Underworld: Blood Wars


Never tell Selene that her catsuit makes her look fat.

Never tell Selene that her catsuit makes her look fat.

(2016) Action Horror (Screen Gems) Kate Beckinsale, Theo James, Tobias Menzies, Lara Pulver, Charles Dance, James Faulkner, Peter Andersson, Clementine Nicholson, Bradley James, Daisy Head, Oliver Stark, Zuzana Stivinova, Brian Caspe, Jan Nemejovsky, Sveta Driga, Dan Bradford, David Bowles, Rostislav Novak, Tomas Fisher, Eva Lavoire. Directed by Anna Foerster

 

Sometimes audiences don’t need a whole lot to be happy. They don’t need a coherent plot or character development. They just want to sit back, relax and shut their brains off for a couple of hours. It’s not much to ask. In other words, sometimes a concept is enough to satisfy an audience. This explains why the Underworld franchise has confounded critics by surviving 13 years and five movies without any letup in popularity.

A lot of the reason behind that is Kate Beckinsale. She plays Selene, a former member of the Death Dealers, an elite squad of vampires who exterminate their mortal enemies the Lycans (a.k.a. werewolves). These days, Selene is a renegade, on the run from both Lycans and vampires alike. She is aided only by David (T. James), son of Thomas (Dance) who at one time was Selene’s enemy but is now her only ally on the Eastern coven council.

The war isn’t going well for the vampires and in their dogged pursuit of Selene has led them to fighting a war on two fronts. Their Death Dealers have been depleted and while they are training new ones, the coven is vulnerable. Council member Semira (Pulver) realizes this and entreats Thomas to convince council leader Cassius (Faulkner) to revoke the exile of Selene and bring her back to train the Death Dealers.

Meanwhile, the Lycans have grown more powerful led by Marius (Menzies), their leader who has united the Lycan clans like nobody else ever has. They want Selene’s daughter Eve whose blood contains both Lycan and vampire elements along with human – she is the key to victory for both sides. Selene however doesn’t know where Eve is which is the way she wants it to protect her daughter. That doesn’t stop the machinations of various parties within both the Lycan and vampire communities who will betray anyone and stop and nothing to find Eve – and to do so they all believe they must control Selene. But can Selene be controlled?

As I said earlier, the plot is convoluted and often senseless but that’s unimportant; what matters is vampires vs. werewolves and there is plenty of that, plenty of carnage (including spines being ripped out and bodies being cleaved in half) and of course plenty of Beckinsale in skintight leather. Say what you want to about the franchise but there is no doubt that Beckinsale has made Selene one of the more formidable female action heroes of the 21st century. Critics however lament that the extremely talented actress who showed her abilities in Love and Friendship last year has been slumming by appearing in these films. Paychecks like the ones she gets from the Underworld series are what allow her to appear in less lucrative but more substantial roles like the one mentioned.

Beckinsale is as always the best reason to see these movies and while she seems a little more restrained here than in previous incarnations of the franchise, she has a presence nonetheless that keeps the focus on her every time she’s on the screen. There are those who grouse that the catsuit she wears is demeaning to women but I hear nobody complain that the ripped shirts (and occasionally shirtless look) that male action stars often wear are demeaning to them. Sex appeal remains a big selling point for action movies.

Like most of the Underworld films the lighting is dim which looks cool enough but makes some of the action sequences hard to follow which becomes a particular problem given the accelerated reflexes of the two warring factions. Again, the vampires are portrayed as indolent Eurotrash while the Lycans come off as kind of grunge chic. Also as usual, other than Selene and maybe David there is little in the way of character development, leading to all the various supporting roles to kind of blend together.

Then again, that scarcely matters. What the audience for these films are looking for are right here in great quantities. First-time feature film director Foerster (who cut her teeth on the Starz Outlander series) clearly demonstrates an understanding of the wants and needs of the audience and if she doesn’t apply much of a stamp of her own to the franchise is more likely due to the producers wanting to keep thematic and tonal continuity between the various films more than anything. I’m actually interested in seeing how Foerster does with other action, adventure and genre films in the future; I suspect she would supply a much-needed female voice to what is largely a male-dominated profession. After all, women like a good brainless action and/or genre film just as much as the next guy.

