The Girl in the Spider’s Web


Lisabeth is not someone you want to cross.

(2018) Suspense (MGM/ColumbiaClaire Foy, Sverrir Gudnason, LaKeith Stanfield, Sylvia Hoeks, Beau Gadsdon, Carlotta van Falkenhayn, Stephen Merchant, Christopher Convery, Claes Bang, Synnøve Macody Lund, Cameron Britton, Vicky Krieps, Andreja Pejic, Mikael Persbrandt, Thomas Wingrich, Andreas Tietz, Paula Schramm. Directed by Fede Alvarez

One of the most intriguing literary characters to come along in the last fifteen years is Lisbeth Salander, the avenging angel/hacker/righter of wrongs/badass from Stieg Larson’s Millennium trilogy and the David Lagerkrantz novels that succeeded it after Larson’s death. While the Swedish Millennium films ended up being massive art house hits, the two big budget attempts from MGM/Columbia both flopped. It wasn’t because of the lead actresses.

Lisbeth Salander (Foy) is living off the grid, using her uncanny computer skills to help out a security firm. In her spare time, she punishes the abusers of women, as she herself was a victim of sexual abuse from both her father and her guardian. It’s enough to make you hate men – and I’m a man!

She get involved with a remorseful computer programmer (Merchant) who wants her to steal his program from the American military, which will gain too much power from it. She is assisted by an NSA agent (Stanfield), crusading journalist Mikael Blomkvist (Gudnason) and fellow hacker Plague (Britton). Opposing her are the Spiders, a global criminal gang and one of their finest operatives (Hoeks) – who happens to be Lisbeth’s sister.

There is definitely some post-feminist anger deep in the DNA of this series and Alvarez manages to capture it without blunting its impact too much. The veteran horror director also proves he’s no slouch with action sequences, including a thrilling motorcycle chase. Alvarez has a very strong visual style – the white and grey of a Swedish winter is juxtaposed with the bright red attire of the Spider Queen.

Sadly, neither this film – a “soft reboot” of The Girl With the Dragon Tattoo – nor its predecessor measure up to the Swedish trilogy. Maybe Hollywood just doesn’t get the subtleties that make the Swedish versions superior; sometimes, a big budget is actually detrimental to a film. That isn’t to say that this is a bad movie – it’s certainly entertaining, and Foy does a magnificent job. It’s just not as high-quality by comparison.

REASONS TO SEE: Well-staged action sequences.
REASONS TO AVOID: Neither American film holds a candle to the Swedish film series and Noomi Rapace.
FAMILY VALUES: There is profanity, some violence and brief sexuality.
TRIVIAL PURSUIT: Stieg Larson, who created the Millennium series of novels, originally planned for ten books in the series but passed away in 2004 after writing only three. His partner Eva Gabrielson has possession of his notes outlining the remaining books, but because they were never married the literary rights passed to his father and brother. With both sides unable to agree on what direction the series was to take, the family commissioned writer David Lagerkrantz to continue the series. This book is based on his first effort, the fourth official book in the series.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Redbox, Starz, Vudu, YouTube
CRITICAL MASS: As of 4/20/20: Rotten Tomatoes: 40% positive reviews, Metacritic: 43/100
COMPARISON SHOPPING: Atomic Blonde
FINAL RATING: 6/10
NEXT:
Gelateria

First Man (2018)


One small step for a man…

(2018) Biographical Drama (DreamWorks) Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Patrick Fugit, Christopher Abbott, Ciaran Hinds, Olivia Hamilton, Pablo Schreiber, Shea Whigham, Lukas Haas, Ethan Embry, Brian d’Arcy James, Cory Michael Smith, Kris Swanberg, Gavin Warren, Luke Winters, Connor Colton Blodgett, Lucy Brooke Stafford. Directed by Damien Chazelle

 

One of America’s most triumphant moments – right there alongside VJ Day – was the landing on the moon. It was a triumph of ingenuity, courage and will. Most know the name of the first man to walk on the moon – Neil Armstrong. Most don’t know much more than that about him.

Armstrong (Gosling) was in many ways the perfect test pilot; smart, cool under pressure, tightly focused on the mission. He wasn’t the sort for hi-jinx. He suffered the death of his two-year-old daughter to cancer and appears to have shut down emotionally at that point; unable to grieve with his wife Janet (Foy), he throws himself into work and the business of getting Americans on the moon.

