Serenity (2019)


Captains cantankerous.

(2019) Thriller (AvironMatthew McConaughey, Anne Hathaway, Jason Clarke, Djimon Hounsou, Diane Lane, Jeremy Strong, Charlotte Butler, Rafael Sayegh, Michael Richard, Robert Hobbs, Kenneth Fok, Garion Dowds, John Whiteley, Edeen Bhugeloo, Redd Pepper (voice), Guillaume Silavant, Vinaya Sungkur. Directed by Steven Knight

Serenity is not a great movie. Serenity isn’t even a good movie. I’m not talking about the 2005 Joss Whedon sci-fi epic, which is a terrific movie; this is a 2019 sexy noir-lite set on a Caribbean island incongruously called Plymouth with an even more incongruous zydeco film score. I kid you not.

On said island lives the incongruously named Baker Dill (McConaughey) who is a fisherman who when not chartering his boat for wealthy tourists (and even when he is) is on the hunt for a giant tuna called, most incongruously of all, Justice. Ahab, meet Dill.

He has a fairly laid-back island existence (he IS Matthew McConaughey after all) enjoying a torrid affair with a local cat lady (Lane), but all that goes out the window when his ex-wife Karen (Hathaway) shows up with an indecent proposal; to take her abusive new husband (Clarke) out to see, murder him, and let the sharks take care of the body. What’s an island boy to do?

The movie has a terrific cast full of Oscar winners and nominees as well as Hounsou as Baker’s first mate and Strong as an oddly persistent fishing equipment salesman. This is one of those films that you simply can’t take seriously. Don’t try to inject logic into it, just kind of go with it. There is a twist in the film but I can’t tell you about it without ruining the film, which is a shame because it’s really the best thing about the movie, unless you have a thing for McConaughey’s bare ass, which gets shown off to fair effect several times throughout the flick.

In the end, I couldn’t really get past the ridiculous dialogue, or the movie’s waste of a good cast, although to their credit they do commit to their roles. I suppose you could see this if you own Prime and you’ve binged everything else; it’s not horrible but it’s just not very good.

REASONS TO SEE: The twist is a decent one.
REASONS TO AVOID: The score doesn’t really match the tone of the film.
FAMILY VALUES: There is plenty of profanity, some bloody images and a fair amount of sexuality.
TRIVIAL PURSUIT: The movie was filmed in Mauritius where a scandal was created when that country’s Prime Minister was accused of misappropriating funds to support the film.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 6/7/20: Rotten Tomatoes: 20% positive reviews, Metacritic: 37/100
COMPARISON SHOPPING: Identity
FINAL RATING: 5/10
NEXT:
Return to Hardwick

New Releases for the Week of January 25, 2019


THE KID WHO WOULD BE KING

(20th Century Fox) Louis Ashbourne Serkis, Rebecca Ferguson, Denise Gough, Dean Chaumoo, Tom Taylor, Rhianna Dorris, Angus Imrie. Directed by Joe Cornish

A young British kid who has gotten beaten up for standing up to bullies discovers that he is the heir to Excalibur, King Arthur’s legendary sword. He must learn to believe in himself if he is to save Britain from a mystic menace.

See the trailer and a video featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for fantasy action violence, scary images, thematic elements including some bullying, and language)

Cold War

(Amazon) Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza. In the 1950s during the height of Soviet occupation of Poland, a music director in Warsaw falls in love with a beautiful singer and tries to convince her to flee with him to Paris.

See the trailer and clips here
For more on the movie this is the website

Release Formats: Standard
Genre: Romance
Now Playing: Enzian Theater

Rating: R (for some sexual content, nudity and language)

Manikarnika: The Queen of Jhansi

(Zee) Kangana Ranaut, Jishu Sengupta, Suresh Oberoi, Danny Denzongpa. Rani Lakshmi Bai was the Queen of Jhansi and one of the greatest heroines in Indian history. As Queen, she refused to cede her country to the British Raj and became one of the leading figures of the Rebellion of 1857.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC West Oaks

Rating: NR

Qué León

(Spanglish) Raymond Pozo, Ozuna, Clarissa Molina, Miguel Céspedes. Nicole León and Miguel León may have the same last name but they are from completely different fantasies from opposite sides of the tracks. Still, that doesn’t prevent them from falling deeply in love – much to the consternation of both their families.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Regal Pointe Orlando, Regal The Loop, Regal Waterford Lakes

Rating: NR

Serenity

(Aviron) Matthew McConaughey, Anne Hathaway, Jason Clarke, Diane Lane. Baker is a fishing charter captain who has moved into a quiet life after years that he’d rather forget. When his ex-wife comes back into his life, begging him to save her and her son from her violent, abusive new husband by taking hubbie on a fishing trip and then throwing him to the sharks, he is caught in a moral dilemma but not everything is what it appears to be.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for language throughout, sexual content, and some bloody images)

Shoplifters

(Magnolia) Lily Franky, Sakura Andō, Mayu Matsuoka, Kirin Kiki. A Japanese family that survives through petty crime find a little girl freezing in the snow. At first reluctant to take her in, the matriarch is at last convinced. However, the family bonds and those with the newest member are tested when unforeseen circumstances arrive. This is a finalist for Best Foreign Language Film at the upcoming Academy Awards.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for some sexual content and nudity)

