New Releases for the Week of June 16, 2017


CARS 3

(Disney*Pixar) Starring the voices of Owen Wilson, Kerry Washington, Larry the Cable Guy, Bonnie Hunt, Armie Hammer, Chris Cooper, Nathan Fillion. Directed by Brian Fee

After a dominating run in the world of motorsports, Lightning McQueen is suddenly put out to pasture after suffering a terrible crash at the hands of a cocky young racer named Jackson Storm. Unable to compete with a new generation of lightweight, technologically advanced racecars, Lightning goes back to Radiator Springs, unable to believe he has been forced out of the sport he loves. With the help of an ambitious young technician, Lightning may still get back into the game – with the help of a few oldtimers who know what racing is truly all about.

See the trailer, interviews, promos and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: G

47 Meters Down

(Dimension) Mandy Moore, Claire Holt, Matthew Modine, Yani Gellman. Two young women vacationing in Mexico decide to go diving in a shark cage in waters infested by Great Whites. When the cable connecting the cage to the boat snaps the girls plummet to the bottom of the seabed 47 meters down. With their oxygen supply running low and the waters filled with hungry sharks, the women will have to rely on their courage to survive their shark encounter.

See the trailer, clips and video features here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for sequences of intense peril, bloody images, and brief strong language)

All Eyez on Me

(Codeblack/Summit) Demetrius Shipp Jr., Danai Gurira, Kat Graham, Lauren Cohan. The story of Tupac Shakur, one of the most distinct and revolutionary voices to come out of rap. Although he died far too young, his legacy remains one of the most honored and respected in music.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Biography
Now Playing: Wide Release

Rating: R (for language and drug use throughout, violence, some nudity and sexuality)

The Book of Henry

(Focus) Naomi Watts, Jaeden Lieberher, Jacob Tremblay, Sarah Silverman. A precocious young boy takes care of his family including his mother, a hard-working waitress who lacks confidence. When a classmate who lives next door lets Henry in on a terrible secret, he resolves to help her. Utilizing his imagination and intellect, he concocts a plan that surprises his mom – who finds herself at the center of his machinations.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and brief strong language)

Chasing Trane: The John Coltrane Documentary

(Abramorama) Denzel Washington (voice), John Coltrane, Common, Carlos Santana. One of the most gifted, innovative and inspiring performers in the history of jazz was John Coltrane. This documentary about the man and his music is coming to the Enzian as part of their monthly Music Monday series; it was previously reviewed here on Cinema365 and that review can be found here.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater (Monday only)

Rating: NR

Dean

(CBS) Demetri Martin, Kevin Kline, Gillian Jacobs, Mary Steenburgen. A young cartoonist is working on his follow-up book but can’t seem to find inspiration. It doesn’t help that his mother, his biggest supporter, recently passed away and his dad and he are drifting further apart, particularly when the news comes that dad is selling their childhood home. Frustrated and needing a change of scenery, he takes off on a trip to California that might just give him a lot more than he bargained for. This was one of the Florida Film Festival’s standout spotlight films this past April.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: PG-13 (for language and some suggestive material)

Kill Switch

(Saban/Lionsgate) Dan Stevens, Bérénice Marlohe, Mike Reus, Bas Keljzer. At first it was an experiment to create a limitless energy source, something our planet sorely needs. When things go horribly wrong, a pilot fights to save his family – and indeed, the whole planet – from the effects of the experiment gone awry.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Action
Now Playing: AMC West Oaks

Rating: R (for language and some violence)

Rough Night

(Columbia) Scarlett Johansson, Jillian Bell, Zoë Kravitz, Kate McKinnon. Five best friends from college reunited for a weekend in Miami to celebrate one of their numbers impending nuptials. However, this badass bachelorette party turns a bit too wild and things get pretty real pretty fast. The girls elect to cover up the accident but that turns out to be a lot more difficult than they envisioned.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, language throughout, drug use and brief bloody images)

ALSO OPENING IN ORLANDO/DAYTONA

Slack Bay

ALSO OPENING IN MIAMI:

Beatriz at Dinner
The Happiest Day in the Life of Olli Maki
Past Life
The Recall
You’re Killing Me Susanna

ALSO OPENING IN TAMPA:

Ami Tumi
Jeremiah Tower: The Last Magnificent
Once Upon a Time in Venice
The Recall

ALSO OPENING IN JACKSONVILLE:

Kedi
The Lure
Tomorrow Ever After

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Megan Leavey


Megan and Rex are on the job.

