New Releases for the Week of November 20, 2015


The Hunger Games Mockingjay Part 2THE HUNGER GAMES: MOCKINGJAY – PART 2

(Lionsgate) Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Julianne Moore, Donald Sutherland, Philip Seymour Hoffman. Directed by Francis Lawrence

This is it, folks, the final showdown between President Snow and his goon squad of Capitol elitists and Katness Everdeen and her rebellion of the people. Panem is in full-blown civil war and President Snow is obsessed with destroying Katness. She sets out to assassinate him but will encounter a fiendish labyrinth of traps, moral dilemmas and physical punishment that rivals any she faced in her two Hunger Games. This one is for all the marbles.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of violence and action, and for some thematic material)

By the Sea

(Universal) Brat Pitt, Angelina Jolie Pitt, Melanie Laurent, Niels Arestrup. An American writer and his wife come to a tranquil French seaside resort in the 1970s and are joined there by a young newlywed couple as well as a pair of locals. The troubled marriage of the Americans soon begins to rear its ugly head and while they try to resolve their differences, their problems soon reveal issues with the others as well.

See the trailer, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong sexuality, nudity and language)

Man Up

(Saban) Simon Pegg, Olivia Williams, Lake Bell, Rory Kinnear. An American woman at Waterloo Station in London is mistaken for a British man’s blind date. Rather than explain that she is not, she impulsively decides to go for it. What begins as a lark turns into the most uncommon first date ever.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs

Rating: R (for language and sexual references)

The Night Before

(Columbia) Joseph Gordon-Levitt, Seth Rogen, Anthony Mackie, Lizzie Caplan. Every Christmas Eve, three boyhood friends get together to celebrate with one of their number, whose parents died on that day years and years ago. Now however, one of their number has become too famous to be involved while another is getting ready to have kids of his own. So the three decide that this will be their last night of Christmas Eve debauchery, and they will celebrate it by going out in style – at the most debauched, depraved and notorious Christmas Eve party in New York. Assuming they can find it of course.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for drug use and language throughout, some strong sexual content and graphic nudity)

Secret In Their Eyes

(STX Entertainment) Julia Roberts, Chiwetel Ejiofor, Nicole Kidman, Alfred Molina. A tight knit investigative team are rocked to the core when the daughter of one of their number is discovered brutally and inexplicably murdered. More than a decade later, after painstakingly searching for the killer, finally one of them gets the break he needs to resolve the case and bring the killer to justice. But even he is not prepared for the secret that one of them carries, and brings him to a crossroad where he must choose between justice and vengeance which in this case may not necessarily be the same thing.

See the trailer, interviews, clips, a featurette and B-Roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG=13 (for thematic material involving disturbing violent content, language and some sexual references)

Spotlight

(Open Road) Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber. In the mid-90s the investigative journalism team of the Boston Globe came across a story about a pedophile priest who had been shuttled from one parish to another by the Catholic Church without any warning to those in the new parish of the priest’s tendencies to abuse altar boys. As they dig deeper, they discover the scandal goes a lot deeper, covers many, many more diocese and goes to the very top of the Catholic Church. This scandal nearly took down the Roman Catholic church and would pave the way for the reformative-minded Pope Francis to take over the Vatican.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village

Rating: R (for some language including sexual references)

The Martian


Matt Damon takes a break.

Matt Damon takes a break.

(2015) Science Fiction (20th Century Fox) Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Chiwetel Ejiofor, Michael Peňa, Sean Bean, Kate Mara, Sebastian Stan, Aksel Hennie, Benedict Wong, Mackenzie Davis, Donald Glover, Nick Mohammed, Chen Shu, Eddy Ko, Enzo Cilenti, Jonathan Aris, Gruffudd Glyn, Naomi Scott. Directed by Ridley Scott

The exploration of other planets is a dangerous undertaking, maybe the most dangerous thing that humankind can do. So many things can go wrong. When compounded with human error, life or death can rest on a single decision made not always by ourselves but by others as well.