Stan & Ollie

(Sony Classics) Steve Coogan, John C. Reilly, Shirley Henderson, Danny Huston. In 1953, Stan Laurel and Oliver Hardy had fallen on hard times. Once one of the greatest comedy duos in the world, they are largely forgotten. They decide to embark on a tour of England where they got their start. However, ghosts from their pasts and failing health threaten to split the pair apart forever.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Daytona Cinematique, Old Mill Playhouse, Regal Oviedo Marketplace, Regal Pavilion Port Orange, Regal Pointe Orlando, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG (for some language and for smoking)

ALSO OPENING IN ORLANDO/DAYTONA:

An Acceptable Loss
The Girl in the Orange Dress
In Like Flynn
King of Thieves
Mr. Majnu
Pledge
Rust Creek

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Incredible Story of the Giant Pear
Mr. Majnu
Sicilian Ghost Story
Thackeray

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Antiquities
The Challenger Disaster
Heartlock
Mikhael
Mr. Majnu
Thackeray

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Mikhael
Mr. Majnu

.SCHEDULED FOR REVIEW:

An Acceptable Loss
Cold War
Pledge
Rust Creek
Serenity

Justice League


Could this be Ben Affleck’s last appearance as Batman?

(2017) Superhero (Warner Brothers) Ben Affleck, Gal Gadot, Henry Cavill, Amy Adams, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J.K. Simmons, Ciarán Hinds, Amber Heard, Joe Morton, Billy Crudup, Lisa Loven Kongsli, Ingvar Sigurdsson, David Thewlis, Marc McClure, Sergi Constance, Julian Lewis Jones, Salóme Gunnarsdóttir. Directed by Zach Snyder

 

With the critical and commercial success of Wonder Woman earlier this year, expectations were high that the DC Extended Universe – the comic book publisher’s cinematic arm and their version of the Marvel Cinematic Universe – was at last ready to turn around after movies that were disappointing to both fans of the comics and accountants at Warner Brothers alike. That optimism proved to be unfounded as the film, though a hit at the box office was not as successful as the studio execs hoped and after another drubbing from fans and critics alike, the DCEU would eventually undergo massive restructuring. The question is was the movie really that bad?

Well, yes and no. The plot is fairly simple – a cosmic baddy known as Steppenwolf (Hinds in full motion capture splendor) is after three McGuffins called Mother Boxes secreted in various places on Earth. Batman (Affleck), ever the vigilant detective, divines that the Earth is about to come under attack but Wonder Woman (Gadot) is aware that the attack is already under way. With Superman (Cavill) out of the picture, Batman realizes they’ll need a team of superheroes to battle the nearly omnipotent Steppenwolf. He gathers the three others he’s aware of; Aquaman (Momoa) who has dominion over the ocean and those who dwell within it, Cyborg (Fisher) who is learning to adjust to his mostly machine body, and the Flash (Miller), a teen speedster very much unlike the CW version. While the latter is eager to join, the first two are reluctant until they are convinced that they are sorely needed. Massive battle sequences full of mind-numbing CGI follow.

I have to say I found the film entertaining for the most part. Momoa and Fisher make excellent heroes and in their first appearances in anything other than a brief cameo show that they are fully capable of heading up their own films – Momoa’s Aquaman is actually next on the DCEU schedule in December. Gadot and Affleck have proven themselves to be strong screen presences and both know what to do with their material and do it well. The one exception was Miller as The Flash; Snyder and his writers inexplicably went the annoying wisecracking teen route with the character which has already been tried with Quicksilver in the X-Men movies; it worked far better there. Miller is actually a really good young actor but he was sabotaged by the character who is just a jarring note that doesn’t fit in well with the rest of the team.

Snyder has a habit of using a lot of kinetic camera movement and that’s okay but given the massive amount of CGI being used in the movie the effect becomes mind-numbing and overwhelming. It’s visual overload and not in a good way. I would have preferred a little less CGI and a lot more character development but Snyder hasn’t shown the latter to be one of his strengths in any movie that he’s undertaken to date.

For me, the biggest problem with Justice League is Steppenwolf. Not so much in Hinds’ performance capture or his voice work but simply the character as written has absolutely no personality whatsoever and he just felt like a cookie cutter villain who is all like “Oh yes, I want to destroy the world because..” *yawn*

Even with all that going against that I still think that this movie gives some hope that the DCEU can turn things around. As I said there’s been a massive shake-up at the top with a new executive overseeing the franchise – Walter Hamada from New Line who helped build The Conjuring into a multi-film universe that has been as successful in every sense of the word as the DCEU has not been. Although the jury is out on whether Affleck will remain as the Batman for any further films (smart money is that he won’t), Gadot is a proven commodity and it appears both Momoa and Fisher have the ability to take a franchise film and run with it. With the Shazam movie on the horizon as well as a sequel to Wonder Woman there is still something to look forward to in the DCEU. I’m not sure they’re ready to equal Marvel’s cinematic success but there’s no reason to assume that they can’t get there.