(2017) True Life War Drama (Bleecker Street) Kate Mara, Tom Felton, Bradley Whitford, Geraldine James, Common, Edie Falco, Will Patton, Ramon Rodriguez, Shannon Tarbet, Miguel Gomez, Jonathan Howard, George Webster, Corey Johnson, Sam Keeley, Catherine Dyer, Melina Matthews, Jonah Bowling, Parker Sawyers, Victoria Budkey. Directed by Gabriela Cowperthwaite

 

We all know who man’s best friend is; the loyal and beloved canine. Dogs not only act as companions when we get home from work, they also work with us as service dogs, drug sniffing dogs and in the military, bomb-sniffing dogs. Their sensitive noses can detect things the human nose can’t.

If you told this to Megan Leavey (Mara) back in 2000, she likely wouldn’t have cared. Adrift in a fog of alcohol and grief for her childhood best friend who had recently passed away due to a drug overdose, she lives with her mother (Falco) who cheated on Megan’s dad Bob (Whitford) with his former best friend (Patton), a chronically unemployed drunk whom Megan is well on the way to emulating. Directionless, she decides to join the Marines mainly to get out of a town that she sees no future for herself in.

As anyone who has been in the military will tell you, your problems follow you into the armed forces after you enlist. Megan gets wasted while off-duty and does something unmentionable, getting her in hot water again. As punishment, she is sent to clean out the dog kennels where the dogs who are being trained to sniff out bombs are being trained with their handlers.

Megan has trouble relating to people but for some reason the relationship between the handlers and their dogs – personified by Andrew Dean (Felton), a legend in the Corps and an unusually compassionate guy who helps Megan find her way. After pestering Gunny (Common), the commander of the K9 training unit, to get accepted into the K9 unit, she is finally given a dog to train – Rex, a German Shepherd who has bitten his former trainer hard enough to break his arm. Rex is aggressive, impulsive and difficult to control; like Megan I suppose it could be said he has trouble relating to people. The two outsiders slowly bond and eventually get shipped out to Iraq.

Megan, a tiny woman, gets little respect from her fellow handlers and from the soldiers whose lives she is to protect; the Marines is about as patriarchal an organization as you’re likely to find but Megan and Rex become very proficient at what they do, saving hundreds of lives before one mission in which….well, you’re going to have to watch the movie to find out.

Some time passes and Megan has been discharged from the Corps, returning to civilian life and once again she’s having difficulty relating to people. However this time she is coping with PTSD, understandable considering the high-stress job she did for the Corps overseas. She has pushed just about everyone in her life away from her, including Matt Morales (Rodriguez), a fellow handler whom she had been developing a relationship with in the Corps. Only her dad Bob remains and when a cause she can believe in is given to her, with her dad’s gentle prodding Megan steps back into life and fights as hard as she did not only in Iraq but to get to Iraq.

In many ways, this is like a Hollywood movie – and of course, it is a Hollywood movie – but the story is based on actual events. There is a real Megan Leavey (she appears in pictures during the end credits) and a real Rex. I don’t know if Mara captured the real Megan Leavey but she delivers a well-rounded performance that while not exceptional is enough to carry the movie nicely. Mara sometimes gets overshadowed by her sister Rooney but she’s a very talented actress in her own right who just needs the right role to really break out into the next level. This isn’t it but hopefully it will lead her to roles that can get her there.

Common is rapidly going from rapper slash actor to actor slash rapper; he channels Louis Gossett Jr. a little too much here (see An Officer and a Gentleman) but if I was going to have any actor channel Gossett, it would be Common. He has the military bearing to carry the role off; it surprises me somewhat that he didn’t have military experience himself or come from a military family. Just good acting I suppose but that tells me that the rapper is more than just a handsome guy who can rap; he is likely to have some terrific possibly Oscar-worthy performances in his future.