The Ares III manned mission to Mars is going well into its 18th day but then mission control in Houston detects an oncoming storm, a massive one that will force the crew to end their mission early and blast off into space. Already the escape vehicle is tipping over dangerously in the Martian sand. As the crew struggles to prepare for an emergency liftoff, the storm hits with brutal wind force. A piece of debris slams into astronaut Mark Watney (Damon) who is blown into the storm. His beacon and life signs indicator both are off. After a brief search in the storm fails to turn up Mark or his body, expedition leader Melissa Lewis (Chastain) is forced to leave Mars without him.

Except Mark isn’t quite dead yet, to quote Monty Python. Yes, he’s injured and his suit electronics non-functional but he’s alive. He gets back to the habitat and assesses his situation. He has food rations and water for a further 30 days but it will be four years before NASA can mount a rescue mission, assuming they realize that he’s still alive. As Mark says in his video logs that are to chronicle his struggle to survive, he’ll have to science the shit out of things in order to create drinkable water out of rocket fuel, grow potatoes from some vacuum packed spuds in an environment where nothing grows (let’s just say that he utilizes both the shit and the science), and manage to keep the atmosphere breathable in the habitat. It’s a daunting task.

Mark has a doctorate in botany so he’s a pretty smart guy. However, he knows that any one of a million things can go wrong. He has to contact NASA and once they realize that he’s alive, he has to stay that way until they can get there. However, it isn’t going to be just Mark on the line; when his crew discovers he’s still alive, they will put their own lives on the line to get their colleague and teammate back and what could be more heroic than that?

Ridley Scott is a prolific director who has a history of making screen worlds come to life, from ancient Rome to rural Provence to a doomed spaceship. Here the Red Planet – desolate and arid, although a mere four days before this movie opened NASA announced that water flowed on Mars – becomes a living creature, deadly as a cobra and majestic as a moose. Shot in Tunisia on red desert sands, The vistas are bleak and alien but realistic.

He got NASA’s cooperation on the movie which while it doesn’t come off as a two hour advertisement for the space agency, does portray it in a heroic light in much the same way Apollo 13 did. NASA doesn’t do movies that don’t have the right science; here they made something like 50 pages of notes in order for the solutions to the various problems that Mark Watney come up with are grounded in real science and are the lot of them quite ingenious.

Scott also had the good sense to put a stellar cast in place. While this is Damon’s movie without a doubt (more on that in a minute), he gets plenty of support including Daniels as a beleaguered NASA chief, Wiig as a press officer trying to spin the story the right way, Bean as a project manager whose first and only loyalty is to the crew who have placed their lives in his hands, Ejiofor as a NASA manager tasked with getting Watney home and Peňa as Watney’s closest friend on the crew. All of them do memorable work in parts that have in many cases much less screen time than they are used to.

But as I mentioned, this is Damon’s movie from start to finish and he responds by turning in maybe the best performance of his career. Certainly come Oscar nomination time he will have a very good shot at making the short list. He gives us exactly the heroic astronaut we’re looking for; one who is lonely and vulnerable but who faces his issues with intelligence and aplomb. He is a man who absolutely refuses to lie down and quit where many would have. Dying 145 million miles away from home is simply unacceptable.

The science in the film has been vetted by no less a personage than Neil deGrasse Tyson (who also recorded a trailer for the film) who proclaimed it accurate for the most part other than some minor details; for example, the Jet Propulsion Laboratory in Pasadena doesn’t work on manned missions, but the one element that doesn’t pass the science test is the storm that scrubs the mission; because the atmosphere on Mars holds 1% of the air pressure than the atmosphere on Earth, the dust storms there (and there are dust storms on Mars) are much less violent and only pick up the lightest of dust. Having a wind storm on Mars that has the capability of picking up debris and slamming it into the body of an unsuspecting atmosphere doesn’t work but of course it is necessary to the plot that the crew believe that one of their number is dead, otherwise they would never leave without him. Like our military, NASA leaves nobody behind.

