New Releases for the Week of February 21, 2020


THE CALL OF THE WILD

(20th Century Fox) Harrison Ford, Karen Gillan, Omar Sy, Bradley Whitford, Dan Stevens, Cara Gee, Jean Louisa Kelly, Wes Brown, Terry Notary. Directed by Chris Sanders

Based on the classic Jack London novel, this is the tale of Buck, a dog with a big heart but unfortunately a clumsy manner, the latter of which gets him exiled from his comfortable California home to the wilds of Alaska, He makes friends with a curmudgeonly loner and ends up making his own destiny as the leader of a mail sled dog team.

See the trailer here
For more on the movie this is the website
Genre: Adventure
Now Playing: Wide Release
Rating: PG (for some violence, peril, thematic elements and mild language)

10 Things to Do Before We Break Up

(Vision) Christina Ricci, Hamish Linklater, Jon Abrahams, Katia Winter. Two people who don’t believe in love get together in a relationship they both know is doomed, but it soon becomes apparent neither one of them wants it to end.

See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Old Mill Playhouse
Rating: NR

The Assistant

(Bleecker Street) Julia Garner, Matthew Macfadyen, Mackenzie Leigh, Kristine Froseth. A young woman fresh out of college gets her dream job working as an executive assistant to a powerful entertainment mogul. As her day goes by, she begins to notice the subtle degradation that permeates her job and decides at last to take a stand.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Barnstorm Theater, Regal Winter Park Village
Rating: R (for some language)

Atlantics

(Netflix) Mame Sane, Amadou Mbow, Nicole Sougou, Aminata Kane. A group of construction workers in Dakar who haven’t been paid for months abandon their jobs and decide to take to the sea to find better opportunities elsewhere. One of them is Suleiman, the lover of Ada, who is promised to another man but who loves Suleiman.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Cinematique of Daytona
Rating: NR

Bheeshma

(Blue Sky) Bishu Sengupta, Rashmika Mandanna, Nithin, Vennela Kishore. A young man who creates memes for a living is determined to remain a bachelor for the rest of his days, but fate seems to be conspiring against him.

See the trailer here
For more on the movie this is the website  
Genre: Dramedy
Now Playing: Amstar Lake Mary, Cinemark Orlando
Rating: NR

BHOOT: Part One – The Haunted Ship

(ZEE) Vicky Kaushal, Bhumi Pednekar, Ashutosh Rana. A bereaved shipping officer must save a girl he believes to be real who has been appearing on a derelict ship – the Sea Bird – that is believed to be haunted. The first of two parts.

=See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: AMC West Oaks
Rating: NR

Brahms: The Boy II

(STX) Katie Holmes, Owain Yeoman, Christopher Convery, Ralph Ineson. When a family moves into a stately old home with a checkered past, their young son makes friends with a life-sized doll named Brahms.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for violence, terror, brief strong language and thematic elements)

The Lodge

(NEON) Riley Keough, Richard Armitage, Alicia Silverstone, Jaeden Lieberher. A family vacations at a remote mountain cabin for the holidays but when the father is forced to return to work abruptly, he leaves his two children in the care of his new girlfriend. However, terrifying events powered by spectres from her dark past haunt the three of them as a blizzard traps them there.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Orlando, Regal Waterford Lakes, Regal Winter Park Village
Rating: R (for disturbing violence, some bloody images, language and brief nudity)

My Boyfriend’s Meds (Las píladoras de mi novio)

(Pantelion) Jaime Camil, Sandra Echévarria, Jason Alexander, Brooke Shields. A dream trip to a tropical paradise turns into a nightmare when her boyfriend accidentally leaves his prescription meds behind..

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Disney Springs, Epic Theaters of Lee Vista, Regal The Loop
Rating: NR

The Night Clerk

(Saban) Ana de Armas, Helen Hunt, John Leguizamo, Tye Sheridan. A young, socially challenged night clerk at a hotel witnesses a murder in one of the rooms. However, his actions are deemed suspicious by the detective in charge who makes him the number one suspect.