Chazelle is a highly visual director and he really knows how to insert the audience into a place and time, and he does so here, exceeding his own excellence in that department. The scenes in aircraft that threaten to rattle themselves apart, or on spacecraft where the force of gravity is crushing to the point of near-death, has that you-are-there feel. However, the use of handheld cameras becomes an issue after the third or fourth instance of vertigo-inducing cinematography.

One of the reasons Armstrong hasn’t had a biopic done on him, despite his status as a national hero, is that he was an intensely private man who rarely granted interviews or discussed his feelings or observations with anyone. In life he was a quiet man, stoic to the point of stoniness and Gosling plays him here as a man unwilling to deal with his own emotions which makes it extremely difficult for audiences to identify with the character, but that was the way Armstrong was.

His wife Janet was a different matter and she was an extraordinarily strong woman who didn’t suffer fools gladly, if at all. She rarely puts up with NASA’s bullshit and certainly takes her husband to task for leaving her holding the bag while he is off turning his attention to other heavenly bodies. For my money, Foy’s performance here was the best of the year and should have gotten an Oscar nomination (she didn’t).

The film is augmented with an amazing score utilizing period-correct instruments like the theremin (an electric instrument that Armstrong apparently was extremely fond of) and period recording techniques, making the movie feel even more like a product of the Sixties. The lunar landing sequence is also magnificent in its visuals, even more so than the test flights and spaceflight sequences.

I think it would have been a difficult proposition to make a movie about Neil Armstrong to begin with. While there’s no doubt he was courageous, a hero to his very core, he was the kind of hero who was uncomfortable with adulation and preferred to keep to himself  We will probably never know much about the inner Neil Armstrong and certainly if you are looking for it here, you won’t find it. I suspect that this film is as close as we ever will come.

REASONS TO SEE: Foy delivers a powerhouse performance that deserved a Best Actress nomination (but didn’t get one). Beautiful score.
REASONS TO AVOID: Way too much shaky-cam.
FAMILY VALUES: There is some peril and a bit of profanity.
TRIVIAL PURSUIT: This is the first film Chazelle has directed in which he didn’t write the script.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, HBO Go, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 1/27/20: Rotten Tomatoes: 87% positive reviews: Metacritic: 84/100.
COMPARISON SHOPPING: From the Earth to the Moon
FINAL RATING: 7.5/10
NEXT:
The Children Act

New Releases for the Week of November 9, 2018


THE GRINCH

(Universal/Illumination) Starring the voices of Benedict Cumberbatch, Rashida Jones, Angela Lansbury, Kenan Thompson, Pharrell Williams. Directed by Yarrow Cheney and Scott Mosier

Based on the beloved Christmas book by Dr. Seuss, a lonely and angry creature decides to spoil life for the Whos of Whoville by stealing Christmas, their most favorite time of the year.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, IMAX, RPX, XD
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for brief rude humor)

The Girl in the Spider’s Web

(Columbia) Claire Foy, Sylvia Hoeks, Lakeith Stanfield, Stephan Merchant. Once again, computer hacker and iconoclast Lisbeth Salander finds herself caught in a deadly game of government corruption, cybercriminals and betrayal

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Mystery
Now Playing: Wide Release

Rating: R (for violence, language and some sexual content/nudity)

The Last Suit

(Outsider/Strand) Miguel Angel Solá, Angela Molina, Martin Piroyanski, Natalia Verbeke. An aging Jewish tailor from Buenos Aires whose children want to put him in a nursing home decides to run away instead to Poland and find the man who saved his life from the Nazis. This is being screened as the closing film in the Central Florida Jewish Film Festival.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater (Monday only)

Rating: NR

Overlord

(Paramount) Jovan Adepo, Bokeem Woodbine, Iain De Caestecker, Wyatt Russell. A pair of American soldiers find themselves way behind enemy lines on D-Day and discover a terrifying Nazi secret.

See the trailer, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, IMAX
Genre: Horror
Now Playing: Wide Release

Rating: R (for strong bloody violence, disturbing images, language, and brief sexual content)

Prospect

(Gunpowder and Sky) Sophie Thatcher, Pedro Pascal, Jay Duplass, Sheila Vand. In the future, a prospector and his young daughter discover a fortune in gems underneath the ground of a toxic forest. However, they aren’t the only ones interested in the find.

