New Releases for the Week of February 5, 2016


Hail CaesarHAIL CAESAR

(Universal) Josh Brolin, George Clooney, Scarlett Johansson, Channing Tatum, Ralph Fiennes, Tilda Swinton, Jonah Hill, Frances McDormand. Directed by Joel and Ethan Coen

In the Golden Age of Hollywood, a studio head struggling to get the studio’s prestige project made while keeping an eye on all the other movies in production suddenly finds a crisis developing when the star of his big release is kidnapped. Trying to keep the news out of the gossip columns while negotiating with the kidnappers and dealing with the egos of stars and directors alike is just another day at the office.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for some suggestive content and smoking)

The Choice

(Lionsgate) Benjamin Walker, Teresa Palmer, Maggie Grace, Tom Welling. Nicholas Sparks strikes again as a beautiful, spunky med student moves in next door to a laid-back ladies man. She wants nothing more than to settle down with her long-term boyfriend while he doesn’t want his lifestyle tied down to a particular woman so the two are wary of one another. Of course, they fall in love with each other and change each other’s lives for the better – until one of them becomes faced with a heart-wrenching decision that nobody should have to make.

See the trailer, clips and a promo here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Wide Release

Rating: PG-13 (for sexual content and some thematic issues)

Pride and Prejudice and Zombies

(Screen Gems) Lily James, Sam Riley, Bella Heathcote, Matt Smith. The classic Jane Austen novel gets an overhaul as the people of Longbourn and Regency-era Britain are faced with a plague that kills much of the population but also reanimates the dead. The prim and proper ladies of the time are forced to learn the arts of war along with the arts of homemaking. That in itself to the people of the time is a definite sign of the apocalypse.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for zombie violence and action, and brief suggestive material)

The Hateful Eight


A blizzard can be hateful.

A blizzard can be hateful.

(2015) Western (Weinstein) Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Tim Roth, Michael Madsen, Walton Goggins, Bruce Dern, Demián Bichir, James Parks, Dana Gourrier, Lee Horsley, Gene Jones, Quentin Tarantino (voice), Channing Tatum, Keith Jefferson, Craig Stark, Belinda Owina, Zoë Bell. Directed by Quentin Tarantino

 

Quentin Tarantino is one of the greatest filmmakers of our generation. Quentin Tarantino is a no-talent hack. Quentin Tarantino is the arbiter of style and cool. Quentin Tarantino is a racist and misogynist asshole. Whatever you believe Quentin Tarantino is, chances are it isn’t somewhere in the middle. Most people tend to have extreme view of his work.

His eighth film has gotten polarizing responses from critics and fans alike, not just for the occasionally brutal violence (which to be fair should be pretty much expected in a Tarantino film) to the gratuitous use of the “N” word and the occasionally over-the-top violence against a particular female character. I’ll be honest with you; I wasn’t particularly offended by any of it, but I’m neither African-American nor a woman so my perspective might be different if I were. However, I think your sensitivity to such things should determine whether you go out and see this film, or even read on in this review.

That said, I’m going to keep the story description to a bare minimum because much of what works about the movie is that you don’t see what’s coming all the time. Essentially, in post-Civil War Wyoming, a stagecoach carrying bounty hunter John “The Hangman” Ruth (Russell) and his bounty, accused killer Daisy Domergue (Leigh) and their driver O.B. Jackson (Parks) are trying to outrun an approaching blizzard to safety in a mountaintop stage stop known as Minnie’s Haberdashery. However, along the way they pick up two additional passengers; fellow bounty hunter and former Northern colored regiment commander Maj. Marquis Warren (Jackson) and former irregular Chris Mannix (Goggins) who claims to be the new sheriff in Red Rock, the town that Ruth is taking Daisy to hang in.

Already at the Haberdashery are Bob (Bichir), a Mexican who is taking care of the horses; Oswaldo Mobray (Roth), an English dandy who is the local hangman; Joe Gage (Madsen) a taciturn cowboy writing a journal and General Sanford “Sandy” Smithers, a Confederate general (in uniform) who doesn’t seem much disposed to talk about anything to anybody, despite Mannix’ hero-worship.