See the trailer here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Old Mill Playhouse
Rating: R (for language, some sexual references, brief nudity and violent images)

Olympic Dreams

(IFC) Nick Kroll, Alexi Pappas, Gus Kenworthy, Morgan Schild. A cross-country skier at the 2018 Winter Olympic games feels alone in a crowd in the Village. She links up with a volunteer dentist who is having relationship problems and maybe the spark of something is ignited. This was reviewed last week by Cinema365; you can follow the link to review by clicking on the movie’s name under “Scheduled To Be Reviewed” below.

See the trailer here
For more on the movie this is the website  
Genre: Romantic Comedy
Now Playing: Barnstorm Theater
Rating: PG-13 (for some language and sexual references)

Portrait of a Lady on Fire

(NEON) Noémie Merlant, Adele Haenel, Laura Bajrami, Valeria Golino. A woman is commissioned to paint a portrait of a reluctant bride to send to a potential suitor in 18th century France. However, the painter who is there under the guise of being a companion (and paints her portrait by night) soon develops romantic feelings for her subject.

See the trailer here
For more on the movie this is the website  
Genre: Historical Drama
Now Playing: Enzian Theater
Rating: R (for some nudity and sexuality)

Standing Up, Falling Down

(SHOUT!) Billy Crystal, Ben Schwartz, Grace Gummer, Nathan Corddry. After his stand-up career fails to take off in Los Angeles, a man returns home to Long Island to regroup. Along the way he rekindles old relationships and strikes up a new one with an eccentric dermatologist who has regrets of his own.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Old Mill Playhouse
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Hai Tang Hong
Shubh Mangal Zyada Saavdhan
Swift

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Citizen K
Corpus Christi]
Hai Tang Hong
Hump!
India vs. England
Mafia: Chapter 1
Shubh Mangal Zyada Saavdhan
Those Who Remained
True Fiction
Varda by Agnes

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Impractical Jokers: The Movie
Shubh Mangal Zyada Saavdhan

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Emerald Run
Impractical Jokers: The Movie
Mafia: Chapter 1
Shubh Mangal Zyada Saavdhan

SCHEDULED FOR REVIEW:

Brahms: The Boy II
Call of the Wild
The Lodge
Olympic Dreams
Portrait of a Lady on Fire
Standing Up, Falling Down

Home of the Brave (2006)


A sadly far-too-common sight during the Iraq and Afghanistan conflicts.

A sadly far-too-common sight during the Iraq and Afghanistan conflicts.

(2006) War Drama (MGM) Samuel L. Jackson, Jessica Biel, Christina Ricci, Brian Presley, Curtis “50 Cent” Jackson, Chad Michael Murray, Victoria Rowell, Jeff Nordling, Vyto Ruginis, Sam Jones III, James MacDonald, Sandra Nelson, Ginger Ewing, Jack Serino, Brendan Wayne, Mohamed Zinathiah, Richard De Mayo, Kiara Johnson, Joyce M. Cameron. Directed by Irwin Winkler

For three soldiers serving in Iraq, the word has come down; they’re shipping back home in two weeks. When in Hollywood, that’s a sure sign that something Bad is about to happen.

And so it does. Dr. Will Marsh (Jackson), Vanessa Price (Biel), Tommy Yates (Presley) and Jamal Aiken (50 Cent) are part of an Army National Guard humanitarian convoy bringing medical supplies and personnel to a small Iraqi village when they are ambushed by insurgents. The firefight is sudden and brutal, with the soldiers taking on well-armed adversaries. None of them get out without some kind of wound; Vanessa loses her hand in a roadside bomb explosion, Jamal accidentally shoots an unarmed civilian, Tommy takes a minor wound to his leg and as a result is unable to help when his best friend is killed. As for Marsh, he’s supposed to stitch them all together.

Once they recover from their physical wounds, they’re all shipped home and essentially left to fend for themselves. The VA bureaucracy is bewildering for some, while others fail to take advantage of the programs that are available to help them cope. Vanessa is having problems dealing with her mutilation; not only is she having physical problems adjusting to the prosthetic, her emotional issues are threatening to overwhelm her and alienate her from her family. Jamal is angry and frustrated; his former girlfriend Keisha (Ewing) refuses to have anything to do with him and he can’t seem to navigate the paperwork that will help him get the treatment he needs for his injured back. Tommy is aimless and drifting, unable to handle the guilt of failing his friend; on top of that, he finds himself attracted to his dead buddy’s girlfriend (Ricci), but neither of them seem able to help the other cope with their grief.