REASONS TO GO: The film was reasonably entertaining. Momoa and Fisher acquitted themselves well. Affleck and Gadot continue to impress in their roles. There is still hope that the DCEU can turn itself around.
REASONS TO STAY: Miller’s Flash is way too annoying. The camera is too kinetic and the screen too filled with CGI, making everything look overwhelming and busy. Steppenwolf had zero personality which is a massive problem for your lead villain.
FAMILY VALUES: The film is loaded with action and violence.
TRIVIAL PURSUIT: Snyder’s daughter passed away during shooting; at first he and his wife (a producer on the film) tried to stay on as a way to work through their grief but after two months both decided to step down to spend time with their family. Joss Whedon stepped in and completed post-production as well as overseeing some reshoots
CRITICAL MASS: As of 1/19/18: Rotten Tomatoes: 40% positive reviews. Metacritic: 45/100.
COMPARISON SHOPPING: Avengers: Age of Ultron
FINAL RATING: 7/10
NEXT:
Kangaroo: A Love/Hate Story

New Releases for the Week of October 20, 2017


GEOSTORM

(Warner Brothers) Gerard Butler, Jim Sturgess, Abbie Cornish, Alexandra Maria Lara, Daniel Wu, Eugenio Derbez, Amr Waked, Andy Garcia, Ed Harris. Directed by Dean Devlin

In a future where we have the ability to control the weather, the satellites that do the controlling suddenly and inexplicably start to turn on the Earth, creating massive and deadly weather events. As the weather worsens, a massive worldwide Geostorm that could potentially wipe out all life on earth is forming and it’s a race against time to find out who is behind it and stop them before our home is turned into a lifeless wasteland.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, DBOX, IMAX, IMAX 3D
Genre: Sci-Fi Action
Now Playing: Wide Release

Rating: PG-13 (for destruction, action and violence)

Breathe

(Bleecker Street) Andrew Garfield, Claire Foy, Ed Speleers, Tom Hollander. Legendary motion capture king Andy Serkis makes his directorial debut with this inspiring true story of Robin Cavendish, a young man whose life is full of adventure, promise and love but is cruelly paralyzed by polio from the neck down, leaving a grim prognosis. Refusing to live out his days in a hospital, against all odds he returns home and slowly but surely with the help of mechanically-inclined friends he works on ways to make his life – and the lives of others in his predicament – better.

See the trailer and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Regal Ormond Beach, Regal Oviedo Marketplace, Regal Pointe Orlando, Rialto Spanish Springs

Rating: PG-13 (for mature thematic material including some bloody medical images)

Faces, Places

(Cohen Media Group) Jean-Luc Godard, Agnés Varda, JR, Laurent Levesque. Legendary French new wave director Varda and acclaimed muralist JR strike up an unlikely friendship and decide to make a film together. Travelling France to photograph new faces, art is created in the most unlikely and occasionally delightful of places.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village

Rating: PG (for brief nude images and thematic elements)

Killing Gunther

(Saban/Lionsgate) Arnold Schwarzenegger, Cobie Smulders, Bobby Moynihan, Allison Tolman. Gunther is the world’s most successful assassin. So much so that the world’s other assassins are getting together and plotting to take him down. The trouble is, their plans don’t always work the way they are intended to.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action Comedy
Now Playing: AMC West Oaks

Rating: R (for violence, language and some sexual material)

Mark Felt: The Man Who Brought Down the White House

(Sony Classics) Liam Neeson, Diane Lane, Marton Csokas, Tony Goldwyn. The story of Felt, who for years hid his identity as the mystery man who helped take down the Nixon White House. Felt, a respected agent in the intelligence community discovered the wrongdoings of Watergate and became the most famous whistleblower in history – known to most as Deep Throat.

See the trailer and clips here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: PG-13 (for some language)

Only the Brave

(Columbia) Josh Brolin, Jeff Bridges, Miles Teller, Jennifer Connelly. This is based on the Granite Mountain Hotshots, a volunteer firefighting brigade that took a heroic stand trying to defend their town from a historic wildfire. In the context of what has been happening in California, the Pacific Northwest and Big Sky country, this movie couldn’t be any more timely.

See the trailer, clips, interviews and Premiere footage here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic content, some sexual references, language and drug material)

Same Kind of Different as Me

(Paramount/Pure Flix) Renee Zellweger, Jon Voight, Djimon Hounsou, Greg Kinnear. A successful art dealer whose marriage is on the rocks befriends a dangerously volatile homeless man as a means of reconnecting with his wife. Her dreams will send the three of them on a journey none of them could have ever anticipated.

See the trailer, clips, interviews and a featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG=13 (for thematic elements including some violence and language)

The Snowman

(Universal) Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg, Val Kilmer. Detective Harry Hole investigates the disappearance of a woman whose only clue is her pink scarf wrapped around the throat of an ominous looking snowman. Hole fears that this case may be linked to some bizarre murders that took place years earlier.

See the trailer, clips, interviews and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: R (for grisly images, violence, some language, sexuality and brief nudity)

Tyler Perry’s Boo 2! A Madea Halloween

(Lionsgate) Tyler Perry, Patrice Lovely, Brock O’Hurn, Lexy Panterra. America’s favorite grandmother returns as she and her family visit a haunted campground on Halloween and unwittingly unleash a wave of monsters, goblins, ghouls and boogeymen. Run for your lives, America!

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Wide Release

Rating: PG-13 (for sexual references, drug content, language and some horror images)

ALSO OPENING IN ORLANDO/DAYTONA:

Golmaal Again
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul
The Unknown Girl

ALSO OPENING IN MIAMI:

4 Days in France
A Silent Voice
Golmaal Again
Inseparables
Jungle
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul
Walking Out
Where’s the Money
The Woman Who Left

ALSO OPENING IN TAMPA:

Demons
Golmaal Again
Leatherface
Let Her Out
Mersal
Never Here
Raja the Great
Secret Superstar
So B. It

ALSO OPENING IN JACKSONVILLE:

Golmaal Again
Mersal
Raja the Great
Secret Superstar
Tokyo Ghoul

SCHEDULED FOR REVIEW:

Breathe
Geostorm
Only the Brave
The Snowman
Walking Out

Paris Can Wait (Bonjour Anne)


Diane Lane by the river.

