The Booksellers


There is no joy quite like exploring an independent bookstore.

(2019) Documentary (GreenwichParker Posey (narrator), Fran Lebowitz, Gay Talese, David Bergman, Jim Cummins, Glenn Horowitz, Bibi Mohamed, Rebecca Romney, Saul Roll, Adam Weinberger, Henry Wessells, Michael Zinman, Cara Schlesinger, Caroline Schimmel, Susan Orlean, Beth Young, Adina Cohen, Arthur Fournier, Syreeta Gates, Heather O’Donnell. Directed by D.W. Young

 

As a boy and young man, I took a lot of joy in wandering around the dusty bookshelves of a used book store. It was the ultimate recycling center; a recycling of knowledge, of imagination and of possibility. I have always loved books and I love to read. I love to be transported to other places, other times, other points of view.

Many people no longer read books. When they do, they are on electronic devices. Some don’t have the time to peruse more than a paragraph or two. This is how and why knowledge gets lost; we’ve stopped taking the time to grow and expand…other than expanding our bellies and our butts, mind you. The joy of sitting down with a good book, a glass of wine and a roaring fire is being lost.

If you are the sort of person who thrills at the discovery of a new book, this is your movie and these are your people. As the title implies, the movie concerns itself with those who sell antique and used books. It is a bit New York-centric (although there are a couple of outliers from London) which is as it should be – New York has always been the world headquarters for books. We see Book Fairs, and rare book auctions and dusty old caverns with crusty old owners.

If you think that all booksellers are middle-aged or older white (a large percentage of whom are Jewish) gents in tweed jackets with magnificent moustaches, well, some of them fit that description. Others, however, are young, African-American and/or women. The face of selling books is changing and the movie confronts that, often lamenting it. However, there are those like popular Pawn Stars contributor Rebecca Romney who aren’t so sure that bookselling is as endangered as people think. Younger people have taken up reading and there is some evidence that the people who are using Kindles and similar devices are largely right around 40 years old.

We also get a gander at collectors; people who collect science fiction, hip-hop culture stories, Beat generation writers, women authors and first editions. I’ve always wondered about those who collect first editions. Because of the expense (a notebook of Leonardo da Vinci went at auction for $30 million to an anonymous bidder who turned out to be Bill Gates) this is the province of the very rich and I’m sure that they regard these books as objects of investment. One wonders if they ever actually read their books; I would hazard a guess not, since damaging them could “ruin their investment” but it seems to me that defeats the purpose of the book to begin with. Books are meant to be read.

Some of the material is absolutely dry as a dusty bookshelf at the Argosy bookstore, the last remaining store on the fabled “Book Row” of 4th street in Manhattan. Once the home to more than 80 book stores, only one remains and it only survived because the owner had the foresight to buy the building it is housed in. Some might find their attention wandering midway through.

This is clearly made with a great deal of love, however, and there is always value in that. It is also a movie that celebrates the intellectual – those who seek to expand their horizons, not the party-killing know-it-all bores that the name has come to symbolize. In an era in which knowledge and learning have come increasingly under fire, there is value in that as well.

The movie is currently available as part of Greenwich’s Virtual Cinema Initiative, benefiting art houses nationwide in which a portion of the rental is given to various independent theaters who have been forced to shut their doors due to the pandemic. Although currently available only in Los Angeles and a few other areas, check with your local art house to see when the film will be playing for their benefit. You can also check at their website by clicking on the photo above.

REASONS TO SEE: Reminded me of the wonderful hours spent perusing used book stores back in the day before Kindle spoiled it all.
REASONS TO AVOID: Can get dusty-dry in places.
FAMILY VALUES: Perfectly suitable for all family members.
TRIVIAL PURSUIT: Although Yonas is portrayed in the movie as a male toddler, the baby playing him is actually female.
CRITICAL MASS: As of 4/17//20: Rotten Tomatoes: 81% positive reviews. Metacritic:  73/100
COMPARISON SHOPPING: A Separation
FINAL RATING: 6.5/10
NEXT:
They Shall Not Grow Old

Uncut Gems


New York is Adam Sandler’s town; you’re just living in it.