But what we have here is a rare movie that promotes intelligence and individual scientific knowledge. Granted, we are unlikely to ever be put in a situation in which our science IQ is all that stands between us and oblivion, but it is a reminder of how important science is not just into making new cell phones for us to use but to our own survival as well. The kind of problem solving Watney exhibits is the kind of problem solving we need for our own future as our global climate changes, which may lead to famine and starvation. We’ll need a lot of Mark Watneys to get us out of that one. Nonetheless any movie that gives us this kind of portrayal of science and scientists and does it in a story that is this compelling gets the highest praise I can offer.

REASONS TO GO: Damon is brilliant. Gripping story with real life science. Maintains tension throughout. Realistic-looking Mars (other than the storms).
REASONS TO STAY: Not everyone likes science fiction..
FAMILY VALUES: Some foul language, images of injuries and brief male posterior nudity.
TRIVIAL PURSUIT: Ridley Scott delayed filming on his Prometheus sequel to make this film.
CRITICAL MASS: As of 10/18/15: Rotten Tomatoes: 93% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Gravity
FINAL RATING: 10/10
NEXT: Pan

New Releases for the Week of October 2, 2015


The MartianTHE MARTIAN

(20th Century Fox) Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Peňa, Sean Bean, Kate Mara, Sebastian Stan, Chiwetel Ejiofor. Directed by Ridley Scott

During a manned mission to Mars, a savage storm strikes the landing site and forces an early departure of the astronauts. One of them is presumed lost during the storm and the team takes off without him – except he’s not quite dead yet. Alone, abandoned on a dead planet hundreds of millions of miles from home, the stranded astronaut has to first contact NASA or his space craft and let them know he’s alive, then find a way to survive until help finally does come. Neither one is an easy task.

See the trailer, clips, interviews, a promo, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, 3D  (Opens Thursday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for some strong language, injury images and brief nudity)

Finders Keepers

(The Orchard) Shannon Whisnant, John Wood. When Shannon Whisnant buys a smoker from a storage unit auction, he is surprised to discover an amputated human leg being stored inside it. This unleashes a bitter dispute between Whisnant, who determines to keep the leg because it is bringing him the fame he craves, and John Wood – the smoker’s previous owner – to whom the leg has a very personal connection. It could only happen in the South, folks.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: R (for language)

Hell and Back

(Freestyle) Starring the voices of Mila Kunis, TJ Miller, Susan Sarandon, Bob Odenkirk. Never underestimate the idiocy of a young white male. When a group of bros inadvertently open a gateway to Hell and one of them gets sucked down into it, his three buddies try to do the right thing and go down to the infernal regions to welcome their friend. Hell has no idea what’s about to hit them. From the same animation studio that is guilty of giving us Robot Chicken and Bo-jack Horseman.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Winter Park Village, UA Seminole Town Center
Rating: R (for pervasive strong crude and sexual content, language and some drug use)

Sicario

(Lionsgate) Emily Blunt, Josh Brolin, Benicio Del Toro, Victor Garber. An idealistic FBI agent is brought into the war zone that is the U.S.-Mexican border to join a task force with the mission of stopping cartel violence from reaching its tentacles onto American soil. A mysterious consultant with an enigmatic past and an elite government agent whose ambitions are only matched with his amorality force the agent to question everything she believes in as she must go to extreme measures just to survive. The latest from talented director Denis Villeneuve has been receiving critical accolades wherever it has gone.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Action
Now Playing: Wide Release
Rating: R (for strong violence, grisly images, and language)

The Walk

(Tri-Star) Joseph Gordon-Levitt, Ben Kingsley, Charlotte Le Bon, James Badge Dale. Only one man has – and ever will – walked on a high wire between the twin towers of the World Trade Center. That man is Philippe Pettit and his real life exploits were captured on the excellent documentary Man on Wire – if you haven’t seen it yet I highly recommend it. This is a dramatization of the events that took place way back when. Director Robert Zemeckis has apparently utilized modern technology to put the audience in Philippe’s shoes, so high above the ground in New York City. This may end up being one of the few movies Da Queen and I end up seeing in IMAX 3D this year.

