(2018) Documentary (Magnolia) Glenn Beck, Austin Pendleton, Sarah Ellison, Alisyn Camerota, Warren Cooper, Linda Newman, Karyn Kesler, Kenneth Johnson, Felycia Sugarman, John Cook, Stephen Rosenfield, Kellie Boyle, Glenn Meehan, E. Jean Carroll, Terry Anzer, David Shuster, Joe Muto, Lydia Corona, Bo Dietl, Richard Shea, Marsha Callahan, Tamara Holder. Directed by Alexis Bloom
There is no doubt that Roger Ailes is a polarizing figure. Among conservatives, he’s a genius and kingmaker who was responsible for the elections of Richard M. Nixon, Ronald Reagan, George H.W. Bush and Donald Trump. He is also the creator of Fox News, the virtual house network of the GOP. For liberals, he is the devil incarnate, a man who learned his trade from Nazi propagandist Leni Riefenstahl and whose “fair and balanced” tagline for his network was of the utmost irony.
So depending on which side of the political spectrum you fall on, you are going to look at this either as a hatchet job or as a call to arms. It’s very difficult to review a biographical documentary about someone like Ailes without your own politics getting in the way. I will be as honest as I can be; I have no love for Ailes and his legacy, but then again, neither does the director – as she makes abundantly clear.
Much of the film revolves around the sexual harassment scandal that would eventually bring one of the most powerful men in America down. Although we don’t hear from former Fox News anchor Gretchen Carlson who initiated the suit, we do hear from Fox News personalities Glenn Beck, Alisyn Camerota and David Shuster. We also hear from women who have accused Ailes of sexual coercion, going all the way back to his days as a producer on the Mike Douglas Show which at the time was the only talk show on daytime television.
Even the soundtrack, which sounds appropriate for a thriller, makes no bones about where Bloom’s sympathies lie. While she does a pretty good job of summarizing the man’s career, there is no attempt to talk to people who loved Ailes – and there were many. Although Beck was willing to go on camera and discuss some of the darker sides of Ailes’ nature, no other big Fox News personality did, nor any members of Ailes’ family. We therefore get a fairly one-sided presentation of the man.
Ailes passed away in 2017 before this documentary came out; a hemophiliac, a fall in his home caused him to bleed to death. By that time, however, he had been rendered persona non grata at the network he created. That he survived only a year after his fall from grace is not surprising.
I get the need to vilify the man; his lack of regard for the truth and for facts in favor of building a narrative that fits the conservative point of view is disturbing, and we are living with the fruits of that poisonous tree. Ailes took his cues from Adolph Hitler and P.T Barnum, telling the big lie to appeal to man’s baser nature, and changed the world. Love him or hate him, you cannot deny that he is very much responsible for the world we live in even now, three years after he’s gone. That, at least, is a legacy.
REASONS TO SEE: A chilling look at the manipulation of the electorate. A mixture of admiration and horror.
REASONS TO AVOID: Extremely one-sided.
FAMILY VALUES: There is some brief profanity.
TRIVIAL PURSUIT: Actor/director Austin Pendleton and Ailes attended grade school together.
BEYOND THE THEATER: Amazon, AppleTV, Fandango Now, FlixFling, Google Play, Hulu, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 5/9/20: Rotten Tomatoes: 90% positive reviews: Metacritic: 71/100.
COMPARISON SHOPPING: Bombshell
FINAL RATING: 7/10
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