(2019) Crime Drama (A24Adam Sandler, Julia Fox, Eric Bogosian, LaKeith Stanfield, Judd Hirsch, Idina Menzel, Kevin Garnett, The Weekend, Jonathan Aranbayev, Jacob Igielski, Noa Fisher, Paloma Elesser, Keith Williams Richards, Tommy Kominik, Louis Anthony Arias, Sean Ringgold, Jeremy Sample, Benjy Kleiner, Josh Ostrovsky, Sahar Bibiyan, Lana Levitin. Directed by Josh and Benny Safdie

 

There are certain people who just live for the rush. That high that comes from risk that leads to reward. These are the people who have their bookies on speed dial, who haunt the sports book at casinos in Atlantic City and Vegas.

Howard Ratman (Sandler) is one of those guys. A jeweler in New York City, his picture is what you’ll see on Wikipedia when you look up the word “hustler.” He always has some scheme going, some bullshit story that explains away the absolute crap that he pulls. His long-suffering wife (Menzel) is close to having had it; his mistress (Fox) who also works as a clerk in his store seems to be the only one who sees anything worthwhile in him. His kids certainly don’t. Most of his employees think he’s a jerk and of course the people he owes money to are about ready to drop him out of a window – preferably from a floor in the double digits.

He has some high hopes in a raw opal mined in Ethiopia that he has been trying to import (illegally) that will fetch him over a million in auction. He also has a thing for celebrities, including basketball legend Kevin Garnett – the movie takes place in 2012 when KG was with the Boston Celtics fighting in the playoffs against Philly. Howard wants to sell him some bling; KG has taken a shine to the opal. He borrows it (using his championship rings as collateral) and has a monster game, which Howard bets heavily on. He is juggling chainsaws, trying to move money around to satisfy the bookies who are sending increasingly irritable muscle to collect. Howard, though, is making moves, knowing that every move he makes may be his last.

It is not surprising that Martin Scorsese is one of the producers for this movie; the film has a gritty Mean Streets-kind of feel. The Safdie Brothers, who are best known for Good Time, know how to create characters who are basically unlikable but casting them so perfectly that you end up rooting for them. There is little to commend in Howard but because it is Adam Sandler playing him, you can’t help but hope the guy makes it through even though the odds are against him.

Sandler, who emerged from Saturday Night Live as a movie star with plenty of charisma and charm, has been suffering through a series of truly bad movies over the last years but his performance here cements his reputation as a dramatic actor of depth and talent. He’s got a legitimate shot at the Best Actor Oscar this year and he simply owns the screen from the moment he steps on it – even when it’s his colon that is the subject (don’t ask).

The big issues that keep this from getting a perfect score start with the score; it’s bad. I mean, the kind of bad that would ruin a lesser movie. It’s like Vangelis and Raffi had a love child and the proud parents gave him a toy synthesizer. Also, the Safdies sometimes seem far more concerned with style over substance. They displayed that more in their previous films, but perhaps their association with Scorsese has tempered that tendency. It detracts from the movie when they get into “Look, Ma, I’m Directing” mode.

The last 20 minutes of this movie are incredible, edge-of-your-seat kind of stuff. The tension that the Safdie brothers have built really pays off and it’s almost impossible to look away from the screen as things come to a head. This is not a movie for the faint of heart; those sorts are liable to get palpitations watching Howard try to survive and win his last bet.

This isn’t an easy movie to love but you might just end up doing it. I find myself thinking more highly of it now than I did when I walked out of the theater. This is the kind of movie that is going to have some pull in the Oscar conversation this year and while it may be a bit of an underdog for some of the bigger awards, it is certainly one of the best movies of the year regardless.

REASONS TO SEE: Possibly Adam Sandler’s finest performance. The lasts 20 minutes are absolutely riveting. A totally unexpected ending.
REASONS TO AVOID: Most. Annoying. Soundtrack. Ever.
FAMILY VALUES: There is a plentiful of f-bombs, along with a fair amount of violence (some of it startling), some sexual content and brief drug use.
TRIVIAL PURSUIT: The house used for the exterior of Howard’s Long Island home is the same house used for the exterior of Freddie Mercury’s home in Bohemian Rhapsody.
CRITICAL MASS: As of 12/30/19: Rotten Tomatoes: 93% positive reviews: Metacritic: 89/100.
COMPARISON SHOPPING: Owning Mahowny
FINAL RATING: 8.5/10
NEXT:
Hotel Transylvania 3: Summer Vacation