Dr. Marsh seems to have the most complex issues. His teenage son (Jones) is angry (what teenage son isn’t?) and takes it out on his father, who struggles to understand him. His wife (Rowell) in turn wants to help him with his pain, but can’t find any sort of common ground to begin with, even if he was willing to let her in which he isn’t. Instead, he turns to the bottle to ease his suffering, with predictable results.

The turmoil of soldiers placed into extremely stressful situations returning into a normal life is daunting. Not many go through the process unscathed but which of these returning vets will break and which, if any, will overcome?

Outside of Jackson, Biel and Ricci, few of the cast were really name actors at the time this was made. Jackson is, as always, terrific as the tormented medic while Ricci has only a couple of scenes in which to display her grief, which to her credit doesn’t seem to be a product of Acting Out Grief 101. Most of the rest of the cast is solid, although 50 Cent at times has difficulty enunciating in one of his first screen roles – his third, to be exact. As for the rest of the cast, most resist the urge to denigrate drama into melodrama but some succumb to the temptation.

The battle sequences are pulse-pounding and realistic, although it reminded me a little bit of the ambush sequence in Clear and Present Danger. Winkler is a veteran director and does a solid job of moving the story along. While the script is extremely flawed in terms of its characterization of the emotional state of the majority of our veterans of Iraq and Afghanistan, the elements that work do so extremely well.

I’ll pretty much see Samuel L. Jackson in just about anything. Yeah, he can be over-the-top but he’s never boring. Winkler manages to make each soldier’s story gripping and you wind up caring about the characters and being interested in their individual journeys but the movie doesn’t really add anything to the overall conversation. In a lot of ways, the topic is and has been better explored in documentaries about the subject. I was disappointed that the script portrayed all of the returning veterans as psychotic, which is not true of the majority of returning war veterans. Yes, there are plenty of Iraq War vets who have problems returning to normal life, but there are plenty who are able to adjust without falling apart.  I’m not saying that they all come through unscathed and adjust easily to civilian life, but most don’t have the extreme reactions these vets did. I would have hoped for more realistic portrayals of vets adjusting to their return to normal life. In short, this is no Best Days of Our Lives.

While this seems to be a modern take on The Best Years of Our Lives, there is at least enough about it that give it some resonance. However, the 1946 movie about returning WWII vets is still the best movie ever produced on the subject and let’s face it, Jessica Biel is no Harold Russell. There is some resonance here however, particularly given the recent VA scandal and the difficulties veterans are encountering getting the assistance they need. Overall I have to say that I found myself interested in the lives of these soldiers and if you get me to that point, that’s half the battle.

WHY RENT THIS: Jackson is always interesting. Opening ambush sequence very powerful.
WHY RENT SOMETHING ELSE: Heavy-handed. Doesn’t really cover any new ground.
FAMILY MATTERS: The subject matter is difficult for less mature audience members to latch onto, and the ambush sequence is fairly realistic, particularly when the roadside bomb does its work. The language is salty throughout; definitely not for younger and more sensitive types.
TRIVIAL PURSUITS: The closing credits song, “Try Not to Remember” performed by Sheryl Crow was nominated for a Golden Globe.
NOTABLE HOME VIDEO FEATURES: There is a trivia track on the Blu-Ray edition; the DVD edition has the usual audio commentary and deleted scene.
BOX OFFICE PERFORMANCE: $499,620 on a $12M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray rental only), Amazon (buy/rent), Vudu (buy/rent),  iTunes (buy/rent), Flixster (unavailable), Target Ticket (unavailable)
COMPARISON SHOPPING: Stop-Loss
FINAL RATING: 5/10
NEXT: Deli Man

Sleepy Hollow


Christopher Walken really needs a new dental plan.

Christopher Walken really needs a new dental plan.

