New Releases for the Week of August 31, 2018


KIN

(Summit) Myles Truitt, Jack Raynor, Dennis Quaid, Zoë Kravitz, James Franco, Carrie Coon, Ian Matthews, Gavin Fox. Directed by Jonathan and Josh Baker

An adopted African-American teen finds an otherworldly weapon in an abandoned factory and takes it home where his brother has just returned home after a stint in jail. Soon the two are being chased by the feds, the alien soldiers whose weapon it is and a vengeful criminal who has a beef with the ex-con.

See the trailer, interviews, clips, a video featurette and B-roll footage here
For more on the movie this is the website

Release Formats: Standard, DBOX, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating>: PG-13 (for gun violence and intense action, suggestive material, language, thematic elements and drinking)

Juliet, Naked

(Roadside Attractions) Rose Byrne, Ethan Hawke, Chris O’Dowd, Jimmy O. Yang. A museum curator in a small British seaside town has put up for years with her boyfriend’s obsession over an American indie rocker who made one album and essentially disappeared. Now that there is new material out there, she impulsively writes a nasty review on her boyfriend’s website and to her surprise, gets a response from the musician in question. To her even greater surprise, she begins to develop a romantic relationship with the faded ex-rocker.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs, Enzian Theater, Regal Waterford Lakes, Rialto Spanish Springs Square

Rating: R (for language)

The Little Stranger

(Focus) Domhnall Gleeson, Ruth Wilson, Charlotte Rampling, Will Poulter. In 1948, an English country doctor visits a patient on an estate where his mother once worked. The crumbling manor disguises some terrifying events that will draw the doctor into an exploration of the history of the family that has lived there for more than two centuries – and even more disquietingly, his own.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some disturbing bloody images)

Operation Finale

(MGM) Oscar Isaac, Ben Kingsley, Mélanie Laurent, Nick Kroll. This is the incredible but true story of the capture of Nazi war criminal Adolph Eichmann in a daring raid in Buenos Aires by a combined force of Mossad and Shin Bet.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: War Drama
Now Playing: Wide Release (opened on Wednesday)

Rating: PG-13 (for disturbing thematic content and related violent images, and for some language)

Searching

(Screen Gems) John Cho, Debra Messing, Michelle La, Sara Sohn. When his sixteen-year-old daughter disappears and with time ticking away, a desperate father searches his daughter’s laptop for clues that might lead him to his baby girl, and instead gets a lot more than he bargained for.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for thematic content, some drug and sexual references, and for language)

Yo Veremos

(Pantelion) Mauricio Ochmann, Fernanda Castillo, Emiliano Aramayo, Erik Hayser. A young boy preparing for sight-saving surgery puts together a bucket list of things he wants to do with both of his estranged parents.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: AMC Disney Springs, Epic Lee Vista, Regal The Loop, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

An Actor Prepares
The Bookshop
Nartanasala
Reprisal
Support the Girls

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Bookshop
Imaiikka Nodigal
John McEnroe: In the Realm of Perfection
Madeline’s Madeline
Nartanasala
Nico, 1988
The Night is Short, Walk on Girl
Reprisal
Stree
The Wife

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Blood Fest
Boarding School
The Bookshop
Imaiikka Nodigal
Reprisal
Snow Queen 3: Fire and Ice
Stree
 

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Nartanasala
Summer 1993

SCHEDULED FOR REVIEW:

Blood Fest
Juliet, Naked
Kin
The Little Stranger
Operation Finale
Searching
Support the Girls

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Star Wars: The Last Jedi


In any Star Wars film sparks will fly and stuff will burn.

(2017) Science Fiction (Disney) Daisy Ridley, John Boyega, Oscar Isaac, Mark Hamill, Adam Driver, Carrie Fisher, Laura Dern, Andy Serkis, Domhnall Gleeson, Lupita Nyong’o, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Frank Oz, Benicio Del Toro, Justin Theroux, Billie Lourd, Joonas Suotomo, Amanda Lawrence, Jimmy Vee, Veronica Ngo. Directed by Rian Johnson

In the annals of all things cinematic, no film franchise has ever elicited as much anticipation as the Star Wars franchise has with every film that’s come out since the first one. Say what you want about their fandom, they are among the most loyal of any fanbase for just about anything anywhere; many of its fans go back to the first 1977 film forty years before the latest one came out.

And there are no signs of the franchise slowing down anytime soon. Not only is there a standalone Han Solo film coming out this summer, but earlier this year it was announced that another trilogy has been approved by Disney (to nobody’s surprise) after the current trilogy concludes next year. Rian Johnson, director of this episode, will be overseeing it although whether that means he will be directing all three of the films, writing them or acting more like a kind of Yoda for the filmmakers who will be involved with the fourth trilogy remains to be seen.

