Chasing Mavericks


Beefcake on the beach.

Beefcake on the beach.

(2012) Sports Biography (20th Century Fox) Gerard Butler, Jonny Weston, Elisabeth Shue, Abigail Spencer, Leven Rambin, Greg Long, Peter Mel, Zach Wormhoudt, Devin Crittenden, Taylor Handley, Cooper Timberline, Maya Raines, Harley Graham, Jenica Bergere, James Anthony Cotton, Channon Roe, Thomas Freil, L. Peter Callendar. Directed by Michael Apted and Curtis Hanson

Some of the things that drive us are merely preferences. Others are compulsions. Some of those are absolutely irresistible; we are driven to those things with the same necessity as breathing, even if those things are dangerous to the point of being life-threatening.

Jay Moriarty (Weston) was a 15-year-old Santa Cruz boy who was into surfing in a big way but he longed to prove himself. Maybe to the father that abandoned him and his mother (Shue) when he was little. Maybe to that same mother who seemed more in love with getting drunk or stoned than with her son. Maybe to the bully (Handley) who tormented him. Or maybe to the girlfriend (Rambin) who wanted to keep him at arm’s length.

Who knows what reason or reasons it was – maybe a little bit of all of them. In any case, he longed to surf the ginormous waves in Half Moon Bay known as Mavericks. These weren’t just ordinary waves; when the right conditions were present, they were as tall as five story buildings and even veteran surfers shied away from them.

After a spectacular wipe-out attempting to surf them on his own, Jay knew he needed help. One of his neighbors was pro surfer Frosty Hesson (Butler), someone who had surfed Mavericks and lived to tell about it. At first the old pro wants nothing to do with the insistent teen, but as it becomes evident that Jay is determined to surf those waves with or without Frosty’s help, the older man capitulates, figuring that he can at least give Jay a fighting chance to stay alive.

The training is rigorous and not at all what Jay expected. However, he sticks to it and soon comes the time that he is ready as he’ll ever be, but is that ready enough?

The film has the benefit of not one but two decorated directors; I’m not sure if that helps the movie or not however. An awful lot of time is focused on Jay’s training and while some of it is interesting, after awhile it gets to be a bit tedious, particularly for non-surfing sorts. I will admit to being surprised that there is a very technical end that comes with riding the big waves that requires a lot more brainpower than one would expect from dudes that say “dude” and “bro” interchangeably.

Butler is one of those actors who seems to get overlooked a lot of times but is a tremendous talent with tons of screen presence. He has a couple of blockbusters on his resume, but seems to be relegated to the Clive Owen strata – good actors who do good work but at the end of the day seem just outside the top strata of stars. Here he plays a gruff surfer who doesn’t suffer fools gladly, and has some issues of his own, issues that his wife (Spencer) thinks that Jay would cure.

Young Weston, best known to audiences at this point for John Dies at the End, is actually the lead here and carries the movie solidly. He’s since gone on to do some solid although unspectacular work, but seems to be building into a nice career. He and Butler play well off of one another, creating a believable onscreen relationship with Butler playing the surrogate father. Weston could have used a little more character development – I’m not sure that the real Jay Moriarty was well-served here.

We do see a little bit of the real Moriarty towards the end – the real one passed away tragically at the age of 23, but doing what he loved most. I agree with the critics who are of the opinion that this story would have made a better documentary than a feature film. Certainly those who are into the surf lifestyle or at least appreciate it will like this film more than those who aren’t or don’t. It’s not a bad movie, it’s just not a great movie. The capturing of the giant waves at Half Moon Bay, which are utterly terrifying as presented here, show the grand madness that is big wave surfing. But while this gets through the technical end, I don’t know if it gets to the heart and soul of the surfer as much as I personally would have liked.

