Avengers: Infinity War


The latest Avengers movie, starring…everyone. Heck, you’re probably in it too!

(2018) Superhero (Disney/Marvel) Robert Downey Jr., Chris Pratt, Chris Evans, Chris Hemsworth, Zoe Saldana, Chadwick Boseman, Scarlett Johansson, Mark Ruffalo, Josh Brolin, Karen Gillan, Tom Hiddleston, Tom Holland, Don Cheadle, Benedict Cumberbatch, Paul Bettany, Elizabeth Olsen, Idris Elba, Danai Gurira, Anthony Mackie, Sebastian Stan, Peter Dinklage, Benedict Wong, Pom Klementieff and a cast of thousands. Directed by Anthony and Joe Russo

 

This is to date the biggest and most epic Marvel movie ever – until the next untitled Avengers movie, filmed concurrently with this one and scheduled for release in May 2019.

The mad Titan Thanos, seeing that the Universe is dreadfully out of balance, believes that he has a solution that will restore balance: to kill half of the entire population of the universe at random. There’s no practical way to do that so he has to do something that has never been done – he must retrieve all six of the Infinity Stones, gems created by the Big Bang and each with control of a different aspect of the universe – space, time, the mind, the soul, and so on.

Of course, the superheroes all oppose this plan and they come from all over – nearly every Marvel movie preceding this one is represented here from the spacefaring Guardians of the Galaxy to the high tech Black Panther and of course the various and sundry Avengers films. It’s a colossal undertaking and quite frankly I didn’t expect them to pull it off. There are an awful lot of characters here and a lot of them really don’t get much screen time.

Thanos (Brolin) gets a ton of screen time and it’s no joke the best portrayal of a comic book villain since Heath Ledger won an Oscar for playing one. Thanos is truly the Big Bad of the Marvel Universe and while the heroes valiantly take him on, things don’t look too good. It’s an epic tale that is taking two movies to tell.

The action is as you’d expect spectacular and the effects seamless. There are even some poignant moments, most of them occurring in the last twenty minutes of the film. Who knew that Marvel knows pathos? In any case, this is an emotional rollercoaster that every Marvel fan is going to be overjoyed to take – even the usually hard-to-impress fanboys have been singing the praises of this one.

Yes, I realize you’ve probably already seen it and if you haven’t you likely aren’t going to and frankly you’re probably not reading this review in that case. So you’ve seen it. Maybe you’ve already purchased a digital copy (the Blu-Ray and DVD editions were just released) and likely you’ll be getting one of those. This isn’t the best Marvel movie yet but it’s damn close.

REASONS TO GO: Brolin gives a game-changing performance as Thanos. The action is non-stop and without peer. There are some very poignant moments.
REASONS TO STAY: There are too many characters to keep track of.
FAMILY VALUES: There is nearly non-stop sci-fi/superhero action and violence, some crude references and some scenes with disturbing content.
TRIVIAL PURSUIT: At the beginning of the film, the distress call from the Asgardian ship is the voice of Kenneth Branagh, the director of the first Thor film.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 8/15/18: Rotten Tomatoes: 83% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: Captain America: Civil War
FINAL RATING: 8.5/10
NEXT:
Songwriter

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Captain America: Civil War


Captain America in an All-American studio apartment.

Captain America in an All-American studio apartment.

(2016) Superhero (Disney/Marvel) Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Daniel Brűhl, Frank Grillo, William Hurt, Martin Freeman, Marisa Tomei, John Kani, John Slattery, Hope Davis, Alfre Woodard. Directed by Anthony and Joe Russo

 

In this post-911 world, we often have to consider the importance of security versus freedom. How much power do we allow our government to have? Is it worth giving up our freedom to be protected? And when does it stop being worth it?

Following the events of The Avengers: Age of Ultron the Avengers have continued to operate without the guidance of Tony Stark (Downey) a.k.a. Iron Man but they still continue to clean out the remnants of Hydra and travel the globe to stop threats of terrorism and barbarity. They are on one such mission to stop Crossbones (Grillo) from obtaining a biological weapon. They do stop the former SHIELD agent turned supervillain but at a staggering cost.