While this is the longest of the films to date, for the most part it doesn’t seem that way thanks to incredible special effects which have become and remained the norm for the series. Like The Force Awakens there seems like a lot of story lines that were cobbled from other films in the series (a last stand on an ice planet? C’mon, guys) and elsewhere. On top of that there are all sorts of threads going on here and while they seem to reach a conclusion, it still feels like we’re slogging through story more than we should be.

But there is a whole lot to like about the movie as well. One of the main things is Mark Hamill. He has delivered one of his best performances ever and certainly his best Luke Skywalker ever. I worried early on that he would be curmudgeonly “get off my lawn” Luke for the whole movie but thankfully he shows some growth, particularly in the final act. The film ends on a grace note that is as magical a moment as you’ll find in the entire series.

There are other fine performances and storylines here but Ridley as Rey was not as compelling as she was previously. Boyega also seems to be written as kind of a one-note character. Laura Dern is a welcome addition to the Star Wars Universe, giving a performance that matches some of the veteran cast members note for note. Oscar Isaac seems to be developing into a very interesting character and the storyline with Rose (Tran) was one of the best in the film. However, I think the movie will be long-remembered for being Carrie Fisher’s last appearance as Princess Lea (Episode IX director J.J. Abrams has stated that Fisher won’t be appearing in any form in that movie).

On the other hand, there’s Snoke, the Supreme Leader of the First Order who is played via motion capture by the great Andy Serkis. When you have maybe the best motion capture performer of all time to utilize it seems a bloody shame to use so little of him. He is almost casually dispatched early in the movie which may end up being a tactical error or not. The Emperor surrogate role now falls to Adam Driver as Kylo Ren who may not be wholly evil after all as Anakin Skywalker was. But can anyone be both Darth Vader and Emperor Palpatine at once? That remains to be seen.

This is superior entertainment and helped 2017 end on a record-breaking note. While many fans sniped over some of the story points (even Hamill reportedly wasn’t happy about the direction his charcter was taking) there’s no doubt that the franchise is as healthy as it ever was. Most people reading this have likely already seen the film multiple times in the theaters and await with varying degrees of eagerness for it to become available for their home collections. Well, so is this critic.

REASONS TO GO: As always, the special effects are as breathtaking as any in the movies. The action sequences are also top of the line. Hamill delivers his best performance of the series.
REASONS TO STAY: The buildup for Snoke led to somewhat of a letdown. The story is unnecessarily convoluted and once again feels like it was borrowed from other episodes..
FAMILY VALUES: As you would expect from a film of this franchise there is all sorts of action and violence.
TRIVIAL PURSUIT: In addition to playing Luke Skywalker, Hamill also played a CGI character who can be seen putting money into BB-8 during the casino scene.
CRITICAL MASS: As of 2/1/18: Rotten Tomatoes: 91% positive reviews. Metacritic: 85/100.
COMPARISON SHOPPING: Star Wars Episode II: Attack of the Clones
FINAL RATING: 7.5/10
NEXT:
Scorched Earth

Goodbye Christopher Robin


A lovely father, son and bear moment from the Hundred Acre Woods.

(2017) Biographical Drama (Fox Searchlight) Domhnall Gleeson, Margot Robbie, Kelly Macdonald, Will Tilston, Alex Lawther, Stephen Campbell Moore, Richard McCabe, Geraldine Somerville, Phoebe Waller-Bridge, Shaun Dingwall, Tommy Rodger, Sam Barnes, Mark Tandy, Richard Dixon, Nicholas Richardson, Ann Thwaite, Allegra Marland, Victoria Bavister. Directed by Simon Curtis

 

The Winnie the Pooh stories and children’s books are among the most beloved on the planet. Who doesn’t long for the simpler times of the Hundred Acre Woods, the love and affection of Eeyore, Piglet, Tigger and of course Pooh himself? When the books were originally written between the wars, they were tonic for the troops, taking a country that had lost so much in the Great War and if not healing at least allowing those wounded and broken by the horrors of World War I to escape it for awhile.

The author, A. A. Milne (Gleeson) was himself  a soldier in that war, fighting in such places as the Battle of the Somme. When he arrived home, he suffered from what was at the time called shell shock but is better known today as Post Traumatic Stress Disorder. The backfires of cars, popped champagne corks and balloons bursting were enough to trigger Milne with terrifying flashbacks to the war; London had become intolerable for him so he hauled his young bride Daphne (Robbie) to the countryside of East Essex and set about trying to heal.