The best parts of the movie take place in Iraq; there is a great deal of tension throughout those sequences and even in the down time between missions we can see Megan opening up to Morales and letting him in. Before that however, the movie drags quite a bit; it feels like we’re waiting for something to happen but the filmmakers first have to go through the motion of getting us from point A to point B with stops at A.1, A.2, A.3 etc. etc. It’s a little too extended for my taste and I wish they could have condensed that part of the movie somewhat.

Cowperthwaite is best known for her documentary Blackfish which is also animal-centric. I’m a dog person so it was easy for me to get hooked on this movie; fellow dog lovers will also have the same ease in getting into the film. Film buffs might find this a bit overly sentimental but I suppose it can’t be helped; the subject matter revolves around the bond between Marine and dog and the reliance each has upon the other. It’s a strong message and while I don’t think that this movie necessarily presented it in the strongest light, it does a good enough job that make it worth seeking out among all the big budget summer blockbusters that dominate the cinematic landscape this time of year.

REASONS TO GO: The in-country sequences are the best in the film. The dogs are terrific.
REASONS TO STAY: The movie is pure Hollywood (in a negative way). Too much time is spent waiting for things to happen; much of the training sequences could have been lopped off.
FAMILY VALUES: There is some war violence, profanity, a little bit of sensuality and adult themes.
TRIVIAL PURSUIT: Both Mara and the real Megan Leavey grew up in the suburbs of New York City.
CRITICAL MASS: As of 6/8/17: Rotten Tomatoes: 78% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Max
FINAL RATING: 6.5/10
NEXT: The Most Hated Woman in America

New Releases for the Week of June 9, 2017


THE MUMMY

(Universal) Tom Cruise, Russell Crowe, Annabelle Wallis, Sofia Boutella, Courtney B. Vance, Jake Johnson, Marwan Kenzari, Sean Cameron Mitchell. Directed by Alex Kurtzman

The brand new Dark Universe shared cinematic universe featuring Universal’s classic movie monsters kicks off here with the story of an evil curse, safely entombed for millennia beneath the sands of Egypt, unwittingly reawakened by an American adventurer. Now cursed himself, he must race against time to stop a creature of pure malevolence with the aid of Dr. Henry Jekyll, the head of a mysterious multinational corporation called Prodigium.

See the trailer, clips and video features here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Horror Action
Now Playing: Wide Release

Rating: PG-13 (for violence, action and scary images and for some suggestive content and partial nudity)

11:55

(Gravitas) Victor Almanzar, Julia Stiles, Elizabeth Rodriguez, John Leguizamo. After serving honorably in the Middle East, a U.S. Marine comes home hoping to return to civilian life while turning his back on his violent past. However, sometimes there’s no escaping one’s past.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Crime Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

It Comes at Night

(A24) Joel Edgerton, Christopher Abbott, Carmen Ejogo, Riley Keough. As an apocalyptic event decimates the world, a man, his wife and son hole up in a remote home. When a desperate family arrives at his door seeking refuge, he decides to give it to him but soon paranoia and mistrust give way to something within that may be worse than what lies outside the walls of his compound.

See the trailer, clips, interviews and a video feature here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for violence, disturbing images and language)

Megan Leavey

(Bleecker Street) Kate Mara, Tom Felton, Common, Ramon Rodriguez. A young woman, unable to socialize properly and adrift through life, decides to enlist in the U.S. Marines to see if she can find a direction for herself. After a disciplinary hearing leaves her to being assigned kennel clean-up duty she enlists in the K9 unit and is assigned Rex, an unruly and aggressive dog. Somehow the two misfits manage to bond and form an impressive team until one misstep puts both their fates in jeopardy.