REASONS TO GO: It’s really more of the same, so if you like the same…
REASONS TO STAY: …and if you don’t…
FAMILY VALUES: There’s a ton of violence, quite a bit of blood and some sexuality.
TRIVIAL PURSUIT: Although this was initially believed to be the final film in the series, producer Len Wiseman has confirmed that a sequel is in the planning stages with Beckinsale returning as Selene.
CRITICAL MASS: As of 2/2/17: Rotten Tomatoes: 17% positive reviews. Metacritic: 22/100.
COMPARISON SHOPPING: The Lost Boys
FINAL RATING: 5/10
NEXT: Elle

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New Releases for the Week of January 6, 2017


A Monster CallsA MONSTER CALLS

(Focus) Lewis MacDougall, Sigourney Weaver, Felicity Jones, Toby Kebbell, Ben Moor, Jennifer Lim, James Melville, Liam Neeson, Geraldine Chaplin. Directed by Juan Antoniio Bayona

A young British boy is having a very rough time of things. Not only is he being bullied at school, his mum – all he has in the world – is very sick. Overwhelmed by everything happening around him, he escapes into a world of fantasy where friendly monsters help him deal with his anger and his grief. It’s based on a best-selling book.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Family
Now Playing: Wide Release

Rating: PG-13 (for thematic content and some scary images)

The Bronx Bull

(Momentum) William Forsythe, Joe Mantegna, Tom Sizemore, Paul Sorvino. This is a new take on the story of Jake LaMotta, one of the most legendary figures in boxing. That life was already the subject of Martin Scorsese’s classic Oscar-winning opus Raging Bull.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: R (for brutal fights, pervasive language and some sexual content/nudity)

Hidden Figures

(20th Century Fox) Taraji P. Henson, Octavia Spencer, Kevin Costner, Janelle Monáe. This is the true and largely forgotten story of three brilliant African-American women who overcame the prejudices of their era to become vital to the space program and instrumental to doing what nobody had done before them – launching a human being into orbit.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG (for thematic elements and some language)

Underworld: Blood Wars

(Screen Gems) Kate Beckinsale, Theo James, Charles Dance, Tobias Menzies. Selene returns as the war between the vampires and the werewolves (a.k.a. the Lycans) heats up. An ambitious vampire and a formidable leader of the Lycans clash as Selene and her human ally David are once again caught in the middle.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Horror Action
Now Playing: Wide Release

Rating: R (for strong bloody violence, and some sexuality)

Ghostbusters (2016)


Uncorking the genii.

Uncorking the genii.

(2016) Horror Comedy (Columbia) Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Neil Casey, Zach Woods, Ed Begley Jr., Charles Dance, Karan Soni, Bill Murray, Dan Aykroyd, Nate Corddry, Ozzy Osbourne, Andy Garcia, Annie Potts, Cecily Strong, Ernie Hudson, Sigourney Weaver, Al Roker, Susan Park, Katie Dippold. Directed by Paul Feig

 

I have to make a confession; I was not pleased about the prospects of an all-female Ghostbusters team at first; for one thing, it seemed kind of gimmicky to me, a means of establishing a bit of notoriety before the movie opened. The more I thought about it though, I figured I was just using that as an excuse; I was being a sexist so as a critic I swallowed my pride, sucked it up and tried to look at the movie as objectively as I could.

That’s not to say that it’s possible; like millions of others, the original Ghostbusters is one of my all-time favorite films. When you take on a remake of a classic that is so beloved, comparisons between that film and yours are going to be inevitable. Surely Paul Feig had to know that. But I don’t think he expected the venom that would be directed at his choice to change the gender the team; fanboys absolutely lost their minds, some going so far as to claim that it “ruined their childhoods” which is generally an indication that their childhoods probably should be ruined, if that was all it took.

The storyline here is pretty similar to the original; a trio of scientists – Erin Gilbert (Wiig), a physicist; Abby Yates (McCarthy) a paranormal investigator, and Jillian Holtzmann (McKinnon), an engineer – are brought together to investigate a haunting. Erin and Abby had once co-authored a book – Ghost from Our Past – but had a falling out. Erin was trying to distance herself from those days and when the book shows up on Amazon just as she’s about to become tenured at Columbia University, she and Abby are brought together. Eventually, Abby agrees to pull the book from Amazon on the condition that Erin allows them to investigate a paranormal activity at a local mansion that had been brought to Erin’s attention by the home’s curator (Begley).

