(2016) Holiday Comedy (Paramount) Jason Bateman, Olivia Munn, T.J. Miller, Jennifer Aniston, Kate MacKinnon, Courtney B. Vance, Jillian Bell, Rob Corddry, Vanessa Bayer, Randall Park, Sam Richardson, Karan Soni, Jamie Chung, Abbey Lee, Da’Vine Joy Randolph, Andrew Leeds, Oliver Cooper, Chloe Wepper, Matt Walsh, Ben Falcone, Adrian Martinez, Lynne Ashe. Directed by Josh Gordon and Will Speck
Holiday parties are a tradition for workers around the country. Some parties are staid and somewhat dull, others are raucous – generally in proportion to how much alcohol is consumed. Careers can be wiped out – or once in a great while – made by someone’s performance at an office Christmas party.
Josh Parker (Bateman) is the recently divorced head of I.T. at the Chicago branch office of Zenotek, a firm that manufactures data storage devices. The branch manager is Clay Vanstone (Miller), son of the founder. However Clay’s big sister Carol (Aniston) is the acting CEO who is engaging in cost-cutting measures to keep the bottom line looking sharp so the temporary position becomes permanent.
One way of cutting costs would be to close down the Chicago office which hasn’t been performing up to standards, which Carol has conveniently raised. Carol and Clay have had a sibling rivalry that goes back to childhood and Carol is taking absolute delight in shutting down Chicago, despite the fact that it was the office that their father ran. However, there is one glimmer of hope; there’s a multi-million dollar account that Clay and his IT team have been pursuing. If they can get Walter Davis (Vance), a representative of that company, to sign on the dotted line the Chicago office and all the jobs there will be saved.
Unfortunately, Walter is looking at other options and in a last-ditch effort he is invited by Clay to the office Christmas party that night, one which Carol has already canceled. However the thought is if they can show Walter a good time, he might be impressed enough with the corporate culture of Zenotek to go with them instead.
Therefore, Clay prepares for the party of the century with an ungodly amount of alcohol, a living nativity scene, an ice luge, a DJ straight out of 1997 and enough oversexed techies to fill up a bad porn film. Paranoid tech whiz Tracey (Munn) may have a program that might bring the company to the next level – assuming she gets the self-confidence to finish it – hooks up with Josh, while Nate (Soni) hires a prostitute (Lee) to pose as a supermodel girlfriend he’s been bragging about. Mary (MacKinnon) is the uptight H.R. rep who may be the party pooper – or the life of the party. And it looks like they have a real shot at getting Walter Davis to get on the right page. Still, it will take a Christmas miracle to keep the doors open in the Chicago branch.
This is essentially a raunchy ensemble sex comedy revolving around a party as the crux of the film and let’s face it; this is neither a new idea nor an uncommon one. Generally there are a couple of movies with this basic plot released every year – this one having a holiday theme to differentiate it (most of these sorts of films are set at high school graduation parties). This has a better-than-average cast which helps elevate the film above the B-movie these types of films tend to be.
Most of these types of movies can’t boast the likes of Bateman, one of the most likable actors in Hollywood. Nor can they boast the likes of Aniston, who is as versatile an actress as there is working today. With a cast that includes Miller, MacKinnon, Bell, Corddry and Park – some of the funniest comic actors in America – there is plenty of potential here and certainly from time to time the movie lives up to it.
But then again, the movie has a very pedestrian, predictable plot that leaves you feeling like somebody took a rough outline of elements cribbed from other movies and then stuck the actors in to ad-lib their own lines. That can work under the right circumstances but not here, sadly. It feels a bit tired overall, like something one has experienced time and time again without much variation. The jokes are fairly predictable and like a lot of comedies these days, thinks the farther that the raunchiness is pushed the funnier the film. I’m no prude but I need a little bit more than crude visual jokes to hit my guffaw button.
This isn’t a bad movie by any stretch, but it isn’t a particularly good movie. It’s just kinda there, and if that’s all you need, this will fit the bill. If you’re looking for something a little more daring, a little more outrageous, keep looking.
REASONS TO GO: There’s nothing particularly off-putting here.
REASONS TO STAY: There’s nothing particularly noteworthy here.
FAMILY VALUES: Lots of sexual humor, nudity, profanity, drug use and adult themes.
TRIVIAL PURSUIT: This is the fifth film to star both Jason Bateman and Jennifer Aniston.
CRITICAL MASS: As of 12/26/16: Rotten Tomatoes: 43% positive reviews. Metacritic: 42/100.
COMPARISON SHOPPING: Project X
FINAL RATING: 5/10
NEXT: Into the Inferno