BrightBurn


With eyes all aglow.

(2019) Superhero Horror (Screen Gems) Elizabeth Banks, David Denman, Jackson A. Dunn, Abraham Clinkscales, Christian Finlayson, Jennifer Holland, Emmie Hunter, Matt Jones, Meredith Hagner, Becky Wahlstrom, Terence Rosemore, Gregory Alan Williams, Elizabeth Becka, Steve Agee, Michael Rooker, Steve Blackehart, Mike Dunston, Annie Humphrey. Directed by David Yarovesky

 

Superman was very much a product of his times, an alien baby adopted by human parents when his spaceship crashed to Earth. Possessed of nearly godlike powers, he uses those powers for good and upholding truth, justice and the American way. Even in the midst of a Depression, that seemed very plausible to most Americans, particularly in the Heartland where the Superman saga was initially set.

Nowadays, we see things differently. Take the same storyline – with Elizabeth Banks and David Denman taking the roles of Ma and Pa Kent – and even essentially the same location (Kansas) and set in in 2019 and what you have is not an inspiration but sheer terror. This kid is no way going to use his powers for good but instead to tear this country into pieces – small ones.

=It’s a nifty concept although there have been other dark superhero stories before, even horror tinged ones but almost all of them have been on the printed page. There are plenty of nods to the Superman mythos, from the alliteratively named Brandon Breyer (Dunn), the superhero to the red, yellow and blue color scheme that Brandon often wears to the superpowers themselves. At times it gets heavy handed.

The movie was produced by James Gunn who has been a frequent critic of the President and the movie, written by one of his brothers and a cousin, makes some political allusions that are hard to ignore, although some are a bit more tenuous than others. Certainly, those who are sensitive to such things will notice.

Banks actually does a terrific job as a cross between the aforementioned Ma Kent and Laurie Strode. She captures a mother’s undying need to believe in the best of her child even as her husband exclaims “He’s not our child! We found him in the woods!” which is accurate enough but misses the point completely, just like a man as I can hear many women thinking. Most of the rest of the cast is solid.

The ending is anti-climactic which isn’t surprising because the writers pretty much paint themselves into a corner which leads to predictability. I had high hopes for this one because of Gunn’s involvement but this doesn’t live up to the standards of most of his other films. It isn’t a bad movie but it’s disappointing given its pedigree.

REASONS TO SEE: Dunn is sufficiently creepy in this anti-Superman story.
REASONS TO AVOID: Nice concept but a bit too heavy-handed.
FAMILY VALUES: There are some grisly images, profanity and violence.
TRIVIAL PURSUIT: The school scenes were shot in the same now-closed high school in Georgia where the middle and high school scenes were shot for the hit Netflix series Stranger Things.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Vudu, YouTube
CRITICAL MASS: As of 10/30/19: Rotten Tomatoes: 57% positive reviews: Metacritic: 44/100.
COMPARISON SHOPPING: Superman: The Movie
FINAL RATING: 6/10
NEXT:
Making Waves: The Art of Cinematic Sound

New Releases for the Week of May 24, 2019


ALADDIN

(Disney) Will Smith, Naomi Scott, Mena Massoud, Marwan Kenzari, Billy Magnusson, Nasim Pedrad, Alan Tudyk (voice), Jordan Nash. Directed by Guy Ritchie

Continuing Disney’s recent spate of live action remakes of animated hits, a young Arabian thief discovers a magic lamp and frees the genie within, allowing him to be transformed into a handsome prince to win the princess of his dreams. However, an evil sorcerer has his own plans for the lamp.

See the trailer, video featurettes, clips and promos here
For more on the movie this is the website
Genre: Family
Now Playing: Wide Release
Rating: PG (for some action/peril)

Booksmart

(Annapurna/United Artists) Kathryn Dever, Beanie Feldstein, Billie Lourd, Skyler Gisondo Two hard-working high school seniors who were academic champions at their school come to the realization that they should have spent a little more time having fun. They are therefore determined to cram four years of fun into a single night.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website  
Genre: Comedy
Now Playing: Wide Release
Rating: R (for strong sexual content and language throughout, drug use and drinking – all involving teens)

BrightBurn

(Screen Gems) Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones. A childless couple find a child in a crashed spacecraft and raise them on their own. Sound familiar? Think of this as Superman Dark.

