(2014) Adventure (Greenmachine) Ella Purnell, Bruce Greenwood, Nolan Gerard Funk, Brian Geraghty, Diane Farr, Joshua Leonard, Ann Farr, Russell Josh Peterson, Bradford Jackson, Pamela R. Klein, Erin Lindsay King, Elias Christeas, Teddy Kyle Smith, Ching Tseng, Thomas Mark Higgins, Tom Okamoto, Leo Grinberg, Erick Robertson, Joe Tapangco. Directed by Frank Hall Green
When we read about teen runaways, often we look at them as anti-authoritarians who couldn’t handle being told what to do. We look down upon them, feeling that they are responsible for their own mess, and that certainly is true in some cases. The reality is that sometimes running away is the only option.
Mackenzie (Purnell) has come to Juneau, Alaska from Seattle because she really has no other choice; her father has passed away within the last year and her mother is entering treatment in Seattle for her drug dependency. She’s staying with her Uncle (Geraghty) who at first seems to be trying to be nice in the face of teen “whatever, go screw yourself” attitude and raccoon-like eye make-up from Mackenzie. She seems to warm up to him when he gives her an iPhone.
Then things get messy. A nocturnal incident leaves Mackenzie feeling vulnerable and alone; she knows she has to leave. So when the opportunity presents itself, out she gets. Armed with money she stole from her Uncle, she sets out to make her way home to Seattle but what she doesn’t realize is that Alaska is a big effin’ state.
Trying to get in out of the cold and the rain, she breaks into a motel room but it turns out that it’s not empty; Rene “Bart” Bartlett (Greenwood) has rented the room and he’s getting ready to undertake a difficult task – to hike through Denali National Park alone. When Bartlett discovers Mackenzie under the bed, she bolts, unnerving him.
For some reason she latches onto him and follows him to Denali and then into the wilderness, much to his chagrin. He tries to convince her to head back but she refuses and so reluctantly he takes the woefully unprepared girl along with him. What he ends up discovering is that he needs her as much as she needs him.
I’m not sure how to characterize this film, whether it is a coming of age film or an Alaska wilderness adventure or a social commentary. It has elements of all of these things and you wouldn’t be wrong in characterizing it as any of the three. It definitely has that in its favor; it is a tale told in a unique manner.
Also in its favor is the beautiful vistas we see throughout. Alaska is one of the most beautiful places on Earth and it just isn’t shown in movies nearly enough, probably having to do with the remoteness of most of the state. Filming here can be a challenge and the window of opportunity can be small seasonally speaking. Green, a first-time director who has hiked Denali himself on several occasions and has been a outdoors type for most of his life, knows Alaska well enough to choose some brilliant locations and to get the shots he needs. This is a gorgeous movie that will certainly inspire some to want to venture to the 49th state.
Also to its advantage is the performance of Purnell, who captures the look and attitude of a teen girl damn near perfectly. She’s got all the attitude in the world, affecting a “I don’t care” look that most teenage girls master at an early age but the inner vulnerability and scared little girl comes out at the right times. Mackenzie is 14 in the film and Purnell was 19 when the movie was made which is a bit of a relief considering some of the scenes she has to play here.
And there are a few scenes that are pretty difficult, particularly the one which is the cause of Mackenzie’s need to leave. It is handled respectfully, not in a prurient manner but more in a matter-of-fact kind of way. And yes, there is a creepy factor when you throw a teen girl and a middle-aged man into the same tent, but to Green’s credit (as well as Greenwood’s), the awkwardness mostly comes from the viewer’s own preconceived notion of why a middle-aged man would hang out with a young girl.
The movie doesn’t explain a lot of things, leaving the audience to kind of explain them on their own. We never get a sense of why Mackenzie follows Bart into the wilderness; it seems to be a random and spur-of-the-moment choice which, to b fair, is often how teen girls seem to act. I suppose it’s better to let us invent our own story rather than to spoon feed us but more framework would have been nice. There’s also a scene in which Bart and Mackenzie encounter a group of people testing out kites in which an important monologue is delivered but the music is so loud that it is difficult to hear what is being said.
Quibbles aside, this is a solid, well-made and beautifully photographed movie that will stick with you. Solid performances by most of the lead cast and a compelling story will leave you hooked. At present the film is on the festival circuit but hopefully it will be grabbed by a distributor for either a limited theatrical run or a VOD release. It deserves to be seen.
REASONS TO GO: Gorgeous Alaskan wilderness. Handles difficult subjects respectfully. Purnell gets attitude and look down pat.
REASONS TO STAY: A bit light in connecting the dots. Music overly loud in places it shouldn’t be.
FAMILY VALUES: Some disturbing sexual scenes and a fair amount of foul language.
TRIVIAL PURSUIT: Purnell, an English actress, spoke with an American accent from the moment she got off the plane in Alaska and stayed in that accent 24/7 until she got on the plane for home when shooting was completed.
CRITICAL MASS: As of 4/11/15: Rotten Tomatoes: no score yet. Metacritic: no score yet.
COMPARISON SHOPPING: Druid Peak
FINAL RATING: 7/10
NEXT: Tomorrow We Disappear