Permission


New York is a magical place for lovers.

(2017) Dramedy (Good Deed) Rebecca Hall, Dan Stevens, Jason Sudeikis, Gina Gershon, Francois Arnaud, Raul Castillo, David Joseph Craig, Axel Crano, Bridget Everett, Michelle Hurst, Marc Iserlis, Morgan Spector, Sarah Steele, Lindsey Elizabeth, Mariola Figueroa. Directed by Brian Crano

 

It’s no secret that part of any romantic relationship is sex. Some relationships require monogamy; others allow a more open sexual relationship. One size really doesn’t fit all when it comes to making a romance work.

Will (Stevens) and Anna (Hall) have been dating for more than a decade, since both were essentially old enough to date. They live in a nice loft in Brooklyn and are getting ready to move in to a house that Will is fixing up for them. Will owns a handmade furniture business along with Reece (Spector) who is the husband of Hale (Craig) who is Anna’s brother.

At Anna’s birthday celebration, Reece points out to the birthday girl and her beau that the two have never been with anyone else sexually other than each other and that there was no way for either one to know if they were actually right for each other until they had. Although Reece was drunk at the time, the idea sticks in their craws until Anna brings it up and forces Will to talk about it with her. They come to a mutual agreement (albeit reluctantly on Will’s part) that the two should see other people for sex while remaining together as a couple.

Anna wastes no time, getting into the bed of a sensitive musician type named Dane (Arnaud) who as time goes by starts to show signs he’s falling in love with Anna. In the meantime, Will becomes involved with an aggressive older lady (Gershon) who introduces him to the joys of psychotropics and bathtub sex. She gives him permission to do anything he wants – so he does.

In the meantime, Hale very much wants to bring a baby into his life although Reece isn’t enthusiastic about the idea. Hale’s baby fever is exacerbated by Glenn (Sudeikis), a new father who hangs out in the park that Hale frequents.

Both couples are on the crux of something. Can Reece and Hale add another life into their family without jeopardizing the relationship they have? And speaking of relationships, will that of Will and Anna be able to withstand the infidelity even as permitted as it might be?

In many ways there is plenty of familiar territory being explored here. There have been several movies about couples that decide to allow their partners to indulge in sexual flings and in general it doesn’t end well for those couples who choose to go through with it. I don’t know if that’s an American perspective or not – European films seem to be much less uptight about sexual fidelity in relationships than American ones are.

I like the way there relationship between Reece and Hale is depicted. Too often the gay couple is either comic relief or too good to be true. Hale and Reece have problems, the type of problems that many straight couples have to deal with. The fact that they are gay is almost incidental and that’s true to life. The thing is, gay couples are just couples. They have their ups and downs, they have to deal with the same issues straight couples deal with and they are not always lovey dovey to one another. The fact that the writer/director is gay probably has a lot to do with it but it is nice to see a gay couple presented as just a normal couple struggling to stay together just as a straight couple would be. We need more of that.

Hall and Stevens, both Brits incidentally, have a nominal chemistry between them but nothing that jumps off the screen at you. In many ways that’s what you might expect for a long-term couple who are at a crossroads; it’s getting to the point where their relationship needs to grow into the next level and neither one appears to be enthusiastic about doing so. While the sex thing is a catalyst, one suspects that Will and Anna would be having a crisis even if they hadn’t introduced this permission to cheat into the mix.

The movie does have an abundance of indie clichés – the hipster Brooklyn environment, the somewhat twee score (which becomes a little overbearing at times) and the apparent living beyond their means of the couple in question. This seems to me to have been better off set in Queens than in Brooklyn which is a little too hipster and cliché for the story Crano wants to tell.

I also didn’t care for the ending which was inevitable and a bit telegraphed. I don’t need a happy ending to be happy about a movie but the emotional fallout of the events of the film doesn’t ring true in all cases. Relationships are messy and the ending is a little bit too pat for my taste and therefore a little less authentic. However the filmmaker did make an effort to create a thoughtful movie on a subject that concerns all couples and he gets points for that. I just wish he could have ended it better.