See the trailer and a clip here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: R (for horror violence/bloody images, and language)

India’s Most Wanted

(Fox STAR) Arjun Kapoor, Rajesh Sharma, Prasanth, Gaurav Mishra. Based on the true story of the largest covert operation in the history of India in which a vicious terrorist is captured without firing a single bullet.

See the trailer and clips here
For more on the movie this is the website  
Genre: Action
Now Playing: Touchstar Southchase
Rating: NR

Photograph

(Amazon) Nawazuddin Siddiqi, Sanya Malhotra, Akash Sinha, Abdul Quadir Amin. A struggling street photographer in Mumbai, heavily pressured by his grandmother to marry, manages to convince a shy young stranger to pose as his fiancé. Unexpectedly, the two form a deeper bond that transforms them in ways they couldn’t have predicted.

See the trailer and a clip here
For more on the movie this is the website  
Genre: Romance
Now Playing: Regal Winter Park Village
Rating: PG-13 (for some thematic material)

PM Narendra Modi

(Rising Star) Vivek Oberoi, Boman Irani, Barkha Bhist, Anjan Srivastav. The story of the often controversial Indian Prime Minister, who was recently re-elected to a second term.

See the trailer, clips and video featurettes here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: AMC West Oaks
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Assimilate
Between Maybes
Combat Obscura
The Poison Rose
The Professor

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

All is True
Between Maybes
The Cold Blue
Non-Fiction
Sita

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Isabelle
Ratnamanjari
Sita

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Between Maybes
Sita

SCHEDULED FOR REVIEW:

Aladdin
Booksmart
BrightBurn

New Releases for the Week of August 17, 2018


CRAZY RICH ASIANS

(Warner Brothers) Constance Wu, Henry Golding, Michelle Yeoh, Gemma Chan, Lisa Lu, Awkwafina, Harry Shum Jr., Ken Jeong, Sonoya Mizuno. Directed by Jon M. Chu

A native New Yorker of Asian descent falls in love with a young man from Singapore. As things are starting to get serious between them, she is invited to meet his family and it turns out that they’re crazy wealthy – not to mention just plain crazy. This romantic comedy has been getting strong reviews which is unusual for any rom-com.

See the trailer, interviews and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release (opened on Wednesday)

Rating: PG -13 (for some suggestive content and language)

1945

(Menemsha) Peter Rudolph, Bence Tasnádi, Tomás Szabó Kimmel, Dóra Sztarenki. As a small Hungarian village prepares for the wedding of the son of the town clerk one morning in August 1945, two mysterious strangers in black show up at the railway station, starting a chain reaction as the town is brought short to face the actions of the War.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: NR

Alpha

(Columbia) Kodi Smit-McPhee, Natassia Malthe, Leonor Varela, Jóhannes Haukur Jóhanneson. In the Ice Age, a young hunter is injured. Left to die, he helps an injured wolf. The two face a harsh world as allies as he struggles to reach home before winter.

See the trailer here
For more on the movie this is the website

Release Formats: Standard, 3D, IMAX 3D
Genre: Adventure
Now Playing: Wide Release

Rating: PG-13 (for some intense peril)

Gold

(ZEE) Akshay Kumar, Mouni Roy, Kunal Kapoor, Amit Sadh. In 1948 India was a newly minted country, released from colonial status from the British empire. They were participating in their first Olympic Games as an independent nation. Their field hockey team was set to take on the British team. They were not expected to win. You can imagine what happened next.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Sports Drama
Now Playing: AMC West Oaks

Rating: NR

The Little Mermaid

(Freestyle) Poppy Drayton, Shirley MacLaine, William Moseley, Gina Gershon. Loosely based on the Hans Christian Andersen fable, a young reporter and his niece discover a beautiful girl that they suspect might be the real Little Mermaid.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Fantasy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex

Rating: PG (for action)

Mile 22

(STX) Mark Wahlberg, Lauren Cohan, Iko Uwais, John Malkovich. A police officer with sensitive information needs to be smuggled out of his native country. Assigned to the job is an American intelligence officer and his elite tactical squad. However, in order to make the rendezvous at Mile Marker 22 he is going to have to run a gauntlet of those who want the cop silenced – and they seem to know every move he makes before he makes it. This is another collaboration between Wahlberg and director Peter Berg.