The nations of the world can no longer stand idly by while their citizens are reduced to collateral damage. They sign a treaty known as the Sokovia Accords (named for the fictional country that was decimated by the Avengers battle with Ultron) to put the Avengers under United Nations control, only sent on missions approved by the Security Council.

Stark has put his pen to paper and signed already and expects his good friend Steve Rogers (Evans) a.k.a. Captain America to do the same but to Stark’s shock, Rogers refuses. He feels that the Avengers will not only function less effectively as the tools of bureaucrats and politicians, but that without self-autonomy, more lives will be lost than saved.

It’s not an easy question and not everyone falls on the same side. The Avengers eventually become two different teams, at war with one another. Things get worse when Bucky Barnes (Stan) – a.k.a. the Winter Soldier and Cap’s friend from pre-World War II Brooklyn has had the mind control that was implanted into him by Hydra used to send him on a rampage that ends up with a high-profile murder. T’challa (Boseman) a.k.a. The Black Panther, ruler of the fictional African nation of Wakanda, rich in minerals (including the rare vibranium that is what Cap’s shield is constructed out of) and technology, vows to take down Barnes and execute him. Cap can’t let that happen as it, strictly speaking, isn’t Bucky’s fault.

So it is friends against friends, the U.S. government against the Avengers, Iron Man against Captain America. No matter what, this won’t end well and the Marvel Cinematic Universe will be changed permanently as a result.

This is in some ways the most complicated and thought-provoking film in Marvel’s history. It does tackle a subject that has real world ramifications and comes up with no easy answers – it also doesn’t cop out either, which is to the filmmaker’s credit. When those who ask why the Marvel films are so much more popular than the DC films (at least currently), the simple answer is that Marvel is making better movies. With the exception of some of the Batman films (by Messrs. Burton and Nolan) Marvel’s movies are more interesting, have more character development, and quite frankly are more fun to watch.

Civil War is a little bit darker in hue than the majority of Marvel’s films, but that doesn’t mean it’s set in Gotham. There are no real villains in it for one thing – yes, there is a character named Zemo (Brűhl) who shares a last name with old Marvel villain Baron Zemo who was a Nazi mad scientist and a Hydra operative, but this Zemo is actually in a lot of ways a sympathetic character who has reasons for his madness. And the conflict between Cap and Shellhead are between two heroes doing what they believe is right.

Downey in fact steals the film from Captain America; he is tortured by the damage he has done as a superhero and as a man. His relationship is tanking and he believes that the world would be a better place if the Avengers accepted some oversight and accountability. His anguish not only at what he has caused to occur but in the conflict with his friend Cap is palpable. Downey is an Oscar-nominated actor and this is by far his best performance as Iron Man yet.

The action sequences have to be at the core of any superhero film and they are spectacular here. There’s a fight at a German airport that may go down as one of the best in Marvel history and it utilizes the talents of many of the supporting characters and a couple of new ones, including the previously mentioned Black Panther but also the brand new Spider-Man (Holland). Holland may be the best Spider-Man yet (sorry Tobey Maguire and Andrew Garfield) and acquits himself well both as Spider-Man and as Peter Parker. Based on the snippet of him and Aunt May (Tomei) in this film, I am much more interested in seeing Spider-Man Homecoming next year than I already was.

All of the characters here other than a few who have little more than cameos are shown to be quite human and as humans are, imperfect. This makes the superheroes more relatable to everyone. Who hasn’t had relationship troubles, or felt like they didn’t belong, or chafed at having their autonomy taken from them, or mistrusted authority, or agonized over inventing a self-aware robot that nearly wiped out the human race? Okay, maybe not the last one.

The plot here is dense and for those not really immersed in the Marvel Universe, it may all be too much. In many ways, this is the first Marvel film I felt that it would be actually advantageous to have seen all of the ones preceding it in order to understand it better. It can still stand on its own, but I have to admit that the more you know about the MCU, the easier this will go down. There are also a whole lot of characters here and their relationships and motivations may not be clear to everyone. I suppose that’s just a byproduct of having so many films in the MCU now.

The Russos have shown themselves very capable directors. While I don’t think this film quite measures up to Captain America: The Winter Soldier in terms of quality, it’s damn close. The brothers have been handed the reins to the next to Avengers films and this one shows that the franchise is in safe hands.