REASONS TO GO: It’s nice to see a gay couple treated as a couple that happens to be gay.
REASONS TO STAY: The ending felt inauthentic and really took me out of the film in not a good way.
FAMILY VALUES: There is plenty of profanity, sexuality and some brief nudity.
TRIVIAL PURSUIT: Hall and Spector are married to each other and Brian Crano and David Joseph Craig are also married to each other.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play,  Vudu
CRITICAL MASS: As of 2/10/17: Rotten Tomatoes: 72% positive reviews. Metacritic: 61/100.
COMPARISON SHOPPING: Hall Pass
FINAL RATING: 6.5/10
NEXT:
The Ritual

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The Man Who Invented Christmas


God bless us every one? Bah, humbug!

(2017) Biographical Drama (Bleecker Street) Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow, Anna Murphy, Justin Edwards, Miriam Margolyes, Morfydd Clark, Ger Ryan, Ian McNeice, Bill Patterson, Donald Sumpter, Miles Jupp, Cosimo Fusco, Annette Badland, Eddie Jackson, Sean Duggan, Degnan Geraghty, David McSavage, Valeria Bandino. Directed by Bharat Nalluri

 

One of the most beloved and most adapted stories of all time is Charles Dickens’ A Christmas Carol. What some folks might not know is that Dickens wrote, had illustrated and self-published the work in an amazing (for the era) six weeks. It was a massive hit on the heels of three straight flops which had begun to lead the publishing world to question whether he was the real thing or a flash in the pan. He was on the verge of financial ruin when Scrooge, Marley, Tiny Tim and company rescued him.

As we meet Dickens (Stevens) the financial pressures have become overwhelming. He and his wife Kate (Clark) are undergoing an expensive renovation of their home complete with plenty of Italian marble; the last three books after the unquestioned success of Oliver Twist have under-performed and his friend/manager John Forster (Edwards) tells him that his publishers are clamoring for a success and an advance is out of the question.

A story told to his children by Irish maid Brigid (Murphy) gives Dickens the idea of a Christmas-set ghost story but he is in the throes of an anxiety-fueled writer’s block that is threatening his entire career. A chance meeting with a grumpy old man gives him the idea of a miser at the center of the story and once he comes up with the name for the character – Ebeneezer Scrooge (Plummer) – he materializes and starts to argue with Dickens on the direction of the book. People who surround Dickens start to become various characters in the novella; a lawyer becomes Marley (Sumpter), a nephew becomes Tiny Tim, a couple dancing in the festive streets of London become the Fezziwigs and so on.

To make matters worse, Dickens’ spendthrift father John (Pryce) and mother (Ryan) drop by for an extended stay. Dickens and his father have a strained relationship at best and the constant interruptions begin to fray the author’s nerves. Worse still, the novella is needed in time for Christmas which gives him a scant six weeks to write and arrange for illustration of the book with one of England’s premier artists (Callow). Kate is beginning to be concerned that all the pressure is getting to her husband who is at turns irritable and angry, then kind and compassionate. She senses that he is going to break if something isn’t done and time is running out.

I have to admit I didn’t have very high expectations for this film. I had a feeling it was going to be something of a Hallmark movie and for the first thirty minutes of the film I was right on target. However a funny thing happened on the way to the end of the movie: it got better. A lot better, as a matter of fact. The movie turns out to be extremely entertaining and heartwarming in a non-treacly way.

Stevens, one of the stars that emerged from Downton Abbey, does a credible job with Dickens although at times he seems unsure of what direction to take him. Plummer could do Scrooge in his sleep if need be but gives the character the requisite grumpiness and a delightful venal side that makes one  think that Plummer would be magnificent in a straight presentation of the story.

This is based on a non-fiction book of the same title that I have a feeling is more close to what actually occurred than this is, but one of the things that captured my attention was the dynamic between father and son. Certainly Dickens was scarred by his father’s imprisonment in a debtor’s prison when he was 12, forcing him to work in a horrific shoe black factory and from which much of his passion for social justice was born.

The entourage of characters from the story that follow Dickens around is delightful. Of course, the movie shows Dickens getting an attitude adjustment and growing closer to his family thanks to his writing of the novella and who knows how accurate that truly is but one likes to believe that someone who helped make Christmas what it is today got the kind of faith in family and humanity that he inspired in others.

This has the feeling of a future holiday perennial. The kids will love the whimsical characters that not only inform the characters in the story but fire up Dickens’ imagination; the adults will appreciate the family dynamics and all will love the ending which is just about perfect. This is the kind of Christmas movie that reminds us that we are all “fellow passengers on the way to the grave” as Dickens puts it and the kind of Christmas movie that Hollywood shies away from lately. I truly wish they would get back to making movies like this one.

