Danny Collins


Pacino describes the size of his paycheck as a bemused Bening and Benoist look on.

Pacino describes the size of his paycheck as a bemused Bening and Benoist look on.

(2014) Dramedy (Bleecker Street) Al Pacino, Annette Bening, Bobby Cannavale, Jennifer Garner, Christopher Plummer, Melissa Benoist, Josh Peck, Nick Offerman, Aarti Mann, Katarina Cas, Giselle Eisenberg, Anne McDaniels, Eric Lange, Brian Smith, Michael Patrick McGill, Cassandra Starr, Scott Lawrence, Meghan Aruffo, Eric Schneider, Linda Wang. Directed by Dan Fogelman

Fame is something we wear on our heads like a sombrero; it might appear to some to be like a halo but at the end of the day it’s just straw.

Danny Collins (Pacino) has been living with fame for most of his adult life. Once a promising folk singer, a cross between Bob Dylan and John Lennon, he has settled into a groove as a soft rock pop star, feeding off the energy of his massive hit “Hey Baby Doll” and others of that ilk, not a one of them written by Danny Collins and none of them as heartfelt or insightful as those he wrote himself in his youth. But thirty years have passed under that bridge and there’s an awful lot of water that went with it.

After another rote concert filled with screaming old ladies whose days of beauty were decades gone and who retained just enough of their bloom to be utterly ridiculous, he’s ready to give it all up. Those feelings are sealed when his best friend and manager Frank (Plummer) gives him a letter written to him by John Lennon back in his youth. You see, Danny had done an interview with a now-defunct rock magazine with a smarmy interviewer (Offerman); the interview catches the attention of none other than John Lennon who wrote him a letter care of the smarmy interviewer who promptly sold the thing. Frank had only found it a few months earlier.

For Danny, the effect is galvanizing. He tells Frank to cancel his upcoming world tour and points his private jet towards Jersey – not before breaking up with Sophie (Cas), his much younger fiance. Why Jersey? That’s because that’s where his estranged son Tom (Cannavale) lives. Tom is a working class guy, the sort that takes whatever construction job comes his way in order to feed his family; his very pregnant wife Samantha (Garner) and his severely ADHD afflicted daughter Hope (Eisenberg). Danny was pretty absent in Tom’s life and Tom didn’t take kindly to it and hasn’t really been able to get past it.

But given Danny’s sex drugs and rock and roll lifestyle, that might not have been a bad thing. ┬áDanny has made a lot of mistakes in his life and in many ways his chickens have come home to roost. He has occupied a room in a suburban Hilton, arranged for a grand piano to be brought in and sets out to woo the attractive manager Mary (Bening) and charm his family, but both are uphill battles for a man who has become used to taking the path of least resistance.

Fogelman, who’s made a tidy career writing Disney animated films (including Cars) and unimpressive comedies (including Last Vegas) makes his directorial debut here. In all truth it’s pretty solid if unspectacular; Fogelman hits all of the right notes and while he doesn’t take a whole lot in the way of chances, he delivers a product that is more than palatable.

That’s mainly because of the presence of Pacino who delivers one of his more enjoyable performances of recent years. Danny is a charming Irish rogue at his best and while that sort of role hasn’t exactly been one Pacino has been noted for in his career, he does a great job of making Danny the kind of guy that you’d love to hang out with but that you wouldn’t want dating your sister.

He’s got a solid supporting cast behind him, with the ever-lovable Bening as the love interest, the just-as-charming Plummer as the best friend and Cannavale (more on him in a moment). Only Garner seems a bit wasted in her role as the daughter-in-law as she mostly seems confused and bewildered, although she shows a bit of backbone when Danny offers to get Hope in to a prestigious school that they could never afford to get her into on their own.

I honestly think Cannavale has it in him to be an A-list leading man. He has mostly been cast in thug roles but I don’t think they suit him very well; he seems to do better with more sympathetic parts. Here he’s gruff and a bit stubborn but at his core he’s a good-hearted man who just wants to do right by his family.