REASONS TO GO: Great battle sequences. Excellent debate starter (security vs. freedom). Portrays the heroes as fallible and human.
REASONS TO STAY: A little too much plot and character. Occasionally confusing, particularly to casual viewers.
FAMILY VALUES: All sorts of superhero violence, action and mayhem, more than you can shake a stick at.
TRIVIAL PURSUIT: At 2 hours and 27 minutes long, this is the longest Marvel movie to date.
CRITICAL MASS: As of 6/16/16: Rotten Tomatoes: 90% positive reviews. Metacritic: 75/100.
COMPARISON SHOPPING: Marvel’s The Avengers
FINAL RATING: 7.5/10
NEXT: My Love, Don’t Cross That River

Avengers: Age of Ultron


Hawkeye takes the heat.

Hawkeye takes the heat.

(2015) Superhero (Disney/Marvel) Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, James Spader, Elizabeth Olsen, Aaron Taylor-Johnson, Samuel L. Jackson, Don Cheadle, Anthony Mackie, Andy Serkis, Paul Bettany, Cobie Smulders, Hayley Atwell, Idris Elba, Linda Cardellini, Stellan Skarsgard, Claudia Kim, Thomas Kretschmann, Julie Delpy. Directed by Joss Whedon

As Uncle Ben from the Spider-Man series was wont to say, with great power comes great responsibility. It also makes sense that with great power comes great ego. When you have god-like powers (or are an actual god), the tendency would be to think that your powers make you right. When you get a roomful of such beings who may disagree on certain things, how possible is it for them to work together?

Avengers: Age of Ultron picks up from the pieces of HYDRA’s infiltration of SHIELD as shown in Captain America: The Winter Soldier and continued in the television show Marvel’s Agents of SHIELD as the Avengers are mopping up certain HYDRA bases trying to find Loki’s scepter which Thor (Hemsworth) is eager to restore back to its place in Asgard.

Despite heavy resistance from HYDRA and their leader Baron von Strucker (Kretschmann), Captain America/Steve Rogers (Evans) leads the Avengers to their goal and retrieves the scepter as well as capturing von Strucker. Von Strucker has been using the scepter to experiment on humans, bestowing on twins Quicksilver/Pietro Maximoff (Taylor-Johnson) and the Scarlet Witch/Wanda Maximoff (Olsen) superpowers; in Quicksilver’s case super speed, in the Witch’s case the ability to enter minds and to shoot red hex blasts from her hands. She implants a suggestion in Iron Man/Tony Stark (Downey) to sow discord among the Avengers, somewhat successfully. After all, the conflict was essentially already there.

Stark uses the scepter to kick start an artificial intelligence he calls Ultron which is meant to be a program that protects the planet from alien invaders, an event from Marvel’s The Avengers that so traumatized Stark that it has literally become his greatest fear that the next time invaders come he won’t be able to stop them. However, Ultron (Spader) decides to make himself a body and after quick consideration comes to the conclusion that the best way to protect planet Earth is to remove the human beings from it and to start anew, preferably with metal constructs as the dominant species. That Stark doesn’t tell his fellow Avengers what he’s up to (although The Hulk/Bruce Banner (Ruffalo) assists him reluctantly) further stirs the pot.

As you might guess, this doesn’t sit too well with the Avengers who go out to stop Ultron, who has recruited the twins to his side. They get wind that Ultron is visiting Ulysses Klaw (Serkis), an arms dealer in the African nation of Wakanda to retrieve as much vibranium as he can get his metal hands on and each are given a kind of dream courtesy of the Scarlet Witch that stops them in their tracks and further makes the team wonder if they can function properly. Afterwards, with their gaudy New York headquarters compromised, they retreat to a farm owned by Hawkeye/Clint Barton (Renner) and his wife (Cardellini) to lick their wounds. Thor heads off to find out the meaning of his dream, enlisting old friend Erik Selvig (Skarsgard) to help him.

