New Releases for the Week of July 30, 2021


JUNGLE CRUISE

(Disney) Dwayne Johnson, Emily Blunt, Edgar Ramirez, Jack Whitehall, Jesse Plemmons, Paul Giamatti. Directed by Jaume Collet-Serra

Based on a beloved Disney parks ride (which were themselves loosely inspired by The African Queen), a plucky young researcher hires a wise-cracking riverboat captain to help her find a mystical tree deep in the heart of the jungle that may change the face of medicine forever. This will be simultaneously available on Disney Plus premium – subscribers will pay an additional cost of $29.99.

See the trailer here
For more on the movie this is the website

Genre: Adventure
Now Playing: Wide
Rating: PG-13 (for adventure violence)

Broken Diamonds

(FilmRise) Lynda Boyd, Yvette Nicole Brown, Ben Platt, Lola Kirke. A writer’s dream of moving to Paris is temporarily put on hold when, following his father’s unexpected death, he is given the task of caring for his wildly predictable mentally ill sister.

See the trailer here
For more on the movie this is the website

Genre: Dramedy
Now Playing: Enzian On-Demand
Rating: PG-13 (for a crude gesture and thematic elements)

Charlatan

(Strand) Ivan Trojan, Josef Trojan, Juraj Loj, Jaroslava Pokorná. The story of Jan Mikolásek, a Czech herbal healer whose seeming miracle cures hid a dark side that came to life during the repressive totalitarian Fifties behind the Iron Curtain.

See the trailer here
For more on the movie this is the website

Genre: Historical Drama
Now Playing: Enzian On-Demand
Rating: NR

The Green Knight

(A24) Dev Patel, Alicia Vikander, Joel Edgerton, Santa Choudhury. Sir Gawain, a Knight of the Round Table, is tasked with facing the Green Knight, an emerald-skinned giant. His quest will have him face all manner of challenges and supernatural creatures as he struggles to prove his worth to his family, his King and ultimately, himself.

See the trailer here
For more on the movie this is the website

Genre: Fantasy
Now Playing: Wide
Rating: R (for graphic nudity, violence and some sexuality)

Masquerade

(Shout!) Bella Throne, Alyvia Alyn Lind, Mircea Monroe, Skyler Samuels. An eleven-year-old girl faces off against a group of thieves who will stop at nothing to get their hands on the priceless collection of artwork that hangs in her home.

See the trailer here
For more on the movie this is the website

Genre: Thriller
Now Playing: Studio Movie Grill Sunset Walk
Rating: NR

Stillwater

(Focus) Matt Damon, Camille Cottin, Abigail Breslin, Lilou Siauvaud. A blue-collar man from Oklahoma travels to France to try and prove his estranged daughter did not commit the murder she has been imprisoned for.

See the trailer here
For more on the movie this is the website

Genre: Drama
Now Playing: Wide
Rating: R (for language)

Twist

(Saban) Michael Caine, Lena Headey, Franz Drameh, Jade Alleyne. A modern take on the Dickens classic Oliver Twist.

See the trailer here
For more on the movie this is the website

Genre: Action
Now Playing: Wide
Rating: R (for some violence and language)

COMING TO VIRTUAL CINEMA/VOD:

A Savage Nature (Tuesday)
Enemies of the State
The Exchange
Fireboys
(Tuesday)
Fully Realized Humans
Hum
(Tuesday)
The Last Mercenary
Lorelei
Mondo Hollywoodland
(Tuesday)
On the Trail of UFOs: Dark Sky
(Tuesday)
Pooling to Paradise
(Tuesday)
Ride the Eagle
Tailgate

SCHEDULED FOR REVIEW:

Enemies of the State
Fireboys
The Green Knight
Jungle Cruise
The Last Mercenary
Masquerade
Pooling to Paradise
Stillwater

The Frighteners


Michael J. Fox doesn't like getting pushed around.

Michael J. Fox doesn’t like getting pushed around.

(1996) Horror Comedy (Universal) Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Jeffrey Combs, Jake Busey, Dee Wallace-Stone, Chi McBride, Jim Fyfe, R. Lee Ermey, Julianna McCarthy, Troy Evans, Elizabeth Hawthorne, Angela Bloomfield, Desmond Kelly, Jonathan Blick, Todd Rippon, John Sumner, Jim McLarty, Anthony Ray Parker, Melanie Lynskey. Directed by Peter Jackson

Six Days of Darkness 2014

Special gifts generally turn out to be curses more than gifts. People who are different are regarded with suspicion and sometimes out-and-out hostility. On top of that, those who can see dead people are being hounded by the dead to take care of unfinished business with the living. It’s enough to make a would-be ghostbuster  pound his head against a tombstone.