When their investigation is successful beyond their wildest dreams, they enlist Abby’s new partner Jillian who is like a kid in a toy store on Christmas morning – she has all sorts of devices to try out, including a proton pack and a ghost capturing device. With Erin cashiered from Columbia who has found out about her somewhat unorthodox beliefs in the supernatural, the three decide to start up a ghost investigation business. During an investigation into a New York subway, they are assisted by Patty Tolan (Jones), an MTA employee with an encyclopedic knowledge of New York City history, particularly the haunted kind. She joins the team as the fourth Ghostbuster (as they are now called, much to Erin’s annoyance).

They hire a receptionist to handle the calls which turns out to be Kevin (Hemsworth), a male model who gets the job because he dampens Erin’s panties more than anything – he proves to be an utter imbecile and not much use at all answering the phone. As they investigate, they discover that someone has been creating gateways allowing the ghosts to come into New York. That someone is uber-nerd Rowan North (Casey) who has some very unpleasant plans for a world that has rejected him and ignored him. When someone plans a paranormal apocalypse, who ya gonna call?

The special effects are spectacular here, which is definitely an unexpected plus – Feig has never really worked an effects-heavy film before but he does a fine job here with the CGI. It’s impressive without being overwhelming. The cinematography is gorgeous and most of the technical end of the movie is soundly executed. I also think that his casting is spot-on – on paper.

Unfortunately, on celluloid is where I have the issues. The chemistry between the team just isn’t as strong as it was for Murray, Aykroyd, Hudson (who all have cameos) and the late Harold Ramis, whose son appears in a brief cameo and who also appears as a bust outside of Erin’s office at Columbia. McKinnon is a little too over the top at times as is Jones who’s shrieking is almost anachronistic, sounding uncomfortably like depictions of African-American characters in horror comedies from say 50-75 years ago.

Wiig and McCarthy are both strong comic actresses who have given terrific performances in other movies, but they are both overly bland here. McCarthy is strangely subdued; I sometimes complain about her characterization in other comedic roles but I would have welcomed more of that energy she brought to those roles here. Wiig is generally an extremely understated performer and was completely miscast; they needed someone who had a little more of a presence. This may surprise some, but I think Leslie Jones might have been better suited for the role of the physicist/doubter, Kate McKinnon better as Abby, Melissa McCarthy more fun as Patty and maybe a different actress – Amy Schumer for example – as Jillian. But still, just reshuffling the roles might not have helped; the ladies just don’t seem as comfortable around each other as they should be.

Despite all of the issues I have with the team, the script isn’t half-bad and there are some very funny moments. The cameos are welcome, but also serve to remind us of how much better the original was than the remake and Feig might have been better advised to leave them out, particularly since he chose to do a reboot rather than a sequel, which I think might have been a better move. Still, one has to give him points for trying, but trying doesn’t save a movie that’s just average.

REASONS TO GO: The effects are impressive.
REASONS TO STAY: It simply doesn’t hold up to the original.
FAMILY VALUES: Some somewhat rude humor and a bit of supernatural action and violence.
TRIVIAL PURSUIT:  The book Ghost from Our Past supposedly co-written by lead characters Erin and Abby, is really for sale on Amazon.
CRITICAL MASS: As of 7/30/16: Rotten Tomatoes: 73% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: A Haunted House
FINAL RATING: 6/10
NEXT: The Legend of Tarzan

New Releases for the Week of July 15, 2016


GhostbustersGHOSTBUSTERS

(Columbia) Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Charles Dance, Andy Garcia, Cecily Strong. Directed by Paul Feig

Four women with different skills – an engineer, a physicist, a paranormal investigator and a subway token taker who knows New York City like the back of her hand – come together to fight a supernatural threat that menaces the Big Apple. This is a reboot of the 1984 classic which has been a bit controversial in the fanboy community because they are using an all-female team. Most of the original cast makes cameo appearances.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Wide Release

Rating: PG-13 (for supernatural action and some crude humor)

The Infiltrator

(Broad Green) Bryan Cranston, Diane Krueger, Benjamin Bratt, John Leguizamo. The true story of DEA agent Robert Mazur who went undercover in Pablo Escobar’s organization and ended up masterminding the biggest drug bust in U.S. history. Along with his team, Mazur is risking his family and his very life to take down one of the biggest drug kingpins in the world.