See the trailer, clips, interviews, featurettes, premiere footage and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D (opened Wednesday)
Genre: True Life Drama
Now Playing: Large Format Screens
Rating: PG (for thematic elements including perilous situations, and for some nudity, language, brief drug references and smoking)

12 Years a Slave


Could this be the next Best Picture Oscar winner?

Could this be the next Best Picture Oscar winner?

(2013) Historical Biography (Fox Searchlight) Chiwetel Ejiofor, Michael Fassbender, Paul Dano, Adepero Oduye, Benedict Cumberbatch, Paul Giamatti, Sarah Paulson, Lupito Nyong’o, Alfre Woodard, Brad Pitt, Garret Dillahunt, Isiah Jackson, Dwight Henry, Kelsey Scott, Quvenzhane Wallis, Devyn A. Tyler, Willo Jean-Baptiste, Scoot McNairy, Taran Killam, Ashley Dyke. Directed by Steve McQueen

The question we sometimes have to ask about a movie depicting a horrible epoch in human history is why. Why should it be made? After all, it’s not exactly a secret that slavery was a terrible, shameful practice. But do we need to be reminded of that?

I believe that we do. In the same way movies like Schindler’s List reminds us of the holocaust, or Hotel Rwanda reminds us of the horrors of genocide, we need to remind ourselves periodically of the depths of inhumanity that man practices upon other men. We need to be reminded as Nicol Williamson once accurately (albeit bombastically) said in Excalibur that it is the doom of men that they forget.

Solomon Northup (Ejiofor) is a prosperous man in Saratoga, New York in 1841. While he is a black man, he is nonetheless freed and is well-known as a magnificent violinist but also a hard-working carpenter. His wife Anne (Scott) is highly respected as a great cook. They have beautiful children and as African-Americans in the mid-19th century go, a pretty wonderful life.

Then, he is approached by a couple of men calling themselves Hamilton (Killam) and Brown (McNairy) who represent themselves as entertainers in need of an accompanying musician. They are going as far south as Washington, DC. The money is good and the company congenial so Northup agrees to lend his services.

He awakens in chains in a slave market. Gone are his clothes, his papers identifying him as a free man and even his name – he is to be called Platt now. He is sold by the dealer (Giamatti) to Ford (Cumberbatch) who runs a sugar cane plantation near New Orleans. There he goes with the disconsolate Eliza (Oduye) who has been separated from her children. However, Northup gets into a fight with the cruel and barbarous carpenter Tibeats (Dano) who for some reason has it out for Solomon (possibly because Northup was a better carpenter) and for the safety of his slave and of his plantation, the kindly Ford is forced to sell Platt to the cruel Edwin Epps (Fassbender) who runs a cotton plantation.

Epps expects 200 pounds of cotton to be picked by each one; those who fail are lashed cruelly. The best cotton picker is Patsy (Nyong’o) who does three times what the burly men of the plantation can do. Epps has taken an unhealthy sexual interest in her which infuriates his wife (Paulson) who visits cruelties and mutilations upon Patsy. Solomon for his part is keeping his head down low, making sure nobody knows that he can read and write. When Solomon meets an itinerant Canadian carpenter (Pitt), he knows his last chance to get word to those in the North of his whereabouts may be staring him in the face.

Based on the memoirs of the real Solomon Northup, I’m told the film follows the book pretty closely – McQueen insisted on it. While I can’t personally vouch for that, I can say that this is an incredible story told with as much authenticity as the filmmakers can muster. That this is a British production is somewhat ironic that it takes a foreign eye to shed light on an American disgrace.