In a sense, this is a typical Tarantino set-up; a lot of bad men put in a situation where they are enclosed and sort of trapped – a lot like his early film Reservoir Dogs although very different in execution. Bad men trapped in a confining space with each other is a formula for bad things happening, and they do in rather graphic fashion.

Russell, who was magnificent in Bone Tomahawk continues to personally revitalize the Western genre all by himself with another excellent performance here. John Ruth isn’t above giving a woman an elbow in the face to shut her up; he’s known for bringing his bounties in alive to be hung which isn’t what anyone would call merciful. He’s paranoid, testy and a bit of a loudmouth.

Jackson, a veteran of six of Tarantino’s eight films (including this one) is all Samuel L. Jackson here and all that it entails. He has a particularly nasty scene involving the relative of one of those in the Haberdashery that may or may not be true (everything all of the characters say should be taken with a grain of salt) that might be the most over-the-top thing he’s ever done cinematically and that’s saying something.

Goggins has been a supporting character actor for some time, and he steps up to the plate and delivers here. I’ve always liked him as an actor but he serves notice he’s ready for meatier roles and this one might just get him some. Dern, Madsen and Roth all give performances commensurate with their skills. Channing Tatum also shows up in a small but pivotal role.

Regular Tarantino DP Robert Richardson, already a multiple Oscar winner, outdoes himself here with the snow-covered Wyoming landscapes and the dark Haberdashery. Richardson may well be the greatest cinematographer working today but he rarely gets the respect he deserves other than from his peers. A lot of film buffs don’t know his name, but they should.

The legendary Ennio Morricone supplies the score, his first for a Western in 40 years (he is best known for his work for Sergio Leone and the Italian spaghetti western genre, among others) and it is a terrific score indeed. This is in every way a well crafted motion picture in every aspect.

Not everyone is going to love this. Some folks are going to focus on the racial slurs, the violence against Daisy and the sequence with Major Warren I referred to earlier and call this movie disgraceful, mean-spirited and racist, sexist, whatever else you can imagine. I will confess to being a huge fan of QT’s movies and so I might not be as objective here as perhaps I should, but I do think that this is one of the greatest cinematic achievements of his career and that’s saying something.

For the moment, the movie is available in a 70mm format at selected theaters around the country on a special roadshow edition. This is the first movie in 50 years to be filmed in 70mm Ultra Panavision, so it is highly recommended that if you can get to a theater presenting it this way that you take advantage of it. Otherwise it is just starting to hit regular 35mm theaters starting today. The roadshow will be available only until January 7, 2016 (unless extended) so don’t wait too long to go see it that way, the way it should be seen.

REASONS TO GO: Tremendous story. Well-acted and well-executed throughout. Gorgeous cinematography and soundtrack. The characters are well-developed for the most part.
REASONS TO STAY: The violence and racism may be too much for the sensitive.
FAMILY VALUES: A lot of graphic violence, some strong sexual content, graphic nudity and plenty of foul language.
TRIVIAL PURSUIT: The movie was nearly never made when the script was leaked online during pre-production and Tarantino elected to shelve it and rewrite it as a novel; however after Jackson advocated that the film be made anyway, Tarantino eventually relented.
CRITICAL MASS: As of 1/1/16: Rotten Tomatoes: 76% positive reviews. Metacritic: 69/100.
COMPARISON SHOPPING: The Wild Bunch
FINAL RATING: 9/10
NEXT: Concussion

Magic Mike XXL


You're welcome, ladies.

You’re welcome, ladies.