See the trailer, clips, an interview and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life War Drama
Now Playing: Wide Release

Rating: PG-13 (for war violence, language, suggestive material, and thematic elements)

My Cousin Rachel

(Fox Searchlight) Rachel Weisz, Sam Claflin, Iain Glen, Holliday Grainger. A young English man during the Regency era plots revenge against his beautiful cousin, believing that she murdered his guardian. However, as he gets to know her he begins to fall for her romantically – but is she the innocent he believes she is or a cold blooded murderess he first thought she was?

See the trailer, a clip and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for some sexuality and brief strong language)

ALSO OPENING IN ORLANDO/DAYTONA

Ami Tumi
I Called Him Morgan
Raabta

ALSO OPENING IN MIAMI:

David Lynch: The Art Life
Es Por Tu Bien
Godha
I, Daniel Blake

ALSO OPENING IN TAMPA:

The Exception
Legion of Brothers

ALSO OPENING IN JACKSONVILLE:

Horror Express
Like Crazy

 

Chasing Trane: The John Coltrane Documentary


John Coltrane in the abstract.

(2017) Music Documentary (Abramorama) Denzel Washington (voice), John Coltrane, Common, Carlos Santana, John Densmore, Wayne Shorter, Sonny Rollins, Cornel West, Wynton Marsalis, Bill Clinton, Ravi Coltrane, McCoy Tyner, Jimmy Heath, Antonia Andrews, Oran Coltrane, Ashley Kahn, Ben Ratliff, Kamasi Washington, Benny Golson, Michelle Coltrane. Directed by John Scheinfeld

 

In the pantheon of jazz greats, alto saxophonist John Coltrane has to stand out among its most enduring and influential figures. While never as popular as, say, Louis Armstrong (although he did have a big hit in a revved up version of “My Favorite Things” from The Sound of Music back in 1961) his music helped jazz evolve and changed, as Carlos Santana notes, the very nucleus of jazz.

This documentary starts in media res with a heroin-addicted and alcoholic Coltrane in 1957 being fired from the Miles Davis Quintet where he had begun to hone his reputation. He faced a crossroads and a vital decision; whether to continue with the heroin and end up like his idol Charlie Parker or to turn his back on the drugs and potentially embrace greatness. He would choose the latter, kicking heroin cold turkey which shows a strength of will that characterized his entire life.

He grew up in North Carolina in a home where both his grandfathers were preachers which gave him a spiritual influence that remained with him all his life. Although he didn’t adhere to a single religion, he studied nearly all of them and incorporated them into his inspirations. He joined the Navy as World War II was ending and his first known recordings were as part of a Navy jazz band and, as Wynton Marsalis put it kindly, didn’t sound like he had much potential.

But he had the good fortune to play with Dizzy Gillespie, Miles Davis and after being fired from that gig, Thelonious Monk – all jazz legends – which helped him find his confidence to grow and embrace change. Davis would accept Coltrane back for a second stint that would include one of Davis’ pivotal albums, Almost Blue which Coltrane recorded simultaneously with his own breakout album, Giant Steps. Shortly after that, Coltrane struck out on his own.

Although his career was short in years (he would die suddenly at the age of 40 of liver cancer), he was prolific releasing some 60 albums in the last decade of his life. Scheinfeld closely follows the arc of his influences, from bebop to free jazz to music that can only be called Coltrane. It is somewhat daunting to wonder what he would have come up with and how further he would have changed music had he lived another 20 or 30 years.

The archival footage and photographs are fascinating and the interviews – particularly with social commentator, activist and academic Cornel West (who at times is almost testifying to Coltrane in a religious fervor) and former President Bill Clinton who is surprisingly insightful into Coltrane’s art. While actor Denzel Washington reads from Coltrane’s writings, we never hear the jazz legend’s actual voice; he was notoriously interview-shy. While we don’t hear Coltrane’s actual voice here, his music does the talking. It’s as much an expression of his inner soul as we are going to find. Of particular note in that regard is “Alabama,” inspired by the speech Dr. Martin Luther King Jr. gave at the funeral of the victims of the Birmingham church bombing in 1963. The piece is mournful and yet hopeful; it follows the cadence of Dr. King’s speech and uplifts even as it grieves. It is as compelling a composition as has ever been written.