(1999) Supernatural Horror (Paramount) Johnny Depp, Christina Ricci, Miranda Richardson, Michael Gambon, Casper Van Dien, Jeffrey Jones, Richard Griffiths, Ian McDiarmid, Michael Gough, Christopher Walken, Marc Pickering, Lisa Marie, Steven Waddington, Claire Skinner, Christopher Lee, Alun Armstrong, Mark Spalding, Jessica Oyelowo. Directed by Tim Burton

Whenever Tim Burton concocts a new movie, critics everywhere go into a lather coming up with new hosannas in praise of his stuff. Generally, they’re right. By the time his interpretation of the Washington Irving classic came out the paroxysms of praise had become almost scary in their effusiveness. Which was – and is – fine by me.

Sleepy Hollow, after all, is supposed to be scary. However, those bookish moviegoers who have actually read the Washington Irving story and still remember it may find the liberties taken here with the source material a bit off-putting.

Ichabod Crane (Crane) is a foppish New York City constable who has been a bit of a gadfly in the NYPD of 1799. While the judges of the period are content with brute force and intimidation to solve their crimes, Crane is all for using scientific method and deductive reasoning to come to the truth. For his troubles, he is exiled to a small Dutch community in the Hudson Valley called Sleepy Hollow to solve a trio of ghoulish murders.

It seems that several prominent citizens of the Hollow have lost their heads. The trouble is their quite dead torsos are rather upsetting to those townspeople who stumble upon them. When Crane arrives, he encounters the plucky young daughter (Ricci) of a local farmer (Gambon), who imparts the story of the Headless Horseman: A somewhat rabid, bloodthirsty Hessian mercenary (Walken in essentially a cameo but still perfectly cast role) meets a bitter end in the woods near Sleepy Hollow, betrayed by a pair of wood-gathering little girls. The townspeople, who include a self-righteous priest (Jones), a timid notary (Gough), a lusty doctor (McDiarmid), a brave and burly farmer (Van Dien) and a corpulent burgomaster (Griffith) are all of the belief that the Horseman is responsible for the unspeakable crimes. Crane, of course, believes that the murderer is flesh and blood.

The game changes when Crane personally witnesses a murder, sending his faith in science and reason spinning into doubt. Unfortunately for the movie, he resolves this rather quickly; I thought it would have made for an interesting subplot to see Crane struggling between the evidence of his senses and his own rationality. Instead,  Crane and the plucky young farmer’s daughter go on a ghoul hunt, with all the violence, gore and spookiness that goes with it.

There are a lot of fairly impressive names behind the camera including Francis Ford Coppola, Larry Franco, Scott Rudin and Kevin Yagher, with Danny Elfman producing a suitably spooky score. While many of Burton’s key personnel are also in place, this seems less of a typical Tim Burton movie and more of a mainstream action/horror flick. There are a lot of missed opportunities here to bring some credible subplots into play that wouldn’t burden the plot as much as the ones that writers Kevin Yagher and Andrew Kevin Walker decided to leave in.

Burton is wise enough to leave enough atmosphere in to make for some genuinely creepy moments, but his leitmotif of announcing the Horseman’s presence with lightning and thunder effects is a bit over-the-top. Depp makes an interesting Crane, retaining much of the bumbling fright of Irving’s Crane while giving him a heroic bent for the modern moviegoing audience to identify with. Ricci is lustrous in her ingénue role.

There’s some great work in Sleepy Hollow, enough that you’ll be talking about it well after the final credits have concluded. However, with a bit more of Burton and a bit less of Hollywood, this would have been a much more hellacious ride.

WHY RENT THIS: Tim Burton loveliness. Deep and Ricci make a fine couple. Genuinely spooky.

WHY RENT SOMETHING ELSE: A bit more mainstream than we’re used to with Burton. Over-the-top in places.

FAMILY MATTERS: The horror, gore and violence is fairly graphic. There’s some sexuality as well.

TRIVIAL PURSUITS: This was one of the last two films released on Laser Disc (the other was Bringing Out the Dead).

NOTABLE HOME VIDEO FEATURES: None listed.

BOX OFFICE PERFORMANCE: $206.1M on a $100M production budget; the movie broke even during its theatrical run.

COMPARISON SHOPPING: Beetlejuice

FINAL RATING: 8/10

NEXT: World War Z

Speed Racer


Speed Racer

Apparently Speed Racer is out-running the Aurora Borealis.

