Madagascar 3: Europe’s Most Wanted


Madagascar 3: Europe's Most Wanted

Children, if you learn one less from this movie, remember this – Monte Carlo is relatively easy to invade by sea.

(2012) Animated Feature (DreamWorks) Starring the voices of Ben Stiller, Chris Rock, David Schwimmer, Jada Pinkett Smith, Sacha Baron Cohen, Cedric the Entertainer, Andy Richter, Frances McDormand, Jessica Chastain, Martin Short, Bryan Cranston, Vinnie Jones, Paz Vega. Directed by Eric Darnell, Tom McGrath and Conrad Vernon

 

I think it’s relatively easy to entertain kids, from the standpoint of animation. I mean, just look at most of the programming on the Cartoon Network; the animation is godawful, the humor gross, and little to recommend it other than it gets kids out of their parents hair for a little while. If my parents had gotten a gander at “The Regular Show” and some of the other more popular shows on the network, they would have chucked the TV out the window but since we lived in a ranch house, my Dad probably just would have taken an axe to the damn thing instead.

While there are some really good animated movies out there (thanks, Pixar) that both parents and children can watch together, there is also a lot of crap as well. For a long time, I put the first to movies of the Madagascar franchise in that category so to say the least, I wasn’t looking forward to the third installment in the series. Boy was I pleasantly surprised.

The renegade zoo animals from the Central Park Zoo – Alex the Lion (Stiller), Marty the Zebra (Rock), Melman the Giraffe (Schwimmer) and Gloria the Hippo (Smith) – are where we left them at the conclusion of Madagascar: Escape2Africa; stuck in the savannah with the natives while the Penguins have flown the monkey-powered super-plane to Monte Carlo to raise enough cash to get them back to New York. Alex in particular is suffering from homesickness. Even a birthday gift of a mud brick model of the Big Apple doesn’t seem to help.

The four friends decide that the penguins have had long enough to complete their mission and decide that they’ll go to Monte Carlo themselves to find the penguins and take the super-plane back to New York. How did they get to Europe from the African savannah? They walked (presumably) to the coast and then they swam. Snorkeled, actually. No, don’t question it. You’ll only get a headache. Just go with it. Tagging along are King Julian (Cohen), Maurice (Cedric) and Mort (Richter) who are now joined at the hip with the New Yorkers.

Anyway, things go horribly wrong and the appearance of a lion, a zebra, a hippo and a giraffe inside a posh casino causes a bit of a stir. This sets the French animal control expert Captain DuBois (McDormand) – the principality apparently having no animal control of their own that they have to import it from another country – on the case. DuBois has always wanted to mount the head of a lion on her wall to join the other creatures that have crossed her path to complete her collection and she’ll stop at nothing to get what she wants, including singing Edith Piaf standards. Yes I know- it’s horrible.

The animals, having hooked up with the penguins and the monkeys, manage to escape the clutches of DuBois but crash the super-plane in the process. Fleeing for their very lives, they manage to sneak aboard a circus train to blend in; Vitaly the Tiger (Cranston), the leader of the circus animals, is reluctant to let them aboard but after Gia the Leopard (Chastain) convinces him that the refugees are indeed circus animals themselves, bolstered by the less-than-smart seal Stefano (Short). The circus has a shot at an American tour if they can impress a promoter in London to finance it. However, the circus has fallen upon hard times the only way to get the animals to New York is to buy the circus from the owner, which the penguins do using their ill-gotten gains at the casino. However, it’s going to take a lot of work to get this circus back in shape. It might be more than even Alex’ can-do attitude can accomplish.

Some of the elements that had left me cold about the first two movies remain – most glaringly, the animation. While I don’t think every CGI animated feature needs to attempt to be photorealistic, this is just plain badly animated. If you think mid-90s videogame style works in the second decade of the 21st century, we really need to have a talk. The animals have few expressions and this looks decidedly dumbed down for the Cartoon Network crowd.

Considering the star power here, the voice acting is fairly by the numbers. Short is a bit over-the-top as Stefano but actually injects a little emotion where it is sorely needed; likewise for Chastain who is a little more subtle than the Canadian comic. It all comes together in the circus sequences which are dream-like, brightly colored, and entertaining (not to mention fun). They are frankly the most enjoyment I’ve gotten in this series, which has been not high on my list of animated features to be honest.

However, the story is a vast improvement over the first two. It gives us a recognizable villain and some conflict. There is also a bit of emotional resonance that was lacking in the first movie. Yes I know kids will be thrilled by the bright colors and blank faces of the talking animals, but for once adults who have to go see it with their progeny won’t be squirming in their seats and checking their watches.

REASONS TO GO: So far, the best of the series. Circus sequences genuinely fun and colorful.

REASONS TO STAY: Animation is still clunky compared to other major franchises.

FAMILY VALUES: While there’s a bit of rude humor and some fairly tame action sequences, otherwise this is plenty fine for all audiences.

TRIVIAL PURSUIT: The style of the animal-led circus echoes that of Cirque du Soleil, which features no animals whatsoever.