The soundtrack is definitely worthwhile with plenty of John Lennon songs, although they are used a bit of a ham-handed manner; I mean, we don’t need to hear “Working Class Hero” to know that Tom is just that or “Instant Karma” after a failed attempt at reconciliation with Tom. The Danny Collins songs – the Leonard Cohen-like one he’s writing in the hotel, and the insipid pop “Hey, Baby Doll” are less memorable.

The story is a bit rote and the plot twists are pretty old school if you ask me. Then again, this isn’t a movie about redemption; it’s about understanding who you are and growing when need be. What I like about this movie is that Danny doesn’t end up being the perfect grandfather/father and write insightful songs that re-energize his career. The changes in his life are coming piecemeal as best as he can. In that sense, Danny Collins is a real character because real people don’t make wholesale changes but gradual ones. Nothing happens overnight except maybe a Beyonce album.

REASONS TO GO: Pacino is a hoot. Cannavale continues to be a cinematic presence.
REASONS TO STAY: Doesn’t really inspire audience commitment. Predictable ending.
FAMILY VALUES: There is a fair amount of foul language, some nudity and some drug use.
TRIVIAL PURSUIT: The movie was inspired by the real life story of English folk performer Steve Tilston who learned of a similar letter sent to him by John Lennon 40 years after the fact.
CRITICAL MASS: As of 4/24/15: Rotten Tomatoes: 78% positive reviews. Metacritic: 58/100.
COMPARISON SHOPPING: Somewhere
FINAL RATING: 6/10
NEXT: Unfriended

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New Releases for the Week of April 3, 2015


Furious 7FURIOUS 7

(Universal) Vin Diesel, Paul Walker, Michelle Rodriguez, Jason Statham, Kurt Russell, Dwayne Johnson, Jordana Brewster, Tyrese Gibson, Ludacris, Lucas Black. Directed by James Wan

To use a marketing cliche, this time it’s personal. After taking down the bad guy in Fast and Furious 6, the crew are up against the big bad brother of the last bad guy and he’s already killed one of their number. He intends to hunt them down one at a time – unless they can come together as a family and stop him the only way they know how; high octane.

See the trailer, interviews, clips, promos, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard, IMAX (opens Thursday)
Genre: Action
Now Playing: Wide Release
Rating: PG-13 (for prolonged frenetic sequences of violence, action and mayhem, suggestive content and brief strong language)

Danny Collins

(Bleecker Street) Al Pacino, Annette Bening, Christopher Plummer, Bobby Cannavale. An aging rock star on the downslope of his career hasn’t written a hit in 30 years, but after a letter surfaces written by John Lennon back when said aging rock star was a young Turk, inspires him to leave his prefabricated pop behind and go back to his roots, which means reconnecting with a son that doesn’t want him in his life, and establish new roots with the pretty manager of the hotel he’s staying at.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village
Rating: R (for language, drug use and some nudity)

Effie Gray

(Adopt) Dakota Fanning, Emma Thompson, Claudia Cardinale, Derek Jacobi. The story of one of the most notorious sexual scandals of Victorian England between noted art critic John Ruskin, his teen bride Effie Gray and painter John Everett Millais. In an era where divorce was not an option, same sex love even more so and when women were not expected to have a voice or their own ideas, Gray would shatter boundaries but at a high personal cost.

See the trailer video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Selected Theaters
Rating: PG-13 (for thematic and sexual content, and some nudity)

Woman in Gold

(Weinstein) Helen Mirren, Ryan Reynolds, Daniel Bruhl, Katie Holmes. An elderly Jewish woman, who fled Vienna 60 years earlier to escape the Nazis, wants to reclaim family possessions seized by the Nazis to leave as a legacy for her family. One of the items is a painting called “Woman in Gold” by Gustav Klimt, one of Austria’s national treasures and hanging in their national museum. She undertakes to sue the Austrian government for its return, particularly since the subject of the painting was her Aunt to whom she held a special affection. This David and Goliath tale is based on actual events.

See the trailer, clips and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal Winter Park Village
Rating: PG-13 (for some thematic elements and brief strong language)