There is a good deal of brutality. When slaves get whipped, pieces of flesh fly from their back and the resulting cuts are hideous to behold. It’s not easy to watch but this was the reality of what happened. Too often Hollywood portrays a whipping as a grunting actor, jaw heroically clenched against the pain as lines of red appear on his back. In reality, whippings were horrid affairs with a good deal of screaming and bloodshed. To his credit, McQueen doesn’t turn the eyes of the camera away and we see the brutality in unflinching detail.

Ejiofor has long been one of those actors who has been patiently waiting the right role. He’s finally found his. One of the best actors you’ve never heard of out there, he plays Solomon with dignity, with fear and with humanity. Solomon is a smart guy and occasionally able to manipulate Epps but his own inner fire gets him into trouble sometimes. He is a shoo-in for an Oscar nomination come January and is an early favorite to win it.

Fassbender has been busy of late and might get a Best Supporting Actor nomination for his layered and nuanced performance as Epps. Certainly Epps is a cruel and vicious master, but he is also henpecked by his wife to a certain degree and a slave to his own lust for Patsy. Epps could have easily been portrayed as a caricature of a plantation owner; yes, there is evil here but it isn’t cartoon evil but the evil that slavery creates in the slaveowners.

Nyong’o is a newcomer but her performance as Patsy may bring her the kind of notice new actresses dream of. Patsy is the face of despair in the film and Nyong’o handles it with a certain dignity that at once is moving and disturbing. When the despair overwhelms her and she begs Platt to end her misery, one wonders how many slaves took that road off the plantations. Probably many more than we realize – when hope is dead, the will to live generally dies with it.

This is a movie that is certain to be considered for Oscar gold this year and is going to make a lot of year-end top ten lists. While it may be considered an education about slavery, I see it more as a metaphor for the continued inhumanity that we enforce on others. The message here isn’t that slavery is  bad; I’m pretty sure we all get that. It’s how we treat each other today and how our ability to enslave others has informed that treatment that makes this movie so important. While I would hesitate to bring small children to see this, I think parents should bring their teens. Opening the eyes of a younger generation isn’t necessarily a bad thing.

REASONS TO GO: Impeccably acted by Ejiofor and Fassbender. A living breathing testament to the horrors of slavery.

REASONS TO STAY: The violence and brutality can be overwhelming at times.

FAMILY VALUES:  There is plenty of violence and scenes of torture and cruelty. There is also some nudity and sexuality, as well as a few graphic images that may be too intense for the sensitive.

TRIVIAL PURSUIT: Henry and Wallis both co-starred previously in Beasts of the Southern Wild, also distributed by Fox Searchlight.

CRITICAL MASS: As of 11/6/13: Rotten Tomatoes: 96% positive reviews. Metacritic: 97/100.

COMPARISON SHOPPING: Amistad

FINAL RATING: 10/10

NEXT: Italian for Beginners

New Releases for the Week of November 1, 2013


Enders Game

ENDER’S GAME

(Summit) Asa Butterfield, Ben Kingsley, Harrison Ford, Viola Davis, Hailee Steinfeld, Abigail Breslin, Nonso Anozie, Brandon Soo Hoo, Moises Arias. Directed by Gavin Hood

After barely surviving a vicious alien invasion, humanity’s future rests on the shoulders of a little boy named Ender. Alone out of all the candidates for Battle School, he shows the most potential to lead humanity to victory against the Formic. However, the aliens are returning and time is running out. Ready or not, Ender must lead the forces of humanity against a formidable foe and impossible odds. Is he up to the challenge?

See the trailer, promos, a clip and a featurette here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday night)

Genre: Science Fiction

Rating: PG-13 (for some violence, sci-fi action and thematic material)

12 Years a Slave

(Fox Searchlight) Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Brad Pitt. This is the true story of an African-American born a free man in New York City. In 1841, Solomon Northup was a respected violinist who traveled around North America performing recitals, but one night he is betrayed, drugged and transported to New Orleans where he is sold as a slave. His struggle to escape and return home to his wife and children became the stuff of legend.