(2016) Dramedy (Sony Classics) Diane Lane, Arnaud Viard, Alec Baldwin, Élodie Navarre, Elise Tielrooy, Linda Gegusch (voice), Cédric Monnet. Directed by Eleanor Coppola

Sometimes when one is feeling like life isn’t working out, a road trip is just what’s needed to clear out the doldrums. Of course when that road trip takes you through the south of France so much the better.

Anne (Lane) is the wife of Michael (Baldwin), a high-powered Hollywood producer. They are in Cannes for the film festival and she has developed a nagging earache. Fresh off of plugging his last project to distributors and, well, whatever it is that producers do in Cannes, Michael is headed for Budapest and bringing Anne along in the private jet. The pilot however recommends that Anne not fly given that the earache would make it excruciatingly painful. Michael’s French partner Jacques (Viard) offers to drive Anne to Paris rather than having her take the train by herself. She cheerfully agrees.

Jacques is not one to take the direct route; he must stop hourly for smoke breaks and to fill the radiator in his classic Peugeot Cabriolet. He also must stop to show her the Best Roman aqueduct, the best little bistro in Provence, the best inn in Burgundy, the best Museum of Cinema in Lyon (which, to be fair, was where the Lumiére brothers were based) and so on and so forth.

Jacques is also a bit of an epicure, and every meal becomes an event. For Anne who has been somewhat sheltered in her enjoyment of life, this is a bit of a revelation. She wouldn’t characterize her marriage as bad exactly, but she is at a critical time in her life. Her daughter is off at college and has elected to spend Christmas break with her friends. Her husband essentially ignores her and her career as a dress shop owner has been given up. She is lost in her own life.

Jacques is also a bit of a lost soul. Single at an age when most men are enjoying their grandchildren, he seems to know everyone but how well they know him is another story. He is flirtatious and there is maybe a bit of a spark between the two of them – Jacques knows the way to her heart is through chocolate – but where that spark might take them before they arrive at Paris days after they were supposed to arrive there is uncertain.

Coppola, the wife of director Francis Ford Coppola, has a keen understanding of the rhythms of life in the south of France. The movie unfolds at an unhurried pace which some critics found infuriating oddly enough, since most European films are similarly paced. With picnics set at the side of bucolic rivers and amazing meals in quaint bistros and fine dining establishments, one shouldn’t watch this movie while hungry.

Lane is an actress who has always spoken to me. Even in her mid-50s, she remains as sexy as she has ever been, albeit in a less obvious manner than what many starlets exude. Lately she seems to be cast most often as the forgotten wife and it seems difficult to understand why any husband would ignore her; she’s smart, funny and did I mention she’s sexy as all get out? In any case, she excels at playing women in the process of rediscovering themselves and that is what this particular movie is all about.

Viard, a well-known actor/director in France, underplays this maybe a bit too much. He’s charming sure but the role needed someone a bit more rogue-ish. The romantic sparks between Jacques and Anne are tepid at best and even though the ending, which has Lane winking at the camera, promises something more, it’s hard to believe that Anne would send Michael packing that way. One gets the sense that Anne is the type of woman who would end her marriage before she’d consider taking on a romantic partner. Of course, we could be talking road trip buddies here; that aspect is left for the viewer to decide.

I will say that the movie does meander quite a bit particularly in the middle. Coppola, who also wrote the film, doesn’t seem to have a firm destination in mind or at least if she does no clear way to get there. We end up with a lot of conversation that tries to be revelatory but doesn’t really tell us anything about the characters. If you’ve ever tried to have a deep, meaningful personal conversation with a person who doesn’t want to tell you anything about themselves, you’ll understand how frustrating the movie can be.

Overall, I was left with a warm pleasant feeling leaving the theater after the movie. It isn’t laugh-out-loud funny although there are some moments that brought a smile to my face. It’s not really high drama, although it is about a woman who is unsatisfied with where she is in life beginning to reassess what she wants out of it. Watching Lane’s Anne start to reignite her love for life is the best part about the movie – that and the food porn that pervades it. One has to love French gastronomy.

REASONS TO GO: Who wouldn’t want to take a trip like this one? Diane Lane is still as sexy as hell.
REASONS TO STAY: The film drags a bit in places.
FAMILY VALUES: There are some adult themes, Jacques smokes like a chimney and some mild profanity in certain places.
TRIVIAL PURSUIT: Coppola was 80 years old when she made this, her narrative feature debut (she released a documentary feature more than 25 years ago). She is not the oldest person to direct their first narrative feature – Takeo Kimura directed his first narrative feature Dreaming Awake at age 90 in 2008.
CRITICAL MASS: As of 6/5/17: Rotten Tomatoes: 57% positive reviews. Metacritic: 48/100.
COMPARISON SHOPPING: The Trip to Italy
FINAL RATING: 7/10
NEXT: Deidra and Laney Rob a Train

New Releases for the Week of June 2, 2017


WONDER WOMAN

(Warner Brothers) Gal Gadot, Chris Pine, Robin Wright, David Thewlis, Connie Nielsen, Elena Anaya, Lucy Davis, Ewen Bremner, Danny Huston. Directed by Patty Jenkins

The enigmatic Diana Prince from Batman v. Superman: Dawn of Justice gets her origin story as the DC Extended Universe kicks into high gear for 2017. Diana, Princess of the Amazons, has her idyllic life on an island that is nothing short of paradise interrupted by the arrival of a handsome American pilot who crash lands in the waters surrounding her island. He tells the incredulous Amazons that a war has engulfed the entire world and Diana knows that she must go to the world of men to save it, but if she does so she will go against the wishes of her mother.