REASONS TO GO: A thoroughly entertaining and truly heartwarming film.  The portrayal of the relationship between Dickens and his father is intriguing.
REASONS TO STAY: Starts off slowly but after the first thirty minutes or so improves greatly.
FAMILY VALUES: There is some mild profanity as well as adult themes in the film.
TRIVIAL PURSUIT: The majority of the cast are trained Shakespearean actors, many of whom have appeared in a variety of adaptations of Dickens’ work through the years.
CRITICAL MASS: As of 11/23/17: Rotten Tomatoes: 80% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: Finding Neverland
FINAL RATING: 7.5/10
NEXT:
The Big Sick

New Releases for the Week of November 24, 2017


COCO

(Disney*Pixar) Starring the voices of Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, Alanna Ubach, Gabriel Iglesias, Edward James Olmos. Directed by Adrian Molina and Lee Unkrich

A young Mexican boy is obsessed with music but had the bad luck to be born into a family that didn’t care much for song and frivolity. A devotee of a recently deceased troubadour, he is accidentally sent to the Land of the Dead and must work out the mystery of why his family hates music so much before he can return to the Land of the Living.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, 4DX
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for thematic elements)

Last Flag Flying

(Amazon/Lionsgate) Bryan Cranston, Laurence Fishburne, Steve Carell, J. Quinton Johnson. Three ex-Marines who served together in Vietnam come together for one last mission; to bury the son of one of them who was killed in Iraq. This is the latest from director Richard Linklater.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for strong language throughout including some sexual references)

The Man Who Invented Christmas

(Bleecker Street) Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow. One of the great traditions of Christmas is the beloved novel A Christmas Carol by Charles Dickens. He wrote it at a time in his life where he was surrounded by tribulations but where did these ideas – a Christmas ghost story, after all – come from? Look for the review for this tomorrow.

See the trailer, a clip and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG (for thematic elements and some mild language)

Novitiate

(Sony Classics) Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron. A young woman in the early 1960s gets swept up by the idea of becoming a nun and so enters a convent just at a time when sweeping changes were overtaking the Catholic Church. You can check out my review for the film here.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: R (for language, some sexuality and nudity)

Roman J. Israel, Esq.

(Columbia) Denzel Washington, Colin Farrell, Carmen Ejogo, Tony Plana. A former activist turned lawyer finds himself confronted with a crisis of conscience. Passed by and struggling to survive, a series of events leads him to consider extreme action.

See the trailer, clips and an interview here.
For more on the movie this is the website

Release Formats: Standard
Genre: Legal Drama
Now Playing: Wide Release

Rating: PG-13 (for language and some violence)

Three Billboards Outside Ebbing, Missouri

(Fox Searchlight) Frances McDormand, Woody Harrelson, Sam Rockwell, Caleb Landry Jones. When the police fail to discover the identity of the killer of a young woman, the victim’s mother frustrated by the lack of progress puts up three billboards near her home castigating the authorities for their inability to solve the crime. Her actions sharply divide the community in this latest darkly comic drama from Irish director Martin McDonagh.

See the trailer, clips, interviews and a video feature here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for violence, language throughout, and some sexual references)

ALSO OPENING IN ORLANDO/DAYTONA:

Balakrishnudu
Mental Madhilo

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Abracadabra
The King’s Choice
Mental Madhilo

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Mental Madhilo

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Balakrishnudu
Faces Places
Hey, Pillagada
Mental Madhilo

SCHEDULED FOR REVIEW:

Coco
The Man Who Invented Christmas
Novitiate
Roman Israel, Esq.
Three Billboards Outside Ebbing, Missouri

New Releases for the Week of June 16, 2017


CARS 3

(Disney*Pixar) Starring the voices of Owen Wilson, Kerry Washington, Larry the Cable Guy, Bonnie Hunt, Armie Hammer, Chris Cooper, Nathan Fillion. Directed by Brian Fee

After a dominating run in the world of motorsports, Lightning McQueen is suddenly put out to pasture after suffering a terrible crash at the hands of a cocky young racer named Jackson Storm. Unable to compete with a new generation of lightweight, technologically advanced racecars, Lightning goes back to Radiator Springs, unable to believe he has been forced out of the sport he loves. With the help of an ambitious young technician, Lightning may still get back into the game – with the help of a few oldtimers who know what racing is truly all about.

