Road) Nicholas Hoult, Felicity Jones, Anthony Hopkins, Ben Kingsley. After a heist goes terribly wrong, a young criminal finds himself on the run from a ruthless drug lord. Enlisting the help of his former employer – an equally ruthless drug lord who is a rival to the one chasing him – he must somehow protect his girlfriend and not get caught between the two enemies. Considering the cast, this film has bounced around the release schedule for a few years and has now been released with almost zero promotion. That doesn’t bode well for the quality of the film.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for violence, frenetic action, some sexuality, language and drug material)

Journey to the West: The Demons Strike Back

(Magnolia) Likun Wang, Kris Wu, Kenny Lin, Yiwei Yang. A young monk who has made it his life’s calling to rid the world of demons (and there are MANY of them) has converted three of them to his cause through his love and self-sacrifice. Now this quartet undertakes a journey to the West that will be fraught with peril and test their bonds, but is necessary to save the people from a terrifying threat. This is a sequel (of sorts) to the 2013 film and represents a collaboration between two of the greatest names in Chinese cinema; writer Stephen Chow and director Tsui Hark.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Martial Arts Fantasy
Now Playing: Regal Waterford Lakes

Rating: PG-13 (for fantasy action violence, some suggestive content, rude humor and thematic elements)

Punching Henry

(Well Go USA) Henry Phillips, Tig Notaro, J.K. Simmons, Sarah Silverman. A struggling singer-songwriter (of satirical songs) thinks he’s finally gotten his big break when a high-powered TV producer summons him to Hollywood to pitch a reality TV show that is centered around him and his obstacle-laden career. What Henry doesn’t know however is that the actual intent of the producer is to create a show that is about the life of a loser.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs

Rating: NR

Rock Dog

(Summit) Starring the voices of Luke Wilson, Eddie Izzard, Lewis Black, Sam Elliott. From time immemorial a clan of mastiffs has guarded the peaceful residents of Snow Mountain from a lunatic pack of wolves. However, when the son of the clan leader discovers a radio that plays that demon rock music, suddenly he wants a new path in life – that of a rock star. However, he’ll have to abandon his family and his home in order to do that. And, in true animated feature fashion, his music may end up saving Snow Mountain forever.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for action and language)

Toni Erdmann

(Sony Classics) Sandra Hüller, Peter Simionischek, Michael Wittenborn, Thomas Loibl. A hard working German woman has a very strained relationship with her eccentric, practical joking father. In order to get her attention, he invents the character of Toni Erdmann, a life coach who challenges her to change her corporate lifestyle. At first she resists and the contest between them escalates until she eventually realizes that she needs her father more than she thought. This is an Oscar nominee for Best Foreign Language film.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for some sexuality/nudity)

Voodoo

(Freestyle) Samantha Stewart, Ruth Reynolds, Dominic Matteucci, Ron Jeremy. When a straight-laced Southern girl takes a vacation to Los Angeles to escape her increasingly complicated life, she comes face to face with an ancient voodoo priestess who curses her to relive all the horrible deeds she’s done – in this life and in previous ones.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Peace, Love & Misunderstanding


Living the hippie life.

Living the hippie life.

(2011) Comedy (IFC) Jane Fonda, Catherine Keener, Ann Osmond, Rbert Bowen Jr., Marissa O’Donnell, Nat Wolff, Elizabeth Olsen, Joyce Van Patten, Jeffrey Dean Morgan, Kyle MacLachlan, Joseph Dunn, Chace Crawford, Rosanna Arquette, Katharine McPhee, Denise Burse, Teri Gibson, Poorna Jagannathan, Terry McKenna, Wayne Pyle, Alison Ball, Laurent Rejto. Directed by Bruce Beresford

When things are going wrong in our lives, it is a natural instinct to run back home to our parents. Sometimes, we just crave the comfort of being next to our figures of security but other times, it’s their wisdom that we truly need.

Diane (Keener) is a high-powered Manhattan lawyer who is used to being in control. When her husband (MacLachlan) announces that he wants to divorce her, it shakes her to her very core. Needing a refuge, she decides to go home to mom in Woodstock. The trouble is, Diane’s mom Grace (Fonda) is something of a free spirit who hasn’t really left the 60s and the two women, as different as night and day, haven’t really spoken in 20 years.