In the meantime romance begins to blossom between Banner and the Black Widow/Natasha Romanoff (Johansson), and Nick Fury (Jackson) arrives to give the team a pep talk. Thus they head out to stop Ultron, even though it might cost them their lives. And Ultron plans an extinction level event to take out the entire planet. Can the Avengers stop a being that may be smarter and stronger than they are collectively?

Believe it or not, that’s just the bare bones outline of what’s going on in this movie; there are tons of subplots going on as well. Along the way we get more insight into the characters of Hawkeye and the Black Widow (which are welcome) and extended battle sequences which after awhile, truthfully, begins to feel repetitive.

Whedon was able to weave all the different characters together in the first Avengers movie in a way that brought disparate elements into a congenial whole. He is less successful at it this time, which I think has more to do with an attempt to tell a story with so many moving parts, meant to not only influence events in Phase II of the Marvel Cinematic Universe but also lead directly into the next Phase. In many ways, this is the worst review I’ve ever written; there’s so much Marvel-centric jargon here that it’s nearly impossible to really sum up the movie without going into detailed background, so much so that to really do it justice the review would end up being novel-length. Therein lies the rub for the movie; whereas Marvel’s The Avengers didn’t require a lot of explanation, this one does.

Still, the battle sequences are plenty amazing and while there are so much of them that after awhile there may be some overload particularly among audiences who aren’t young and male, they are all impressive enough to make for wonderful summer entertainment. I’m also liking Whedon’s attempts to illustrate the team’s dysfunction, their self-doubts and the realization that even if they succeed the collateral damage may be unfathomable. Whedon goes well out of his way to depict these warriors as human beings chock full of frailty; it doesn’t always work but at least it makes the movie more interesting than just a mere smashfest.

This sounds very much like a negative review and maybe it is; after all, Marvel has been setting the bar high with their cinematic universe and the last two films in the series have been absolutely outstanding, year-end top 10-worthy features. This doesn’t quite reach that bar but maybe it doesn’t have to. For those looking for ideal summer blockbuster entertainment, this more than fits the bill. It’s the kind of movie made for hot days, cool theaters and freshly popped popcorn. It’s the kind of movie that you’ll want to see with friends and go out for pizza afterwards. And yeah, it may not be the best Marvel film ever but it isn’t the worst either and it more than gets the job done.

REASONS TO GO: Plenty of superhero goodness. Looks at the inherent dysfunction of a team of powerful beings.
REASONS TO STAY: Feels less focused than the previous Avengers.
FAMILY VALUES: All sorts of comic book violence and mayhem, and a couple of suggestive comments.
TRIVIAL PURSUIT: Juggling all the characters in this film was so grueling and exhausting that Whedon elected not to direct the next Avengers movie, scheduled for 2018. Instead, Captain America: The Winter Soldier‘s The Russo Brothers will take on the next two-part Avengers: Infinity Wars.
CRITICAL MASS: As of 5/16/15: Rotten Tomatoes: 74% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Spider-Man 3
FINAL RATING: 7/10
NEXT: My Life in China

New Releases for the Week of May 1, 2015


Avengers Age of UltronTHE AVENGERS: AGE OF ULTRON

(Disney/Marvel) Chris Evans, Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Scarlet Johansson, Jeremy Renner, Samuel L. Jackson, James Spader. Directed by Joss Whedon.

The summer blockbuster season is upon us and what better way to kick it off than with the latest Marvel extravaganza? In this one, the World’s Mightiest Heroes are faced with an artificial intelligence, one that was created to defend the planet if the Avengers weren’t available but one that also decided that the best way to defend the planet was to remove the human parasites. Now up against a foe that may be stronger and smarter than they are, they also must battle their own internal division if they are to save the world.

