Hidden Orchard Mysteries: The Case of the Air B and B Robbery


The joys of hanging with your bestie on a summer day.

(2020) Family (VisionJa’ness Tate, Gabriellla Pastore, Catarah Hampshire, Carlos Coleman, Corey J. Grant, Kim Akia, Donovan Williams, Orlando Cortez, Davey Moore, Camilla Elaine, Hunter Bills, Ole Goode, Jaymee Vowell, Kevin Robinson, Vanessa Padla, Candice Richardson, Ja’Juan Burton, Edward Pastore, Audrey Meah, Diane D. Carter, Tim Davidson, Vienna Ash-Simpson. Directed by Brian Shackelford

 

Have you ever been around someone who was consciously trying to sound hip, but the words are awkward and only make you cringe? It’s one thing to have a 17-year-old telling you that they’re woke; it sounds disingenuous when it comes out of a 40-year-old mouth. Sometimes an entire movie can feel that way.

Summer is beckoning and best friends Lulu (Tate) and Gabby (G. Pastore) are looking forward to three months without school. They live in a fairly tony development called Hidden Orchard where people are friendly, but bicker over just about everything, such as a resident’s plan to convert a property into an Air B and B. Then when the house is robbed the neighborhood goes on edge. Lulu and Gabby are determined to solve the mystery that apparently the local police are having issues cracking. The deeper they get into the mystery, however, the greater danger the two intrepid teens realize they are in. Pretty soon solving the case may be the only way they can get out of this with their hides intact.

I have nothing against family movies in general, but oftentimes they seem to be of the opinion that their target audience is unsophisticated and not very bright. I have found that most young people actually have more than a few brain cells rattling around between their ears, and appreciate not having everything spelled out to them. They are perfectly capable of figuring things out for themselves.

Parents and most kids are going to find this cliché and riddled with afternoon special tropes. While Lulu and Gabby get on like a cross between the Hardy Boys and Nancy Drew (or to be a little more current, like they should be headlining shows like Are You Afraid of the Dark? on Nickelodeon. Your kids may find that intriguing, although most kids are probably not too interested in a 20-year-old TV show.

While the cast is admirably diverse and in particularly, African-Americans are shown in a light of being hard-working, intelligent and prosperous, the acting feels very stiff and the line delivery sounds forced. Worse still, the music – which is constant to the point that there is almost no moments during the film that don’t have a soundtrack – sounds like the score of a bad TV movie comedy. It’s intrusive and noticeable, which is not a good thing at all.

Parents should be aware that there are an awful lot of damns, hells, and hos. While I think that for the most part it’s no worse than what the average kid hears during the course of their day, some parents may be uncomfortable with it, as well as the drug humor herein. I would recommend that parents consider this when deciding whether this is appropriate viewing for their children.

Nothing here is all that offensive, other than the execution. I get the sense that this could have easily turned into a franchise had this been done right, but I can’t think of a single reason to watch a sequel to this. Definitely one of the worst films I’ve seen so far this year.

REASONS TO SEE: Positive portrayal of people of color.
REASONS TO AVOID: Very cliché and predictable. The acting is forced and uniformly mediocre. The score is intrusive and sounds like it was filched from another older bad movie. Although marketed as a family film, some of the material may not be appropriate for some kids.
FAMILY VALUES: There is some peril and rude humor, as well as mild profanity and drug references.
TRIVIAL PURSUIT: Although he has directed several documentary features, this is Shackleford’s debut as a narrative feature director.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 6/23/20: Rotten Tomatoes: No score yet, Metacritic: No score yet
COMPARISON SHOPPING: Nancy Drew
FINAL RATING: 2/10
NEXT:
Babyteeth

Offshoring 2015


Offshoring

Every year at about this time, shortly after the Florida Film Festival has ended, we like to present a collection of reviews for films that come to us from beyond America. We call it Offshoring and it’s one of our favorite mini-festivals of the year.

The variety and quality of films that come from around the world is improving rapidly with the cost of good quality equipment also coming down in price, becoming more affordable. These days you can see films that are absolutely riveting from every continent on Earth save Antarctica.

This year we have one of the movies that played this year’s Florida Film Festival among the five that we’re presenting. The movies that we’re reviewing come from Israel, Spain, France, Australia and Japan. The diversity of viewpoints that these films give us enriches us and helps us see things with a different perspective. Things including ourselves.

A lot of people dislike foreign movies because of subtitles and, in the case of English language films from foreign countries, accents that can be hard for Americans to decipher. That being the case, you should really rethink your prejudices because you’re cheating yourself out of some of the best movies you’re likely to see in your life. One of the films we’re reviewing this time out is one of the best animated features ever made and quite frankly one of the best movies ever made period.

So if you’re in an adventurous mood, you might give these movies a try. Not all of them are instant classics; some of them may have to grow on you a little. But I think that each of these movies gives you a glimpse not only of different ways of thinking, but at all the things that unite us as well. So hope to see you right here tomorrow when our mini-festival begins.