See the trailer here
For more on the movie this is the website

Release Formats: Standard, Dolby, IMAX
Genre: Action
Now Playing: Wide Release

Rating: R (for strong violence and language throughout)

Puzzle

(Sony Classics) Kelly Macdonald, Irrfan Khan, David Denman, Helen Piper Coxe. A suburban housewife, taken for granted by her family, develops a passion for solving jigsaw puzzles. She impulsively enters a jigsaw competition and finds herself immersed in a whole new world she could never have imagined.

See the trailer and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for language)

Summer of ‘84

(Gunpowder & Sky) Graham Verchere, Judah Lewis, Caleb Emery, Tiera Skovye. A group of suburban teens suspect that the neighborhood cop might be the serial killer who has been plaguing their town. They spend the summer keeping an eye on him and looking for evidence. But the closer they come to discovering the truth, the more dangerous things get. This Florida Film Festival favorite has been compared to Stranger Things.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater (Friday and Saturday midnight shows only)
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Benched (Rounding Third)
Geetha Govindam
Kolamavu Kokila
Koode

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Billionaire Boys Club
Geetha Govindam
The Good Life
Koode
The Miseducation of Cameron Post
Puppetmaster: The Littlest Reich

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Billionaire Boys Club
Down a Dark Hall
Geetha Govindam
The King
Koode
McQueen
Running for Grace
The Spy Gone North

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Geetha Govindam
Kolamavu Kokila

SCHEDULED FOR REVIEW:

Alpha
Crazy Rich Asians
The Little Mermaid
Mile 22
Summer of ‘84

Logan Lucky


Logan Lucky gives you the most Joe Bang for your buck.

(2017) Heist Comedy (Bleecker Street) Channing Tatum, Adam Driver, Riley Keough, Katie Holmes, Daniel Craig, David Denman, Farrah Mackenzie, Seth MacFarlane, Charles Halford, Hilary Swank, Brian Gleeson, Jack Quaid, Katherine Waterston, Dwight Yoakam, Sebastian Stan, Darrell Waltrip, Jeff Gordon, LeAnn Rimes, Macon Blair, Ann Mahoney. Directed by Steven Soderbergh

 

When Steven Soderbergh announced he was retiring from directing Side Effects in 2012, a lot of film buffs – this one included – were disappointed. Soderbergh had been for more than 20 years one of the most fascinating and interesting directors ever since emerging from the indie ranks. He’d directed huge blockbusters and small intimated films but the time had come for him to hang it all up.

Thankfully, he couldn’t stay away for very long and his retirement only lasted five years. He’s back with this stupid entertaining film that can best be described as Elmore Leonard by way of The Dukes of Hazzard or the unholy lovechild of Oceans 11 and Talladega Nights.

Jimmy Logan (Tatum) is a former football star whose NFL dreams were derailed by a knee injury. Since then, he’s worked whatever jobs he could find, be them in the mines of West Virginia or a construction gig in North Carolina. Through it all he makes the time to be a dad to Sadie (Mackenzie) who lives with her mom Bobbie Jo (Holmes) and her new husband Moody (Denman).

The Logan clan has always been the poster children for the adage “If it wasn’t for bad luck they wouldn’t have any luck at all.” Jimmy’s bum knee comes to the attention of the insurance company who deem it a pre-existing condition and the construction company that Jimmy is working for in the bowels of the Charlotte Motor Speedway has to let him go. To make matters worse, it turns out that Moody is opening up a new car dealership in a distant part of West Virginia and Jimmy is likely not going to see his daughter hardly at all. Moving to be close to his little girl is something he simply can’t afford.

So he decides that he is going to have to finance his life the old-fashioned way – by stealing, and he has a whopper of a plan. He’s going to rob the Charlotte Motor Speedway during a car show when the attendance is low and security is lax. Jimmy can’t do the job by himself so he enlists his war veteran brother Clyde (Driver) who lost his arm in Iraq, and his hairdresser sister Mellie (Keough).

Even that won’t be enough however; he needs a demolition expert and there are none better at it than Joe Bang (Craig). Unfortunately, Joe has had a disagreement with the law and is currently in residence at the West Virginia state penitentiary.. Jimmy and Clyde are going to have to break out Joe so his absence isn’t noticed and sneak him back in so that it’s like he was never gone. Why not just stay out? Because he’s close to his parole date and he doesn’t want to mess it up. Jimmy’s got a plan for that too, however.