See the trailer and interviews here
For more on the movie this is the website

Release Formats: Standard
Genre: Science Fiction
Now Playing: Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some violence/bloody images)

Thugs of Hindostan

(Yash Raj) Amitabh Bachchan, Aamir Khan, Katrina Kaif, Fatima Sana Shaikh. The story of Ameer Ali, a thug whose gang caused the British Empire fits between 1790 and 1805.

See the trailer and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: AMC West Oaks, Cinemark Universal Citywalk, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Faberge: A Life of Its Own
Here and Now
River Runs Red
Sarkar
To Love Some Buddy
Trew Calling
Welcome to Mercy
Wildlife

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

A Private War
The Breadwinner
Lez Bomb
Outlaw King
Sarkar
Wildlife

ALSO OPENING IN TAMPA/ST. PETERSBURG:

In a Relationship
River Runs Red

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Sarkar
Thunder Road

SCHEDULED FOR REVIEW:

The Girl in the Spider’s Web
Overlord

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Central Florida Jewish Film Festival, Maitland/Orlando
Miami Shorts Film Festival, Miami
Fort Lauderdale International Film Festival, Fort Lauderdale

New Releases for the Week of October 12, 2018


FIRST MAN

(Universal) Ryan Gosling, Claire Foy, Pablo Schreiber, Christopher Abbott, Ethan Embry, Ciarán Hinds, Jason Clarke, Kyle Chandler, Corey Stoll. Directed by Damien Chazelle

Neil Armstrong remains an iconic name when it comes to human achievement. This is his story in the days leading up to one small step for a man – one giant leap for mankind.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, D-BOX, Dolby, IMAX, XD, RPX
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for some thematic content involving peril, and brief strong language)

Bad Times at the El Royale

(20th Century Fox) Jeff Bridges, Dakota Johnson, Jon Hamm, Chris Hemsworth. One dark night a group of seven strangers with checkered pasts intersect at the rundown El Royale Hotel on the state line in Lake Tahoe. What they don’t know is that this might be their last chance at redemption before everything goes to hell.

See the trailer, clips, interviews, a video featurette and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence, language, some drug content and brief nudity)

Collette

(Bleecker Street) Keira Knightley, Eleanor Tomlinson, Fiona Shaw, Dominic West. Born in rural France, Collette marries a charming literary impresario 14 years her senior who urges her to write. He ends up taking credit for her work, sparking the fiery author to take control of her life and her works. She would become an inspiration to writers, feminists and France in her own right.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Lake Square, Cinemark Artegon Marketplace, Cobb Daytona Luxury, Old Mill Playhouse

Rating: R (for some sexuality/nudity)

Free Solo

(National Geographic) Alex Honnold, Jimmy Chin, Tommy Caldwell, Sanni McCandless. Alex Honnold became the first man to scale Yosemite’s El Capitan without ropes or safety equipment. This documentary shows you what a big deal that really is.

See the trailer and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater, Regal Waterford Lakes

Rating: NR

Goosebumps: Haunted Halloween

(Columbia) Wendi McLendon-Covey, Ken Jeong, Jack Black, Madison Iseman. Two young boys enter a deserted house where they find a hidden book that brings the monsters of R.L. Stine to life. Does this at all sound familiar?

See the trailer here
For more on the movie this is the website

Release Formats: Standard, D-BOX
Genre: Family Horror
Now Playing: Wide Release

Rating: PG (for scary creature action and images, some thematic elements, rude humor and language)

Gosnell: The Trial of America’s Biggest Serial Killer

(GVN) Dean Cain, Sarah Jane Morris, Nick Searcy, Earl Billings. The conservative viewpoiint on the actions of a Philadelphia abortion physician.