But Diane has more than her own pride to think about. Her young son Jake (Wolff) is terribly shy and lacks self-confidence. That might just be because her daughter Zoe (Olsen), a budding poet, is terribly judgmental about things and people. Her kids need a support system while Diane tries to put her shattered life back together.

All three find Grace to be more than a little irritating at first and Woodstock a bit too sedate for their liking. However, all three find romantic interests; Jake falls for Tara (O’Donnell), a waitress at the local coffee shop; Zoe, a vegan, against all odds develops a crush on Cole (Crawford), a butcher. Even Diane finds time to become romantically involved with Jude (Morgan), a budding musician.

As the family finds healing in the love of others, Grace and Diane begin to find common ground. Can the two women, at war with each other for over two decades, finally make peace? Maybe there’s hope for the Middle East yet if these two can mend their differences.

Australian director Bruce Beresford has some pretty nifty movies to his credit and while he hasn’t really made it to the top tier of Hollywood directors, he is nonetheless well-respected and has had a consistent career. This movie isn’t one that is going to be a resume highlight but it nonetheless has its own kind of charm.

Chief among its charms is Fonda, who rarely gets lead roles these days and usually plays crusty old broads, curmudgeonly old mothers-in-law or this one, the eccentric granny. We tend to forget what an amazing career Fonda has had, with Oscar-caliber performances in Klute, Coming Home and On Golden Pond.

Also of note is the village of Woodstock. Famous for the music festival (which actually took place on a farm 60 miles away), the town – if this movie is to be believed – has capitalized on the notoriety of the festival and has become kind of a high-end Berkeley (those of you who live or have lived in the San Francisco Bay Area will immediately know what I mean). Think of it as a college town permanently stuck in a by-gone era.

This isn’t an inconsequential film mind you, but it isn’t something you have to overthink. It’s a charming, pleasant diversion that might bring a smile to your face and is nicely performed and directed. It won’t necessarily change your life any although the lessons it teaches about living life at a pace that doesn’t burn you out is well-taken (the ones about being in love solving all your problems, not so much) and you’re never really hit over the head with them. It’s one of those movies that gives you the warm fuzzies and sometimes, like a hug from your mom, that’s all you need.

WHY RENT THIS: Strong female roles and performances. Woodstock is a charming location.
WHY RENT SOMETHING ELSE: A bit scattershot. Seems to indicate that the secret to happiness is romance.
FAMILY VALUES: There are a few sexual references and some comedic drug content.
TRIVIAL PURSUIT: Although two films she performed after shooting this one were released before it, this was actress Elizabeth Olsen’s first cinematic acting job.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $590,700 on an unknown production budget.
SITES TO SEE: Netflix, Amazon, iTunes, YouTube
COMPARISON SHOPPING: Georgia Rules
FINAL RATING: 6/10
NEXT: Insidious Chapter III

Begin Again


Can a song save your life?

Can a song save your life?

(2013) Romance (Weinstein) Mark Ruffalo, Keira Knightley, Hailee Steinfeld, Adam Levine, Catherine Keener, Cee Lo Green, Mos Def, James Corden, Marco Assante, Rob Morrow, Jennifer Li, Ian Brodsky, Shannon Maree Walsh, Mary Catherine Garrison, David Abeles, Jimmy Palumbo, Colin Love, Ron Voz, David Pendleton, Jasmine Hope Bloch, Sheena Colette. Directed by John Carney

Music has great restorative properties; studies have concluded that certain tones can stimulate the brain to produce endorphins. There are some therapists who use music to help those with depression and other emotional and mental challenges. Music can heal people, even people in the music business.

In a Greenwich Village bar on an open mike night, Steve (Corden), an ex-pat Brit is playing guitar and singing his song. He invites a friend onstage, but Greta (Knightley) isn’t very willing to go. In fact, she’s downright reluctant but with the patrons urging her on she finally goes up onstage. Thirty seconds into her song, they lose interest and resume their conversations and ordering drinks.