Heist movies, when done properly are maybe the most entertaining of all movie genres. Fortunately, this one is done properly. It has a large cast but not too large; it’s got some fairly impressive names in it and a director who knows how to make use of them. The writing is taut and smart and even though much of the dialogue is delivered in thick Mountaineer State accents the pacing moves at lightning speed. There is literally never a dull moment in this film.

I have to admit that early on in Tatum’s career I was not a fan. I’m happy to say that I am now however. He has worked hard and improved almost with every movie; he has learned to improve where he can and on those things he hasn’t improved upon (yet) he makes sure he chooses roles that don’t accentuate his flaws. He has enough onscreen charm to make Leona Helmsley smile through a toothache and of course just about any lady (and quite a few men) will tell you that he’s not so hard on the eyes.

Daniel Craig is a revelation here. Generally he plays tightly wound characters but here he seems to let absolutely loose and have more fun than I’ve ever seen him have with a character, well, ever. With his bottle blonde spiky hair and cornpone accent so thick that it might have been laid on with a trowel, he inhabits the character without fear or inhibition. I would be happy to see a Joe Bang spin-off movie.

Soderbergh excels at these sorts of movies. His Oceans series is proof of that but he knows how to pace a movie to leave the audience breathless. This is about as high-octane as a NASCAR race and the viewer never has to wonder for a moment what’s going to happen next because Soderbergh wastes not a moment in this film. He also infuses it with a jet-propelled soundtrack of roots rock, country and high-octane rockers that hit the audience like a dose of jet fuel.

Now those of a Southern rural background might take offense to this and I can’t say as I blame them. The movie really plays to Hollywood stereotypes as the Southern rubes that are street-clever and get one over on the city slickers It is this kind of disparagement that drove many West Virginians to vote for Trump. Maybe that’s something liberal filmmakers should take a look at objectively.

As it is this is as fun a movie as I’ve seen this summer and after a season of bloated blockbusters and over-hyped disappointments it’s a pleasure to just sit back and enjoy a movie that you don’t have to think about but just have fun with. This has the makings of a sleeper hit if it gets marketed right; sadly, that doesn’t appear to have been the case. A lot of moviegoers don’t know much about this movie whose trailer wasn’t much seen in theaters or on television. Hopefully enough will catch on that this is a fun movie that is everything that a summer movie should be. That should be enough to call an audience out of the heat and into the multiplex.

REASONS TO GO: This is the kind of material that is right in Soderbergh’s wheelhouse.  The film is blessed with clever writing and a terrific soundtrack.
REASONS TO STAY: Rural Southerners might find the stereotypes offensive.
FAMILY VALUES: There are some crude comments as well as a smattering of profanity.
TRIVIAL PURSUIT: Tatum and Keough both co-starred in Magic Mike, also directed by Soderbergh.
CRITICAL MASS: As of 8/18/17: Rotten Tomatoes: 93% positive reviews. Metacritic: 78/100.
COMPARISON SHOPPING: Baby Driver
FINAL RATING: 7.5/10
NEXT: Sidemen: Long Road to Glory

13 Hours: The Secret Soldiers of Benghazi


(2016) True Life Drama (Paramount) John Krasinski, James Badge Dale, Pablo Schreiber, David Denman, Dominic Fumusa, Max Martini, Alexia Barlier, David Constabile, Peyman Moaadi, Matt Letscher, Toby Stephens, Demetrius Grosse, David Giuntoli, Mike Moriarty, David Furr, Kevin Kent, Freddie Stroma, Andrew Arrabito, Kenny Sheard, Christopher Dingli, Manuel Cauchi, Frida Cauchi. Directed by Michael Bay

One of the watershed moments of the last five years is the September 11, 2012 attack on the U.S. temporary embassy in Benghazi, Libya. Three people were killed, including Ambassador Christopher Stevens. Since then, it has been used as a rallying point for the right to display the incompetence of the current administration and to place themselves in the role as advocates for the victims. The left has come to see the attack as something of a conservative media Judas goat in which facts are obscured or downright fabricated for the sake of scoring political points, particularly against presidential candidate Hilary Clinton who was Secretary of State at the time.