See the trailer, interviews, promos and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: G

47 Meters Down

(Dimension) Mandy Moore, Claire Holt, Matthew Modine, Yani Gellman. Two young women vacationing in Mexico decide to go diving in a shark cage in waters infested by Great Whites. When the cable connecting the cage to the boat snaps the girls plummet to the bottom of the seabed 47 meters down. With their oxygen supply running low and the waters filled with hungry sharks, the women will have to rely on their courage to survive their shark encounter.

See the trailer, clips and video features here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for sequences of intense peril, bloody images, and brief strong language)

All Eyez on Me

(Codeblack/Summit) Demetrius Shipp Jr., Danai Gurira, Kat Graham, Lauren Cohan. The story of Tupac Shakur, one of the most distinct and revolutionary voices to come out of rap. Although he died far too young, his legacy remains one of the most honored and respected in music.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Biography
Now Playing: Wide Release

Rating: R (for language and drug use throughout, violence, some nudity and sexuality)

The Book of Henry

(Focus) Naomi Watts, Jaeden Lieberher, Jacob Tremblay, Sarah Silverman. A precocious young boy takes care of his family including his mother, a hard-working waitress who lacks confidence. When a classmate who lives next door lets Henry in on a terrible secret, he resolves to help her. Utilizing his imagination and intellect, he concocts a plan that surprises his mom – who finds herself at the center of his machinations.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and brief strong language)

Chasing Trane: The John Coltrane Documentary

(Abramorama) Denzel Washington (voice), John Coltrane, Common, Carlos Santana. One of the most gifted, innovative and inspiring performers in the history of jazz was John Coltrane. This documentary about the man and his music is coming to the Enzian as part of their monthly Music Monday series; it was previously reviewed here on Cinema365 and that review can be found here.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater (Monday only)

Rating: NR

Dean

(CBS) Demetri Martin, Kevin Kline, Gillian Jacobs, Mary Steenburgen. A young cartoonist is working on his follow-up book but can’t seem to find inspiration. It doesn’t help that his mother, his biggest supporter, recently passed away and his dad and he are drifting further apart, particularly when the news comes that dad is selling their childhood home. Frustrated and needing a change of scenery, he takes off on a trip to California that might just give him a lot more than he bargained for. This was one of the Florida Film Festival’s standout spotlight films this past April.

See the trailer, clips and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: PG-13 (for language and some suggestive material)

Kill Switch

(Saban/Lionsgate) Dan Stevens, Bérénice Marlohe, Mike Reus, Bas Keljzer. At first it was an experiment to create a limitless energy source, something our planet sorely needs. When things go horribly wrong, a pilot fights to save his family – and indeed, the whole planet – from the effects of the experiment gone awry.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Action
Now Playing: AMC West Oaks

Rating: R (for language and some violence)

Rough Night

(Columbia) Scarlett Johansson, Jillian Bell, Zoë Kravitz, Kate McKinnon. Five best friends from college reunited for a weekend in Miami to celebrate one of their numbers impending nuptials. However, this badass bachelorette party turns a bit too wild and things get pretty real pretty fast. The girls elect to cover up the accident but that turns out to be a lot more difficult than they envisioned.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, language throughout, drug use and brief bloody images)

ALSO OPENING IN ORLANDO/DAYTONA

Slack Bay

ALSO OPENING IN MIAMI:

Beatriz at Dinner
The Happiest Day in the Life of Olli Maki
Past Life
The Recall
You’re Killing Me Susanna

ALSO OPENING IN TAMPA:

Ami Tumi
Jeremiah Tower: The Last Magnificent
Once Upon a Time in Venice
The Recall

ALSO OPENING IN JACKSONVILLE:

Kedi
The Lure
Tomorrow Ever After

Colossal


Put ’em up!