See the trailer, interviews, clips, featurettes, promos and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, 3D, IMAX 3D (opens Thursday)
Genre: Superhero
Now Playing: Wide Release
Rating: PG-13 (for intense sequences of sci-fi action, violence and destruction, and for some suggestive comments)

Cheatin’

(Plymptoons) Jake and Ella are the happiest and most romantic couple in the history of romance, but like all good things it can’t last. A jealous, scheming woman plots to drive a wedge between them, breaking Jake’s heart and sending him off on a succession of loveless trysts. With the help of a disgraced magician, Ella desperately fights to reclaim her lover and find the happiness they are both destined to receive. This played the 2014 Florida Film Festival and is only now getting a theatrical release; you can read my festival review of the film here.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Animated Feature
Now Playing: Enzian Theater
Rating: NR

Dior & I

(The Orchard) Raf Simons, Marion Cotillard, Anna Wintour, Jennifer Lawrence. The legendary house of fashion that is Christian Dior has a new artistic director who is preparing his very first Haute Couture line for the venerable fashion icon. The pressure is on as we are given a fly-on-the-wall view of the entire creative process, giving us an insight into what it takes to work for one of the great fashion houses of the world.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Fashion Documentary
Now Playing: Regal Winter Park Village
Rating: NR

The Search for General Tso

(Sundance Selects) Cecilia Chiang, Peter Kwong, Bonnie Tsui, Liang Xiao Jin. One of the most popular entrees to be served in American restaurants is General Tso’s chicken. Americans eat it up like crazy. But who is General Tso? Who created his namesake dish? And is it even Chinese at all? The answers may surprise you in this documentary guaranteed to make you hungry. This played the Florida Film Festival this year and you can read my review of it here.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Food Documentary
Now Playing: Enzian Theater
Rating: NR

Snowpiercer


Chris Evans is preparing a strongly worded letter to management.

Chris Evans is preparing a strongly worded letter to management.

(2014) Science Fiction (Radius) Chris Evans, Kang-Ho Song, Ed Harris, John Hurt, Tilda Swinton, Jamie Bell, Octavia Spencer, Ewen Bremner, Ah-Sung Ko, Alison Pill, Luke Pasqualino, Vlad Ivanov, Adnan Haskovic, Emma Levie, Stephen Park, Clark Middleton, Marcanthonee Jon Reis, Paul Lazar, Tomas Lemarquis, Kenny Doughty, Robert Russell, Magda Weigertova. Directed by Joon-Hoo Bong

It is an illusion of humanity that we have control of anything. Control of our environment, control of each other – the only thing we really have control over is our own actions. Still, that doesn’t keep us from trying to make everyone and everything around us conform to our own needs.

In the near future, the reality of climate change has finally been accepted universally and the governments of the planet have decided to do something about it. Sadly, they’ve waited so long that all they can do is the environmental equivalent of a Hail Mary end zone pass on the last play of the game. A gas, released into the atmosphere simultaneously all over the globe, should reduce global temperatures significantly and give us a chance to clean the carbons out of the atmosphere.

As with most things governments undertake, things go completely, horribly wrong. The temperature does reduce down to the levels that we need them to – and then keep falling, and falling, and falling. In a matter of hours, the planet is frozen solid and all life on it has ceased to be.

That is, except for the life on a kind of Supertrain. Those aboard the Snowpiercer at the time of the freeze all survived, along with a few stragglers who made their way on board before the end came. The train circles the globe on a specially built track, taking roughly a year to make each circumference.

Instead of being powered by nuclear energy, it’s powered by a perpetual motion engine. It’s the brain child of Wilford (Harris), a mysterious industrialist who now lives a reclusive existence in the engine room of the train. In the rear of the train are the half-starving lower class, barely able to eke out a living and subsisting on gelatinous protein bars that keep them alive (although you really don’t want to know what they’re made out of). In between is the upper class, living with a bounty of food and clean water and in excessive luxury. From time to time, representatives of the upper class – and by representatives I mean armed guards – come to the back with spokesman Mason (Swinton) to cart off children from the back, to distribute the meager supplies that the front gives out, or to perform all manner of humiliations and torture on the back-dwellers.

Well, Curtis (Evans) has had enough. He is brewing revolution, aided by his mentor Gilliam (Hurt) who has been through several of these. They are waiting for the right time to make their move, although many of the tail end inhabitants grow restless, particularly Edgar (Bell) who looks up to Curtis with something like hero worship, Tanya (Spencer) whose son Timmy (Reis) has been taken by Mason and her goons, and Fuyu (Park) who just wants to kick some ass.

Their plan hinges on springing the drug-addicted Namgoong Minsoo (Song) who designed the train’s security system and would be able to deactivate the gates that separate the back of the train from the front. However, even if they spring him (with the promise of plenty of the drug Kronole as reward) and his perky daughter Yona (Ko), getting to the front of the train and taking over the speeding missile on rails will be no easy feat, if it can be done at all.