See the trailer here
For more on the movie this is the website
Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Ormond Beach, Regal Oviedo Mall, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs
Rating: PG-13 (for mature thematic content including disturbing images and descriptions)

The Hate U Give

(20th Century Fox) Amandla Stenberg, Regina Hall, Russell Hornsby, Anthony Mackie. An African-American girl with her feet in two worlds witnesses the shooting of her childhood best friend by a white police officer. Pressured on all sides, she must find her own voice and stand up for what is right.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for mature thematic elements, some violent content, drug material and language)

Kinky

(Patriot) Vivica A. Fox, Robert Ri’chard, Obba Babatundé, Jazsmin Lewis. A shy Atlanta surgeon gets set up for a date with a billionaire who urges her to explore her sexuality. Soon she finds herself trying to balance work, faith, desire and submission.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Erotic Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cinemark Artegon Springs, Cinemark Universal Citywalk, Regal Oviedo Mall

Rating: R (for strong sexual content and some language)

Summer ‘03

(Blue Fox) Joey King, Andrea Savage, June Squibb, Paul Scheer. The world of a 16-year-old girl and her extended family is turned topsy turvy when her grandmother on her deathbed reveals some long hidden secrets about the family.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Waterford Lakes

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

22 Chaser
Aravinda Sametha Veera Raghava
Black 47
Helicopter Eela
The Samuel Project

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

22 July
All About Nina
Aravinda Sametha Veera Raghava
Bigger
Helicopter Eela
Look Away
Lost, Found
The Old Man and the Gun
The Samuel Project
School of Life
Theevandi
Trouble
Veera Raghava

ALSO OPENING IN TAMPA/ST. PETERSBURG:

All About Nina
All Square
Aravinda Sametha Veera Raghava
Better Start Running
Bigger
Black 47
Laws of the Universe, Vol. 1
Look Away

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

All About Nina
Aravinda Sametha Veera Raghava
Lamboo Rastoo
The Samuel Project

SCHEDULED FOR REVIEW:

22 July
All About Nina
Bad Times at the El Royale
Collette
First Man
Free Solo
The Hate U Give
The Samuel Project

Unsane


Claire Foy still manages to get her running in on the set.

(2018) Thriller (Bleecker Street) Claire Foy, Joshua Leonard, Amy Irving, Jay Pharoah, Juno Temple, Sarah Stiles, Myra Lucretia Taylor, Polly McKie, Raul Castillo, Gibson Frazier, Lydia Mauze, Colin Woodell, Zach Cherry, Mike Mihm, Robert Kelly, Erin Wilhelmi, Sol M. Crespo, Natalie Gold, Emily Happe, Will Brill, Steven Maier, Matt Damon, Erika Rolfsrud, Aimee Mullins. Directed by Stephen Soderbergh

 

Most people don’t think they’re crazy. Even when they are, the thought that they are insane is ludicrous to them; it is the rest of the world that’s bonkers. We are all normal at least within ourselves.

The interestingly-named Sawyer Valentini (Foy) seems on the surface to have her stuff together. She works as a financial analyst and is brutally honest with her clients, a trait that gets her noticed by management. However, there are cracks in the facade. She really doesn’t have many social skills and her brutal honesty at work doesn’t translate well to her personal life. To be honest though that’s the way she likes it. When she uses her dating app, she tells the man who wants to date her that she can guarantee that he will get lucky that evening just as long as he understands that she’s not interested in romance or any further relationship beyond a roll in the hay. Most guys are going to leap into that with both feet.

However, Sawyer is bothered by dreams and occasional visions of a man who stalked her back when she lived in Boston. The stalking had eventually driven her to move to Philadelphia and start anew. She goes to the Highland Creek Mental Health Hospital to talk to someone about her fears. She is given some “routine paperwork” to fill out.

It turns out that the owners of Highland Creek aren’t nearly as altruistic as they sound; Sawyer has just signed papers consenting to a 24-hour voluntary commitment for which her insurance will duly be billed. When Sawyer loses it, those 24 hours become 72, then a full week when she slugs an orderly. Sawyer has a real issue with commitment apparently.

On her ward is Nate (Pharoah), an easy going chemical dependency patient, and Violet (Temple) who is pretty much aggressive and a bit psychotic. But one of the orderlies is a dead ringer for David Strine (Leonard) who stalked her in Boston. In fact, Sawyer is certain that he’s David Strine, come to finally claim her. Of course, nobody believes her and why should they? On the surface, it sounds crazy especially in light that she’s admitted to occasionally seeing him when he’s clearly not there. But is this a part of her delusion, or is she legitimately in danger?