See the trailer, clips and video features here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence and action, and some suggestive content)

3 Idiotas

(Pantelion) Martha Higareda, Sebastián Zurita, Vadhir Derbez, Germán Valdés. Two engineering students decide to go on a quest to find their friend Pancho, who disappeared on the eve of college graduation. Having been through some unforgettable adventures in college, it can only get even more bizarre now that they’ve graduated. Well, at least two of them anyway.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs, Regal The Loop

Rating: NR

All About the Money

(Gravitas) Danny Trejo, Casper Van Dien, Mindy Robinson, Lin Shaye. Two buddies who are having financial difficulties are convinced by a third to take a vacation in a third world country. Only after arriving do they discover the real reason they are there – to capture the most wanted criminal in America for the reward money, despite the fact they are woefully unprepared and untrained for the job.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Captain Underpants: The First Epic Movie

(DreamWorks Animation) Starring the voices of Kevin Hart, Ed Helms, Thomas Middleditch, Nick Kroll. Two young pranksters manage to hypnotize their overbearing school principal into thinking he’s the dimwitted superhero Captain Underpants. The consequences of their prank however go beyond what they could have expected. Based on the bestselling juvenile book series and cartoon show.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild rude humor throughout)

Churchill

(Cohen Media Group) Brian Cox, Miranda Richardson, John Slattery, James Purefoy. On the eve of D-Day, the Allied forces gather in England to mount the monumental invasion of Europe. One man stands in the way – Winston Churchill. Britain’s doughty Prime Minister, exhausted by years of war and haunted by his failure at Gallipoli in World War I, he is desperate not to be the architect of carnage once again. Beset by political opponents and frustrated generals, only the intervention of his wife and his King may yet spur to greatness a man who is destined for it.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village

Rating: PG (for thematic elements, brief war images, historical smoking throughout, and some language)

Paris Can Wait

(Sony Classics) Diane Lane, Alec Baldwin, Arnaud Viard, Élodie Navarre. The wife of a successful but inattentive movie producer is tired of traveling through Europe (first world problems) and wants to head straight to Paris rather than go on to Budapest and who can blame her. Her husband’s French business partner offers to drive her. Instead of a seven hour direct drive, instead the business partner takes her on a real Tour de France, meandering down country roads and showing her fine food, fabulous wines and spectacular sights – the real France. Along the way her sense of life and joy in living is reawakened.

See the trailer and clips here.
For more on the movie this is the website
.
Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: PG (for thematic elements, smoking and some language)

Vincent N Roxxy

(Vertical) Emile Hirsch, Zoë Kravitz, Zoey Deutch, Emory Cohen. A loner in a small town falls for rebellious punk rocker. Circumstances dictate that they take an immediate departure from where they are but wherever they go, violence and bloodshed seems to follow them.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Crime
Now Playing: AMC Disney Springs

Rating: R (for bloody brutal violence, language throughout, some strong sexual content, nudity, and brief drug use)

The Wedding Plan

(Roadside Attractions) Davi Alferon, Noa Koler, Oded Leopold, Ronny Merhavi. With only six weeks to go before her wedding, a 32-year-old Orthodox Jew is dumped by her husband-to-be. Rather than cancel all the plans – the reception hall, the dress, the ceremony – she believes that God will provide her a groom and goes on a whirlwind search for the right man to spend the rest of her life with.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Regal Winter Park Village

Rating: PG (for thematic elements)

ALSO PLAYING IN MIAMI:

Afterimage
Champion
The Commune
Elián
Slack Bay

ALSO OPENING IN TAMPA:

Obit

ALSO OPENING IN JACKSONVILLE:

Buster’s Mal Heart

Batman v. Superman: Dawn of Justice


The sky weeps at a wasted opportunity.

The sky weeps at a wasted opportunity.

(2016) Superhero (Warner Brothers) Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, Gal Gadot, Scoot McNairy, Callan Mulvey, Tao Okamoto, Brandon Spink, Lauren Cohan, Mark Edward Taylor, Michael Shannon, Ripley Sobo, Sammi Rotibi, Michael Cassidy, Harry Lennix, Rebecca Buller, Kevin Costner, Soledad O’Brien. Directed by Zack Snyder

I really wanted to like Batman v. Superman: Dawn of Justice. I really, really did. I was hoping that this would set up the DC cinematic universe in the same way Iron Man set up Marvel’s. I was hopeful that there is room in the multiplex for competing comic book universes, just as there are on the newsstands. I was hoping for something that would make me eager to see more. Instead, I got this.

In the aftermath of Man of Steel, Bruce Wayne (Affleck) has gotten a mad on about Superman (Cavill). His Metropolis headquarters of Wayne Enterprises was destroyed during the battle with General Zod, although at the time he has no idea what’s going on and who is good and who is not. Friends of his die literally before his very eyes in a kind of 9-11 redux.

