(2019) Comedy (Good Deed) Maeve Higgins, Barry Ward, Will Forte, Claudia O’Doherty, Jamie Beamish, Terri Chandler, Risteard Cooper, Emma Coleman, Carrie Crowley, Mary McEvoy, Sarah O’Farrell, Agatha Ellis, Jon Cheung, Valerie O’Connor, Siobhan Sweeney, Paul Holmes, Eamon Morrissey, Jed Murray, Mike Ahern, Daniel Reardon, Alison Spittle. Directed by Mike Ahern and Enda Loughman
I’ve heard that Ireland may be haunted, and that’s my weak attempt at sarcasm. The truth is, you can’t swing a dead cat (although why would you want to) without hitting a ghost, a banshee or some other spook.
Rose Dooley (Higgins) knows all about it and she has the dead cat to prove it (figuratively speaking, PETA – this isn’t that kind of movie). Her father Vincent (Cooper) hosted a paranormal direct-to-VHS series when Rose was a wee lass, before he met a tragic end that Rose blames herself for.
You see, Rose has a special talent; she can perceive ghosts and even communicate with them. After the passing of her father, Rose determined to ignore her gift, although it’s kind of hard to do when sometimes you can’t tell the living from the dead. So, Rose keeps mostly to herself, only her pregnant sister Sailor (Chandler) really having any sort of ongoing relationship with her. Rose runs a driving school in her tiny town which seems to suit her just fine.
Martin Martin (Ward) whose parents must have waned him to get beat up in school, has a different problem. His wife Bonnie may have passed on but she hasn’t moved on; she still picks out the clothes he’s to wear and sends messages like “The Dog has worms” burned into the toast and from time to time hits him in the face with a cabinet door when he shows any sort of sign of defiance. Their daughter Sarah (Coleman) is fed up; she can’t find closure until her mom’s spirit is at rest and she basically gives her pa an ultimatum; get help or I’m gone.
Sarah is aware of Rose’s past and gives Martin her business card. Martin, wary and kind of spineless, signs up for Rose’s driving course – even though he passed his exam years before. When he finally confesses his real reason for seeking her out, she orders him out of her car. Still, Rose feels a connection with the distraught man and eventually agrees to help.
In doing so, she inadvertently puts herself in the crosshairs of dark forces. You see, American ex-pat Christian Winter (Forte) was once a pop phenom, but after his big hit “Cosmic Woman” put him on top was unable to capitalize on the momentum and now has become a has-been staring at financial ruin. He needs a comeback album and makes a deal with the devil, who needs a virgin to be sacrificed. There really aren’t many of them in town though, but Sarah is one and Christian marks her for sacrifice to the demon Astaroth (Murray).
Rose knows that stopping Christian won’t be easy. She needs the ectoplasm of seven ghosts to do it but fortunately Martin has a talent of his own – ghosts can easily possess him, after which he ends up vomiting up (literally) ectoplasm. Unfortunately, the blood moon is approaching and the sacrifice is nigh. Can Rose and Martin figure out a way to save Sarah and also the world?
The Irish are nothing if not charming and this movie has oodles of that. Higgins is extremely likable as is Ward; they make a cute if awkward couple. Ahern and Loughman, who in addition to co-directing the film also co-wrote the screenplay, never let the horror elements (and there are some) overwhelm the comedy, nor do they let the humor go too over-the-top. This is about as laid back as a movie gets.
The special effects are pretty rudimentary although the appearance of Astaroth near the end of the movie is cleverly done. While the movie loses its momentum in the middle section, it grabs it back once Martin and Rose start tracking down ghosts. Ward gets a chance to show off his chops, taking on the persona of the ghost each time he’s possessed, often to hilarious effect. One of my favorite bits of business is that whenever his late wife Bonnie resides in him, an unlit cigarette dangles from his lips as it did with her while she was alive. How did it get there? Who cares, it works!
And that sums up how I feel about the movie. There’s a specific mythology that the movie builds as it goes along, but don’t be intimidated; it makes good sense and the background is accessed in painless ways, often by showing clips from Vincent’s low-budget show. This film is pleasant, inoffensive and should elicit a smile from all but the most jaded of filmgoers. In an age of pandemics, politics and climate change, heaven knows we can all use a bit of inoffensive pleasantness.
REASONS TO SEE: A very droll sense of humor.
REASONS TO AVOID: Drags a little bit in the middle.
FAMILY VALUES: There is some profanity, a bit of sexuality, horror violence and some gross images.
TRIVIAL PURSUIT: Higgins, who plays a driving instructor, didn’t know how to drive before filming started.
CRITICAL MASS: As of 3/16/20: Rotten Tomatoes: 97% positive reviews, Metacritic: 72/100
COMPARISON SHOPPING: Ghost Team
FINAL RATING: 6.5/10