Shortly thereafter, Daphne gave birth to Christopher Robin (Tilston) whom his parents dubbed Billy Moon. Like most upper class parents of the time, they enlisted a nanny – Olive (Macdonald) whom Billy named Nou – to do the bulk of the child rearing. Daphne disliked the country life immensely, missing the parties and the culture of London and eventually went back to the big city, with no firm date as to when she might return. To add to Milne’s misery, Nou was also obliged to return home due to a family crisis, forcing Milne to spend time with his tow-headed son.

Against all odds the two end up bonding and Milne finds solace in the little adventures that the two set up for Billy’s beloved stuffed bear Pooh. Milne becomes compelled to write the stories down, first as a poem and then as children’s books which prove to be wildly popular. Daphne and Nou both return home and the family basks in the success for a short time.

But the public clamors to meet “the real Christopher Robin” and the clueless parents aren’t above trotting their progeny around for personal appearances, interviews and publicity stunts without a thought of what this might be doing to the boy. With Milne writing sequels and the demand growing exponentially, the real Christopher Robin begins to wonder if he himself is as loved as the fictional one by his parents and the resentment begins to grow and grow and grow.

Considering the joy and lightness of the Pooh books, this is a dark tale indeed and parents thinking that this is suitable for young children brought up on the Disney versions of the characters should be dissuaded from that thought. The themes here are very serious and adult and some of the scenes of war and its aftermath are likely to produce nightmares in the very young.

The odd thing is that most of the people in this film are thoroughly unlikable; Daphne who is a whining harpy who is completely self-centered (it is well known that in reality her son refused to speak to her for the last 15 years of her life), A.A. (called Blue by his friends) who was also self-absorbed and nearly broken and even young Billie Moon acts out an awful lot (understandably). Only Nou comes off as genuine, sweet and caring; fortunately for us she’s also the narrator In fact Macdonald just about steals the show here but I think it’s because the character is a life preserver in a stormy sea of selfishness throughout the film.

Although the film is said to be “inspired by true events” I understand that the filmmakers stuck pretty close to the facts which makes this almost tragic. There are moments of magic, yes, but Milne’s condition is so often and so thoroughly thrust in our faces that after awhile we want to grab Curtis and yell in his face “WE GET IT!!!!” The story of the creation of one of children’s literature’s most beloved characters is not a happy one and while I admire the warts and all portrayal of the Milne family, at the end I was longing for an escape into the magic of the Hundred Acre Wood myself.

REASONS TO GO: Kelly Macdonald gives a marvelous performance as the nanny. The film really picks up momentum during the middle third.
REASONS TO STAY: Tilston is a bit overbearing. The filmmakers overplay the PTSD element.
FAMILY VALUES: There are depictions of bullying, war violence, brief profanity and themes about coping with the aftermath of war and of parental exploitation.
TRIVIAL PURSUIT: The real Christopher Robin had one daughter, Claire, who was born with Cerebral Palsy. She passed away in 2012 at the age of 56, 16 years after her father did.
CRITICAL MASS: As of 1/15/18: Rotten Tomatoes: 64% Positive Reviews. Metacritic: 54/100.
COMPARISON SHOPPING: Finding Neverland
FINAL RATING: 6.5/10
NEXT:
Daddy’s Home 2

American Made


Tom Cruise wonders if he can call his agent collect.

(2017) Biographical Dramedy (Universal) Tom Cruise, Domhnall Gleeson, Sarah Wright, Jesse Plemmons, Caleb Landry Jones, Lola Kirke, Jayma Mays, Alejandro Edda, Benito Martinez, E. Roger Mitchell, Jed Rees, Fredy Yate Escobar, Mauricio Mejia, Robert Farrior, Morgan Hinkleman, Alberto Ospino, Daniel Lugo, Felipe Bernedette, Jayson Warner Smith, April Billingsley. Directed by Doug Liman

 

Some stories are too out there to be believed. Some stories are truths that are stranger than fiction. Some stories could only be made in America.

Barry Seal (Cruise) was one such story. A one-time TWA pilot bored with his commuter plane career, he smuggled Cuban cigars into the country to make a little extra cash, bringing him to the attention of the CIA. Not to prosecute him; to recruit him as it turned out. His handler, Monty Schafer (Gleeson) – not his real name as it turns out – wants him to take pictures of Leftist commando units in Central and South America from the air. Barry, ever the adrenaline junkie at heart, gets the best pictures imaginable.

He begins another smuggling sideline; this time bringing drugs into the country for guys like Manuel Noriega (Ospino) and Pablo Escobar (Mejia). Soon, Barry has more cash than he knows what to do with. His wife Lucy (Wright) – suspicious at first – turns a blind eye when she gets all the material goods that she ever dreamed of.

