(2020) Crime Comedy (Freestyle) Mark Webber, Nicole Elizabeth Berger, Jon Abrahams, Erika Christensen, Chazz Palminteri, Ron Perlman, Julia Jones, Jake Webber, Jessica Szohr, Michael Godere, Tichina Arnold, Johnny Messner, Louis Lombardi, Val Lauren, Brian Goodman, Ari Barkan, Martin Abrahams, Peter Johnson, J.J. Alfieri, Giovanni Reda, Kathryn Schneider. Directed by Jon Abrahams
The trouble with borrowing money from mobsters is that sooner or later they’re going to want it back. If you don’t have it, it could lead to some pretty awkward conversations: “Where’s my money?” “AUUUUGH! OWWWWWW! OOOOOOO GOD!!!!” *whimper, whimper* *bleed, bleed*
That’s the situation that Irish brothers Jackie (M. Webber) and Mickey (Abrahams) Callaghan find themselves in, especially after Jackie foolishly gambles away their payment the night before it’s due. Then again, Jackie isn’t the brightest bulb in the chandelier.
They are given one chance to redeem themselves: said mob boss Tony (Palminteri) sends the two screw-ups along with his vicious son Joey (Godere) to collect from another deadbeat. Of course, you figure that the two numbskulls are being set up and they are, but after Joey kills the deadbeat, he himself is shot – by the deadbeat’s 13-year-old daughter Clover (Berger).
Realizing that nobody is going to believe they weren’t responsible, Mickey and Jackie go on the run, dragging Clover in tow. They try to find help from a rogue’s gallery of family and friends, including Jackie’s bitter ex-girlfriend Angie (Szohr), family friend and cop Stevie (Messner), local fix-it lady Pat (Arnold) and their demented uncle Terry (J. Webber) who has a thing about poisons. Can they keep themselves alive as well as protect an innocent little girl who may not necessarily be as innocent as she looks?
Abrahams and writer Michael Testone are trying to work out the Troy Duffy playbook, but neither is quite as clever nor as skilled with punchy dialogue as Duffy is, and the movie needed a whole lot of cleverness and snappy dialogue. It’s the kind of movie that I really could easily like, but it let me down in so many ways.
Before we get to that, there are some good points to keep in mind; the chemistry between Abrahams and Mark Webber is spot-on; they get on just like brothers who most of the time want to kill each other but deep down they would kill for each other if needed. Berger is a revelation; she reminded me strongly of Chloë Grace Moretz in Kick Ass and that’s a good thing. She’s both pretty and tough, yet shows vulnerability when she has to.
You also have Palminteri doing Palminteri which is always worth the price of the rental by itself. But you also have some pacing issues; at times the action comes thick and fast but at other times it drags. There needed to be more consistency there. Also, the score is about as annoying as can be. It sounded like someone paid ten bucks for a generic thriller score for student films. It is telling that nobody is credited with the score. This is where a decent budget could have netted them a few songs from the 70s to go with some of the obvious influences. I even thought I caught a whiff of blaxploitation in the mix.
There was some real potential here but it ends up being just a mediocre film, which is a shame. Elements of it work really nicely, particularly the three leads (and Palminteri) but a lack of good dialogue, a soundtrack that probably shouldn’t have been added on, and some issues with pacing doom the movie to being a must only for Palminteri completists.
REASONS TO SEE: A really nice twist at the end.
REASONS TO AVOID: Lacks bite and snappy pacing.
FAMILY VALUES: There is plenty of profanity and lots of violence.
TRIVIAL PURSUIT: This is the debut feature film for Zonana.
CRITICAL MASS: As of 4/1/20: Rotten Tomatoes: No score yet, Metacritic: No score yet
COMPARISON SHOPPING: The Boondock Saints
FINAL RATING: 5/10
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