18 months later, the U.S. government isn’t quite sure how to handle Supes. Sure he comes in to save the day but often people die and buildings crumble as a result. After he rescues Lois Lane (Adams) from a terrorist cell which ends up with U.S. soldiers dead, Kentucky Senator Finch (Hunter) is calling for Superman to have some sort of oversight.

In the meantime, plots are afoot; Batman/Bruce Wayne is out to take our Superman once and for all; he’s too big a threat to be allowed to run free. However, Lex Luthor (Eisenberg) has some plans of his own – and they involve the corpse of General Zod (Shannon) and keeping the Son of Krypton and the Dark Knight at each other’s throats.

This is a very bare-bones explanation of the plot and doesn’t take into account all the little subplots that go on, some of which have to do with setting up the DC universe – and we get brief cameos of superheroes who have movies come out in the near future – although Diana Prince/Wonder Woman (Gadot) has a more extensive presence in the film.

The premise is a fascinating one – what responsibility do superheroes have to the general public that they’re trying to protect, and should there be oversight to their actions. It’s a theme that we’re going to see once again this summer in the upcoming Captain America: Civil War which will divide the Avengers and the Marvel Cinematic Universe, but while I suspect we’ll get a thumping good storyline from the Russo Brothers who did so marvelously with their own superhero films, Snyder displays his Michael Bay tendencies and turns this into a bloated, incomprehensible mess.

That’s not to say that there aren’t reasons to go see this, mind you. Affleck, the subject of much Internet fanboy venom, actually turns in an outstanding performance as Batman – maybe the best ever. Christian Bale always made, in my opinion, a better Batman than Bruce Wayne; Affleck carries both aspects of the character nicely.

I do appreciate that there is a larger-than-life quality to the film. While it isn’t Lawrence of Arabia, it does give us an idea that the events we’re witnessing are changing the world that the movie exists in. There are some definitely epic battle scenes between Batman, Supes and a to-be-named supervillain who shows up in the third act as a kind of special surprise guest.

But the movie is sooooo dark, both literally and figuratively. Nearly all of the movie takes place at night, particularly when Clark Kent takes off his glasses and Bruce Wayne dons his cowl which I don’t necessarily mind; it’s the tone which gets to be more of a problem for me. Snyder did a magnificent job with Watchmen which needed this kind of darkness but here it becomes almost burdensome. Both Batman and Superman are supposed to stand for something good, but they are almost as bad as the villains, often caring little for lives of people who aren’t necessarily close to them. Batman aims to kill Superman which doesn’t seem to be in character with someone who had forsworn lethal force; Superman also shows little compunction in sending non-combatants to their early graves.

Another misstep was casting Eisenberg as Luthor. One of the hallmarks of Lex Luthor in the comic books is that he’s completely ruthless, but clearly brilliant. He often has plans within plans, schemes that aren’t so easily discernible. He is nothing like the tic-heavy loon that Eisenberg plays, unable to complete a single thought when giving a speech at a charity ball. If Luthor is completely insane, he should at least be lucid and Eisenberg plays him as the unholy offspring of Mark Zuckerberg and Sarah Palin.

The pace is ponderous and at two and a half hours long, the movie gets a little bit monotonous. How many times can you see a building reduced to rubble before you start yawning? Maybe I’m a little jaded here, but shouldn’t superhero battles be more than just throwing people into masonry and punching their way through walls?

There are enough positive elements here to recommend the film somewhat, although I have to say that I was disappointed with it overall. I was hoping for something that would inspire me to submerge myself in a new cinematic universe but now I have almost no desire to see any of the ten or so films that are scheduled to follow this one, particularly if they are directed by Snyder who showed an absolute leaden touch here. I hope Suicide Squad can redeem the series and bring back some anticipation for the following movies, although at the moment I wonder if DC can bounce back from a debacle which may fill their coffers for the moment but long-term will render it much more difficult to get the attention of fans the same way Marvel has been able to.

REASONS TO GO: Affleck is a terrific Batman. Some spectacular battle sequences. A definite epic quality to the film.
REASONS TO STAY: Bloated and often hard to follow. Too bloodthirsty. Eisenberg as Luthor was a colossal mistake.
FAMILY VALUES: A whole lot of superhero violence, and some suggestive scenes.
TRIVIAL PURSUIT: Gal Gadot is the first non-American actress to appear as Wonder Woman.
CRITICAL MASS: As of 4/2/16: Rotten Tomatoes: 29% positive reviews. Metacritic: 44/100.
COMPARISON SHOPPING: Green Lantern

New Releases for the Week of March 25, 2016


Batman v. Superman Dawn of JusticeBATMAN V. SUPERMAN: DAWN OF JUSTICE

(Warner Brothers) Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Laurence Fishburne, Jeremy Irons, Diane Lane, Gal Gadot. Directed by Zack Snyder

After the climactic battle in Man of Steel leveled much of Metropolis, factions have sprung up regarding Superman – some see him as a God sent to deliver us, others as a menace who can destroy our civilization. The Dark Knight of Gotham however, knows where he stands on the issue – and it is against Superman. The clash between superhero titans is inevitable and is being orchestrated by Lex Luthor, a wealthy industrialist. However, there are other superheroes out there and when the two heroes meet in battle, it won’t be just them.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of violence and action throughout, and some sensuality)

My Big Fat Greek Wedding 2

(Universal) Nia Vardalos, John Corbett, Michael Constantine, Andrea Martin. Now happily married, Ian and Toula have settle back into their big fat Greek life and it’s a good one, albeit with Toula’s crazy relations making their presence felt. However, when a shocking secret is revealed, it sets the stage for a brand new big fat Greek wedding – that will be bigger, fatter and more Greek than the first!