(2015) Comedy (Warner Brothers) Channing Tatum, Joe Manganiello, Matt Bomer, Jada Pinkett Smith, Adam Rodriguez, Gabriel Iglesias, Kevin Nash, Elizabeth Banks Andie MacDowell, Amber Heard, Michael Strahan, Donald Glover, Stephen Boss, Rhoda Griffis, Jane McNeill, Ann Hamilton, Mary Kraft, Kimberly Drummond, Carrie Anne Hunt. Directed by Gregory Jacobs

Sometimes a movie is only as good as the audience you view it with. I can’t imagine seeing Magic Mike XXL in a room full of dour, jaded critics. They would never get what this movie is about on their own. What I did see this movie with was a room full of screaming, hooting, hollering women who would have thrown dollar bills at the screen had they thought of it.

And that’s just how Magic Mike XXL should be experienced. Channing Tatum returns as the titular male entertainer, now having hung up his G-string with a custom-made furniture business. His girlfriend from Magic Mike has left him and while he is doing what he wanted to do in the first film, he kind of misses the life. When Tarzan (Nash) calls, Mike comes running. The remaining Kings of Tampa – Dallas (Matthew McConaughey’s character from the first film) having absconded to Europe with the Alex Pettyfer character – are ready to close out their careers with a bang, at a male stripper convention in Myrtle Beach over the Fourth of July weekend. So Mike piles in to a fro-yo van owned by Tito (Rodriguez) along with Ken (Bomer), Tobias (Iglesias) and Big Dick Richie (Manganiello) for a road trip for bros.

So this becomes a road trip movie, with a stop in Savannah to visit Rome, a private club run by Rome (Smith)  in which female members get up close and personal with a gaggle of strippers whose members include Augustus (Strahan), Andre (Glover) and Malik (Boss). With Tobias having been injured in a van accident, the Kings are in dire need of an M.C. and ask Rome who declines. She and Mike have a history y’see…

After a stop in house of randy older women including Nancy (MacDowell), the mother of Megan (Hunt) whom they met in a Jacksonville bar and whose buddy Zoe (Heard) is the new romantic interest of Mike, in a kind of non-threatening platonic way they run into Rome who has changed her mind and it’s on to Myrtle Beach, the Redneck Riviera, where the boys will go out with a bang.

This isn’t nearly as serious a movie as the first Magic Mike was. That movie’s director, Steven Soderbergh, is still behind the camera but as a cinematographer this time. What we have here is more of a road movie that doesn’t take itself nearly as seriously. I will give you that the filmmakers understand their target audience as the women in our audience lost their minds nearly every time that the men started dancing or stripping. However, it was surprising to me that most of the women in the audience seemed to be fonder of Manganiello than of Tatum, although after one simulated sex/dance sequence featuring the star, one audience member exclaimed “I think I need a cigarette.”

\I will also say that the movie does look at the bond between men in a way not usual to Hollywood, which tends to view male bonding as a macho thing done over guns, cars and violence. The Kings of Tampa are all pretty sensitive guys who admire and respect women rather than viewing them as objects to be taken to bed as conquests and then cast aside. They view what they do as a kind of therapy, giving their clients something they need – not just a sexual release but adoration as well. I think most women’s fantasies are about guys like these, sensitive but sexy, handsome and hot as well. What woman wouldn’t want to be adored by guys like these?

The plot is kind of threadbare and I was left wondering if I’d seen this in a room full the aforementioned dour and jaded critics would I have liked this movie as much? Probably not. Because the women in the audience were having such a good time, I ended up having as good a time as well and that’s something to consider. The movie is in many ways not nearly as good as its predecessor but in many ways better – it gives its audience exactly what they want and that isn’t such a bad thing at all.