(2008) Science Fiction Action (Warner Brothers) Emile Hirsch, Christina Ricci, John Goodman, Susan Sarandon, Matthew Fox, Hiroyuki Sanada, Richard Roundtree, Ji Hoon Jung, Benno Furmann, Roger Allam, Kick Gurry, Paulie Litt, Christian Oliver, Art La Fleur. Directed by Andy and Larry Wachowski

 

When I was growing up (a preface my father used to make to what would turn out to be a long-winded lecture about why his generation was superior to my generation which sucked rocks), part of my afternoon routine after getting home from school involved turning on the television and watching an anime double feature (although I didn’t know they were called anime at the time) of “Kimba, the White Lion” and “Speed Racer.” I had no conception that what they were doing were anything like groundbreaking – having seen some of those episodes again recently I can tell you with great confidence that they were anything but from an animation standpoint – but I knew they were in color, they were fun and even if they weren’t animated as well as my favorite shows like “Scooby Doo” and “Wacky Racers,” they at least had storylines that I found to be a little bit better than the very light stuff that were common for the time.

The Wachowskis (then still known as brothers) were evidently of the same mindset as I growing up. Fresh off of their world-beating success that was the Matrix trilogy, they basically could do whatever they chose and a live-action remake of the beloved Japanese cartoon series was what they chose. In hindsight it may seem a trifle…ill-advised.

Speed Racer (Hirsch) is a talented young racer in the World Racing League. He is haunted by demons – the death of his brother Rex in a gruesome crash during an unsanctioned race – and yearns to break the records his brother set. Unlike most of the racers in the League, Speed is an independent without corporate sponsorship; his father Pops (Goodman) builds the cars, Sparky (Gurry) maintains them, Mom (Sarandon) makes pancakes and his little brother Spritle (Litt) gets into mischief. Usually around is Speed’s girlfriend Trixie (Ricci) who spends so much time with Speed’s family you wonder if she has a family of her own.

Into their lives blows Arnold Royalton (Allam), chairman of Royalton Industries, one of the leaders in WRL sponsorship. He is impressed by Speed’s record-breaking pace and wants to take him to the next level – the championship of the WRL. He is urbane and charming and loves pancakes. However, Spritle snoops around and discovers that there is a dark side to Royalton and eventually Speed declines the offer. Royalton turns petty and vindictive and vows to destroy the Racer family and does everything within his power to do just that.

Then there’s the mysterious Racer X (Fox) who turns out to be working undercover for Inspector Detector (Furmann) of Interpol who enlists Speed to help find out who’s responsible for the illegal race fixing that has plagued the WRL and caused economic chaos. In order to do that he’s going to have to conquer the unsanctioned race that was responsible for his brother’s death and is the most grueling, dangerous race on the planet – the Crucible.

The Wachowskis have an amazing visual sense and this might be their most brilliant movie from a visual sense ever. The movie uses a palette of bright neon-infused colors, like someone had thrown Slurpees across the screen and then black lighted them. The world of Speed Racer is more brilliant than the cartoon it sprang from, with supercharged cars hurling at you at breathtaking speeds. Much of the movie was filmed against a green screen (a la Sky Captain and the World of Tomorrow) and much of the world of the WRL is computer generated.

However, as good looking as the movie is it lacks a few things. Like, for instance, a plot that doesn’t disintegrate upon any sort of inspection. I can forgive that to a certain degree – all that technology is fine and dandy but it would have made for a better movie with a bit more attention to detail when it came to the writing. However, there are a few things that just dropped the movie from being a game changer.

The length, for one. Two hours of visual assault begins to numb the senses; there were too many car races and not enough plot development for this type of time commitment. You can only see so many cars racing around a highly stylized track before you begin to yawn unless you’re a dedicated Formula 1 or NASCAR maniac.

And for another, the presence of Spritle and Chim-Chim. Yes, I know they were integral parts of the original cartoon and they were meant to be the avatars for the kids the cartoon was aimed at but I think they outstayed their welcome. They were too much at the forefront of the film and quite frankly, the characters are annoying and they dumb down the movie way too much to be comfortable. Nothing against Litt, the young actor who plays Spritle – he didn’t write the part after all – but I’m to the point that when I see his character onscreen while watching the DVD I hit the Fast Forward button.