(2017) Sci-Fi Dramedy (Neon) Anne Hathaway, Jason Sudeikis, Austin Stowell, Tim Blake Nelson, Dan Stevens, Hannah Cheramy, Nathan Ellison, Sarah Surh, Haeun Hannah Cho, Carlos Joe Costa, Melissa Montgomery, Christine Lee, Rukiya Bernard, James Yi, Alyssa Dawson, Miho Suzuki, Charles Raahul Singh, Jenny Mitchell, Maddie Smith, Everett Adams, Agamdeep Darshi. Directed by Nacho Vigalondo

It is said that within all of us there are both angels and monsters. For the most part, the majority of us try as hard as we can to keep that monster inside and let the angel out but it can be difficult, particularly if we are coping with more than we can handle. That’s when those monsters can show their faces and take control.

Gloria (Hathaway) has some issues. She is chronically unemployed or underemployed. She goes out and parties with friends most nights; sometimes for days. She drinks far too much and often doesn’t remember what she did the night before. Finally, her boyfriend Tim (Stevens) has had enough. While he loves Gloria, he can’t stand being around her anymore. Nothing he can say or do has helped. It’s time for him to remove this toxic person from his life and he not only dumps her, he packs up her stuff and tells her she has to move out of their New York apartment…or rather, his New York apartment.

With no other options, Gloria moves back to her childhood home upstate that her recently deceased mom left to her. While there she runs into childhood playmate Oscar (Sudeikis) who has an inheritance of his own – his parents bar. He offers Gloria a job waitressing there which she gratefully accepts although perhaps working in a bar isn’t exactly the best place to be for an alcoholic. By day, Oscar helps out by buying her things to help furnish her empty home; by night, they work at the bar which has bottomed out in popularity in recent years. Oscar has closed off a huge chunk of it, decorated in cowboy fashion. Gloria resolves to spruce it up and reopen it. In between, there are late nights drinking with Oscar and his friends Garth (Nelson), a philosophical drunk and Joel (Stowell), a handsome local who catches Gloria’s eye.

But things take a turn for the strange when news reports show a gigantic monster rampaging in Seoul, South Korea and then disappearing. Like everyone else, Gloria is amazed and alarmed. Unlike everyone else, Gloria discovers she has a strange connection with the monster. The monster makes strange hand gestures that are very much reminiscent of the same quirky gestures Gloria makes. She also discovers that the monsters rampages take place when she is in the playground at a local park. She begins to realize that she is the monster.

Before too long, a second monster appears – a giant robot and Gloria’s monster is needed to do battle with it. She also finds she needs to do battle in real life as well with someone she trusted who has become abusive and controlling. Can she summon the strength to fight on both fronts and in doing so, save the lives of millions of people in Seoul?

Giant monster or kaiju films have regained popularity recently with the successes of Godzilla and Kong: Skull Island as well as dozens of films in Asia. This is a very different take on them. Spanish director Vigalondo has been an up-and-coming name in horror films in recent years and this might just be his best work yet. It’s imaginative and thought-provoking, the latter of which being a rare quality in movies that are as entertaining as this one.

Hathaway gives a marvelous performance as a woman who has lost control of her life and who’s made a ton of bad choices, many of which were informed by alcohol abuse. She is appealing here as she is in most of her films and even though her character isn’t always doing the right thing we still end up rooting for her. Sudeikis is also a very likable screen personality and while the movie begins with him playing a role that is typical for him it changes somewhat as the film progresses. It’s really a marvelous role for him as it allows him to expand his range.

While the special effects reflect the movie’s small budget, the movie explores all sorts of things during the course of its run time from living with substance abusers to domestic violence and taking responsibility. These are some heavy topics for what is essentially a kaiju comedy that turns into something a little deeper.

This played the Florida Film Festival last month and one of the programmers for the Festival reported that a couple of angry ladies accosted him following the screening of this film and complained that it glorifies domestic abuse. Quite frankly with respect to the ladies making the complaint, I believe that their interpretation is quite a bit off the mark. One of the points that the movie is making is that domestic violence can come from people who are the nicest of guys outwardly; that’s why it’s so shocking when it happens in the film. Rather than glorifying domestic violence, the scenes depicting it show it for what it is – a disgusting, cowardly act.

While the movie’s final third is a little less impressive than the first two, it maintains interest throughout. Vigalondo has the annoying habit of having the onscreen characters visibly react to things that the audience can’t see which after having been done a few times gets to be a little bit annoying, but that’s really small potatoes. This is an inventive take on the giant monster movies that is both retro and modern. It’s cinematic fun of the highest order and should be a must-see for anyone who likes good entertainment with a dash of perspective.