REASONS TO GO: Has heart as well as tush. We end up caring what happens to these guys.
REASONS TO STAY: Extremely lightweight and disposable. More of an experience than a movie.
FAMILY VALUES: Language, male butt nudity, sexual situations and some drug use.
TRIVIAL PURSUIT: Holdridge and Saasen not only co-starred and co-directed the film but also co-wrote it based on their own experiences.
CRITICAL MASS: As of 7/19/15: Rotten Tomatoes: 64% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: Little Miss Sunshine
FINAL RATING: 6/10
NEXT: Finding Bliss

New Releases for the Week of July 3, 2015


Terminator GenisysTERMINATOR: GENISYS

(Paramount) Arnold Schwarzenegger, Jason Clarke, Jai Courtney, Emilia Clarke, J.K. Simmons, Dayo Okeniyi, Matt Smith, Courtney B. Vance. Directed by Alan Taylor

We’ve seen this one before; human resistance leader John Connor discovers that Skynet has sent a terminator cyborg back in time to kill his mother. He needs someone to protect her and brave Kyle Reese volunteers. Except when he gets back in time, things are a lot different than what John Connor remembered – and Sarah Connor is a whole lot tougher than John ever knew. She has a plan to keep Judgment Day from happening, but Skynet is going all out to ensure that it does.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website .
Release Formats: Standard, 3D, IMAX 3D (opened Wednesday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for intense sequences of sci-fi violence and gunplay throughout, partial nudity and brief strong language)

Aloft

(Sony Classics) Jennifer Connelly, Cillian Murphy, Melanie Laurent, Oona Chaplin. A woman abandons her son; he seeks answers, cutting himself off from feeling anything in order to bear the weight of a crushing tragedy. A woman who is obsessed with curing herself leaves everything she knows behind in a desperate attempt to follow her dream. All three will meet where past and present merge in an exciting film set in the mysterious and beautiful Arctic.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language and some sensuality)

Faith of Our Fathers

(Goldwyn/Pure Flix) Kevin Downes, David A.R. White, Stephen Baldwin, Candace Cameron Bure. As the Vietnam War is at its height, two new fathers report for duty – one a cynic, the other devout. They send to their new sons letters hand-written from in country. Years later their sons – now grown men – make a pilgrimage to the Vietnam War monument in Washington DC. They will meet as strangers but they will share a common bond – loving fathers whose bonds cannot be shattered by the chaos of war.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, AMC West Oaks, Regal Oviedo Mall, Regal Pointe Orlando, Regal Winter Park Village
Rating: PG-13 (for sexual content, drug material, language and some thematic elements)

Magic Mike XXL

(Warner Brothers) Channing Tatum, Amber Heard, Jada Pinkett Smith, Elizabeth Banks. Three years after Magic Mike, the legendary headliner of the Kings of Tampa hung up his g-string for good, the troupe is ready to call it a day. However, they want one last blow-out at a festival in Myrtle Beach and they convince Mike to dance one last time. On a road trip with stops in Jacksonville and Savannah, the boys will learn that it takes more than moves to be legendary.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: Dramedy
Now Playing: Wide Release
Rating: R (for strong sexual content, pervasive language, some nudity and drug use)

The Overnight

(The Orchard) Adam Scott, Jason Schwartzman, Taylor Schilling, Judith Godreche. Newly arrived in Los Angeles, a young couple with their young son know nobody in the trendy Silver Lake district. A chance meeting at a birthday party gets them invited to a pizza dinner with the young son who their own son has become fast friends with and his sophisticated parents. Once the kids are put to bed, things get very, very strange very, very fast. Not only has this been getting a huge buzz but this was one of the more acclaimed films at the recent Florida Film Festival and you can read my review of the movie here.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sex Comedy
Now Playing: AMC West Oaks, Regal Winter Park Village
Rating: R (for sexuality/nudity and language)

Jupiter Ascending


Star-crossed lovers...literally.

Star-crossed lovers…literally.

(2015) Science Fiction (Warner Brothers) Mila Kunis, Channing Tatum, Eddie Redmayne, Sean Bean, Douglas Booth, Tuppence Middleton, Nikki Amuka-Bird, Christina Cole, Nicholas A. Newman, Ramon Tikaram, David Ajala, Doona Bae, Ariyon Bakare, Maria Doyle Kennedy, Gugu Mbatha-Raw, Edward Hogg, Tim Pigott-Smith, James D’Arcy, Jeremy Swift, Vanessa Kirby. Directed by the Wachowskis

The vastness of space seems to lend itself to stories that are epic. After all, a character study seems to lose focus when confronted with the vast nature of the cosmos. That doesn’t mean, however, that science fiction doesn’t have room for well-developed characters.