Much has been made of the fact that Soderbergh shot the entire movie on an iPhone 7 plus and for the record it looks a hell of a lot better than it would if you or I shot it on our iPhones. There isn’t the jerky motion that comes from shooting on a handheld device; I have to wonder if Soderbergh some sort of Steadicam-like device to keep the motion of the camera smooth. The depth of field is also comparative to most professionally shot productions. However, the issues that iPhones have with lighting are definitely present here; some of the scenes are so poorly lit that it’s hard to see what’s happening onscreen.

Da Queen had a big problem with the plot in that the “is she or isn’t she crazy” question is resolved way too early leaving the movie with kind of anti-climactic tone. However, Soderbergh has tended to avoid making straightforward films. My gut tells me that he was trying to make a point. As part of the #MeToo era, I think Soderbergh was trying to make a point. He was trying to teach us what it’s like to not be believed – to be thought hysterical and untruthful which is clearly where Sawyer is coming from. There is definitely a message here and that message is “Sometimes you just have to take it on faith that the woman is actually a victim who is telling the truth about what is happening/happened to her. If so, it’s a powerful message that a lot of men need to receive. A lot of women too for that matter.

Foy, best known for the Netflix/BBC series The Crown is making a mark as an outstanding actress with excellent range. She delivers most of her lines in a flat, nasal delivery that sounds at home in New England. On top of that, she gives the impression of being fragile and brittle, far from the self-assured Queen Elizabeth II that she plays in her Netflix series. She’s very much like a lifelong smoker who has quit cold turkey; you can feel her nerves jangling from miles away.

Leonard makes a suitably sinister stalker. He’s not physically intimidating but there is an undercurrent of violence that threatens to erupt in several places; when it finally comes forward he proves to be vicious and unsympathetic. Leonard is himself a versatile performer who hasn’t yet gotten a role that is going to move him up the Hollywood ladder. Maybe one will come based on his work here.

This is a woman’s ultimate nightmare; to be trapped in a place she can’t escape from with a man who has been giving her unwanted sexual attention. I would imagine the very concept is going to make some women squeamish before they even start munching on their popcorn. It’s a movie that is genuinely creepy and reminds us that Soderbergh is the type of director who can work in just about any genre – action, comedy, drama, thriller, science fiction – and make a movie that is interesting and different. This isn’t likely to pull in big bucks at the box office but it could be one of those alternate choices for movie watching either in the theaters if you don’t want to see the big-budget films that are currently populating the multiplex or later on if you’re looking for something to watch at home once it becomes available. Either way, this is definitely one to take a chance on.

REASONS TO GO: Foy continues to be more and more impressive with each performance. This is a super creepy movie.
REASONS TO STAY: Some of the scenes are so dimly lit it’s hard to follow what’s actually happening. A major plot point is resolved way too early which gives the movie an anti-climactic tone.
FAMILY VALUES: There is some disturbing behavior, graphic violence, profanity and sexual references.
TRIVIAL PURSUIT: The hospital scenes were filmed at Summit Park Hospital in Pomona, New York. The hospital had closed on December 31, 2015.
CRITICAL MASS: As of 3/23/18: Rotten Tomatoes: 79% positive reviews: Metacritic: 63/100.
COMPARISON SHOPPING: John Carpenter’s The Ward
FINAL RATING: 6.5/10
NEXT:
The Death of Stalin

New Releases for the Week of March 23, 2018


PACIFIC RIM: UPRISING

(Universal/Legendary) John Boyega, Scott Eastwood, Burn Gorman, Cailee Spaeny, Charlie Day, Tian Jing, Max Zhang, Adria Arjona, Rinko Kikuchi. Directed by Steven S. DeKnight

The son of heroic Stacker Pentecost from the first film unites with survivors of the original Kaiju attack to take on a new peril from the gigantic enigmatic creatures. This time they are bigger and badder than ever and they mean to wipe out everything that isn’t Kaiju. Only a few good men (and women) can stop the threat.