While we don’t hear Coltrane’s voice directly his personality comes to the fore mainly through the interviews with family and friends; his stepdaughter recalls him walking home late at night from a gig so he could spend his cash on shoes that she needed the next morning rather than spending it on cab fare. His childhood friend Jimmy Heath recalls how much he practiced, sometimes just fingering the sax in hotel rooms after angry guests complained about the noise.

In some ways the movie serves as a jumping off point for the music of Coltrane, although those who don’t “get” jazz may not necessarily find it compelling. However, the hope is that the film will introduce new generations to music that is sometimes described in overly enthusiastic terms. I don’t know that Coltrane’s music will change your life but it conceivably could; it has done so for many, many listeners and not all of them jazz aficionados. I don’t know that this is the ultimate tribute for Coltrane – there are an awful lot of talking heads and we don’t get as much context into the music as I might have liked  but this is an excellent place to start.

REASONS TO GO: The music is just incredible. The footage of Coltrane and his band is fascinating. The use of graphics is innovative.
REASONS TO STAY: There are too many talking heads. The film may not appeal to those who aren’t into jazz.
FAMILY VALUES: There is some drug content and some mild profanity.
TRIVIAL PURSUIT: Some of the studio footage of Coltrane recording was discovered in a California garage while production was underway; the filmmakers arranged for the footage to be incorporated into the film and this is the first time it has been seen anywhere, or at least for decades.
CRITICAL MASS: As of 4/16/17: Rotten Tomatoes: 60% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: Jazz: A Film by Ken Burns
FINAL RATING:7.5/10
NEXT: Kong: Skull Island

John Wick: Chapter 2


Even John Wick’s dog looks badass.

(2017) Action (Summit) Keanu Reeves, Riccardo Scamarcio, Ian McShane, Ruby Rose, Common, Claudia Gerini, Lance Reddick, Laurence Fishburne, Tobias Segal, John Leguizamo, Bridget Moynahan, Thomas Sadoski, Erik Frandsen, David Patrick Kelly, Perry Yung, Franco Nero, Peter Serafinowicz, Peter Stormare, Vadim Kroll, Kelly Rae LeGault. Directed by Chad Stahelski

 

One of the better action films to come down the pike in recent years was John Wick. In it, a retired assassin un-retires himself when the son of a Russian mobster steals his car and kills his dog. Bad career move. Wick kills everyone associated with the dumbass Russian scion and adopts a new dog.

When the movie starts, Wick is going to retrieve his car from yet another Russian mobster (Stormare) and while all he wants is the car, of course the Russian mobster and his men try to take the master assassin down. Yet another bad career move. Even as the boss retells the story of how Wick once killed three men with a pencil (which we also saw in the last movie), Wick mows down every mobster who comes at him, wrecking the car he came to retrieve in the first place but the point is clear.

Wick returns home and puts all of his arsenal under concrete, apparently intending to retire again. However, he has a visitor – an Italian mobster this time named Santino D’Antonio (Scamarcio). Wick owes Santino a favor and the guy intends to collect. It’s what’s called a marker and in the world that Wick lives in, these cannot be refused. Wick promptly refuses and Santino promptly blows up his house.

Deciding that discretion is the better part of valor, Wick decides to fulfill the marker anyway (now minus a house) and takes on the job of killing Santino’s sister Gianna (Gerini) who Santino’s dad made head of the mob after he retired – or in other words, passed on. This didn’t sit well with Santino so he figured that if his sister was out of the way, he could take his rightful place as head of the family.

That’s why Wick heads to Rome, visits a tailor who has a way with Kevlar as well as a sommelier who has a nose for fine German firearms and heads over to a rave cum orgy celebrating sister’s ascension to the head of family status at a Roman ruin – those decadent Italians – and takes her out. This doesn’t sit well with her bodyguard (Common) who now unemployed decides to make a point of expressing his displeasure to Wick. Mayhem ensues.

The plot is a little more labyrinthine than before and we get more background on the world of assassins. The Continental Hotel, neutral ground in the first movie, is apparently a chain and the managers (Ian McShane in New York, Franco Nero in Rome) enforce that neutrality vigorously. We get a sense of the complex support system for the killers and the fairly cut and dried rules governing their behavior. This is all to the good.