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for some suggestive material)

Trumbo (2015)


Dalton Trumbo doing what he does best.

Dalton Trumbo doing what he does best.

(2016) Biographical Drama (Bleecker Street) Bryan Cranston, Diane Lane, Helen Mirren, Louis C.K., Michael Stuhlbarg, Alan Tudyk, Adewale Akinnuoye-Agbaje, Roger Bart, Elle Fanning, John Goodman, Stephen Root, Dean O’Gorman, Christian Berkel, David James Elliott, Richard Portnow, John Getz, Madison Wolfe, James DuMont, J.D. Evermore, Allyson Guay. Directed by Jay Roach

Dalton Trumbo was a screenwriter who was once the highest paid in Hollywood; he wrote classic movies and was considered one of the most intelligent writers in the business and racked up a couple of Oscars to boot. However, even with all that he is better known for one thing; being a prominent member of the Hollywood Ten.

Trumbo (Cranston) was one of the leading lefties in Tinseltown, espousing pro-Union an pro-Socialist causes. While he had joined the Communist party in 1943, he wasn’t what you’d call a hard-liner; he was always more of a Socialist than a Communist, but “socialist” was even worse at the time, as the Nazis stylized themselves as Socialists. When unions went out on strike, he would never ever cross a picket line.

But the times, they were a’changing. Soviet Russia was no longer a war ally and the Cold War was beginning in earnest. Washington was beginning to look at Communist elements in our midst and in Hollywood especially. The House of Un-American Activities Committee, or HUAC, took an interest in Trumbo because of his outspoken support for leftist causes and of course his membership in the Communist.Party also made him a target. The vitriol of gossip columnist Hedda Hopper (Mirren) who saw Trumbo as the embodiment of the enemy was leveled on Trumbo and she campaigned vigorously with the studio heads to get him fired, particularly Louis B. Mayer (Portnow) who is Trumbo’s boss. Once he is slapped with a contempt of Congress charge however, Mayer has the ammunition to let him go.

And thus begins the blacklist as Trumbo and nine other writers and directors who refuse to testify in front of HUAC are denied employment for any of the major studios. Trumbo scrapes ekes out a living by writing movies and then having non-blacklisted “front” for them; that is, putting his scripts under their name and taking a part of the compensation for it. It is in this way that he wrote Roman Holiday for which he received an Oscar, although it was Ian McLellan Hunter (Tudyk) who received credit and picked up the Oscar (a statuette was delivered to Trumbo’s widow posthumously).

Trumbo also wrote B movies for the schlockmeister Frank King (Goodman) and his brother Hymie (Root) including The Brave One, written under a pseudonym and also an Oscar winner (this one he received while he was still alive). However, in order to keep up the sheer volume of work he needed in order to meet the demands of the King Brothers and of course keep his family fed and housed and clothed, he had to work an enormous amount of time, employing his family particularly daughter Chloe (Fanning) as a kind of personal assistant while his wife Cleo (Lane) held things together. The toll on his relationships within the family would become nearly intolerable. It also sundered friendships as his friend Arlen Hird (C.K.) disagreed strongly with Trumbo’s methods while actor Edward G. Robinson (Stuhlbarg) found that his own career had been torpedoed by allegations and was put in the horrible position of either naming friends to HUAC or risk seeing his career end in flames.

Bryan Cranston was nominated for an Oscar for the title role and I can tell you flat-out that the nomination was richly deserved – in fact I like his performance better than winner Leonardo di Caprio’s. He captures a lot of the real Dalton Trumbo’s mannerisms from the clipped speech, the hunched over posture and the witticisms along with the look; his trademark moustache and cigarette holder. He looks the part and quite frankly, he dominates the screen here.

The script captures the paranoia and despair of the time. The conversations between Trumbo and Arlen Hird are really the heart of the picture, setting up the dichotomy between capitalism and socialism (again, Trumbo wasn’t really a true communist) and questioning the motives of his crusade. A speech near the end of the film is an emotional moment that underlines the true cost of the blacklist and of other events like it.

I have to admit though that I was extremely disappointed by some of the historical inaccuracies here. While I don’t mind using Hird as a fictitious amalgam of real people, I do object to writer John McNamara characterizing a particular character here as naming names to HUAC when historically he did not; there were plenty of real people who did supply names to the witch hunters and there’s no need to drag a person’s name through the mud unnecessarily. A fictitious character could even have been created to play the same role but the way that this was done is something I really don’t approve of. I don’t mind fudging history for the sake of dramatic impact, but I do mind tarnishing the reputation of someone who didn’t earn it. While Hopper who is portrayed here as a crude, egocentric and vindictive woman – all things that contemporary accounts support – and her descendents can’t complain of the narrative here, the family of that one character has grounds to object. Sometimes dramatic license shouldn’t trump sensitivity to those close to the people in question.

The movie looks pretty damn good, with some sweet locations (New Orleans substituting for golden age Hollywood) and some wonderfully framed shots (Trumbo’s first film credit reflected in the lens of his glasses near the end of the film). The ensemble cast is terrific head to toe. There are also some powerful moments like the aforementioned speech near the end and the funeral for one of the main characters. There is emotional resonance here as we see the price that people paid for the zealotry of others.