See the trailer, clips, featurettes and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Historical True Life Drama

Rating: R (for violence/cruelty, some nudity and brief sexuality)

About Time

(Universal) Domhnall Gleeson, Rachel McAdams, Bill Nighy, Lindsay Duncan. At first skeptical, a young man discovers that he has indeed inherited the family gift to be able to travel back to any moment in his life and relive it. He uses his gift to woo a comely young woman and to make his life better but eventually learns that time travel cannot cure everything and that there is a price to pay for every gift. This is opening at the Regal Winter Park Village only at present in the Orlando area but will expand to most theaters on November 8.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Fantasy

Rating: R (for language and some sexual content)

Free Birds

(Relativity) Starring the voices of Owen Wilson, Woody Harrelson, Amy Poehler, George Takei. A somewhat delusional militant turkey recruits the very unwilling Thanksgiving turkey presidential pardon for a mission back in time. Their destination: the very first Thanksgiving. Their mission: to substitute some other meat for turkey. Good luck with that.

See the trailer, clips and a promo here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Animated Feature

Rating: PG (for some action/peril and rude humor)

Krrish 3

(Filmkraft) Hrithik Roshan, Priyanka Chopra, Vivek Oberoi, Kangna Ranaut. An Indian superhero must battle an evil scientist and the mutant creatures he has created to save the world from a hostile takeover.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Last Vegas

(CBS) Michael Douglas, Robert De Niro, Morgan Freeman, Kevin Kline. Four childhood friends, now edging somewhat reluctantly from middle age to old age, decide to head to Sin City to celebrate the impending wedding of the last hold-out to bachelorhood among them. While they’ve changed, so has Vegas baby and once these four hit the Strip, neither will be the same.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for sexual content and language)

Man of Tai Chi

(Radius) Keanu Reeves, Tiger Hu Chen, Karen Mok, Iko Uwais. A young martial artist studies Tai Chi to improve his spiritual self but an unscrupulous promoter on the underground fight circuit in Hong Kong ropes him into that lucrative field. As the matches grow more intense, the young fighter turns his back on the precepts he once held dear and his will to live must carry him through this crisis.

See the trailer and a link to stream the full movie here.

For more on the movie this is the website.

Release formats: Standard

Genre: Martial Arts

Rating: R (for violence) 

Skinwalker Ranch

(Deep Studios) Jon Gries, Kyle Davis, Erin Cahill, Devin McGinn. Strange goings-on at an isolated ranch and the literal disappearance of the ranchers 8-year-old son garner media attention. A year afterwards, a security firm sends an investigative team to look into what really happened. What they discover is much more than anyone could have imagined.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sci-Fi Horror

Rating: R (for language and some violence)

Underdogs

(Media Services) D.B. Sweeney, William Mapother, Melora Walters, Natalie Imbruglia. A perennially underachieving Ohio high school football team gets a new coach, a new attitude and a new lease on life. However, they still have to play their crosstown rival, a traditional powerhouse, in order to make that move to the next level.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Sports Drama

Rating: PG (for some language) 

Love Actually


Love Actually

Is it love actually or lust actually?

(2003) Romantic Comedy (Universal) Hugh Grant, Bill Nighy, Alan Rickman, Colin Firth, Emma Thompson, Liam Neeson, Laura Linney, Keira Knightley, Martine McCutcheon, Chiwetel Ejiofor, Kris Marshall, Martin Freeman, Joanna Page, Rodrigo Santoro, Gregor Fisher, Thomas Sangster, Lucia Moniz, Andrew Lincoln. Directed by Richard Curtis

Our world can be a hard, cruel place. We are buffeted on all sides by cruelty and meanness. Sometimes the only thing that keeps us sane in this world is the love of another, but that seems to be in short supply in these hard times. However, if you look carefully enough, you may find that love, actually, is all around us.

Billy Mack (Nighy), a fading rock and roll legend, tries to kickstart a comeback with a Christmas version of one of his hits as shepherded by his long-suffering manager Joe (Fisher). The new Prime Minister (Grant) falls for Natalie (McCutcheon), a plucky member of his staff. Jamie Bennett (Firth), a writer, mends his broken heart in France while cared for by a Portugese housekeeper named Aurelia (Moniz); the two begin to develop a deep fondness for one another despite the language barrier.