WHY RENT THIS: Butler and Weston have excellent chemistry. The cinematography is amazing.
WHY RENT SOMETHING ELSE: Way too long and way too technical. It might not appeal to non-surfers.
FAMILY VALUES: Some adult themes and surfing action.
TRIVIAL PURSUIT: Hanson had to pull out of the director’s chair when poor health forced him out. Apted directed the final three weeks of shooting and all of the post-production without any further involvement from Hanson.
NOTABLE HOME VIDEO EXTRAS: There are featurettes on Half Moon Bay and the surf culture there, interviews with people close to Jay Moriarty in real life including his widow and the real Frosty Hesson, and interviews with surfers on the philosophy of surfing. Dude!
BOX OFFICE PERFORMANCE: $6.0M on a $20M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray Rental only), Amazon, iTunes, Vudu, Google Play, M-Go
COMPARISON SHOPPING: Dogtown and Z-Boys
FINAL RATING: 5/10
NEXT: 10 Cloverfield Lane

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New Releases for the Week of October 26, 2012


October 26, 2012

CLOUD ATLAS

(Warner Brothers) Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, Xun Zhou, James D’Arcy, Keith David, Susan Sarandon, Hugh Grant. Directed by Tom Tykwer, Andy Wachowski and Lana Wachowski

Based on the bestselling novel by David Mitchell, six stories through various eras from the 19th century to the distant future. Events in all eras ripple through time in ways both directly and subtly to effect characters who have much more to do with one another than a startling resemblance to one another.

See the trailer, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Science Fiction/Fantasy/Drama

Rating: R (for violence, language, sexuality/nudity and some drug use)

Ajab Gazabb Love

(Puja) Arjun Rampal, Jakky Bhagnani, Nidhi Subbiah, Arshad Warsi. The heir to a worldwide automobile empire falls in love with a girl who’s only interested in social justice and could never have anything to do with a rich guy. The young man convinces his family to play “poor” so that the girl of his dreams will accept him. This is a remake of the Telugu film Seema Tapakai.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Chakravyuh

(Eros International) Arjun Rampal, Abhay Deol, Manoj Bajpai, Om Puri. The very real Naxalite rebellion in India is examined as young activists battle extreme poverty and social injustice. Pushed into a corner, it seems that a violent uprising may be the only way to achieve justice for the poor and defenseless.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Chasing Mavericks

(20th Century Fox) Gerard Butler, Elisabeth Shue, Abigail Spencer, Jonny Weston. A young man yearns to surf the most dangerous waves in the world.  A local legend takes him under his wing and that young man would become Jay Moriarty, one of the most beloved of the big wave surfers.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sports Biography

Rating: PG (for thematic elements and some perilous action)

Dhenikaina Ready

(24 Frames) Vishnu Manchu, Hansika Motwani, Brahmanandam, Kota Srinivasa Rao. When a couple from Hindi and Muslim families elope, the two families enter open hostilities. When a court case ends the dispute, the couple tries to mend fences between the two families.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Fun Size

(Paramount) Victoria Justice, Thomas Mann, Chelsea Handler, Jane Levy. A pretty high school senior with attitude to spare gets invited to the biggest, most important Halloween party…like, ever in the history of the universe. But there’s just one thing – her skanky mom is going to her own dress-like-a-slut Halloween party leaving the senior to babysit his little brother. And when her little brother gets lost she’ll have to rely on, like, geeks to save her night and set her on the path to awesomeness.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for crude and suggestive material, partying and language)

Silent Hill: Revelation

(Open Road) Adelaide Clemens, Sean Bean, Radha Mitchell, Carrie-Anne Moss.  A father and his daughter are on the run from powerful supernatural forces. As she approaches her 18th birthday, disturbing nightmares plague her and when her father disappears she will have to go to Silent Hill to rescue him and come face to face with the truth of who she really is.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Supernatural Horror

Rating: R (for violence and disturbing images, some language and brief nudity)

Sleepwalk With Me

(IFC) Mike Birbiglia, Lauren Ambrose, James Rebhorn, Carol Kane. A stand-up comedian deals with a stalled career, disapproving parents, a deteriorating relationship and a sleepwalking habit increasing in length and severity. Did we mention this is a comedy?

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for some sexual content and brief language)

V/H/S

(Magnet) Joe Swanberg, Adam Wingard, Sophia Takal, Calvin Reeder. A group of thieves hired to find a specific VHS tape in an abandoned house finds a whole stack of them, each one more morbid and horrifying than the last. As they continue to watch it soon becomes terrifyingly apparent that these tapes are much more than they seem to be.

See the trailer or stream the full movie from Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror Anthology

Rating: R (for blood violence, strong sexuality, graphic nudity, pervasive language and some drug use)