Game Night


Some games are riskier than others.

(2018) Comedy (New Line) Jason Bateman, Rachel McAdams, Kyle Chandler, Jesse Plemmons, Sharon Horgan, Billy Magnussen, Lamorne Morris, Kylie Bunbury, Michael C. Hall, Danny Huston, Chelsea Peretti, Camille Chen, Zerrick Deion Williams, Joshua Mikel, R.F. Daley, John Francis Daley, Michael Cyril Creighton, Brooke Jaye Taylor, Jonathan Goldstein, Charlotte Hazzard. Directed by John Francis Daley and Jonathan Goldstein

 

Everyone knows someone whose competitive urges are on a scale of one to ten about a 35. Max (Bateman) and his wife Annie (McAdams) are just like that. They host a regular game night at their home in which friends are invited (or in the case of creepy cop Gary (Plemmons), not) to play a variety of party games. When Max’s mega-successful big brother Brooks (Chandler), a venture capitalist who Max has competed with unsuccessfully comes to town, Max is put off his game a little bit. When Brooks offers to host game night at his lavish home, Max is further intimidated.

Brooks dispenses with the traditional board games and instead does a kidnap mystery event, offering his cherry red Stingray (Max’s dream car as it turns out) as a prize for the first to solve the mystery, Max looks at it as an opportunity to finally get redemption with his brother. But when it turns out that the kidnapping is real and so are the guns, things take a turn for the wacky.

I honestly didn’t expect too much from the movie going in. I thought it would be another mildly funny and occasionally laugh-out-loud comedy that seem to dominate the comedy landscape these days but I was pleasantly surprised. This is one of the funniest movies of the year, hands down. Not only is the script funny but it’s generous – nearly everyone in the ensemble cast has their moment to deliver an amazing punch line or even a moment of sublime physical comedy. Bateman shines the brightest, still as likable as ever.

If the movie has a drawback it’s that it sometimes overthinks things. The story works best when things are kept simple. This is a rare film that is funny without being gimmicky, allowing the characters to develop nicely without being overly silly. Da Queen liked it even more than I did, which is saying something. If you’re looking for a movie that is bound to make you laugh, this is the one to select, at least as far as 2018 is concerned.

REASONS TO GO: The movie is unexpectedly funny in places. Bateman remains one of the most charming actors in Hollywood.
REASONS TO STAY: The plot occasionally gets over-complicated.
FAMILY VALUES: There is a bunch of profanity, some sexual references and a bit of violence.
TRIVIAL PURSUIT: Bateman and McAdams previously appeared together in State of Play.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 6/25/18: Rotten Tomatoes: 83% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Tag
FINAL RATING: 7.5/10
NEXT: 
Nobody Speak: Trials of the Free Press

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Despicable Me


Despicable Me

Gru doesn't quite get the concept of mooning his audience.

(Universal) Starring the voices of Steve Carell, Jason Segel, Julie Andrews, Russell Brand, Will Arnett, Kristen Wiig, Miranda Cosgrove, Mindy Kaling, Danny McBride, Dana Gaier, Elsie Fisher, Pierre Coffin. Directed by Chris Renaud and Pierre Coffin

It’s tough being a world-class villain. Not only do your grand schemes of world domination need to be extravagantly profitable, you always have to fight off some wet-behind-the-ears supervillain who wants to earn a reputation at your expense.

Gru (Carell) is as despicable as they come. He will make a child a balloon animal only to pop it; he’ll use his freeze ray on patrons in front of him in the line at Starbucks, and he’ll steal the Times Square Jumbotron to watch football games on. Unfortunately, there’s a new kid in town, a kid called Vector (Segel) and he’s outdone Gru by stealing the Great Pyramid at Giza.