See the trailer, interviews, a featurette, a clip and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for strong violence, language throughout, some sexual content and drug material)

Undrafted

(Vertical) Tyler Hoechlin, Aaron Tveit, Chace Crawford, James Belushi. It was just a summer intramural baseball game, and for this bunch of misfit players who have not much of a future in the sport, it shouldn’t have been anything more than that. Unpredictably, it becomes the most important game of their lives.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

New Releases for the Week of June 3, 2016


Teenage Mutant Ninja Turtles Out of the ShadowsTEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS

(Paramount) Megan Fox, Stephen Amell, Alan Ritchson, Laura Linney, Will Arnett, Noel Fisher, Stephen Farrelly, Brad Garrett (voice), Tyler Perry. Directed by Dave Green

The heroes on the half shell are faced with the appearance of one of their greatest villains from the comic book series and will be challenged greater than they have ever been before (at least on the silver screen). Will they come out ahead? Will Paramount make enough to justify a third film?

See the trailer, clips, promos and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence)

Housefull 3

(Eros International) Nargis Fakhri, Akshay Kumar, Jacqueline Fernandez, Abhishek Bachchan. The father of three beautiful daughters is not eager to see them get married. Three wily men are out to change his mind and prove to the stubborn dad that they are the perfect match for his little princesses.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC West Oaks

Rating: NR

The Lobster

(A24) Colin Farrell, Rachel Weisz, John C. Reilly, Lea Seydoux. In this odd but oddly endearing romantic comedy, a man just dumped by his wife lives in a society in which he is given 45 days to fall in love again, or he is doomed to be changed into an animal of his choice. He is brought to a hotel where he is put into the most competitive dating pool ever. A commentary on modern romance and the opening night film at this year’s Florida Film Festival.

See the trailer, clips and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for sexual content including dialogue, and some violence)

Me Before You

(New Line) Sam Claflin, Emilia Clarke, Charles Dance, Vanessa Kirby. A quirky, happy-go-lucky 26-year-old English girl takes a job as a caretaker for a handsome, wealthy banker who has essentially given up on life. The two find that they are the one thing the other needs – the woman showing the man a life worth living, the man showing the woman the joys of stability. Before long, the two are finding their lives – and their hearts – are altering in unexpected ways.

See the trailer and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and some suggestive material)

Popstar: Never Stop, Never Stopping

(Universal) Andy Samberg, Sarah Silverman, Imogen Poots, Bill Hader. After reaching the apex of pop stardom with his first album, rapper Conner4Real sees his second album tank both critically and commercially, leaving his parasitic entourage wondering what comes next. From the Internet comedy team known as The Lonely Island.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for some graphic nudity, language throughout, sexual content and drug use)

Admiral (Michiel de Ruyter)


Frank Lammers smells something rotten.

Frank Lammers smells something rotten.

(2015) Historical Epic (XLRator Media) Frank Lammers, Charles Dance, Barry Atsma, Sanne Langelaar, Rutger Hauer, Derek de Lint, Roeland Fernhout, Hajo Bruins, Egbert Jan Weeber, Nils Verkooijen, Daniel Brocklebank, Colin Mace, Filip Peeters, Tygo Gernhardt, Victor Löw, Pip Pellens, Aurélie Meriel, Will Bowden, Ella-June Henrard, Lieke van Lexmond. Directed by Roel Reiné

You’ve probably not heard of Michiel de Ruyter unless you were schooled in the Netherlands or are a European history buff, but you likely should have. One of the most revered figures in Dutch history, he was a naval genius who kept his country from being invaded on several occasions by the English and the French, and at a time when his country was in political turmoil he was a stabilizing figure whom many credit for keeping his nation from plunging into civil war during a turbulent era.

As the movie opens, the 20,000 ship Dutch navy is under the command of Maarten Tromp (Hauer) but during the Battle of Scheveningen he is mortally wounded, although he does succeed in repelling the English. While King Charles (Dance) schemes in England, new prime minister Johan de Witt (Atsma) knows that the Dutch Republic, already a government teetering on the edge of a possible civil war with the Orangists, a monarchist group that wants William of Orange (Weeber) to rule, needs an admiral to defend the Netherlands from the rapacious British and their allies of convenience the French.

He recruits de Ruyter (Lammers), a stocky and unlovely man who is more interested in retiring to the country with his wife Anna (Langelaar) and two daughters. However, he is also a deeply patriotic man and is convinced by de Witt and his brilliant brother Cornelis (Fernhout) that the sailor is desperately needed.