Frank Bannister (Fox) hangs out at cemeteries. Not because he’s fond of graveyards but it’s a good way to drum up business; to discover who has had someone dearly departed and then allow their loved ones to communicate or avoid said lately deceased. The Sheriff (Evans) tolerates Frank to a certain degree although he doesn’t approve. That’s because he knows that Frank has been through a lot; namely, a car accident in which his wife Debbie (Bloomfield) was killed. There were whispers that if may not have been an accident and Frank’s career as an architect came to an end, as did construction on the house he had designed and was building for his wife.

Some see Frank as a charlatan who manufactures “hauntings” and then charges exorbitant rates to “cleanse” them but nobody can prove it. In fact, Frank is a con man who manufactures the hauntings – through the use of three ghosts. You see, ever since the car wreck, Frank can see dead people. His friends Cyrus (McBride), a disco apparition from the ’70s complete with magnificent ‘fro, nerdish Stuart (Fyfe) and The Judge (Astin), a decomposing gunslinger from the Old West lift things around and make people (who can’t see them) think there’s a poltergeist about. Frank steps in with fake instruments and a squirt gun full of “holy” water and cleanses the house. It’s not an honest living, but it’s a living nonetheless. He manages to meet Dr. Lucy Lynskey (Alvarado) when her oafish husband (Dobson) dies of a heart attack.

In fact the people of Fairwater have been dropping like flies lately, all with massive heart attacks. Frank witnesses one and realizes that a supernatural entity in a grim reaper cloak has latched itself to the town and he’s the only one who can stop it. Can he protect the comely widow whom he has begun to get sweet on, avoid the manic obsessive FBI Agent Milton Dammers (Combs) and save the town?

This was one of Jackson’s last movies before embarking on the massive Lord of the Rings project; prior to this he had made movies for the New Zealand market including the Oscar-nominated Heavenly Creatures and the over-the-top Bad Taste. It was not a box office success, mainly because it was something of a compromise of sorts and not quite as anarchic and gore-drenched as earlier horror projects. It was also criticized for being a bit of a mish mash of other movies kind of lumped together.

Nevertheless, it’s still a romp. Fox shows why he was such a terrific leading man, completely charismatic and likable even as he was a bit of a cynic. He also showed some real vulnerability, something he didn’t necessarily do often in previous roles. It remains in my mind one of his best performances ever on big screen or small. There’s also an eclectic supporting cast, every one of whom does decent work here at worst.

There is a bit of a Ghostbusters vibe as well as a kind of tongue-in-cheek Beetlejuice feel (the movie shares composer Danny Elfman with the Tim Burton classic). There are also bits of The Shining and Poltergeist woven in with a bit of Scooby Doo and Re-Animator in there for good measure.

The ghost effects are definitely a bit dated but still effective. There are some other creature and practical effects that are definitely retro but work well even now, nearly 20 years after the fact. In fact, this is one of my favorite horror comedies of all time, right up there with the ‘busters and Beetlejuice as far as I’m concerned. The villains are very villainous (Busey as a serial killer is a natural), the heroes are not-quite-competent but always plucky, the romantic interest beautiful in an Andie MacDowell kind of way and the scares are masterful occasionally, although Jackson has a tendency to go for the laugh as much as the scare. This may not be the greatest thing since sliced bread but it’s a great pop up some microwave popcorn, gather the family round the couch and put this on the TV at Halloween kind of movie. And isn’t that worth something?

WHY RENT THIS: Fun as all get out. Fox is a hoot. Definitely an irreverent vibe. A few genuine scares.
WHY RENT SOMETHING ELSE: Leans more to the comedy side.
FAMILY VALUES: Some foul language, lots of horrific images and comic violence.
TRIVIAL PURSUIT: Fox repeatedly blew his lines by referring to Astin’s character as “Doc,” his Back to the Future partner-in-crime. He broke his foot during filming, delaying production for about a week. This would be his last leading role in a film as the long shoot in New Zealand caused him a good deal of homesickness and he resolved to stay on the small screen, accepting a role in Spin City shortly thereafter.
NOTABLE HOME VIDEO EXTRAS: Generally most major releases come with a making-of documentary which generally run in the 20-30 minute range. The one here is over three hours long and gets into details rarely gone into in home videos, including a read-through of the script at Jackson’s home.
BOX OFFICE PERFORMANCE: $29.4M on a $26M production budget.
SITES TO SEE: Netflix (stream/rental), Amazon (buy/rent), Vudu (buy/rent),  iTunes (buy/rent), Flixster (buy/rent), Target Ticket (buy/rent)
COMPARISON SHOPPING: Beetlejuice
FINAL RATING: 8/10
NEXT: Six Days of Darkness 2014 concludes!