The production design is also highly stylized from the Hall of Mirrors-like museum display in Rome, the gaudily lit rave, some of the most stylishly lit catacombs I’ve ever seen, the genteel and urbane Hotels and of course Wick’s Fortress of Solitude before Santino blows it to smithereens.

Where the movie fails, curiously enough, is the action – the strength of the first film. Stahelski fails to maintain the interest of the viewer for the length of the movie which he was able to do in the first. Here, the sequences have the effect of numbing the viewer until you feel quite blasé about the whole thing. I didn’t think I could get jaded in an all-out action film like this, but I did.

I will admit my complaints about the film have not been echoed by other reviewers or by friends who have seen the sequel and proclaimed it better than the original. I disagree, respectfully but nonetheless firmly. While it gives us more plot and more insight into the world the first film created and inhabits it with interesting characters who are portrayed by some fine actors like Fishburne, McShane, Nero and Common, at the end of the day I wanted to be wowed by the action and I just wasn’t. This is reportedly intended to be the middle segment in a planned John Wick trilogy. I hope that the third movie will combine the best points of both movies and create an action movie for the ages. When you’re a movie critic, hope should spring eternal.

REASONS TO GO: The mythology started in the first film is fleshed out more in the second.
REASONS TO STAY: The action scenes become mind-numbing after awhile.
FAMILY VALUES: There’s a stupid amount of violence, a fair amount of profanity and a scene with graphic nudity.
TRIVIAL PURSUIT: Stahelski was Reeves’ stunt double in The Matrix trilogy.
CRITICAL MASS: As of 4/5/17: Rotten Tomatoes: 90% positive reviews. Metacritic: 75/100.
COMPARISON SHOPPING: Kill Bill: Vol. 1
FINAL RATING: 5.5/10
NEXT: The Great Wall

New Releases for the Week of February 10, 2017


The LEGO Batman MovieTHE LEGO BATMAN MOVIE

(Warner Brothers) Starring the voices of Will Arnett, Michael Cera, Rosario Dawson, Ralph Fiennes, Siri, Zach Galifianakis, Jenny Slate, Conan O’Brien, Doug Benson. Directed by Chris McKay

One of the big reasons that The LEGO Movie was such a big hit was Will Arnett’s uptight loner Batman. Now he gets his own movie and the Caped Crusader is beset on all sides. The Joker is taking over Gotham City and for once Batman is overwhelmed. He’ll need to enlist help to save the day – but that’s not something he’s entirely comfortable with.

See the trailer, interviews, clips, Premiere footage and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for rude humor and some action)

50 Shades Darker

(Universal) Jamie Dornan, Dakota Johnson, Bella Heathcote, Marcia Gay Harden. Following the events of 50 Shades of Grey Anastasia Steele and Christian Grey have separated but such is the attraction between them that they can’t remain apart for long. However, dark secrets in Christian’s past may threaten to tear the two lovers apart.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Erotic Drama
Now Playing: Wide Release

Rating: R (for strong erotic sexual content, some graphic nudity and language)

John Wick: Chapter Two

(Lionsgate) Keanu Reeves, Common, Laurence Fishburne, Ruby Rose. Wick is happy living in retirement, something of a rarity among assassins. However when someone he owes a blood oath to calls him in to help him take over a shadowy international assassin’s guild, Wick is forced to travel to Rome to take on some of the world’s deadliest killers.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence throughout, some language and brief nudity)

Jolly LLB 2

(Fox Star) Akshay Kumar, Humar Qureshi, Sayani Gupta, Arshad Warsi. A somewhat clumsy and lawyer is given the case of a lifetime to try, but the Indian legal system proves to be much more challenging than he could have possibly imagined.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Courtroom Dramedy
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