Time and time again de Ruyter uses brilliant naval tactics to stave off the Brits while court intrigue between the de Witt brothers and the Machiavellian Kievit (de Lint) keep the Netherlands in chaos. As the years pass, the monarchist party slowly begins to take the upper hand – but will that advantage come at the expense of the entire nation?

Los Angeles Times reviewer Robert Abele characterized the movie as a Michael Bay treatment of Dutch naval history and a more succinct summation of this film couldn’t be asked for. There is a good deal of large scale mayhem, with ships being hit by cannon fire, bodies flying in the air in all sorts of directions, splinters and wood dust coating everything. Some of the warfare sequences are pretty grisly, although not as much as the depiction of a historic lynching which ends up with various body parts being pulled out of the bodies of those possibly still conscious.

For most Americans, the history is going to be a bit vague. I doubt that the average American knows anything about the Anglo-Dutch War, let alone that there was more than one. Some of the stuff I learned here about the politics of Europe in the 17th century was fascinating; certainly, I never knew any of it which goes to show you how ignorant of history we Americans really are. Of course, I love this stuff and eat it up like candy but I’m sure those moviegoers who find history to be a bore will not have the same appreciation for it that I do.

War buffs will appreciate the naval strategy that is shown here, much of it innovative for its time. The rest of us may not be quite as appreciative of the overhead shots of the deployment of ships. However, film buffs will definitely be a little hosed that the CGI of the various fleets and the damage done to them is not very impressive; there are some very fine effects houses in Europe and certainly there could have been a better job done with the special effects.

The acting is very solid. Some of the finest actors in Europe appear here. While most in America are familiar with Hauer, de Lint and Lammers are two of Holland’s most respected actors. Lammers in particular does a good job with the stocky, somewhat awkward de Ruyter who was nonetheless beloved by those who sailed under him – his men nicknamed him ‘Grandfather,” a sign of affection and respect. Lammers physically captures the look of the man but also the indomitable spirit of one of the Netherlands’ greatest heroes.

The big problem here is that the movie is way too long. It is just over two hours long and captures 24 years in the life of de Ruyter but it feels like a good half hour could have been trimmed. There are only so many naval battle scenes you can take before they start to run together. Even with that there is some solid entertainment here that with a judicious pair of scissors and a little extra dough in the effects budget might have been a lot more.

REASONS TO GO: Pretty decent production values. Lammers and cast do fine work. Insights into Dutch history most of us are unaware of here in the States.
REASONS TO STAY: Way too freaking long. The score is annoying. Underwhelming CGI
FAMILY VALUES: War violence, a graphic and gruesome lynching scene, some foul language and some sensuality.
TRIVIAL PURSUIT: A special version of the film was created that was less gruesome in depicting several historical deaths so that schoolchildren in the Netherlands could view the film.
CRITICAL MASS: As of 3/22/16: Rotten Tomatoes: 60% positive reviews. Metacritic: No score yet.
COMPARISON SHOPPING: 300: Rise of an Empire
FINAL RATING: 5/10
NEXT: Whiskey Tango Foxtrot

Pride and Prejudice and Zombies


Who knew that Jane Austen kicked ass?

Who knew that Jane Austen kicked ass?

(2016) Horror (Screen Gems) Lily James, Sam Reilly, Bella Heathcote, Ellie Bamber, Millie Brady, Suki Waterhouse, Douglas Booth, Sally Phillips, Charles Dance, Jack Huston, Lena Headey, Matt Smith, Emma Greenwell, Eva Bell, Aisling Loftus, Charlie Anson, Tom Lorcan, Robert Fyfe, Dan Cohen, Nicholas Murchie, Kate Doherty, Pippa Haywood, Bessie Cursons, Morfydd Clark. Directed by Burr Steers

Most of us have had our own encounters with Jane Austen’s masterpiece, either through high school or college lit classes, or through the multitudinous cinematic adaptations. Nothing you’ve ever seen before however will prepare you for this.

It is 1813 and the Regency period in Britain is in full flower. So is an invasion of the living dead as zombies have essentially overrun London which has a gigantic 100 foot wall and moat ringing it, with the environs between the moat and wall known as “The In-Between.” The redoubtable British army patrols the area but it is essentially deserted. Of the living, at any rate.