Daniel (Neeson) grieves for his late wife while his son Sam (Sangster) pines for a schoolmate. His friend Karen (Thompson) – who is also the Prime Minister’s sister – prepares for a school Christmas pageant. Her husband Henry (Rickman) runs a graphic design business, where Sarah (Linney), an American employee, yearns for Karl (Santoro), an enigmatic designer while Henry struggles with infidelity with an aggressive receptionist.

Colin (Marshall), an upbeat courier, gives up on finding the right woman in the UK and prepares to immigrate to the United States. Newlyweds Peter (Ejiofor) and Juliet (Knightley) have their lives complicated somewhat by Peter’s best friend John (Lincoln) who has a deep crush on Juliet, one that he would never act on. All of these stories intertwine an  intersect in London at Christmastime, perhaps one of the most magical places on Earth.

First of all, let me get this out of the way – this is one of my all-time favorite movies. It’s an astonishing piece of work, considering this is Richard Curtis’ first feature as a director (he had previously written a number of terrific movies, including Four Weddings and a Funeral). Here, he skillfully interweaves the stories among one another, linking some together directly and others indirectly, creating a viable whole giving none of them short shrift; it’s quite the tightrope walking act, and it is so rarely done well that when it is it must be applauded just on that basis alone.

I wrestled with using this as part of my Holly and the Quill series of Christmas movies, but eventually decided this isn’t a Christmas movie so much as a movie set at Christmastime. It is about love and could easily be set any time of the year. However I admit the Christmas setting adds to the overall warmth of the film.

One of the things I love about this movie is that not all of the relationships work out in the end. Like love itself, things can be pretty tangled and end up unfinished. Of course, some of the relationships also pan out. Will those relationships succeed? Who knows! All that I know is that love is wonderful while you’re in it, especially when you’re in it with the right person long term. All of these relationships – showing love at various stages of the relationship – have a sense of realism to them. The movie is well cast and all the couples have legitimate chemistry and an organic feel to their relationships.

This is a movie I watch often, usually with Da Queen and we always enjoy it, even after many viewings. We own the soundtrack, which is one of the better ones in any movie in the last ten years. In fact, this is one of my favorite movies of all time – but I’ve said that already. If you’re looking for a movie to snuggle up with your honey to this Valentine’s Day, this should be at the top of your list.

WHY RENT THIS: All of the vignettes work; there aren’t any weak moments or characters. The movie is sexy and funny and nearly everyone gets enough screen time to sufficiently develop their characters.

WHY RENT SOMETHING ELSE: Maybe it’s too English for you or you just don’t like romantic comedies.

FAMILY VALUES: There are some sexuality, a little bit of nudity and a fair amount of bad language.

TRIVIAL PURSUIT: The parts of the dads were initially offered to – and rejected by – Samuel L. Jackson and George Lopez who discussed the matter on Lopez’ talk show. 

NOTABLE DVD EXTRAS: There are a couple of music videos here, as well as a featurette in which Curtis discusses the movie’s music.

BOX OFFICE PERFORMANCE: $246.9M on a $40M production budget; the movie was a blockbuster.

FINAL RATING: 10/10

TOMORROW: Sanctum

Salt


Salt

Do you get the feeling Angelina Jolie is watching an entirely different movie?

(Columbia) Angelina Jolie, Liev Schreiber, Chiwetel Ejiofor, Daniel Olbrychski, August Diehl, Andre Braugher, Hunt Block, Olek Krupa, Daniel Pearce, Cassidy Hinkle, Yara Shahidi, Jordan Lage, Vladislav Koulikov, Olya Zueva. Directed by Phillip Noyce

It is somewhat emblematic of the flaccid crop of movies this summer that this movie is one of the best reviewed of the season, with some critics heaping critical praises on it that it scarcely deserves. Let’s get to the salient facts.