Jupiter Jones (Kunis) is living a life that she probably wouldn’t have chosen for herself. A house cleaner with relatives on her mother’s (Kennedy) side, she was born in mid-Atlantic after her mother fled Russia on the occasion of the murder of her husband (D’Arcy) – an astronomer studying in Russia – by Russian criminals.

She wakes up before dawn and spends most of her time wondering if this is all there is. When a particularly enterprising cousin urges her to sell her eggs for the money she needs to buy a telescope, something that would be a precious legacy from her ad, she goes for it. But for some strange reason, the surgical team wants to kill her. And they would have, too, if not for the intervention of Caine Wise (Tatum).

Wise, a genetically spliced humanoid of both human and canine genes, is a bred warrior who wears gravity boots that allow him to soar in an approximation of flight, although he has to move like a demented speed skater in order to use them properly. He takes Jupiter to the home of Stinger (Bean), likewise a spliced warrior sort and there Jupiter learns the truth; her genes are an exact match for the matriarch of an enormously wealthy and powerful family. They own whole planets that have been seeded with humanoids, using the genetic material once harvested to extend the lives of the very wealthy (like themselves). Three of the matriarch’s children – eldest son Balem (Redmayne) who owns the Earth and seems slightly psychotic, middle son Titus (Booth) who is something of a playboy, and youngest daughter Kalique (Middleton) who is ambitious, are all plotting to gain control of Jupiter with Balem wanting to kill her altogether because she, as the genetic duplicate of his mother, would receive the rights to all of the children’s fortunes.

This is all a bit much for Jupiter and if she feels like a pawn in an enormous game, well, that’s just because she is. However, Jupiter isn’t the frightened weakling the Abrasax family seems to think she is and before long, with Caine by her side and the support of the galactic police force, she may yet see this through. However, the Abrasax heirs with the stakes so high won’t play by any particular set of rules.

The Wachowskis who made their reputation on creating a world familiar and yet not in the Matrix trilogy, have attempted to create a detailed and lush environment on a gigantic planet, with a budget said to be in the $165 million range. There is a whole lot of that on the screen, because the special effects here are as good as any you’ll see this year and likely to get a nomination for next year’s Oscars although they’ll have to compete with the new Star Wars episode in that category. Bummer.

The problem here is that the story is so complicated and there is so much back stabbing and about facing going on that it’s hard to follow along. While you’re attempting to follow along you’re also treated to visuals that are so incredible and detailed that it’s really hard to take it in. This is a movie that’s built for repeated viewings.

The performances run the gamut. Tatum, who has matured into a pretty decent actor with a great deal of potential ahead after being somewhat wooden at the beginning of his career, helps make this film enjoyable. Caine is often mystified by the behavior of others and while he is quick with the “your majesty” and deference, he also is quite willing to take a chunk out of an entitled jerkwad if the occasion calls for it. Kunis is also quite the capable actress but here she’s a bit frustrating. She is definitely a damsel in distress here, not projecting much strength or wisdom on her own; she has these incredible genes that apparently the galaxy has been searching for but no genetic gifts. While I understand she was raised in the working class as a housekeeper (and why doesn’t she have a Russian accent like the rest of her family?) there should be something else there, don’t you think? This is where the character development thing comes in handy.

Redmayne, who is in the running for an Oscar this weekend, plays this role like he won the part in a reality show. It’s truly mystifying because we’re all aware what a terrific actor he can be, but he speaks in such a murmur it’s often difficult to make out what he’s saying, before erupting into Pacino-like shouts whenever his character gets frustrated. If it’s meant to convey that Belem is psychotic, well, yeah but psychotic in an “I eat spiders” kind of way rather than as a devious, dangerous villain. More like a petulant child. “The Earth is mine,” he says at one point and I half expected him to stomp his feet and shriek “MINE! MINE! MINE!”