REASONS TO GO: It’s definitely a different take on kaiju films. Hathaway makes an appealing drunk. Sudeikis is so charming to begin with his attitude change is all the more shocking. It is refreshing for a movie this entertaining to be this thoughtful as well.
REASONS TO STAY: It loses steam about 2/3 of the way through. The film has the annoying habit of showing actors reacting to things not revealed to the audience.
FAMILY VALUES: There is a whole lot of profanity and scenes of mass destruction and violence.
TRIVIAL PURSUIT: Hathaway was in the second trimester of her pregnancy while she filmed this.
CRITICAL MASS: As of 5/5/17: Rotten Tomatoes: 79% positive reviews. Metacritic: 70/100.
COMPARISON SHOPPING: Big in Japan
FINAL RATING: 8/10
NEXT: Unrest

Beauty and the Beast (2017)


Shall we dance?

(2017) Fantasy (Disney) Emma Watson, Dan Stevens, Kevin Kline, Luke Evans, Josh Gad, Ewan McGregor, Ian McKellen, Emma Thompson, Hattie Morahan, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ray Fearon, Haydn Gwynne, Gerald Horan, Nathan Mack, Clive Rowe, Thomas Padden, Gizmo, Rita Davies, Adrian Schiller, Harriet Jones, Zoe Rainey. Directed by Bill Condon

 

Disney has of late taken the strategy of remaking animated classics as live action films. It has thus far been successful for them; Maleficent, Jungle Book and Cinderella have both been moneymakers for the studio. Now comes the most lavish and most recent of the animated classics to get a live action version.

The tale’s as old as time; Belle (Watson) is a bookish, intelligent young woman growing up in a provincial town in France in the 18th century. The daughter of Maurice (Kline), a widowed inventor, she happily borrows every book she can get her hands on and cheerfully ignores the advances of the young men of the town, particularly Gaston (Evans), a former soldier chafing in his idleness in a life of hunting and drinking, assisted by the loyal LeFou (Gad).

On the way to the market, Maurice gets chased by wolves onto the grounds of a creepy looking castle. It turns out to be inhabited by a dreadful Beast (Stevens) and living furniture who used to be the servants of the castle. When Maurice’s horse comes home without him, Belle knows something is wrong and races out to rescue her father. When she finds him locked up in a prison cell in the castle, shivering and sick, she offers to take his place and the Beast agrees.

What she doesn’t know is that the Beast and all who lived with him are victims of a curse leveled by a witch (Morahan) who was refused hospitality on a cold stormy night because she was ugly. Now time is running out on the curse which can only be broken by someone who loves the Beast and is loved by him. But Belle is beautiful; she can have any man she wants. Why would she want a Beast?

Although roughly based on the French fairy tale, this version more closely adheres to the 1991 Disney animated version and includes the songs written by the Oscar-winning duo of the late Howard Ashman and Alan Mencken and includes four new songs written by Mencken and lyricist Tim Rice. The results are lush and elegant, gathering many of the elements that worked so well in the original and transferring them note-perfectly into live action.

The production design here is intense and we feel that we are given a glimpse not necessarily into 18th century France so much as a France of myth and legend. It’s an idealized version that is at odds with the suffering amongst the poorer classes that was so great that they rose up and slaughtered their own ruling class. Here however, the ruling class in their rococo Versailles is beloved by the simple folk despite the cruelty and conspicuous consumption displayed by the palace’s occupant that was so egregious that he and all around him were cursed. Well, he had some daddy issues so I suppose he can be excused, right?

There also was much made over the “outing” of LeFou as Disney’s first outright gay character, but even that is a bit of a tempest in Mrs. Potts (Thompson). LeFou’s coming out consists of him dancing with another man (who is dressed as a woman for reasons I won’t get into here) for a few seconds of screen time at the movie’s conclusion. Considering the brouhaha it created in the religious right, I’m not surprised Disney is taking baby steps towards inclusion (there are also a couple of interracial couples among the castle’s inhabitants) but it does feel like the studio didn’t have the courage of their convictions here.