See the trailer, clips, interviews, video featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, DBOX, DBOX-3D, Dolby Atmos, IMAX, IMAX 3D, RPX, RPX-3D, XD, XD-3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence and action, and some language)

The Death of Stalin

(IFC) Steve Buscemi, Simon Russell Beale, Michael Palin, Jeffrey Tambor. In 1953, the Soviet dictator Joseph Stalin died suddenly, leaving a power vacuum at the top. Commissars and politicians scrambled amidst the chaos to avoid being shot and to grab what power they could in the brave new world. Armando Iannucci, mastermind behind such powerful satires as Veep and In the Loop takes an irreverent look at this pivotal moment in Russian history based on the graphic novel of the same name.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy/Satire
Now Playing: Enzian Theater

Rating: R (for language throughout, violence and some sexual references)

Getting Grace

(Hannover House) Daniel Roebuck, Madelyn Dundon, Dana Ashbrook, Duane Whitaker. A teenage girl who is dying of cancer is curious as to what will happen to her body once she’s passed on. To find out more about it, she befriends the local funeral home director, a shy and retiring man who has spent his life with the dead to the point where he’s forgotten how to live. These two wildly different personalities may just be what they each needed in this film co-written and directed by Roebuck.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Oviedo Marketplace, Regal Pointe Orlando

Rating: PG-13 (for thematic elements and some suggestive material)

Midnight Sun

(Open Road) Bella Thorne, Patrick Schwarzenegger, Rob Riggle, Quinn Shephard. A young teenage girl, stricken by a disease that makes her violently allergic to sunlight, lives in a world of perpetual darkness until she meets a sweet young teen boy who falls in love with her – and she with him. This is apparent teenage girl with a serious illness week at the movies.

See the trailer, clips and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Teen Romance
Now Playing: Wide Release

Rating: PG-13 (for some teen partying and sensuality)

Paul, Apostle of Christ

(Columbia) James Faulkner, Jim Caviezel, Olivier Martinez, Joanne Whalley. Paul, the apostle of Christ, awaits his death sentence in a dank Roman prison. As he recalls the events of his life – the years of persecuting those who followed Jesus, his conversion to the cause, the letters that unbeknownst to him would inspire billions over more than two millennia – he wonders if his life has been a worthwhile one. I’m guessing the answer will be “yes.”

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biblical Biography
Now Playing: Wide Release

Rating: PG-13 (for some violent content and disturbing images)

Sherlock Gnomes

(MGM/Paramount) Starring the voices of James McAvoy, Emily Blunt, Johnny Depp, Chiwetel Ejiofor. When their fellow garden ornaments start disappearing mysteriously, Gnomeo and Juliet recruit renowned detective Sherlock Gnomes to investigate the mystery and return the missing to their home. This isn’t going to be easy but with music by Elton John you can’t really go wrong now can you.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some rude and suggestive humor)

Unsane

(Bleecker Street) Claire Foy, Joshua Leonard, Amy Irving, Jay Pharoah. A young woman goes to a mental health clinic to talk about the stalking incident that haunts her. When she is tricked into signing papers that result in her being committed to the hospital against her will, she discovers to her horror that her stalker is working there as a nurse – or is he just a part of her delusion?

See the trailer, clips and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for disturbing behavior, violence, language and sex references)

ALSO OPENING IN ORLANDO/DAYTONA:

MLA
My Perfect You
Rajaratham
Shifting Gears

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Claire’s Camera
Followers
Foxtrot
Hichki
I Kill Giants
Itzhak
The Last Suit
Loveless
MLA
Needhi Naadhi Oke Katha
On the Beach at Night Alone
Rajaratham
Souvenir

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hichki
Isle of Dogs
Itzhak
Poomaram
Rajaratham
Shifting Gears

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

The Death of Stalin
Isle of Dogs
Pacific Rim: Uprising
Sherlock Gnomes
Unsane

Breathe (2017)


Hollywood still knows how to capture romance in a single frame.

(2017) Biographical Drama (Bleecker Street) Andrew Garfield, Claire Foy, Edward Speleers, Tom Hollander, Hugh Bonneville, Miranda Raison, Ben Lloyd-Hughes, Amit Shah, Jonathan Hyde, Diana Rigg, David Wilmot, Emily Bevan, Stephen Mangan, Marina Bye, Dean-Charles Chapman, Sylvester Groth, Steven O’Donnell, Penny Downie, Camilla Rutherford. Directed by Andy Serkis

 

As a disabled man, I’m keenly interested in depictions of how the disabled were treated in years past. The picture is not a pretty one; often, those who had any sort of deformity or disability were warehoused, shut away from public view as much as possible. Those in extreme situations were often left to await death in depressing, grim hospitals with doctors who felt their job was merely to keep them as comfortable as possible until the end inevitably came.