Enormous space craft cruise majestically through space and there is that epic quality to the movie that I think is intentional, but there is also kind of a glacial quality that I think is not. Yes, there are some pretty good action sequences (including a chase sequence near the beginning of the film set in Chicago) but the kinetics of those sequences don’t continue throughout the movie; the momentum that is built up by the action just falls to the floor like a dead fish.

I really wanted to like this film. Heck, I really wanted to love this film – I respect the Wachowskis as film makers and have admired their films from the beginning of their career back in Bound and even including Cloud Atlas which didn’t receive a lot of love from critics and audience alike but I thought was one of the top movies of 2012 although in the interest of full disclosure, I was much more a fan of the sequences directed by Tom Tykwer than I was of those directed by the Wachowskis.

This will not make my list of top films this year, although it’s not a bad movie at all. It’s just an intimidating one, full of sound and fury but I’m not quite sure what was signified here. It’s not nothing, though. That I can tell you for sure.

REASONS TO GO: State-of-the-art eye candy. Tatum manages to perform well in a goofy role.
REASONS TO STAY: Head-scratching performance by Oscar-nominated Redmayne. Convoluted story.
FAMILY VALUES: A whole lot of violence and space battle action, some sexually suggestive content and some partial nudity.
TRIVIAL PURSUIT: The film was originally supposed to be released on June 20, 2014 but was delayed eight months so that the special effects could get more time and detail in post production.
CRITICAL MASS: As of 2/21/15: Rotten Tomatoes: 23% positive reviews. Metacritic: 40/100.
COMPARISON SHOPPING: Chronicles of Riddick
FINAL RATING: 6/10
NEXT: Kingsman: The Secret Service

New Releases for the Week of February 6, 2015


Jupiter AscendingJUPITER ASCENDING

(Warner Brothers) Mila Kunis, Channing Tatum, Sean Bean, Eddie Redmayne, James D’Arcy, Tuppence Middleton, Doona Bae, Tim Piggott-Smith. Directed by Andy and Lana Wachowski

A pretty young housecleaner who has grand dreams but has been hit with a series of tough breaks wonders where life is going to take her. As it turns out, it’s the cosmos – her genetic make-up marks her as royalty which puts her smack into a cosmic game the steaks of which are unfathomably high for the human race.

See the trailer, clips, interviews, a promo and a featurette here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D (opens Thursday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for some violence, sequences of sci-fi action, some suggestive content and partial nudity)

Love, Rosie

(The Film Arcade) Lily Collins, Sam Claflin, Tamsin Egerton, Suki Waterhouse. Having been best friends since the age of 5, Rosie and Alex can’t imagine not having the other in their lives. However, as far as love is concerned, there might be something there – but it always seems to appear at inconvenient times. Are they really the best friends they think they are, or is there something more deep down?

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Loew’s Universal Cineplex
Rating: R (for language and for some sexual content)

Old Fashioned

(Freestyle) Rik Schwartzwelder, Elizabeth Ann Roberts, LeJon Woods, Tyler Hollinger. An antique store owner with a checkered past and somewhat lofty and overblown theories of love and romance finds his life and his philosophy on l’amour thrown into a tizzy when a free-spirited young woman moves into the apartment above his shop.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall
Rating: PG-13 (for some thematic material)

Seventh Son

(Universal/Legendary) Jeff Bridges, Ben Barnes, Julianne Moore, Olivia Williams. When an evil witch holds a medieval kingdom in thrall, the last knight of a mystical order goes in search of the last Seventh Son of a Seventh Son, who prophecy claims has enormous potential to battle evil. Finding his would-be hero on a farm, the knight must train him quickly in order to survive the coming battle.

