The femme fatale hard at work.
(2018) Erotic Thriller (Indie Rights) Adam Weppler, Catherine Corcoran, Nicholas Tucci, Fran Kranz. Directed by Erik Bloomquist
I think all of us from time to time wonder about (or even fantasize about) having long-lost family members we never knew we had. A rich uncle, birth parent or sibling who will take care of our problems like a deus ex machina descending from the rafters. But what would you do if you actually got a letter from such a relative?
Seth (Weppler) gets to find out the answer to his question. A struggling blogger, he is just getting by financially and maybe not quite even that. One day, he gets a letter from a man claiming to be his stepbrother, inviting him to his home in Greenwich, Connecticut – all expenses paid. Intrigued and with nothing better to do, Seth agrees to go. I know I would if I were him.
Seth ends up finding a huge, beautiful mansion with acreage and there he meets Richard (Tucci), the stepbrother he never knew he had. At first Seth is greeted warmly but then things get…well, weird. He meets Abby (Corcoran), Richard’s girlfriend that he neglected to mention, stepping nude out of the shower – and apparently not minding Seth’s presence a bit.
Richard turns out to be something of a hyper-competitive bully, urging Seth to play childish games like flashlight tag and something called “Fluffy Bunny” which involves stuffing mushrooms in the mouth (don’t ask). He also uses every opportunity to belittle and insult Seth who quickly tires of the abuse. Abby gets her share as well but whereas Seth can walk out the door at any time, Abby perhaps can’t. Besides, Abby is taking quite a shine to her boyfriend’s stepbrother and makes no bones about it which makes Seth distinctly uncomfortable. Seth has a bit of a stick up his anus, you know.
Even given the enticement of a very willing Abby, Seth keeps trying to leave and Richard pleads with him to stay, offering him ten Gs for one more night of his company. Seth can’t say no to that kind of money so he stays and then the party really starts to go off the rails.
In the 80s and 90s, erotic thrillers were a staple of cable TV and featured prominently on HBO, Showtime and particularly Cinemax. They have fallen out of favor in more recent days – the erotic part pales to the kind of pornography that is easily accessible on the Internet – and as a result the erotic thrillers that come out these days tend to be missing something either on the erotic or thriller sides of the equation.
This one, from first-time feature writer/director Erik Bloomquist, is missing out to a certain extent on both sides. While Catherine Corcoran is amazingly attractive and crazy sexy, there are no real sparks between her and Weppler. Her seduction of him seems arbitrary and forced in order to make the plot work; Seth as a character is kind of devoid of any sort of heat. He seems to be a nice enough guy but he’s super uptight and after awhile you just would rather spend more time with Richard and Abby. Tucci gets to have the most fun with his character who has an explosive temper and few redeeming qualities of his own, but Tucci plays him with enough gusto to make him interesting.
The thriller part is lacking a bit as well. While Bloomquist makes good use of the lighting (or often, the lack thereof), the atmosphere never really acquires the quality of suspense a film like this needs to work. The twist isn’t really a bad one, but by the time it comes you really haven’t developed any sort of reason to care. You are left with a feeling of “Oh, those crazy rich people, they can get away with anything BWAHAHAHA” which isn’t the way you want to leave an erotic thriller. The mansion itself is beautiful as is the grounds and Bloomquist makes excellent use of the setting.
I can’t say for certain that Bloomquist was trying to make a 90s-style erotic thriller but there are certainly elements here thereof. The overall tone is unsettling rather than suspenseful and I don’t think that’s what Bloomquist was going for. There are some scenes that work and Corcoran makes an excellent female lead and Tucci gives it the old college try but at the end of the day this is far too cliché to be worthwhile.
REASONS TO SEE: Corcoran makes a wonderful femme fatale.
REASONS TO AVOID: A very generic entry into the genre.
FAMILY VALUES: There is some violence, sexual situations, drug use and plenty of profanity.
TRIVIAL PURSUIT: Tucci and Kranz were both members of the Suite 13 comedy sketch club while at Yale.
CRITICAL MASS: As of 5/27/19: Rotten Tomatoes: 71% positive reviews: Metacritic: No score yet.
COMPARISON SHOPPING: Goodbye Lover
FINAL RATING: 5/10
NEXT: Tangent Room
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