That this sort of witch hunting goes on today isn’t lost on this reviewer. We may not necessarily be singling out communists for discrimination, but there are certainly other groups we have become hysterical about (*cough* Muslims *cough*) to the point of ridiculousness, but I’m sure they don’t find it very ridiculous. Trumbo works as a look at a dark part of our past but it also serves as a warning about our present; we are either true to our principles or we aren’t. You may say what you want about Dalton Trumbo whether you agree with his politics or not, but he stood up for what he believed in because he genuinely felt that to not do so was to betray his country. I’m not going to judge anyone on their stance because in the end they all believed that they were right and were doing right by America. Maybe that’s the excuse of some who are doing the same exact thing; that doesn’t mean however we shouldn’t stand up to those who operate out of fear, rather than displaying strength.

REASONS TO GO: Bryan Cranston nails it. Captures the paranoia of the times.
REASONS TO STAY: Unnecessary factual errors.
FAMILY VALUES: A fair share of profanity as well as some sexual references.
TRIVIAL PURSUIT: This is the first non-comedy film to be directed by Roach.
CRITICAL MASS: As of 2/29/16: Rotten Tomatoes: 74% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: Trumbo (2007)
FINAL RATING: 7/10
NEXT: The Galapagos Affair: Satan Comes to Eden

New Releases for the Week of November 27, 2015


The Good DinosaurTHE GOOD DINOSAUR

(Disney*Pixar) Starring the voices of Raymond Ochoa, Jack Bright, Jeffrey Wright, Sam Elliott, Frances McDormand, Steve Zahn. Directed by Peter Sohn

In a world where the asteroid that caused the mass extinction of the dinosaurs missed the Earth, an Apatosaurus named Arlo who as the runt of the litter was always frightened of everything in the world around him, is forced to make friends with a feral human boy named Spot. Alone and far from home in a dangerous world, the two must work together to make it home.

See the trailer, clips, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for peril, action and thematic elements)

Bone Tomahawk

(RLJ Entertainment) Kurt Russell, Patrick Wilson, Matthew Fox, Sean Young. After a small town in the Old West is attacked by savage cannibalistic cave dwellers (try and say that five times fast), a grizzled sheriff leads a dysfunctional posse after them to rescue the captives they took from the town. Little did they realize that the cannibals were far more ruthless and resourceful than they could have imagined – and that the rescue mission has become a fight for survival.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: Enzian Theater

Rating: NR

Brooklyn

(Fox Searchlight) Saoirse Ronan, Domhnall Gleeson, Jim Broadbent, Julie Walters. A woman in the 1950s emigrates from Ireland to the United States to find herself a new life. At first beset by pangs of homesickness, she begins to ease into her situation, buoyed by a promising romance. However when personal matters require her to return to Ireland, she finds herself forced to choose between two lives – one in her homeland, one in her new home. Scripted by Nick Hornby.

See the trailer, clips, a featurette and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, AMC West Oaks, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for a scene of sexuality and brief strong language)

Creed

(MGM/New Line) Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad. The son of the late boxing champion Apollo Creed never knew his father, who died in the ring before he was born. Angry at life, he only feels comfortable in the boxing ring. Knowing that he needs the kind of training that he can’t get just anywhere, he seeks out his father’s one-time rival and closest friend Rocky Balboa, who sees something in the young man that Creed doesn’t see in himself. But Rocky has a deadly battle of his own to wage and young Adonis Creed will be taking on a foe that may be more than he can overcome. Jordan in the title role is reunited with his Fruitvale Station director Ryan Coogler.

See the trailer, clips and interviews here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Drama
Now Playing: Wide Release

Rating: PG-13 (for violence, language and some sensuality)

Legend

(Universal) Tom Hardy, Emily Browning, David Thewlis, Christopher Eccleston. In the 1960s the Kray Brothers were the most notorious and feared gangsters in London. Their story, previously chronicled in The Krays starring Gary and Martin Kemp of Spandau Ballet, benefits from an Oscar-caliber performance by Tom Hardy – as both Kray twins. The movie will be opening on more screens in two weeks.

See the trailer, clips, interviews, promos and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village (opening wider December 11)

Rating: R (for strong violence, language throughout, some sexual and drug material)

Tamasha

(UTV) Deepika Padukone, Ranbir Kapoor, Javed Sheikh, Faraaz Servaia. A tourist and a nomad living on an island near France fall for one another as they organize “tamashas” all over the island.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC West Oaks, Touchstar Southchase

Rating: NR

Trumbo

(Bleecker Street) Bryan Cranston, Louis C.K., John Goodman, Diane Lane. Screenwriter Dalton Trumbo is called in before the House Un-American Activities Commission to testify about his beliefs and to incriminate other colleagues who might be leaning too far to the left for American tastes as of 1947. Instead, he stands up against Congress and is sent to prison before being blacklisted. Instead, he perseveres and becomes an American hero in the process.

See the trailer, clips, an interview and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre Biographical Drama
Now Playing: Wide Release

Rating: R (for language including some sexual references)

Victor Frankenstein

(20th Century Fox) James McAvoy, Daniel Radcliffe, Jessica Brown Findlay, Charles Dance. A reimagining of the Mary Shelley classic, as a medical doctor wishing to conquer death becomes obsessed to the point of madness. Only his faithful assistant Igor can save him from his own deteriorating mental state and from his horrifying creation.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for macabre images, violence and a sequence of destruction)