That is, except for one guy – Danny (Ruffalo), a middle aged former record executive who that afternoon had been fired from the record label he had started with his partner Saul (Def). Danny had been sinking into an alcoholic morass ever since his wife Miriam (Keener), a music journalist, had an affair with a colleague which provoked Danny into leaving him and his daughter Violet (Steinfeld). Violet has entered the sexual phase of teen angst and dresses provocatively to get attention, much to the horror of her dad and the indifference of her mom.

Greta isn’t without a backstory of her own. A Brit, she’d come to New York with her boyfriend Dave (Levine) who was also a musician but one that a major label had signed. His career trajectory was promising indeed and of course promptly he falls into an affair with Mim (Li), an assistant with the label. Greta had essentially booked her flight home and was staying the night in Steve’s tiny apartment which was how she wound up in the bar in the first place.

Maybe everyone in the bar hears a lifeless tune that sounds like every other folk-influenced song that seems to hold so much sway in alternative rock and pop these days but Danny hears something different. He hears an arrangement with violin, drums, bass, piano and backing vocals. He hears a song that has meaning and will inspire people. After having been on a cold streak for so long he finally hears something that he can work with.

At first Greta isn’t interested. She understandably just wants to go home. However, something about him is sincere. This is a man who needs fixing – as someone who needs fixing herself she can recognize the trait in others. Maybe they can fix each other. That going out on her own and making it as a musician would be a gigantic middle finger to her ex probably had its appeal as well.

Danny comes up with the idea of recording the album live outside of the studio in various outdoor locations in New York – the roof of a building, a subway station, rowing boats in Central Park – sounds kind of gimmicky but Danny uses Steve as an engineer to set up a mobile recording studio (not as hard as it sounds in this digital era) and assembles a band. For financial help, he uses one-time discovery Troublegum (Green) who realizes he owes his success to Danny and is willing to help him be successful once again.

Danny begins to reconnect with Violet who also bonds somewhat with Greta. Danny and Miriam are beginning to make reconciliation noises while back into Greta’s life comes Dave. Will they be able to go back to their past relationships with this new artistic synergy in place? Or will the past drag them down back to where they were before?

Carney also directed Once which may well be the best movie about songwriting and the redemptive power of music on those who write it and those who hear it ever made. Like in that movie, the actors do their own singing and to a large extent, their own playing. Knightley actually has a pretty pleasant voice although it isn’t remarkable. Levine, a veteran of Maroon 5 and a fixture on The Voice, has a kind of asshole role to play and he does surprisingly well, making the character somewhat sympathetic even though his behavior isn’t always the best. In fact, none of the characters here is perfect and all of them are subject to their own flaws at one point or another in the movie.

In fact, the music is pretty dang good here, surprisingly so. The music is mostly the work of Gregg Alexander, better known as the lead vocalist and songwriter for the New Radicals. While the film name checks (or tune checks) luminaries like Leonard Cohen, Hoagie Carmichael, Stevie Wonder and Sinatra, the bulk of the soundtrack is a folky poppy adult alternative that won’t offend anybody unless of course one is offended by folky poppy adult alternative music.

Ruffalo is always solid and while he hasn’t achieved the kind of status of a Tom Hanks or a Brad Pitt, he is nonetheless dependable for turning out good performances and he does the same here. Yeah, Danny has a few personality tics and he can be overbearing but you get the sense that his heart is in the right place – with his estranged wife and daughter. He knows he has some work to do on himself but given the right inspiration he might actually be able to get it all back. One roots for him to do just that.

While this isn’t to the level of Once, this is a better movie than a lot of the disappointing mid-summer films that are out in theaters currently and will certainly be worth having in your library once it makes it to home video. You might just find it in ours when the time comes.

REASONS TO GO: Ruffalo and Knightley had a different kind of chemistry that is strong in its own right. Great music.

REASONS TO STAY: May be too offbeat for some. A little bit fairy tale-esque.

FAMILY VALUES:  A fair amount of profanity.

TRIVIAL PURSUIT: Knightley had to learn to play the guitar for her role and her husband, musician James Righton, offered to teach her but his lessons proved to be so atrocious that, in her own words, “they nearly led to divorce and murder,” but the couple remain happily married to date.

CRITICAL MASS: As of 7/23/14: Rotten Tomatoes: 81% positive reviews. Metacritic: 62/100.

COMPARISON SHOPPING: Once

FINAL RATING: 7.5/10

NEXT: 22 Jump Street