The movie is based on the accounts of three members of the Global Response Staff, the private contractors employed by the CIA to protect agency installations worldwide. The GRS is mainly made up of ex-military members. Jack Silva (Krasinski), a veteran of GRS tours of duty, arrives in Benghazi to find a city in chaos. Their longtime military dictator, Moammar Qaddafi had fallen and the government was struggling to keep order. The city of Benghazi was essentially ruled by competing militias of which the 17-Feb was most closely allied with American interests.

Included in the six man team protecting the Annex, the CIA installation a mile from the embassy, was Tyrone “Rone” Woods (Dale), his good friend and commanding officer; Mark “Oz” Geist (Martini), Dave “Boon” Benton (Denman) – the team sniper, John “Tig” Tiegen (Fumusa) and Kris “Tonto” Paronto (Schreiber). The station manager, known only as “The Chief” (Constabile), seems annoyed by the presence of the security professionals and warns them against engaging with the locals. Even though tensions are high, the men have a lot of down time to think about their families and their choices to serve their country so far from home.

As the anniversary of the attack of 9/11 nears, Ambassador Chris Stevens (Letscher) arrives with a small Diplomatic Services security team with the aim of strengthening U.S./Libya relations. Despite security worries on the part of the GRS team, he is determined to stay at the temporary embassy which is a security nightmare defended mostly by members of the 17-Feb militia. When after darkness falls an attack on the embassy is made by militants, the militia runs for their lives and the embassy is left wide open for attack. The GRS team wants to head over there to rescue those who are being overrun but The Chief refuses to allow them to go, unwilling to let the Annex go undefended. However, as it became clear that those at the Embassy were in mortal danger, the GRS team elected to mount a rescue mission, realizing that the militants might well follow them back to the Annex and mount an attack there as well.

Bay is known for his big budget special effects extravaganza and while there are some well-choreographed combat sequences, this is a much smaller scale than we’re used to seeing from him. In some ways you get the sense that he tends to be better suited for the Transformers-style action epics, but he handles the scale here pretty well although there doesn’t seem to be a ton of character development. I had a hard time differentiating the GRS team from each other (there are also other GRS operatives who show up later, including Glen “Bub” Doherty (Stephens) who also perished in the attack. There is a lot of gung-ho testosterone bonding among the men, which is to be expected.

The filmmakers took great pains to recreate the embassy and annex in Malta, and the combat sequences look pretty darn realistic from my uneducated point of view. Those sequences are pretty terrifying as it must have been for those inside both compounds. I would have been the one balled up in a corner weeping for my mommy. I can’t imagine living through something like that.

What was unexpected for me was the emotional impact of the film, and that has more to do with the significance of the event rather than Bay’s skills as a filmmaker. I can imagine that if the characters were a little more drawn up I would have cared a great deal more and the film would have had even more resonance. As it is you leave the movie feeling genuine grief for those who didn’t make it, as well as admiration for those who did.

Earlier I discussed the politicization of the event and it bears discussion here. Much of how you see this film is likely to be colored by your politics. Some critics of a right-wing leaning have overpraised the film (in my opinion) while other critics of a left-wing leaning have been unduly harsh (again in my opinion). I think that Bay went out of his way to make the movie apolitical, but let’s face it; making the film at all was a political statement. As best I can, I tried to leave my political hat out of it and tried to judge the film purely on entertainment value, and found that this is a solid, better than average movie that in a season when most of the offerings out there are pretty awful, can be recommended with little reservation although again, you’ll tend to see this movie viewed through the lens of your political outlook. As long as that’s duly noted, you should be okay.

REASONS TO GO: A very realistic account. A powerful emotional experience.
REASONS TO STAY: Politicization or the events may inform your perspective. Not a lot of character development.
FAMILY VALUES: Plenty of combat-style violence, rough language and some images of bloody carnage.
TRIVIAL PURSUIT: Krasinski, Denman and Constabile all starred on the hit sitcom The Office.
CRITICAL MASS: As of 2/6/16: Rotten Tomatoes: 55% positive reviews. Metacritic: 48/100.
COMPARISON SHOPPING: American Sniper
FINAL RATING: 6.5/10
NEXT: The Finest Hours