Julieta

(Sony Classics) Emma Suárez, Adriana Ugarte, Daniel Grao, Imma Cuesta. From Spain’s master director Pedro Almodóvar comes this look at a brokenhearted woman whose estranged daughter has been she hasn’t seen in 12 years. When a former acquaintance lets it slip that the daughter is married with three kids and living in Switzerland, the mom abruptly turns her life upside down and moves back in to her old apartment in Madrid, hoping her daughter will communicate with her. While she waits, she decides to write her memoirs, describing the events that led up to her situation.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Regal Winter Park Village

Rating: R (for some sexuality/nudity)

The Salesman

(Cohen Media Group/Amazon) Taraneh Alidoosti, Shahab Hosseini, Babak Karimi, Mina Sadati. A couple that is rehearsing for a stage version of Arthur Miller’s Death of a Salesman are forced to move out of their collapsing home. A fellow performer rents out an apartment to them. They are however unaware that the previous tenant was a prostitute and when a former client comes by one night when the woman is all alone, the repercussions of the encounter will be extraordinary. This is one of the finalists for Best Foreign Language Film at this year’s Academy Awards.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Regal Winter Park Village

Rating: PG-13 (for mature thematic elements and a brief bloody image)

Suicide Squad


Wanna come out and play?

Wanna come out and play?

(2016) Superhero (Warner Brothers) Will Smith, Margot Robbie, Jared Leto, Viola Davis, Joel Kinnaman, Cara Delevingne, Jay Hernandez, Jai Courtney, Ben Affleck, Ezra Miller, Ike Barinholtz, Scott Eastwood, Karen Fukuhara, Adam Beach, Kenneth Choi, Alain Chanoine, Adewale Akinnuoye-Agbaje, Common, Jim Parrack, David Harbour, Shailyn Pierre-Dixon. Directed by David Ayer

 

There are those who maintain that a hero is nothing without a memorable villain to oppose him. That’s largely true; what would James Bond be without Blofeld, Holmes without Moriarty or Luke Skywalker without Darth Vader? We usually see things from the hero’s point of view but rarely do we get a glimpse into the world of the super villain.

Following the events of Batman v. Superman: Dawn of Justice, the American government is extremely nervous. What would happen, posits Amanda Waller (Davis) who works for a shadowy intelligence agency, if Superman had instead of saving the world decided to destroy it? Who would stop him? Waller has an idea, one that is magnificent in its simplicity and alarming at its utter amorality.

She “recruits” (i.e. forces) several super villains locked up in the Belle Reve black ops prison in the swamps of Louisiana to form up a team to take on certain situations which are essentially hopeless. Situations in which the superheroes that are out in public (which are essentially Batman (Affleck) and the Flash (Miller) at this point) shouldn’t be risked as they aren’t exactly expendable. These guys are exactly that. Waller knows that and at the same time, she knows they have nothing to lose by running. She has a solution that recalls The Running Man to a certain extent but absolutely doesn’t say anything particularly nice about the woman.

And who are these guys? For one, there’s Deadshot (Smith), an assassin for hire who never misses with any firearm you give him. Then there’s Harley Quinn (Robbie), the deranged ex-psychiatrist who is now the Joker’s (Leto) girlfriend but who is a formidable opponent of her own. Then there’s Diablo (Hernandez), a gang banger who can shoot flames in any direction but when his powers caused the death of his wife and son, is attempting to reform and has vowed to never use his powers again.

=Add to that list Killer Croc (Akinnuoye-Agbaje), a horribly mutated man who is half man, half crocodile and eats people when he gets the chance. Then there’s Enchantress, a demonic spirit that has possessed archaeologist June Moon (Delevingne) and possesses incredible magic powers, Captain Boomerang (Courtney), an Aussie thief whose weapon of choice is a boomerang that he is absolutely deadly accurate with. Finally there’s Slipknot (Beach), whose ability to climb any surface makes him a useful scout.

Overseeing these representatives of the lunatic fringe is Captain Rick Flagg (Kinnaman), a Navy SEAL who just happens to be Professor Moon’s boyfriend – and who is himself tough as nails. Having his back is Katana (Fukuhara), a Japanese martial artist with an enchanted sword that captures the souls of its victims – which include her husband among their number. Katana is able to communicate with the spirits in the blade, including her late hubby.