CRITICAL MASS: As of 6/23/12: Rotten Tomatoes: 76% positive reviews. Metacritic: 59/100. The reviews are mixed but mostly on the positive side.

COMPARISON SHOPPING: The Greatest Show on Earth

EDITH PIAF LOVERS: One of her most beloved songs, “Non, je ne regrette rien” is sung by Captain DuBois to her injured men during the hospital scene, the power of the music healing them of their wounds. It is listed on the official soundtrack as being sung by Frances McDormand but it sounds suspiciously like Piaf singing it.

FINAL RATING: 6.5/10

NEXT: JCVD

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Water for Elephants


Water for Elephants

Pattinson and Witherspoon may come with their own baggage but the elephant brings her own trunk.

(2010) Drama (20th Century Fox) Reese Witherspoon, Robert Pattinson, Christoph Waltz, Hal Holbrook, Paul Schneider, Jim Norton, Ken Foree, Mark Povinelli, Richard Brake, Scott McDonald, James Frain, John Aylward, Sam Anderson. Directed by Francis Lawrence

Be careful what you wish for, or so the old saying goes. Sometimes the things we wish for are the things we can’t have…or perhaps shouldn’t have.

A confused old man (Holbrook) is late coming to the Circus on a rainy night. He is escorted to the office by a sympathetic manager (Schneider) who is amazed to discover that the man worked at the Benzini Brothers Circus in 1931, when one of the worst disasters in circus history occurred. The old man agrees to set a spell and spin the story.

Jacob Jankowski (Pattinson) is studying veterinary medicine at Cornell, about to take his final exams. He is called out of his exam to receive some terrible news; both his parents are dead. To make matters worse, his father had gone deeply in debt to pay for his education; in a split second Jacob has lost everything.

He decides to walk to Albany to seek work but soon tires of walking. When he sees a train coming, he decides to hitch a ride. It turns out to be a circus train and a kindly roustabout named Camel (Norton) takes Jacob under his wing and finds him work. When the head animal trainer and ringmaster, August (Waltz) discovers Jacob’s veterinary experience, he brings him aboard as the circus veterinarian.

His particular charge is Rosie, a 54 year old elephant who is meant to be the star attraction. Jacob also casts his eye towards the beautiful trainer Marlena (Witherspoon) who happens to be married to August. Moreover, August turns out to be a somewhat sadistic and ruthless man who can be charming one moment, psychotic the next, often taking out his rages on the elephant and upon occasion upon Jacob.

Eventually it becomes apparent that Marlena has fallen for the callow young veterinarian and August’s rage defies all bounds. Jacob must find a way to get Marlena away from the clutches of her cruel husband if they are to find happiness – but what he doesn’t know is that the Circus and the people in it are headed for a date with tragedy.

The movie is based on the award-winning novel by Sara Gruen. Director Lawrence (who’s done I Am Legend and Constantine as well as a buttload of music videos) does a real nice job of creating the era and making it look lived-in. This is a terrific looking film, from the gorgeous outdoor shots of the train traveling in moonlit skies, to the seedy looking hotel rooms and flophouses of the towns.

Christoph Waltz made his bones as the villain in Inglourious Basterds and hasn’t looked back since. He is able to project charm and evil in equal amounts, making you at turns sympathetic and repulsed. He won an Oscar as the deranged Nazi in Tarantino’s film and he is nearly as good here, although sadly I somehow doubt he’ll get much Academy consideration.

Witherspoon has also won an Oscar (for Walk the Line) and she does good work here, playing a woman who is a star in her own limited firmament but knows that if she goes elsewhere her star won’t shine quite as brightly. She is in an abusive relationship, walking on eggshells all the time but lacks the self-confidence to believe she deserves better. It’s a marvelous role for Witherspoon and she hasn’t gotten nearly enough kudos for it.

Of the leads Pattinson fares the worst but in a very real way he isn’t in the league of Waltz and Witherspoon just yet. He plays his character as a little bit distant and unreadable. It’s hard to really get behind someone you don’t really relate to, and in many ways Pattinson is so distant that he becomes unrelatable. Doubtlessly legions of his fans from the Twilight series will disagree, but keep in mind he’s very new to the business and as he gets more experience he will be more expressive but here the chemistry with Witherspoon suffers because of it.

There are a few minor blips here and there. The climactic tragedy is a little bit disappointing; it hangs over the movie like the Sword of Damocles and when it finally arrives you hardly realize it’s there. Still, this is a quite good movie, one that at least met my expectations which were reasonably high. It won’t make me want to run right out and join the circus, but it did give me a greater appreciation for elephants.

REASONS TO GO: Waltz is terrific as is Witherspoon. Fascinating story and a nice look at circus life in the Depression.

REASONS TO STAY: Lots of cruelty to animals and humans alike.

FAMILY VALUES: There are some moments of extreme violence as well as some sexual content.

TRIVIAL PURSUIT: Sean Penn was originally cast in the part of August but dropped out to be replaced by Waltz.

HOME OR THEATER: Some of the scenes look very nice on the big screen but for the most part this is well-suited for the home.

FINAL RATING: 7.5/10

TOMORROW: Super