Still, one must commend them for at least trying and for not bending to pressure, refusing to re-cut the movie for Malaysian censors who banned the film from their country based on those few seconds of screen time. Personally, I think the studio should have cut the film a little more judiciously; it runs over two hours long which is about 45 minutes longer than the original animated feature. Condon and writers Stephen Chbosky and Evan Spillotopoulos flesh out the backstory, explaining why Belle’s mother is out of the picture and why the Beast’s human prince was such a rotten individual among other things and it makes the movie a little too ponderous for its own good. Several little princesses in full regalia at the screening Da Queen and I attended got extremely restless during the movie’s final half hour.

But the ending is definitely worth it. It is slightly different than the animated version and the difference is enough to really tug at the heartstrings and create an emotional catharsis that warms the cockles even as you’re wiping away the tears. I didn’t expect to like this as much as I did; everything I heard about it made me fear that it was a bloated mess and in some ways it is, but there is enough heart here that it actually becomes a worthwhile viewing. Plenty of little princesses are going to be demanding that their parents add this to their video collection not too long down the line when it becomes available.

Chances are, you’ve already seen this and if you haven’t, I strongly urge you see it on the big screen while you still can. The amazing special effects deserve the best possible presentation. Even if you aren’t required to see it by a child in your life, this is actually a fine motion picture for adults, if for no other reason the nostalgia that it evokes. It truly is a tale old as time.

REASONS TO GO: The special effects are gorgeous. The film has a lot more heart than you’d expect from an effects-heavy fantasy.
REASONS TO STAY: There’s a little too much ephemera.
FAMILY VALUES: There is some violence and action sequences, scenes of peril and a few frightening images.
TRIVIAL PURSUIT: Ian McKellen was originally offered the part of Cogsworth for the 1991 animated version and turned it down (David Ogden Stiers eventually took the role) but he chose to accept it this time out.
CRITICAL MASS: As of 5/4/17: Rotten Tomatoes: 71% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Cinderella
FINAL RATING: 7.5/10
NEXT: The Dinner

New Releases for the Week of May 5, 2017


GUARDIANS OF THE GALAXY VOL. 2

(Disney/Marvel) Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel (voice), Bradley Cooper (voice), Kurt Russell, Karen Gillan, Michael Rooker. Directed by James Gunn

The summer blockbuster season is here and it kicks off with a bang as the ragtag bunch of outsiders who saved the galaxy in 2014 return to save it again and boy, does it need saving!  As the Guardians try to fathom the mystery of who Peter Quill’s father is, a new threat looms that will challenge this somewhat argumentative team and lead into next summer’s Avengers: Infinity War. Stay after the closing credits roll for no less than five post-credits scenes.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action and violence, language and brief suggestive content)

Colossal

(Neon) Anne Hathaway, Jason Sudeikis, Austin Stowell, Tim Blake-Nelson. Gloria has to pick her life up and start all over again after her boyfriend, tiring of her constant partying and her alcohol issues, throws her out. She heads to her old hometown to live in the house her mom left her when she passed away. Gloria runs into an old school chum who gives her a job at his bar, but the two watch in horror as a giant monster terrorizes Seoul, South Korea. When it turns out Gloria has a strange connection with the creature, things get really weird. This Florida Film Festival favorite is the first movie to play the Enzian post-festival.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: PG-13 (for crude humor, sexual references and gestures, and for brief nudity)

The Dinner

(The Orchard) Richard Gere, Laura Linney, Steve Coogan, Rebecca Hall. Two brothers – one a popular congressman running for governor, the younger a troubled man estranged from his golden boy older brother since childhood, get together for dinner at one of the most fashionable restaurants in town. Their teenage boys, despite the hostility between their dads, are the closest of friends – and together have committed a horrible crime. While their guilt hasn’t been discovered and may never be, their parents have to face their consciences and decide how far they are willing to go to protect the ones they love.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex, Regal Oviedo Mall, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for disturbing violent content, and language throughout)

Norman

(Sony Classics) Richard Gere, Dan Stevens, Steve Buscemi, Michael Sheen. Norman, a man living on the fringes of New York City’s powerful manages to give an Israeli politician a gift of expensive shoes when the latter is visiting the Big Apple at a low point in his career. Cut to several years later when that politician is now Prime Minister and Norman uses the cache of his legitimate connection to put together a complex financial deal that threatens to blow apart and cause an international scandal. Norman, finally where he wants to be, could lose everything if he doesn’t make things right.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: R (for some language)