This is based on a French graphic novel written back in the ’70s although the climate change element (among others) has been added on by the filmmakers. Like much art from that era, there is a decidedly grim and dark element to the movie. It carries very much a 70s vibe, although there is a 21st century Looney Tunes element to it as well.

Evans, better known as Captain America in the Marvel movies, is as grim and gravelly voiced as a poor man’s Clint Eastwood here. The All-American Cap would be absolutely horrified by some of the things Curtis must do to survive and he certainly wouldn’t approve of the class system on the train. In many ways this is Evan’s most complete role to date – this isn’t the Chris Evans you’re used to seeing and that’s a good thing. Not that the Chris Evans you’re used to seeing isn’t worth seeing.

Swinton is so over-the-top that you half expect a giant hammer to suddenly materialize out of the screen and smash your pointy little noggin like so many nails in a board. Her Mason comes off as a cross between Dolores Umbridge, Margaret Thatcher and Ayn Rand with emphasis on the latter. Her fake overbite reminds me of one of those “Stay Calm” memes come to life.

Bong, who previously directed the comic horror film The Host, brings from that film the broad comedy with a dark edge while adding some fairly serious social commentary as well. Certainly this is about the sharp divide between the privileged wealthy class and the desperate poverty class but it’s also about the economics of survival and the folly of human arrogance. Some conservatives see liberals as the villains here while liberals will likewise see conservatives as being the targets of Bong’s criticism. I’m not sure he had American politics in mind when he wrote and directed this but I suppose we all see what we want to see.

A few words of caution. First, as to the dialogue – it’s atrocious, especially as the film winds down. There’s a confrontation between Wilford and Curtis in which the two say things that sound like they came out of a middle school book report on Atlas Shrugged. Actors the caliber of Ed Harris shouldn’t have to say dialogue like this.

Second, the violence. There’s a lot of it and it ranges from brutal axe attacks to some silly shoot-outs. While you will get somewhat numb to it by the end of the movie, those who are sensitive to such things should have a care about seeing this.

Finally, the ending. It’s a humdinger in terms of visuals but when it hits it’s both coal-black grim and to be honest, ludicrous. Again, think 70s cinema when you watch it and it may make more sense to you but even with that in mind you might end up tearing out your hair, assuming you have any.

The set design here is amazing. Each train car is its own world and as you move from the bleak and monochromatic rear, the cars become more colorful and decadent. Some are downright beautiful. This is a world both familiar and alien to us and while the imagery has elements of Terry Gilliam’s Brazil, the French sci-fi graphic magazine Metal Hurlant and the art deco of Fritz Lang’s Metropolis, it is a world unique to itself and completely imaginative.

I ended up being quite entertained, although many of my friends ended up disappointed by the film with some outright despising it. All I can say about that is that it is likely this will affect you in unexpected ways and will draw out of you your own individual reaction which is to me something that is the mark of a good movie. You may not agree with me in terms of my admiration for the movie, but you won’t walk away from this with an indifferent point of view.

Speaking of view, Snowpiercer is taking something of an unusual release strategy for movies that are in national release. Unlike most limited releases which don’t make it to every market, this film is in nearly every market although on a limited number of screens. It is likely playing somewhere near you. If you can’t find it, it is available on most major Video On Demand systems, including DirecTV, iTunes and most digital cable systems.

REASONS TO GO: A different kind of role for Chris Evans. Class warfare in a dystopian society done with some really dark humor.

REASONS TO STAY: Piss-poor dialogue. The ending is disappointing albeit spectacular.

FAMILY VALUES:  Plenty of violence and foul language and quite a bit of drug use (although it is a nonexistent drug).

TRIVIAL PURSUIT: The drawings in the tail section of the train are by Jean-Marc Rochette, original artist of the graphic novel Le Transperceneige, the work that this movie is based on.

CRITICAL MASS: As of 7/18/14: Rotten Tomatoes: 94% positive reviews. Metacritic: 84/100.

