(2016) Documentary (Gravitas) Leonard Nimoy, Adam Nimoy, Mel Nimoy, Sybil Nimoy, Julie Nimoy, William Shatner, Chris Pine, Zoe Saldana, Zachary Quinto, Nichelle Nichols, George Takei, Mayim Bialik, Jim Parsons, J.J. Abrams, Jason Alexander, Walter Koenig, Catherine Hicks, Simon Pegg, Karl Urban, Neil deGrasse Tyson, Jeffrey Katzenberg, Nicholas Meyer, D.C. Fontana, Amy Mainzer. Directed by Adam Nimoy
The character of Mr. Spock in the original Star Trek series was and is a cultural icon. Played by Leonard Nimoy, then a character actor who had never worked more than two weeks on the same project in his career, he was created at a time of great social upheaval and in many ways stood for rationality, logic and self-control in a time when just about everyone was about as emotional as one could get. He also stood for cultural tolerance, as he was best friends with a human which was a metaphor for the racial turmoil going on in the United States at the time (and sadly continues to this day).
Nimoy’s son Adam, a successful television director, wanted to do a documentary on the cultural phenomenon that is Spock and got his father’s blessing to do it. After a Kickstarter campaign netted the necessary funds, Adam conducted an interview with his father and started to talk to other members of the original series cast when his father suddenly passed away at age 83.
The focus of the film changed from Spock to Leonard Nimoy. It became a love letter from a son to his father. The two had a very rocky relationship at times, particularly when Adam’s drug use became an issue, which fueled displeasure from his father, an alcoholic. They went years without speaking, but eventually reconciled.
He tells his father’s story, glossing over his childhood and young adulthood and bringing him to his days in Trek. Much of the movie focuses on his time as Spock and in between; on the rigors of fame and having to share his father with an adoring fan base. Early on, he and his sister Julie answered fan mail for their father. It was Adam who in the famous prank showed up on the set without his dad’s knowledge wearing Vulcan make-up (the footage is shown here).
Nimoy famously has had a loving relationship with the Trek community of both fans and the cast and crews of the various TV and film iterations; he also had a sometimes contentious relationship with Paramount, the studio that produced the series; his lawsuit to gain the cast royalties from merchandising was settled largely because the studio wanted to make motion pictures based on the show and Nimoy refused to sign for the film before the suit was settled. It was also at his insistence that George Takei and Nichelle Nichols were added to the animated series cast; he felt strongly that the diversity of the original show’s cast needed to be brought over to the animated show and even today both of those actors refer to the incident with great affection.
The younger Nimoy includes plenty of home movies as well as backstage footage from the show and films which for me personally was very nostalgic; I lived in Los Angeles at the time the show and the first movies were being filmed and I was reminded of that watching the film, bringing on in me a strong sense of comfort. It was an idyllic time and an idyllic place.
The movie does run a bit long in my opinion but love letters always tend to. Fans of the TV show and of Star Trek in general won’t mind; I think they’ll kind of prefer it that way. The interviews with the new cast add a bit of dimension in that all of them grew up with Star Trek even if they weren’t fans and those that were (such as Simon Pegg) were a bit awestruck working with Nimoy in his signature role. Fans like Jason Alexander and Jim Parsons talk about what the character meant to them but at the end of the day, it is his brother Mel who breaks down when talking about the terrible day when Leonard Nimoy passed away that gives us the greatest sense of what the man behind the Vulcan meant to us all.
The film closes with a tribute to Nimoy at the Burning Man festival shortly after he passed away and I swear that the flames on the tribute as, like the other temporary art installations at the festival, burned to the ground brought to mind the Federation emblem in the shape of the flames seemed to be the most cosmic of all the tributes. Spock lives but without Nimoy to give the character its essence (with all due respect to Zachary Quinto who plays Spock in the movie reboot franchise) it is mostly the idea of Spock that we have now – and that gives all of us comfort. Truly, this is a wonderful way to celebrate the 50th anniversary of the original show.
REASONS TO GO: Very much a love letter from a son to his father. It’s an interesting perspective on fame by the children of the famous. The backstage footage is pretty nifty.
REASONS TO STAY: The film is a little bit on the long side.
FAMILY VALUES: There is some foul language but not a lot.
TRIVIAL PURSUIT: The movie was funded by a Kickstarter campaign.
BEYOND THE THEATERS: Amazon, iTunes, Vudu, Google Play
CRITICAL MASS: As of 9/28/16: Rotten Tomatoes: 100% positive reviews. Metacritic: 74/100.
COMPARISON SHOPPING: To Be Takei
FINAL RATING: 8/10
NEXT: Milton’s Secret