(1989) Adventure (Paramount) Harrison Ford, Sean Connery, Denholm Elliott, Allison Doody, John Rhys-Davies, Julian Glover, River Phoenix, Kevork Malikyan, Robert Eddison, Richard Young, Alexei Sayle, Alex Hyde-White, Paul Maxwell, Isla Blair. Directed by Steven Spielberg
In the third film in the series Indiana Jones and the Last Crusade Spielberg and producer George Lucas wisely returned to the elements that made the first movie great. The movie opens with a prologue that shows Indy as a teenager (Phoenix) trying to foil grave robbers from stealing Coronado’s Cross. Much of his backstory is explained, including how he got the scar on his chin, where he acquired his fedora and the genesis of his phobia of snakes. We also see some of the dynamics of the relationship between Indy and his father, Dr. Henry Jones (Connery) who is obsessed by the legend of the Holy Grail, which he believes to be a real artifact.
After retrieving the Cross as an adult, Indy (Ford) receives a strange package at his office in the University from his father . He is then summoned by wealthy industrialist Walter Donovan (Julian Glover), Indy learns there is an expedition underway to retrieve the Holy Grail itself. That expedition’s leader has disappeared; and the leader turns out to be Indy’s father. Indy and Brody go to Venice, to meet up with his father’s colleague on the team Dr. Schneider (Doody), who turns out to be a she, and together they find the missing information needed to locate the resting place of the Grail.
First, however, Indy is determined to rescue his father, whom he discovers is being held in a castle in Austria. Indy arrives there only to discover that not everyone he has been trusting should be trusted and that some of them are in league with the Nazis (them again). Once again, with Brody and now Sallah (Rhys-Davies), Indy and his father set out to rescue the Grail in a race against the Nazis.
The chemistry between Connery and Ford is absolutely awesome; the two often communicate with merely a glance or a stern look. Their relationship becomes so well defined because of the natural qualities of their by-play. The two spar with each other verbally, with Ford as the son trying to please his father who may well be unpleasable. Screenwriter Jeffrey Boam (who to that point had done Innerspace and The Lost Boys) gives Ford and Connery a slambang story to work with, and the two run with it. Spielberg provides some stunning visuals, and John Williams provided one of his best scores in any film ever.
Doody is an appealing blonde who may well be the prettiest of Indy’s love interests; she is his intellectual equal and is stronger a character than either Karen Allen’s Marion or Kate Capshaw’s Willie from the first two movies. Rhys-Davis and Elliott turn in strong performances and prove why they were so instrumental to the success of the first movie.
The third installment of the Indiana Jones films is almost as good as the first, and in some ways, better. There are some wonderful action sequences (such as a fight in the canals of Venice, a rescue from an Austrian castle and subsequent motorcycle chase and a daring desert rescue from a tank. At the center of the movie however is the relationship between father and son and Connery and Ford, two of the best in the business, make it believable; touching at times, funny at others but authentic in every moment. It is a little ironic that the measure of success for a big summer blockbuster lay in the details of the relationship between father and son, but it is true here. Hollywood could learn a lesson there in how to make a summer film timeless, as this one is.
WHY RENT THIS: Great chemistry between Ford and Connery. Excellent action sequences. A slambang story that has familiarity to the legend. A lighter touch than the last.
WHY RENT SOMETHING ELSE: The villains are a little less vicious in some ways than the first film.
FAMILY MATTERS: There is some sensuality as well as a bit of action violence. There are a couple of disturbing images as well.
TRIVIAL PURSUITS: The character of Fedora (Young), the character who chases the teenaged Indy through the Utah desert, was originally meant to be Abner Ravenwood, the father of Marion and Indy’s mentor.
NOTABLE HOME VIDEO FEATURES: All of the special features on the DVD are on the fourth disc of the four-disc collection and include a massive Making of the Trilogy featurette that is more than two hours long and includes much behind the scenes footage. There are also featurettes on the stunt work, the music, the special effects and Ben Burtt’s amazing sound work. There is also a promo for the new (at the time) Indiana Jones video game.
BOX OFFICE PERFORMANCE: $474.2M on a $48M production budget; by any standards the movie was yet another blockbuster in the trilogy.
COMPARISON SHOPPING: Raiders of the Lost Ark
FINAL RATING: 10/10
NEXT: The Strangers