(2016) Horror (Daredo) Laura Berlin, Dennis Mojen, Olga von Luckwald, Leonard Hohm, Jan Walter, Hacky Rumpel, Andreas Ladwig, Fabio Cimpeanu, Nika Cimpeanu. Directed by Daniele Grieco
If you’re gonna be a film student, you might as well be ambitious. It’s all well and good to film a documentary at the local zoo, but when an object appears in the sky above your heads, causing the animals in the zoo to universally freak out, that’s a whole other matter. Abandoning your original project to search out a crashed meteorite might just be the ticket not only to getting an “A” but perhaps getting your name out there in the industry.
That’s exactly the situation that confronts Melissa Stein (Berlin), Leo Best (Mojen), Paula Idem (von Luckwald), Erik Greven (Hohm) and André Selke (Walter). Afterwards, they take a vote among themselves to drive to the Northwest and find the crash site of the meteorite and the vote passes, with only sensible Paula voting to finish their Zoo assignment.
Paula is however overruled and off they go in their van into the woods of Germany/Luxembourg/Belgium (where the movie was filmed by the way) and find what amounts to a needle in the haystack. Wouldn’t you know it but they do; a plume of smoke signals that they’ve found what they were searching for.
The crash site is covered with a haze of smoke and is nothing like they expected. There are metal fragments everywhere; scattered all over the ground among scorched trees and embedded in the trunks of trees as well. It is nearly dusk by the time they get there and worried that the authorities will have cordoned off the area before they can get the footage they need, they elect to remain there overnight with once again Paula voting for going home. They should have listened to Paula.
One of their number turns up missing the next morning and when they eventually make a grisly discovery, it becomes clear they are being hunted. Eventually they find a cave where they have an encounter with the thing that’s stalking them and it is like nothing seen before on this Earth, at least for as long as humans have been here.
This is a found footage film which may turn some off to it immediately; for awhile there it seemed like every other horror movie utilized the technique until it became pretty much overused. These days it has become decidedly less so, which makes reviewing it a bit easier. Still, it’s hard not to compare it to the granddaddy of all found footage films, The Blair Witch Project whose template is followed pretty closely by Grieco and to be fair if you’re going to follow a template, that’s a pretty good choice. There are also some nods to Alien, a movie Grieco professes much admiration for. The creature has some similarity to things encountered in the Ridley Scott film, although I think it’s more of an homage than a theft in this case.
Essentially what you have here is five good-looking young people making bad choices in the woods (and later, in a cave and even later in an abandoned farmhouse). That’s essentially the recipe for any horror film, but I was pleased that at least one of the characters seemed to be sensible; she just wasn’t listened to There is a fair amount of gore here – it’s not for the squeamish by any standard – and mostly practical effects. The alien itself is pretty nifty, although I wouldn’t call it a state-of-the-art creation. We don’t see much of it except in one cave scene where one is found that appears to be in a slumber while digesting a recent meal. There is also plenty of shaky-cam going on which those who are sensitive to such things should be wary of.
I admit that for me to be wowed by a found footage film it has to be really innovative and bring something to the table that no other film in the genre has. This one does have a few things worth checking out but otherwise it really doesn’t add anything particularly new to the genre. It’s solidly made by a filmmaker who knows what he’s doing and I wouldn’t be surprised if a few years down the line he starts to get some mention with the young lions of the horror genre.
REASONS TO GO: The creature effects are primitive but effective.
REASONS TO STAY: There are way too many found footage tropes here.
FAMILY VALUES: There is a ton of profanity, some disturbing images and plenty of horror violence.
TRIVIAL PURSUIT: This is the second straight found footage film that Grieco has directed, having had a hit in her native Germany with The Presence in 2014.
CRITICAL MASS: As of 11/4/16: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: The Blair Witch Project
FINAL RATING: 5.5/10
NEXT: Deepwater Horizon