They are battling a mystical opponent who wants to essentially open a rift in the dimension that will end civilization as we know it. The problem is that the Suicide Squad as they have come to be known as don’t really give a rat’s tush about civilization. If they can stop fighting amongst themselves, though, they might just come through of it alive. The odds are not good for either however.

Let’s be blunt to start out; the DC Extended Universe (what they call their cinematic division) has not had the kind of success that Marvel has and the critics have absolutely excoriated this movie. Now, I will be the first to say that DC’s cinematic path hasn’t caught on for a reason; in trying to duplicate the tone of the very successful Dark Knight trilogy of Christopher Nolan. You’ll notice that the Marvel cinematic universe is anything but.

But is this movie really that bad? I don’t think so…for one thing it’s entertaining as all get out. Ayers is a director who has a very fine eye and a well-developed story-telling sense. He also knows how important it is for there to be fun in the equation, and there’s lots of great by-play between the characters and a lot of humor injected into the script.

He also has a helluva cast. Smith, one of the biggest stars in the world, has rarely been better than he is here. Yes, his Deadshot is one of the more developed characters in the film, but Smith gets to play a villain who has some human qualities as well (he’s absolutely devoted to his daughter, played by Pierre-Dixon for one). He also shows the kind of leadership skills shown by Chris Evans’ Steve Rogers in the Marvel Universe. The DC Universe sorely needs that.

Robbie has almost as much time in the movie as Smith and her Harley Quinn took a different path to the silver screen; Harley Quinn didn’t initially come from the comic books but from the television animated shows. She went from there to the comic books which she became something of an icon, particularly to female comic book fangirls. Robbie fills the role well; while some have groused that the character has been overly sexualized here (including Robbie herself), she turns in an intense performance, particularly since she has to go up against Oscar winner Jared Leto as her boyfriend/abuser the Joker.

Leto has been very vocal in his disappointment about what the role turned out to be, and in all fairness the Joker was never supposed to be a central character here. However, it stands to reason that you can’t really have Harley Quinn with Mr. J; it doesn’t work. His take on the Joker is a lot different than that of Jack Nicholson, Mark Hamill, Heath Ledger or even Cesar Romero. Not better, not worse, just different. I liked Leto’s Joker just fine; he’s supposed to be unpredictable and Leto certainly makes him that. He isn’t nearly as menacing as Ledger’s Joker, nor as twisted as Nicholson’s. However, this Joker is wilder, more untamed than either. It is a good interpretation.

There are a lot of special effects, particularly involving the mystical vortex thingy that the Big Bads are creating. There are an awful lot of trans-dimensional vortices in superhero movies as of late and as those sorts of things go, this one is no worse nor any better than most. It just isn’t all that impressive; neither are most of the practical effects. Also, there are moments when the plot gets a little bit, ahh, thick. I found it a touch confusing at times and perhaps more casual comic book fans might feel the same.

Otherwise, I enjoyed the heck out of the movie. These really aren’t the A-list of DC villains (although the Joker is present) but some of the mid-level guys. Quinn and Deadshot both look like slam-dunks coming back for more cinematic superhero goodness. And all things considered, this didn’t do the DC Extended Universe better; it might well be the best of the three that have appeared so far, at least in my book. However, it still isn’t slam dunk enough to really elevate the franchise into a place where I’m actually excited about it. Maybe Wonder Woman will bring that to the game.

REASONS TO GO: There is excellent interaction between an excellent cast. Smith is at his very best here. Brings some of DC’s lesser villains to light.
REASONS TO STAY: The special effects are unimpressive. The story is occasionally confusing.
FAMILY VALUES: As you’d expect, plenty of violence and superhero action, some sexually suggestive material and a bit of profanity.
TRIVIAL PURSUIT: Harley Quinn’s baseball bat was given to Kevin Smith to thank him for hosting the TV special Dawn of the Justice League shortly before this film came out.
CRITICAL MASS: As of 8/29/16: Rotten Tomatoes: 26% positive reviews. Metacritic: 40/100.
COMPARISON SHOPPING: Deadpool
FINAL RATING: 7/10
NEXT: Gleason