This heats up Gru’s competitive juices to the boiling point, so he feels a need to one-up his new competition and his answer is elegant in its simplicity – Gru plans to steal the moon. Aided by his vaguely Twinkie-like Minions and his curmudgeonly scientific aide-de-camp Dr. Nefario (Brand, sounding nothing like Aldous Snow), all he needs is a shrink ray and a rocket. The shrink ray he can get – it’s the rocket that’s a problem.

Like any enterprising businessman, Gru goes to the bank to get a loan from the bank, but he can’t exactly walk into the nearest Citibank with a business plan that involves stealing a celestial body. Luckily for Gru, there’s always the Bank of Evil (in one of the film’s cleverest jokes, the front of the bank is emblazoned with “Formerly Lehman Brothers”). Unfortunately, Mr. Perkins (Arnett), the humorless blob of a bank president, is not willing to part with the money. You see, most of Gru’s grand schemes have, while successful, not been terribly profitable. However, if Gru can show the bank the shrink ray, they’ll give him the cash.

Easier said than done. The shrink ray is being tested by a Southeast Asian weapons laboratory, but Gru being nefarious and direct, steals the device by sawing a hole in the roof, sending a minion to manually operate a giant claw to pick up the ray gun and jet away. Hunky dory until Vector shows up to cut a hole in his roof.

Gru needs to retrieve the shrink ray from his archnemesis but infiltrating his modern, heavily defended lair proves to be impossible. However, Gru hits upon the scheme of sending in three orphans – Margo (Cosgrove), Edith (Gaier) and Agnes (Fisher) – to infiltrate the lair under the guise of selling Vector some cookies (cookies are Vector’s Achilles heel). Gru adopts the young tykes, but finds them to be major distractions, highly irritating and somewhat annoying. Can he rein in his young accomplices to carry out his diabolical plot, or will he succumb to the charms of the little girls?

These days computer animated features are a dime a dozen and audiences are demanding more sophistication and better stories. While Pixar continually delivers, the other animated studios are less consistent. This is Universal’s first computer-animated feature and the first in their partnership with Illumination Entertainment (who also have Hop and Flanimals on deck for 2011). So how did they do?

Well, there’s definitely a learning curve. Some of the movie works, but other places not so much. In checking out other reviews, I was amazed that most critics found the last half hour to be the best part of the movie; quite frankly, I was more impressed with the first part, when Gru is acting very much like the missing member of Dirty Rotten Scoundrels. As the movie progresses, Gru gets more father-like and softer, losing much of the edge that made him notable early on.

Still, Carell does a good job with the character, vaguely channeling the Soup Nazi. The evil Gru is interesting, but it’s the Minions who steal the show. Certain to become pop culture fixtures for the younger set (in the same way Oompa Loompas did a generation ago), they’re cute and speak in funny voices, with a Looney Tunes-like tendency to do spectacular harm to one another. Don’t be surprised if they show up on a Saturday morning cartoon show in the near future.

The movie gets disappointing towards the end. It’s standard animated feature fare of the heart of a bad guy being melted by adorable little girls. That’s the type of thing Disney was doing 70 years ago. By the time the movie ends, Gru is bestowing good night kisses on his Minions. I can’t see a reason to see a sequel to this; Gru’s too soft, too ordinary. The more despicable Gru is, the better the movie is.

REASONS TO GO: The minions are awesome and Carell makes Gru memorable. There are some moments that are laugh-out-loud funny.

REASONS TO STAY: Typical animated feature fare; definitely skewed towards a younger crowd.

FAMILY VALUES: The movie has a PG rating due to rude humor but in my book, it’s perfectly fine for children of all ages.

TRIVIAL PURSUIT: The soda cup that the Carnival Barker is drinking from is based on the ones used at Walt Disney World, which has no midway games.

HOME OR THEATER: This is one of those rare instances where a movie is actually enhanced by 3D; unless you have a big screen 3D television, I would suggest a trip to the multiplex.

FINAL RATING: 7/10

TOMORROW: Cloudy With a Chance of Meatballs