This is not even on the radar of young Robin Cavendish (Garfield) in the early 1950s however. Young, healthy and exuberant to a fault he is a British Army veteran who is almost ridiculously athletic; he seems to excel at every sport he tries his hand at. Now that the war is over, he works as a tea exporter, travelling around the world.

But he runs into the beautiful Diana Blacker (Foy) at a cricket match and everything changes. He falls deeply, madly in love with her and she with him. He isn’t wealthy (she comes from privilege) but he gets by and it isn’t long before the two get married and she is joining him on his adventurous life, going on safari with him in Kenya while he hunts down tea leaves for English tea drinkers. It isn’t long before she is, as they used to say back then, with child.

But their idyllic life comes to a screeching halt when he gets ill and collapses. He is diagnosed with adult onset polio and is completely paralyzed from the neck down. He is unable to even breathe on his own. Kept alive on a respirator, Robin is flown back to England and put into a hospital where he can be properly cared for which in this case means waiting for the Grim Reaper to come knocking. Robin sinks into a deep depression, knowing the prognosis is death after two or three months of waiting. He doesn’t want to wait, in fact.

But Diana will have none of that kind of talk. Keep Calm, and Breathe is essentially her message. Robin wants to die at home; Diana has other ideas. She wants him to live at home. So she purchases a Regency-era home in the country and a respirator and her old nanny (Raison) is there to help nurse her husband.

This is a great improvement and Robin is infinitely more cheerful but he wants more. With the help of a mechanic friend (Bonneville) he helps design a wheelchair with an attached respirator. The world begins to open up a little. Soon he figures a way to outfit a car so that Robin can travel further afield. Slowly, it becomes clear that Robin isn’t about quality of life anymore; he’s about life itself.

This is a somewhat rose-colored version of the real life story of Cavendish and his family. Many innovations that help the disabled be more mobile (like car lifts) have come as a result of innovations that Cavendish and his friend Teddy Hall created. I wasn’t familiar with Cavendish before seeing this but the disabled community owes a great deal to his advocacy that even those who are severely disabled as he was could lead fulfilling, productive lives.

Garfield captures both sides of Cavendish beautifully; the dark depressed side and the upbeat, never-say-die side and he does it while spending most of the picture flat on his back and unable to move his limbs. Garfield manages to get a great deal across with just his face; he also manages to stay still which is never an easy task. Considering his performance here is at least the equal to his last one in Hacksaw Ridge which netted him an Oscar nomination, it’s not out of the range of reason that he might get another one here. It’s the kind of role Oscar tends to like.

Foy, so good in the Netflix series The Crown ups the stakes here and shows she has big screen potential as well. Her Diana Cavendish is heroic and if the screenplay makes her a bit more saintly than she likely was, it’s certainly understandable. The real Cavendish lived longer with polio-related total paralysis than anyone in the history of Great Britain and while that is admirable, it can’t have been easy on his wife. Watching over someone who is that disabled is a full-time job and one of the most stressful ones that you can have.

First-time director Andy Serkis (yes, the motion capture king) doesn’t try to reinvent the wheel but he does have a good eye for the English countryside, turning it into an almost Bronte sister-like look. The supporting cast isn’t super well-known here in the States but they are all excellent and there isn’t a misstep among any of the performances that I could detect.

The movie does get a little bit maudlin towards the end and the last fifteen minutes seem manipulative enough that I think that a lot of critics who tend to hate that kind of thing probably gave the film a worse review than it deserves because of it. Nonetheless this is an uplifting tribute to the resilience of the human spirit that is tonic in a time where we seem to hear nothing but bad news about the negative aspects of the human spirit nonstop.

REASONS TO GO: Garfield could net another Oscar nomination for his work here. Lovely cinematography and Bronte-like vistas elevate the film.
REASONS TO STAY: The film gets somewhat maudlin towards the end.
FAMILY VALUES: There are some mature thematic subjects including discussions of suicide, some bloody medical images and some mild profanity.
TRIVIAL PURSUIT: Jonathan Cavendish, Robin’s real-life son, went into film production and is one of the producers on this film.
CRITICAL MASS: As of 10/21/17: Rotten Tomatoes: 57% positive reviews. Metacritic: 51/100.
COMPARISON SHOPPING: Gleason
FINAL RATING: 7.5/10
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The Florida Project