Hirsch was cast in this movie after an acclaimed Oscar-nominated turn in Into the Wild and it seemed his career was on the rise. Unfortunately I never got a sense that Hirsch was motivated to do much more than read his lines. This is an unfortunately flat and lifeless performance that harkens back to the emotionless voice acting that characterized the original cartoon and to be fair that might well be a deliberate decision on either the filmmakers or Hirsch’s part; it’s just a bad decision and if it is the case, is another reason why remakes should never try to import things that don’t work from the original just for nostalgia’s sake.

Allam makes for a fine villain and for some quirky reason channels Tim Curry who is also one of the fine villains of recent years. Here he’s both venomous and urbane; always  a lethal but delicious combination when it comes to movie villains. Fox, who was heavily in the public eye for his work in the cultish TV show “Lost,” shows off a different kind of heroism and is one of the best things about the movie. Certainly my attention perks up whenever he’s on the screen.

This is definitely the case of a movie that is innovative and lovely to look at, but falls apart upon too close an inspection. The cure for that? Don’t inspect too closely. Look at it for what it is – an eye candy sugar rush that is going to put you in a happy coma after two hours of non-stop bliss. This is entertainment, pure and simple – imperfect to be sure but entertainment nonetheless.

WHY RENT THIS: Brilliant visuals. Allam is an over-the-top villain and Fox shows off his heroic chops as Racer X.

WHY RENT SOMETHING ELSE: About a good half-hour too long. Spritle and Chim-Chim are far, far too annoying.  Hirsch a little bit flat as Speed.

FAMILY VALUES:  There’s a little bit of violence. Some of the car crash scenes are a little bit gruesome. There are a few bad words here and there.

TRIVIAL PURSUIT: Peter Fernandez and Corinne Orr, the English voices of Speed and Trixie in the original cartoon series, voice race announcers in the feature film.

NOTABLE HOME VIDEO EXTRAS: The Blu-Ray edition contains a game and a couple of extra features not found on the DVD edition which itself is nothing to write home about.

BOX OFFICE PERFORMANCE: $94.0M on a $120M production budget; the movie was a major box office disappointment.

COMPARISON SHOPPING: Grand Prix

FINAL RATING: 7/10

NEXT: The Amazing Spider-Man

New Releases for the Week of October 28, 2011


PUSS IN BOOTS

(DreamWorks) Starring the voices of Antonio Banderas, Salma Hayek, Zach Galifianakis, Billy Bob Thornton, Amy Sedaris, Constance Marie, Guillermo del Toro, Ryan Crego. Directed by Chris Miller

Everyone’s favorite swashbuckling feline from the Shrek series gets a film of his own as we get to see his humble origin story. Here he teams up with cat burglar Kitty Softpaws and the legendary Humpty Dumpty to save the town. I’m wondering when all the king’s horses show up.

See the trailer and featurettes here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D

Genre: Animated Feature

Rating: PG (for some adventure action and mild rude humor)

All’s Faire in Love

(Patriot Pictures) Christina Ricci, Matthew Lillard, Ann-Margaret, Cedric the Entertainer. A football star working off non-attendance at his Renaissance literature class and an investment banker who really wants to be an actress join a theatrical troupe at a Renaissance Faire. They must fend off a rival troupe in order to win the coveted Shakespearean stage spot and perhaps even fall in love.

See the trailer here.

For more on the movie this is the website

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for some sexual content including references)

Anonymous

(Columbia) Rhys Ifans, Vanessa Redgrave, Joely Richardson, David Thewlis. There are scholars who contend that Shakespeare didn’t write the plays he is credited with. Director Roland Emmerich of Independence Day and The Day After Tomorrow contends that Shakespeare was a front for a member of the royal court for whom anonymity was a necessity.

See the trailer, clips and an interview here.

For more on the movie this is the website.