See the trailer, interviews, a clip, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX (opens Thursday)
Genre: Fantasy
Now Playing: Wide Release
Rating: PG-13 (for intense fantasy violence and action throughout, frightening images and brief strong language)

Shamitabh

(Eros International) Amitabh Bachchan, Dhanush, Akshara, Rekha. Two men with dreams of becoming Bollywood superstars – one a deaf-mute with matinee idol looks, the other an aging alcoholic with an amazing voice – join forces to create one complete personality. However, the two have a very hard time getting along.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Bollywood
Now Playing: AMC West Oaks
Rating: NR

The Spongebob Movie: A Sponge Out of Water

(Paramount/Nickelodeon) Antonio Banderas, Tom Kenny (voice), Clancy Brown (voice), Slash. When the super-secret, double hidden, cross your heart and hope to die, promise not to tell recipe for Crabby Patties is stolen, Spongebob and his band of merry misfits must come to our world and get it back. Who lives in a pineapple under the sea? Paramount is hoping a ton of cash.

See the trailer, interviews, clips, premiere footage and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Family (Live Action/CGI)
Now Playing: Wide Release
Rating: PG (for mild action and rude humor)

Still Alice

(Sony Classics) Julianne Moore, Alec Baldwin, Kristen Stewart, Kate Bosworth. A brilliant linguist who is at the top of her profession begins to display a worrying habit of forgetting words and having difficulty remembering things. When she is diagnosed with Early Onset Alzheimer’s Disease, she and her family find that the binds that connect them come under a great deal of pressure. As she struggles to remain connected to who she is – which is rapidly becoming who she used to be – she begins to learn what is really important and what is worth fighting for.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for mature thematic material, and brief language including a sexual reference)

Foxcatcher


Steve Carell suggests to Channing Tatum that he do an American version of a British sitcom to further his career.

Steve Carell suggests to Channing Tatum that he do an American version of a British sitcom to further his career.

(2014) True Life Drama (Sony Classics) Steve Carell, Channing Tatum, Mark Ruffalo, Sienna Miller, Vanessa Redgrave, Anthony Michael Hall, Guy Boyd, Brett Rice, Jackson Frazer, Samara Lee, Francis J. Murphy III, Jane Mowder, David Bennett, Lee Perkins, Robert Haramia, Daniel Hilt, Bryan Cook, David Zabriskie, Frederick Feeney, Alan Oppenheimer (voice). Directed by Bennett Miller

The making of a tragedy doesn’t necessarily unfold the way you’d expect. Sometimes there is a slow build in which there is a feeling of inevitability (but only when you look back). Most times it appears suddenly and without warning, turning lives and families upside down.

Mark Schultz (Tatum) is an Olympic gold medalist in Greco-Roman wrestling from the 1984 Olympics but that doesn’t buy many groceries. He is subsisting on ramen, wrestling practice with his brother Dave (Ruffalo) who is a coach at the local college which supports his budding family including wife Nancy (Miller). Then Mark gets a bizarre phone call from one of the richest men in America – well, one of his flunkies – John DuPont (Carell), who wants to meet with Schultz. Mark doesn’t really have anything better to do so he heads out there.

It turns out that John, a kind of diffident, odd duck of a man has a thing for wrestling.  A big thing. He also has a bit of a patriotic streak. America’s wrestling program is chronically underfunded with facilities that can only be called archaic. DuPont wants to change all that, building a state-of-the-art world-class wrestling facility on his family estate, Foxcatcher Farm. Mark, who doesn’t get enthusiastic about much, is enthusiastic about this. He pleads with his brother to come on board, but Dave – who like Mark underwent a vagabond-like childhood, moving from place to place – doesn’t want to put his children through the same thing and refuses to uproot them to move to the countryside outside of Philadelphia. Mark goes it alone.

Other wrestlers are brought on board but Mark is clearly DuPont’s favorite and when Mark wins the world championships that year, DuPont is clearly thrilled, taking Mark’s success as his success. In turn, Mark looks up at DuPont as a father figure.

