(2018) Romantic Comedy (Warner Brothers) Constance Wu, Henry Golding, Michelle Yeoh, Awkwafina, Gemma Chan, Lisa Lu, Harry Shum Jr., Ken Jeong, Sonoya Mizuno, Chris Pang, Jimmy O. Yang, Ronny Chieng, Remy Hii, Nico Santos, Jing Lusi, Carmen Soo, Pierre Png, Fiona Xie, Victoria Loke, Janice Koh, Amy J. Cheng. Directed by Jon M. Chu
Fairy tales are powerful things. Doesn’t every little girl want to marry the prince and go riding off into the sunset together, preferably in the direction of a beautiful castle? Trust me, men have their fairy tales as well but we won’t get into those here.
Rachel Chu (Wu) is an economics professor at NYU and she’s been dating handsome Nick Young (Golding), a fellow academic, for more than a year. She’s headed to Singapore with him to attend his cousin (and best friend’s) wedding. When they get first class tickets on the airplane, she asks him how wealthy his family is. “We’re comfortable,” he says modestly. Yeah, they’re comfortable in the same way that Bill Gates is comfortable.
Nick’s mom (Yeoh), the imperious matriarch of the family, is none too pleased to see Rachel who even though her son is crazy about her is still nonetheless not even close to the kind of match that she had in mind for her son. Rachel will have to navigate the sometimes-treacherous waters of Nick’s family, aided by her college bestie Peik Lin (Awkwafina), if she is going to keep the man she loves.
America loves its rich folks and that helps the movie out a great deal. The fact that this is a largely Asian-American cast and crew is a big deal, and the movie gives us some insight into Chinese (primarily) culture and customs, and those are some of the more endearing moments of the film.
I can’t say enough about Constance Wu, one of the stars of Fresh Off the Boat. She has tons of charisma and likability; she has a big future ahead of her and not only as a romantic leading lady. She has the kind of presence that Awkwafina (who would break out this year in The Farewell) has, but with a touch more self-assuredness. Golding also has a ton of leading man appeal.
Although there are a few rom-com tropes here, they don’t necessarily get in the way of the enjoyment of this movie. After an over-profusion of the genre over the last 20 years, romantic comedies have fallen somewhat out of favor. With a fresh take on them as this one has and particularly after the kind of success it enjoyed (the highest box office for any romantic comedy in more than a decade), you can bet we’ll be seeing more of them in the near future. If they’re this good, I wouldn’t mind at all.
REASONS TO SEE: Constance Wu is a find. Culturally informative. Escapes most rom-com clichés.
REASONS TO AVOID: Sends some mixed messages about the institution of marriage.
FAMILY VALUES: There is some sexually suggestive content and a bit of profanity.
TRIVIAL PURSUIT: Netflix offered to produce the movie at a substantially larger budget, but producer Kevin Kwan felt that it was important to prove to the studios that Asian-American movies were commercially viable. Netflix ended up producing Always Be My Maybe instead.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 1/7/20: Rotten Tomatoes: 91% positive reviews: Metacritic: 74/100.
COMPARISON SHOPPING: Pretty Woman
FINAL RATING: 8/10