Concert for George


Eric Clapton doing what he does best.

(2003) Concert Film (Abramorama) Eric Clapton, Paul McCartney, Ringo Starr, Dhani Harrison, Jeff Lynne, Joe Brown, Tom Petty, Ravi Shankar, Tom Hanks, Michael Palin, Eric Idle, Terry Jones, Terry Gilliam, Gary Brooker, Billy Preston, Olivia Harrison, Jools Holland, Sam Brown, Ray Cooper, Neil Innes, Andy Fairweather-Low, Jim Capaldi, Carol Cleveland, Anoushka Shankar. Directed by David Leland

 

Most remember George Harrison as “the quiet Beatle” but the truth is that he was one of the great guitarists of his time as well as a sterling songwriter who wrote songs like “Something,” “My Sweet Lord,” “All Those Years Ago” and “Taxman.” He maintained a strong interest in Indian spiritualism and was a close friend to sitar virtuoso Ravi Shankar who taught him to play the instrument and who considered him to be a son.

Harrison died too young at age 58 on November 29, 2001 in the home of a friend after a long battle with lung cancer. His widow Olivia and close friend Eric Clapton (whom Harrison had known since childhood) organized a tribute concert which took place a year to the day of his passing at the Royal Albert Hall in London. A virtual who’s who of British rock royalty, the concert had the benefit that all of the performers were close to Harrison in some way or form either personally or as performers. The music that was performed therefore was straight from the heart and it shows.

A documentary was made of the event but was never released theatrically as far as I know; it has been available off and on over the years on home video. Now, on the occasion of Harrison’s 75th birthday (which would have been February 25, 2018) music documentary specialists Abramorama have undergone a brief limited theatrical release of the original documentary (for local Orlando residents, it will be playing at the Enzian Theater on March 19).

There are interviews with some of the participants which are very brief; mostly director David Leland is content to let the music speak for itself which it does eloquently. In the interview segments, Harrison’s death is still pretty close in mind and for some the emotion is still raw but the event was a celebration, not an elegy and the overwhelming feeling you get is joy. As for the concert segments, music director Clapton wisely kept pretty close to the original arrangements that Harrison had so the songs remained familiar. The songs themselves range from music that influenced Harrison (like Carl Perkins’ “Honey Don’t,” performed by Starr) to his tenure with the Beatles and then his lengthy solo career that followed as well as his work with the all-star band the Traveling Wilburys.

There was also a comedy interlude in which former Monty Python members Eric Idle, Terry Jones, Michael Palin and Terry Gilliam performed “Sit on My Face” from The Meaning of Life and one of their signatures “The Lumberjack Song” in which they were joined by longtime Python associate Carol Cleveland, Bonzo Dog songwriter Neil Innes, actor Tom Hanks and the Fred Tomlinson Singers. Harrison was a huge Python fan and produced their final two movies through his HandMade Films banner which also produced several other memorable films as well. The levity is a welcome moment and makes a nice break during the concert.

There were some exceptions. Harrison had a great deal of affection for the humble ukulele so McCartney performed “Something” on it, a tribute he’d been doing on his own solo tour that year. The song then opens up into a full rock number with Clapton joining McCartney on vocals. Shankar wrote an original song for the occasion which was performed with his daughter Anoushka. Finally Joe Brown, a pioneering English rocker for whom the Beatles opened for back in the early days and for whom Harrison was best man at his wedding, played “I’ll See You in My Dreams,” one of the few songs not written by Harrison in the concert, on the ukulele. He was joined by nearly every musician that played in the show onstage for a touching finale.

Leland for some odd reason chose not to use onscreen graphics to identify the performers. That’s fine for widely recognized icons like McCartney, Starr and Clapton but not everyone knows who Gary Brooker is or what he looks for and the parade of rockers whose heyday was in the 60s (and in Joe Brown’s case, the 50s) are not always easy to recognize. Some are introduced verbally but mainly we never know who’s speaking in the interviews or performing onstage which is a bit irritating.

One thing that was a little-remarked grace note to the whole thing was the presence of Harrison’s son Dhani who played acoustic guitar on nearly every song. Dhani who was 24 at the time of the show is a dead ringer for his late father. Seeing him playing behind McCartney was oddly comforting, like a glimpse of the past. It is also good to see Petty, Shankar and Billy Preston playing again, all of whom have left us since this show took place as well as Sam Brown, a striking performer (and daughter of Joe Brown) whose career was sadly cut short when vocal issues forced her to retire.

In many ways this isn’t the most polished of concert films as the participants had little time to rehearse. Still, the fact that stars of this caliber made room on their schedules to be at this show is not only a testament to the respect they had for Harrison as a musician but for the love they had for Harrison as a person. That love shows up very plainly in the music they played that night and it certainly makes this worth seeing on the big screen if it plays anywhere near you; you can see where it is going to be playing here. If you can’t make it to a theater or it’s not coming to one convenient to where you live, take heart; the movie will be back on VOD and on various streaming services in the not-too-distant future.

REASONS TO GO: Clapton’s star power is very much on display. The Monty Python interlude is nicely done.
REASONS TO STAY: The film could have used some identification for the various aging rockers.
FAMILY VALUES: This is suitable for all family members.
TRIVIAL PURSUIT: This was the first time Paul and Ringo had performed together on the same stage since the break-up of the Beatles.
BEYOND THE THEATERS: iTunes
CRITICAL MASS: As of 2/26/18: Rotten Tomatoes: No score yet. Metacritic: 82/100
COMPARISON SHOPPING: The Concert for Bangladesh
FINAL RATING: 7/10
NEXT:
The Commuter

Advertisements