Things begin to go sour though. DuPont introduces Mark to cocaine and Mark soon becomes addicted, skipping out on practices and showing up high or drunk. DuPont is concerned and brings in Dave to help right the ship, but Mark is clearly in an unhealthy place. Can his brother help pull the budding superstar out of his downward spiral in time for Olympic glory in Seoul?

This is clearly a morality play, as Bennett Miller’s two previous movies have been (Capote, Moneyball) but it’s also at the same time more than that. When you look back on it after having seen it, you’ll understand that there is also a randomness to the events, none of which would spell out the conclusion. In fact, Miller suggests, life sometimes isn’t a succession from A to Z. Sometimes it leaps around and ends up at Z after having gone from C to E to Q, followed by a stint in Chinese and Arabic characters, numerals and symbols.

There is a kind of chill in the look of the film, from the stark apartment Mark lives in at the beginning, the snow-covered farm in winter, even the somewhat antiseptic look of Foxcatcher itself. John DuPont tends to bottle up his emotions, often staring into space, wanting to say something, catching himself, and saying something else. The coldness of the film is a reflection of DuPont himself, and the slow, methodical unfolding of the story is also a reflection of DuPont, who speaks in a very deliberate manner.

What stands out here more than the story are the performances. Carell has been getting Oscar buzz since the film’s festival premiere and is almost a lock to get a nomination next week and, in my opinion, deservedly so. He underplays DuPont rather than overplays him, making him kind of the ultimate straight man, prone to eccentricities and never quite sure if he’s the butt of the joke or not. He is also a very wealthy man and he is used to being treated with deference. He is also a bit of a lonely boy, having had no friends other than those his mother (Redgrave) paid for. He is desperately trying to please her, but she thinks wrestling is “low” and he thinks that horses, which she has spent her life raising and riding, are “dumb.”

More surprising (and less talked about) are the performances of Tatum and Ruffalo. Tatum, who at one time was more of a pretty boy than an actor, has delivered the best performance of his career. I have to admit, he’s been getting steadily better and here he blossoms, showing that he can be as good an actor as anyone. There’s a scene where his frustration boils over in a hotel room and, furious at himself for not turning in an acceptable effort at least as far as he’s concerned, begins slapping himself in the face before graduating to pounding his fist on the walls and eventually, smashing his head into a mirror (which was ad libbed by the way – Tatum was initially not supposed to go that far). He has a kind of simian profile and at times a thousand yard stare that is positively chilling.

Ruffalo has in many ways the toughest job of the three. Dave is likable, supportive and charismatic. He makes it clear why everyone loved Dave Schultz who knew him – and plenty of people who didn’t. In many ways it’s kind of a white bread role but Ruffalo gives it depth and meaning. He was nominated for a Supporting Actor Drama Golden Globe and has a good shot at an Oscar nomination, but at the Globes ran into the J.K. Simmons buzzsaw from Whiplash and likely will again but that doesn’t mean it’s not a powerful performance and in most any other year would be a clear Oscar favorite for the win.

Foxcatcher is a fairly dark film and might leave you feeling down, but there is something about it that carries a touch of the resilience of the human spirit. One character in particular escapes the alluring snare of Foxcatcher the training facility and ends up becoming better for it. This is definitely a movie that demands to be seen, particularly by those who are lovers of good movies, and it is definitely one of the year’s best.

REASONS TO GO: Awesome performances by Carell, Ruffalo and Tatum. No foreshadowing of final scenes which makes them even more shocking to those not familiar with the story.
REASONS TO STAY: Maybe too laid-back and slow.
FAMILY VALUES: Depictions of drug use and one scene of disturbing violence are what got this an “R” rating.
TRIVIAL PURSUIT: The glasses that Ruffalo wears in the film are Dave Schultz’ actual glasses, given to him by Schultz’ widow Nancy.
CRITICAL MASS: As of 1/13/15: Rotten Tomatoes: 87% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Fruitvale Station
FINAL RATING: 7.5/10
NEXT: The Imitation Game