Release formats: Standard

Genre: Historical Drama

Rating: PG-13 (for some violence and sexual content)

In Time

(20th Century Fox) Justin Timberlake, Amanda Seyfried, Cillian Murphy, Alex Pettyfer. In the not-too-distant future, people stop aging at 25 and time has become the new currency. When you run out of time, you run out of life. When Will Salas, who lives minute to minute, gets an unexpected windfall, it upsets the balance of things and triggers some very desperate people to do some very dangerous things.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Science Fiction

Rating: PG-13 (for violence, some sexuality and partial nudity, and brief strong language)

RA.One

(EROS International Worldwide) Shahrukh Khan, Kareena Kapoor, Arjun Rampal, Sanjay Dutt. This is the prequel to the enormously popular found footage horror series. It depicts, in the 80s, how the supernatural forces that beset Katie and Kristi came into their lives as young girls.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Superhero Sci-Fi Action

Rating: NR

The Rum Diary

(FilmDistrict) Johnny Depp, Aaron Eckhart, Amber Heard, Richard Jenkins. From Hunter S. Thompson’s first novel, this is the story of a rumpled American journalist from the 1950s who leaves behind the New York City beat for a more laid-back lifestyle in Puerto Rico. There he discovers shady land developers, disreputable newspapermen, sexy Connecticut debutantes and perhaps a vestige of his own dignity.

See the trailer, clips and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for language, brief drug use and sexuality)

After.Life


After.Life

Who knew the dead could be so hot?

(2009) Horror (Anchor Bay) Christina Ricci, Liam Neeson, Justin Long, Josh Charles, Chandler Canterbury, Celia Watson, Luz Ramos, Rosemary Murphy, Malachy McCourt, Shuler Hensley, Alice Drummond, Sam Kressner, Erin Ward. Directed by Agnieszka Wojtowicz-Vosloo

Dead is dead, or so conventional wisdom would have it. Once we’ve shuffled off this mortal coil, the party’s over. What happens then is highly up to speculation.

Anna Taylor (Ricci) is a beautiful young teacher who has the world opening up to her on the horizon. Her boyfriend Paul (Long) is about to propose when they go out to dinner but they get into an argument. Anna storms out of the restaurant and drives off, angry and emotional, the rain falling in sheets. Inevitably, she gets into a nasty accident.

When she wakes up, she’s in the morgue, attended to by Deacon (Neeson) who informs her that she’s dead. Deacon has the special gift of being able to communicate with the dead under his care, able to help transition them from this life to the afterlife. Anna finds this difficult to accept. Deacon counters that most of the newly dead find their new situation hard to accept. They always whine that they have so much left to do, so much unfinished business.

Anna feels alive though and nothing Deacon can say or do will dissuade her. She wants to call her  boyfriend to rescue her from this maniac keeping her against her will in this terrible place; but from his point of view he’s trying to help her accept her fate and move on to her final rest. But is she alive as she asserts that she is, or dead as Deacon maintains that she is?

This is an intriguing concept that has a “Twilight Zone”-esque quality to it. First-time director Wojtowicz-Vosloo doesn’t always know what to do with it. Her job, as I see it, is to keep audiences off-balance without giving away the answer to the question “is she or isn’t she” and for the most part, she succeeds. Occasionally though she stumbles, sometimes failing to maintain the inner logic of the situation. Of course, that’s more the fault of the script than the direction but as she also co-wrote the script, she doesn’t really have that out.

Ricci is lustrous here, spending a good chunk of the movie nude (and also a bluish shade which kind of increases the allure) and her trademark gothic waif look is perfect for the role. Her physical charms notwithstanding, she also gives the part a certain amount of emotional wallop, going through stages of grief (denial, anger, fear) while never becoming shrill.

She has some great chemistry with Neeson, who is such a great actor that even a role like this which doesn’t really push him all that much he still manages to imbue with his charisma and invite the audience to get invested. The movie’s main selling point is to make it ambiguous as to whether Deacon is a kindly guide or an evil monster. Neeson pulls it off so that either option is possible.

I’ve mentioned “The Twilight Zone” and that’s not necessarily a bad thing – but the movie here, rather than paying homage to the show tries to emulate it a bit too much. There is not so much a Rod Serling influence rather than an attempt to bring him back from the dead and the corpse doesn’t smell too good to be honest.

