Trick ‘r Treat


Four princesses discuss the Halloween tradition of slutty costumes.

Four princesses discuss the Halloween tradition of slutty costumes.

(2007) Horror (Warner Brothers) Dylan Baker, Anna Paquin, Brian Cox, Leslie Bibb, Quinn Lord, Rochelle Aytes, Lauren Lee Smith, Monica Delain, Tahmoh Penikett, Samm Todd, Jean-Luc Bilodeau, Gerald Paetz, Connor Levins, Patrick Gilmore, T-Roy Kozuki, Britt McKillipp, Brett Kelly, Isabelle Deluce, Alberto Ghisi, Barbara Kottmeier, Laura Mennell, Amy Esterle. Directed by Michael Dougherty

6 Days of Darkness 2015

Halloween has become a revered American holiday with many traditions and tales. Some are more or less universal (at least here in America) and some are regional but all are important as part of the holiday that signals the approaching end of the year and the beginning of the holiday season.

This anthology sat on the shelf at Warners for two years before getting an excuse me release and heading straight to the purgatory of home video. Usually that’s what happens to movies that are just plain lousy. Was that the case here?

Trick ‘r Treat is an anthology horror movie in the tradition of Tales of the Crypt with interconnected stories all connected by a diminutive linking device. The movie opens with a young couple, Henry (Penikett) who loves Halloween and Emma (Bibb) who clearly doesn’t returning home after a Halloween party. Emma’s distaste for the Halloween ends up having some fairly nasty consequences for her.

Their neighbor Steven Wilkins (Baker) the high school principal, catches a young teen stealing candy from his yard which leads to a lecture – and the revelation of the principal’s dark secret which doesn’t turn out so well for the teen. It does however lead to an interesting jack-o-lantern carving session with his boy Billy (Levins). Then we move on to four teens – who had visited the Wilkins home earlier – who head out to the local quarry where according to local legend a school bus full of mentally and emotionally challenged kids were driven into the lake by the school bus driver while chained to their seats and drowned – supposedly at the behest of their ashamed parents. As one of the teens – bullied Rhonda (Todd) – discovers, some urban legends should remain just that.

Another quartet of teens including virtuous Laurie (Paquin) go to the town’s annual Halloween party on the square, hoping to find Laurie’s “first.” However, it’s not the “first” you’re probably thinking of. Finally, the town curmudgeon (Cox) who hates Halloween with an absolute passion finds that one little trick or treater named Sam (Lord) in a filthy pair of orange pajama footies with a burlap sack wrapped around his head will give him a Halloween he will never forget.

All of the stories are connected together mainly by Sam who appears in one way or another in each one. Some of the connections are a bit of a stretch but by the end of the movie it all makes sense. A tip of the hat for the writing which is rock solid.

There is a pretty decent cast here with several veterans like Cox, Paquin, Bibb and Baker who have turned in a number of solid performances over the years and all are just as solid here. Most of the supporting cast is more or less unknown but there aren’t any false notes in the acting which is impressive. Todd as a matter of fact distinguishes herself as the put-upon teen who ends up in an urban legend of her own.

The stories themselves aren’t particularly gory or innovative but they get the job done. While modern horror movies tend to rely on gore and/or special effects, these are more story-driven and in some ways are throwbacks. For old school horror fans, this should be welcome news as this really is the kind of horror that isn’t done very often these days – although in the last 18 months or so I’ve noticed that there has been more of a movement in that direction with certain individual tales in anthologies and a movie or two.

Throughout the movie we do see children and teens put in jeopardy – while the latter is no biggie as far as Hollywood is concerned, the former is a major no-no and was likely the reason the movie stayed shelved so long. The major studios are a bit squeamish about children in jeopardy, Jurassic Park notwithstanding, especially when said children are not only in peril but don’t always survive. For horror fans, that’s a big deal as we usually see kids saved in unrealistic ways or have movies watered down so the kids can survive. It’s refreshing to see that taboo bridged somewhat.

So this is one of those movies that didn’t get the release it was expected to receive nor the attention it deserved (although critics generally praised it). The horror film fan community however is well aware of the movie and has generally embraced it – so much so that a sequel has been planned (although not yet come to fruition). In any case, if you’re looking for a hidden gem to watch this Halloween, here is one for your consideration.

WHY RENT THIS: Really good scares coupled with genuinely funny moments. Pretty solid cast.
WHY RENT SOMETHING ELSE: Kids in peril may be too uncomfortable for some.
FAMILY VALUES: Plenty of violence and some gore, some sexuality and nudity and a fair amount of foul language.
TRIVIAL PURSUIT: Sam takes his name from Samhain, the Celtic festival of the dead.
NOTABLE DVD EXTRAS: An animated short prequel detailing the story of the demonic Sam is included on all editions, while the Blu-Ray also has a short history of the holiday and a look at the special effects used in the school bus scene.
BOX OFFICE PERFORMANCE: Not applicable.
SITES TO SEE: Netflix (DVD Rental only). Amazon, iTunes, Flixster, Vudu
COMPARISON SHOPPING: Creepshow
FINAL RATING: 7/10
NEXT: Six Days of Darkness continues!

Advertisements

Ghost Rider: Spirit of Vengeance


 

Ghost Rider: Spirit of Vengeance

Nicolas Cage may be laughing now but he won't be when he shows up on another Conan O'Brien Homeland Security Threat Alert sketch.