Evelyn Salt (Jolie) is a spy; let’s get that straight first off. It’s not much of a spoiler, since the trailer tells you she is. She is evidently not a very good spy, because when we first meet her she’s been captured and is being tortured by the North Koreans.

She is eventually released and returns back to the CIA – or at least the petrochemical company that fronts for the CIA – and is preparing for an anniversary dinner for her arachnologist husband (Diehl), complete with intricately folded napkins. Nothing says romance more than linen folded into origami after all. However, dinner is going to have to wait; a Russian defector has walked into the CIA front building – apparently the CIA isn’t very good at hiding in plain sight either – and it is up to Evelyn to interrogate the guy since, well, nobody else in the CIA can do it, right?

Her boss Ted Winter (Schreiber) is eager to catch a plane, she wants to get to her anniversary dinner and the by-the-book agent Peabody (Ejiofor) just wants to take over because he apparently is the special agent in charge of Russian defections. Unfortunately, their plans are all thrown for a loop when Orlov (Olbrychski), the defector in question, informs them that a sleeper agent is planning to murder the Russian president on U.S. soil at the funeral of the Vice President the very next day. The name of the sleeper agent? Evelyn Salt.

All Jason Bourne breaks out right about then. Salt, knowing that her husband is going to be targeted – apparently this has happened before – decides she doesn’t have time to wait around to be interrogated and escapes. Orlov, channeling Rosa Klebb of From Russia with Love, boots himself out of an elevator. This would be the perfect time for a car chase, don’t you think?

There is certainly plenty of action here, some of it pretty nifty. Noyce, who directed the two Harrison Ford Jack Ryan movies, has a steady hand when it comes to action sequences, and while he doesn’t reinvent the wheel here, the action comes at you thick and fast, with Jolie leaping out of moving vehicles, out of helicopters and onto moving trucks and vans. She beats up everybody she can get her hands on, and a few that she can’t.

My problem with the movie isn’t so much the action but what lies between. I was never able to connect to Salt and there’s a reason for it. The whole is-she-or-isn’t-she theme of the movie only works if you aren’t sure if she is or she isn’t, and so she has to be enigmatic by definition, which makes it difficult for us to relate to her. Quite frankly, it should be fairly obvious early on whether she is or isn’t, and those who aren’t sure, look to the extraneous characters to help you figure it out. You know the ones; they only exist for a specific plot point that will become critical later in the film. These are the kinds of characters that are usually found in bad movies.

I know I’m being a bit harsh on Salt and I should temper it by saying that there are a lot of things in the positive column. Jolie, for one thing, is a terrific action hero, maybe the best female action hero not named Sigourney Weaver. Reportedly, she did a lot of her own stunts, which would make her one kickass broad, based on what I saw here. Certainly some of her parkour-like fighting moves were spectacular.

I never really was able to fall in love with the movie, and I was kind of hoping to. I am fond of action movies in general, but I felt like this was Jason Bourne with boobs channeling James Bond, only without being able to capture my rooting interest. It’s really not an awful movie, but it isn’t a great one either.

Sometimes, you can distill your feelings for a movie down to a single word. Concerning my feelings for Salt, that word would be meh.

REASONS TO GO: Some of the action sequences are breathtaking.

REASONS TO STAY: You never get a reason to care about any of this; they’re so busy making Salt a cipher that she never connects with the audience.

FAMILY VALUES: There’s plenty of violence, a smattering of bad language and some implied sexuality, but nothing the average videogame wouldn’t pack in.

TRIVIAL PURSUIT: The lead role was originally written for a male; when Tom Cruise was attached to the movie, it was titled The Mystery of Edwin Salt but when Cruised bowed out to do Knight and Day, Jolie stepped in and the part was substantially rewritten.

HOME OR THEATER: I will have to admit some of the action sequences would be enhanced by the theatrical experience.

FINAL RATING: 5/10

TOMORROW: The Kids Are All Right