That aside, the concept is good and the acting solid enough so that it gets a pass for all its flaws. Sometimes critics such as myself just have to get past what a movie could have been and accept it for  what it is. No doubt this could have been a whole lot better – but it is as is good enough for me.

WHY RENT THIS: Spooky and atmospheric. Ricci and Neeson have some great exchanges.

WHY RENT SOMETHING ELSE: The script should be more ambiguous and let the audience figure out whether or not Anna is dead. Too much Rod Serling here.

FAMILY VALUES: The whole theme is pretty disturbing; there’s also some nudity and sexuality as well as a buttload of bad words.

TRIVIAL PURSUIT: The prop knife used by Ricci during the film is the same one Glenn Close used in Fatal Attraction.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $2M on an unreported production budget; in all likelihood this lost money or broke even at best.

FINAL RATING: 6/10

TOMORROW: The Ides of March

New Releases for the Week of September 9, 2011


CONTAGION

(Warner Brothers) Matt Damon, Marion Cotillard, Kate Winslet, Jude Law, Laurence Fishburne, Gwyneth Paltrow, Bryan Cranston, Jennifer Ehle, Sanaa Lathan, John Hawkes, Elliott Gould. Directed by Steven Soderbergh

An innocent cough turns into a global pandemic as the U.S. Center for Disease Control and Prevention tries to get a handle on a rapidly mutating virus that seems to anticipate their every attempt to come up with a cure. In the meantime, fear and paranoia turn out to be nearly as deadly as the virus itself.

See the trailer, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Medical Thriller

Rating: PG-13 (for disturbing content and some language)

Bucky Larson: Born to Be a Star

(Columbia) Nick Swardson, Christina Ricci, Don Johnson, Stephen Dorff. A somewhat dorky slacker in the heart of the Midwest discovers to his shock that his conservative parents used to be porn stars back in the 70s. Believing this to be his genetically-imposed destiny, he heads to Hollywood to follow in their footsteps despite lacking certain…equipment. Adam Sandler produced this so send your cards and letters to him.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sex Comedy

Rating: R (for pervasive crude sexual content, language and some nudity)

Creature

(The Bubble Factory) Mehcad Brooks, Serinda Swan, Amanda Fuller, Sid Haig. A group of young people on a road trip to New Orleans stop at a roadside convenience store for supplies and learn about the legend of a creature that is half man, half alligator. They decide to check it out for themselves, only to discover that the legend is real – and the creature is not even the worst aspect of it.

See the trailer, promos and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for bloody violence, grisly images, some sexual content, graphic nudity, language and drug use)

Higher Ground

(Sony Classics) Vera Farmiga, Joshua Leonard, Bill Irwin, Donna Murphy. A woman finds herself coming to terms with her love relationships in the 1960s as part of a spiritual community and trying to balance that against her own burgeoning feminism. This is also the directing debut of Farmiga.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for some language and sexual content)

Kevin Hart: Laugh at My Pain

(CODEBLACK) Kevin Hart, Na’im Lynn. Comedian Kevin Hart’s recent comedy tour smashed box office records for African-American comedians held for more than twenty years by Eddie Murphy. There are those who say that he is the funniest stand-up comedian working in the field today and this movie aims to present evidence to that effect.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy Documentary

Rating: NR

Terri

(ATO) John C. Reilly, Jacob Wysocki, Creed Bratton, Olivia Crocicchia. Yet another Florida Film Festival entry that Da Queen and I were unable to fit into our schedule, this moving and yet funny indie film follows a plus-sized teen who forges a relationship with a well-meaning yet often inept vice-principal. As things progress, he begins to find a little bit of the inner man he is to become even as he sheds his own self-image.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for sexual content, language and some drug and alcohol use, all involving teens)

Warrior

(Lionsgate) Joel Edgerton, Tom Hardy, Nick Nolte, Jennifer Morrison. Two brothers, driven apart years earlier, find themselves on a collision course in the biggest winner-take-all event in Mixed Martial Arts history. Each is doing it for different reasons – one for redemption, the other to save his family from financial ruin. Neither is expected to get there – and they must both confront their own demons if they are to win and become the warrior they have within them.

See the trailer, a clip and a music video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sports Drama

Rating: PG-13 (for sequences of intense mixed martial arts fighting, some language and thematic material)