(2012) Superhero (Columbia) Nicolas Cage, Ciaran Hinds, Idris Elba, Violante Placido, Johnny Whitworth, Fergus Riordan, Anthony Head, Christopher Lambert, Spencer Wilding, Sorin Tofan, Jacek Koman, Cristian Iacob, Jai Stefan. Directed by Mark Neveldine and Brian Taylor

 

This is a movie that is just going to make you stammer. On Mark Neveldine and Brian Taylor: “Didn’t they direct Crank? That-that-that was so good!” On Nicolas Cage: “But-but-but-but…didn’t he win an Oscar? Didn’t he make Raising Arizona? Peggy Sue Got Married? Adaptation? Valley Girl?” All true. Throw those expectations out the window.

Johnny Blaze (Cage), the Ghost Rider has fled the United States and his curse of turning into a flaming headed demon who extracts vengeance (and the souls) of those who deserve it which is pretty much everybody. He is living in the Balkans now, skulking in the darkness. He is approached by a drunken French priest named Moreau (Elba) who tells him that he is needed to help protect a young boy that the Devil is after; should he fulfill his end of the bargain, his order will help him get rid of the curse. Having nothing better to do and 90 minutes of screen time to fill, he agrees.

Said boy is named Danny (Riordan) and he is the son of the comely gypsy Nadya (Placido) who wants him back. Denis Leary-esque thug Ray Carrigan (Whitworth) – who has a history with Nadya – has managed to steal the boy after blowing up the Ghost Rider with a grenade (they just don’t make demons like they used to). Still, you can’t keep a good Rider down and Blaze steals the boy back which hacks the devil off .

Satan, going by the name Roarke (Hinds) – and he’s about as far from “Fantasy Island” as you’re going to get – is pretty cheesed off so he turns the dead Carrigan into Decay, a demon that rots everything he touches – everything except Twinkies which are immune. Take that, snack food naysayers – who knew an armor made of sponge cake and filling would grant the wearer immunity from demonic powers?

Anyway it’s all leading to a ritual that must be performed on the solstice blah blah blah blah blah…you know the drill. The odds are against them but you know ol’ Flamehead will save the day. This is, after all, a Marvel Comic book adaptation.

And folks, I’m here to tell you it is the worst Marvel movie since the largely unseen 1994 Fantastic Four film that was made to retain the rights to the comic for Constantin Films (who would finally make a big budget version in 2005), and that’s saying something. This is Steel bad. This is Catwoman bad.

Neveldine and Taylor have made some nifty action films but you get the sense they were hamstrung by the PG-13 rating imposed on them by the studio. While there is some of the out-of-control seat-of-the-pants filmmaking that characterized their first movies, mostly they resort to clever camera angles and loud pulsating hard rock to turn the movie into an hour and a half long Megadeth video. This isn’t nearly as much fun or free-spirited as their earlier works; not only is it not anything goes, it feels more like nothing does.

Cage has gotten his fair share of flack for his overacting, but he sets a new bar here. Remember those Conan O’Brien bits about Nicolas Cage performances being the new means of setting Homeland Security threat levels? Cage has produced a whole new threat level. There’s a scene where he interrogates an Eastern European Eurotrash club owner about the whereabouts of Carrigan that has simply got to be seen to be believed. I honestly believed his head was going to explode (and it pretty much does in CGI when he transforms into the Rider). And while we’re on the subject of acting, can we not find a juvenile actor who could act? Riordan delivers a performance that compares unfavorably with Jake Lloyd’s wooden extravaganza as Anakin Skywalker in Star Wars Episode I: The Phantom Menace. And no, that’s not something you want said about your acting.

In fact, much of the CGI owes as much to Warner Brothers’ Looney Tunes as it does to Marvel Comics. Cage’s eyes bug out like a wolf checking out a female – I half-expected a wolf whistle and an “Ah-OOOOOOO-Gah!!!” to accompany the transformation. He also spits out bullets machine gun-style at one of Carrigan’s thugs. When you can’t do a comedic scene as well as a 70-year-old cartoon, even with all the modern technology at your disposal, you’re doing something terribly wrong.

This is simply an embarrassment. I didn’t think the first Ghost Rider was as bad as it was made out to be but this one is far worse than you can imagine. Other than Placido who is sweet to look at, and Hinds who is at least having fun chewing the scenery as a Wall Street Beelzebub, and Lambert as a tattooed monk, there really isn’t a lot to recommend this movie, other than to serve as a warning that not all Marvel movies are necessarily good.

REASONS TO GO: Film is a bit better-looking than the first Ghost Rider.

REASONS TO STAY: Cage just…oh my God. Overacting doesn’t even cover it. Story is predictable and dull. Too much “look ma I’m directing” in the action sequences.

FAMILY VALUES: There is plenty of violence, some darkly disturbing images, and plenty of bad language.

TRIVIAL PURSUIT: Eva Mendes was approached to reprise her role from the first movie but perhaps wisely she declined.

CRITICAL MASS: As of 2/24/12: Rotten Tomatoes: 15% positive reviews. Metacritic: 32/100. The reviews are a train wreck.

COMPARISON SHOPPING: The Wicker Man (2006)

TATTOO LOVERS: Lambert sports a face full as do several of the other monks. Cage as Johnny Blaze doesn’t have any per se but his flaming skull would make a wicked awesome tat.

FINAL RATING: 3/10

TOMORROW: Shame