COMPARISON SHOPPING: The Colony

FINAL RATING: 7/10

NEXT: Deliver Us From Evil

New Releases for the Week of July 4, 2014


Deliver Us From EvilDELIVER US FROM EVIL

(Screen Gems) Eric Bana, Edgar Ramirez, Olivia Munn, Sean Harris, Joel McHale, Chris Coy, Dorian Missick, Mike Houston, Lulu Wilson. Directed by Scott Derrickson

A practical New York City cop, struggling with his own personal issues, is assigned to investigate a string of bizarre and inexplicable crimes. He discovers there is someone else investigating the same series of crimes – a renegade Catholic priest. Together they will fight to solve these mysteries and in doing so they will come face to face with the nature of true evil. And believe it or not, this is based on actual events.

See the trailer, clips, interviews, a featurette, premiere footage and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opened Wednesday)

Genre: Supernatural Horror

Rating: R (for bloody violence, grisly images, terror throughout and language)

Begin Again

(Weinstein) Mark Ruffalo, Keira Knightley, Hailee Steinfeld, Adam Levine. A down on his luck former record company executive teams up with a recently dumped girlfriend of a rising rock star when he hears something in her that excites his imagination again. They will have to beat the odds to make something of her in an industry that has changed on the both of them, and for each of them to heal the other.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opened Wednesday)

Genre: Romance

Rating: R (for language)

Bobby Jasoos

(Reliance) Vidya Balan, Ali Fazal, Arjan Bajwa, Supriya Pathak. An earnest young person has one goal in life – to become the number one detective in the old city of Hyderabad. At first, this seems like an impossible dream but then a case comes along that may just achieve that dream for Bobby Jasoos.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Earth to Echo

(Relativity) Teo Halm, Brian “Astro” Bradley, Reese Hartwig, Ella Wahlestedt. Three boys, inseparable friends, are disconsolate because they are about to be forced to leave their homes due to a highway bypass going through their neighborhood. When they start getting odd signals on their cell phones, they decide to investigate. This leads them directly to an alien being, stranded on Earth and desperate to find a way back to his native planet. E.T. phone home, right?

See the trailer, interviews, clips, B-roll video and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Family Sci-Fi Adventure

Rating: R (for language and some bloody violence)

Snowpiercer

(Radius) Chris Evans, Ed Harris, John Hurt, Tilda SwintonAfter an experiment to stop climate change backfires and brings on a devastating ice age, all that remains of humanity is contained on a single train that crosses the planet powered by a sacred perpetual motion engine. A class system has developed on the train with the Haves living in luxury and the Have Nots just barely surviving. We all know what happens when people have nothing to lose.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Science Fiction (opened Wednesday)

Rating: R (for violence, language and drug content)

Tammy

(New Line) Melissa McCarthy, Susan Sarandon, Dan Aykroyd, Toni Collette. A woman on the down side of life loses her job, her boyfriend and her car all in the same day. She needs a road trip to clear her head but with no money and no wheels and no place to go, she looks to be SOL in the big city. Then her grandma has an idea…

See the trailer and interviews here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy (opened Tuesday)

Rating: R (for language including sexual references)

Captain America: The Winter Soldier


Captain American Express Shield: Don't leave home without it!

Captain American Express Shield: Don’t leave home without it!

(2014) Superhero (Disney/Marvel) Chris Evans, Scarlett Johansson, Samuel L. Jackson, Robert Redford, Sebastian Stan, Anthony Mackie, Cobie Smulders, Frank Grillo, Gregory St-Pierre, Hayley Atwell, Toby Jones, Emily VanCamp, Maximilliano Hernandez, Jenny Agutter, Garry Shandling, Bernard White, Callan Mulvey, Branka Katic. Directed by Anthony and Joe Russo

The buzz on the latest installment in the Marvel Cinematic Universe has been intense with fanboys eating their own livers in anticipation of its release. Well, now that it’s finally out, does it live up to the hype?

Yup. Steve Rogers (Evans) a.k.a. Captain America a.k.a. Cap is still trying to adjust to life in the 21st century after having been frozen solid since the Second World War. He keeps a to-do list (which varies depending on which country you’re seeing the film in) that includes cultural touchstones, historic events that took place during his hibernation and things to try that just weren’t available back in 1944. He checks stuff off the list – in between missions for SHIELD to save the world or at least keep it safer.