Elizabeth Bennet (James) and her sisters Jane (Heathcote), Lydia (Bamber), Mary (Brady) and Kitty (Waterhouse) have been raised by their father (Dance) as warriors, able defenders of the family home with sword and gun and dagger. Their mother (Phillips) still is stuck in a mindset where there are no zombies, hoping to marry off the girls to wealthy suitors. Jane already has one in the wealthy Mr. Bingley (Booth). However it is Mr. Darcy (Riley) who catches Elizabeth’s eye and not in a good way when he callously insults her at a party, then “saves” her from a zombie that accosts her outside the mansion trying to warn her about something. Elizabeth is far from grateful.

As the wealthy Darcy looks down his nose at the less fortunate Bennet family, the zombie problem is getting more acute as the London wall will soon be overrun and the one bridge over the moat will soon be dynamited. The dashing Lt. Wickham (Huston) arrives on the scene, not only to catch Elizabeth’s eye but also to map out a daring plan to make peace with the zombies. Darcy’s aunt, the Lady de Bourgh (Headey) listens to the plan with a saucy eye-patch covering her battle wound, but as Britain’s most acclaimed zombie killer and owner of the most fortified home in the land, she ultimately rejects any attempt at peace as does her nephew.

But the walls are falling and a crisis with Lydia Bennet leads Elizabeth, Darcy and Wickham into the no-man’s land to rescue her (although one has different motives) and bring her back to safety before the bridge is blown up at dawn. Can the plucky Elizabeth rescue her sister and escape the hordes?

This is based on a bestselling novel by Seth Grahame-Smith which is in turn based on the Jane Austen classic. While the title sounds more like a comedy than it really is not played for laughs; rather it is pretty much done straight with the horror elements emphasized. I think that’s the right move, quite frankly; there have been plenty of zombie spoofs and the bar is fairly high for those to begin with. However, it must be said that it also makes for an often discomfiting mash-up of styles.

The cast is solid, although unspectacular. The best-faring is James, who uses her Downton Abbey experience nicely. I’ve seen it said elsewhere but I’ll echo the sentiment; she’d make a fine Elizabeth Bennet in a straight-up production of the Austen novel. She is strong-willed and looks stunning in the dresses of the period. She also handles the physical work of the fighting gracefully.

Riley, one of the more underrated actors today, delivers a performance that is curiously flat. I suppose it might be said that Darcy is a character who doesn’t do emotion well, but even so Riley seems like he’s in a fog most of the time. There is also the odd wardrobe decision of putting the character in a leather greatcoat as if he’s some kind of Regency biker. It’s distracting to hear the leather creaking and crackling every time Riley’s onscreen.

Most of the humor here springs from Matt Smith’s portrayal of the dandified Parson Collins, who is an unwelcome suitor (and cousin to) Elizabeth. The former Doctor Who actor at times seems like he’s in a different movie than the rest of the cast, but his is in many ways more fun. As I mentioned, most of the cast plays this straight. It’s more the situation from where the humor is derived, other than through Collins and let’s face it, he’s also comic relief in the book as well.

The gore here is mainly of the CGI kind, but there is plenty of it – so much so that I was frankly surprised the movie didn’t rate an “R” but the MPAA has never shown a lot of consistency when it comes to rating films. Not all the CGI is of the top of the line variety, so expect to see a few images that will just scream computer generated. That’s never a good thing in any film.

This is solidly entertaining fare, surprisingly so considering the source. I won’t say that this is a new franchise for Screen Gems because it really doesn’t have that feel, unless the producers want to move on to other Austen novels or the Bronte sisters. However, if you don’t mind a little gruesome – okay, a lot of gruesome – in your classic literature, this might make for some interesting viewing for you.

REASONS TO GO: An interesting mash-up. James makes an excellent Elizabeth Bennet.
REASONS TO STAY: Some may be put off by the gore or the period. CGI is a little bit rough around the edges.
FAMILY VALUES: Plenty of violence and zombie gore. There’s also some brief sexual suggestion.
TRIVIAL PURSUIT: Originally Natalie Portman was cast as Elizabeth but had to drop out due to scheduling conflicts; she remained on board as a producer however.
CRITICAL MASS: As of 2/20/16: Rotten Tomatoes: 43% positive reviews. Metacritic: 45/100.
COMPARISON SHOPPING: A Scout’s Guide to the Zombie Apocalypse
FINAL RATING: 6/10
NEXT: Deadpool