While rescuing a ship hijacked by pirates Steve and his partner Natasha Romanoff (Johansson) a.k.a. The Black Widow discover some data being uploaded to a satellite array that is heavily encrypted. When he delivers it to Nick Fury (Jackson), the head of SHIELD, all Hades breaks loose. It soon becomes clear that SHIELD has been infiltrated and Steve isn’t sure who to trust – Fury, who has lied to him constantly? The Black Widow whose past is shrouded in mystery? Alexander Pearce (Redford), the security council member whom Fury reports to? And what of the Winter Soldier, an equally mysterious assassin who seems to have all of Cap’s strength and agility?

I’m being deliberately vague on the plot simply because I don’t want to spoil the twists and turns that decorate this film, although to be honest if you really want to know more detail you can find it elsewhere on the Net. The movie has been described as a superhero movie with a secret identity as a ’70s Cold War espionage thriller. What that doesn’t tell you is that it takes the best elements from both genres and does them up perfectly.

The Russo brothers ratchet up the paranoia and suspense and keep it in the red zone throughout.  Astonishing action sequences are interspersed with expository sequences that will keep you guessing as to who can be trusted – and who can’t. Some of the turncoats in the film will shock longtime followers of the Marvel Cinematic Universe although some will make sense upon reflection.

There are still plenty of fans who are uneasy with Evans as the iconic Captain, but he does his best work here, capturing Cap’s uneasiness with the grey areas that SHIELD is dwelling in and having a hard time reconciling his 1944 morality with the moral morass that is 2014. He’s got the build and the athleticism to pull off the fight sequences but he doesn’t pull off the charisma and leadership that I always imagined someone like Steve Rogers would possess. Then again, it’s doubtful that any actor could.

We get to see even more of Jackson as Fury and he shines as you would expect. Johansson also has an expanded role but we really don’t find out a ton about her character which is as you might expect; I get the sense that they are planning a Black Widow feature down the line and will probably explore the character in greater depth then.

Redford is magnificent as Pearce. We don’t get to see a lot of villain roles for Redford but he inhabits this one. Wisely, as most great movie villains do, he doesn’t see himself as a villain but as a hero, saving the world from itself. If you remember his movie Sneakers think of the role as a cross between his role and the villain role played by Ben Kingsley.

I would be remiss if I failed to mention Anthony Mackie. He plays Sam Wilson, a decorated paratrooper who is befriended by Rogers and becomes his ally known as the Falcon using a flying suit. His camaraderie with Evans is genuine and the two make a formidable onscreen team. Who knows, maybe a feature starring the Falcon is in the cards down the line.

The Russos chose to use practical effects whenever possible, meaning there isn’t a whole lot of CGI but when they do use it, it’s magnificent. The massive helicarriers look absolutely real as does the Triskelion building that serves as SHIELD’s Washington DC headquarters.

The question is usually with films like this do you need to be fans of the comic books in order to make sense of the goings on? The answer is no, although it would be extremely helpful if you’d seen the preceding Marvel movies, particularly Captain America: The First Avenger and The Avengers. Those who are completely unfamiliar with the comics and the previous movies and wish to view this as a stand alone movie, you should be good following most of the action although there will be references whizzing overhead that you just won’t get. Don’t fret; they aren’t there for you. Still, even if you aren’t a comic book geek or a superhero junkie, you’ll find plenty to like here. Definitely one of the best superhero movies ever – and likely to be one of the best movies you’ll see this year.

REASONS TO GO: Amazing action and suspense – the perfect blending of both. Keeps you on the edge of your seat for the entire movie.

REASONS TO STAY: Loses steam during some of the expository sequences.

FAMILY VALUES:  Plenty of action which means plenty of violence.

TRIVIAL PURSUIT: The voice narrating the Smithsonian exhibit for Captain America is Gary Sinese.

CRITICAL MASS: As of 4/14/14: Rotten Tomatoes: 89% positive reviews. Metacritic: 70/100.

COMPARISON SHOPPING: Mission: Impossible

FINAL RATING: 9/10

NEXT: The Front Man