Stories like this rarely end well and Barry’s doesn’t either but while the ride is going on it’s entertaining. Liman seems to know how to get the best out of Cruise who still has that youthful smile but is beginning to show signs of middle age. Nonetheless Cruise again shows his star appeal by being likable while working for some pretty terrible people; well, onscreen anyway.

Liman gives us an almost Steven Soderbergh-like film; brash and full of itself. There is certainly a good deal of entertainment value here but in some ways it’s a cookie cutter movie. It doesn’t really rise above similar stories and nothing happens that the audience can’t see coming a mile away. Still in all, you won’t go wrong renting this puppy although I might think twice about buying it. It’s one of those movies that you see once, enjoy it at the time and promptly forget about it afterwards.

REASONS TO GO: There is an almost Soderbergh-like feel to the film.
REASONS TO STAY: This is a bit too formulaic for my own taste.
FAMILY VALUES: There is lots and lots of profanity as well as some sexuality and a bit of nudity.
TRIVIAL PURSUIT: The plane that Seal used in real life was featured in the movie; tragically, it crashed on the final day of filming, causing two fatalities.
BEYOND THE THEATERS: Amazon, Fandango Now, Fios, Frontier, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 1/4/18: Rotten Tomatoes: 87% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Air America
FINAL RATING: 6/10
NEXT:
Django

New Releases for the Week of December 15, 2017


STAR WARS: THE LAST JEDI

(Disney) Daisy Ridley, Mark Hamill, Oscar Isaac, Carrie Fisher, Laura Dern, John Boyega, Adam Driver, Domhnall Gleeson, Andy Serkis.  Directed by Rian Johnson

Rey, having utilized some of her nascent Jedi powers, has found Luke Skywalker but he is unwilling to teach any more disciples the secrets of the Force. At last, begrudgingly, he is convinced but the more Rey discovers about the Force the more she discovers about her mysterious past.

See the trailer and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D, RPX, D-Box, Dolby Atmos
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for scenes of sci-fi action and violence)

Ferdinand

(20th Century Fox) Starring the voices of John Cena, Kate McKinnon, Jeremy Sisto, Anthony Anderson. A big-hearted bull is mistaken for a wild beast and brought to the arena to be a fighting bull. Knowing that he won’t come out of the arena alive, he attempts an escape to get back home where he belongs along with his misfit friends.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard 
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for rude humor, action and some thematic elements)

Wonder Wheel

(Focus) Kate Winslet, Jim Belushi, Juno Temple, Justine Timberlake. Four lives intersect in the Coney Island of the 1950s; an emotionally volatile former actress now working as a waitress in a clam joint; her rough and tumble carousel operator husband; a lifeguard with dreams of becoming a playwright and the estranged daughter of the waitress and her husband who is hiding out from gangsters in her father’s apartment.

See the trailer and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Winter Park Village, Rialto Spanish Springs

Rating: PG-13 (for thematic content including some sexuality, language and smoking)

ALSO OPENING IN ORLANDO/DAYTONA:

Love Ni Bhavi
The Tribes of Palos Verdes

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Dealt
Love Ni Bhavi
Oro
The Shape of Water
The Tribes of Palos Verdes
Youth

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hedgehogs
Love Ni Bhavi

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Unrest

SCHEDULED FOR REVIEW:

Ferdinand
The Shape of Water
Star Wars: The Last Jedi
Unrest

New Releases for the Week of October 27, 2017


JIGSAW

(Lionsgate) Matt Passmore, Tobin Bell, Callum Keith Rennie, Hannah Emily Anderson, Clé Bennett, Laura Vandervoort, Paul Braunstein, Josiah Black. Directed by Michael Spierig and Peter Spierig

The police are baffled when a series of murders have all the earmarks of the Jigsaw Killer, who has been dead for almost a decade. As the cops chase a dead man, the corpses begin to pile up. Is this a copycat killer hell bent on continuing the mission of John Kramer, or does he have some darker agenda in mind?

See the trailer, interviews, a clip and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, IMAX, DBOX
Genre: Horror
Now Playing: Wide Release

Rating: R (for sequences of grisly bloody violence and torture, and for language)

A Silent Voice

(Eleven Arts) Starring the voices of Michael Sinterniklaas, Melissa Hope, Kira Buckland, Amber Lee Connors. After bullying a deaf girl so badly that she moves away, a young boy ends up being ostracized by his schoolmates. Years later, bothered by his own behavior and wanting to make amends, he sets out to find the girl hopefully to find a way to redeem himself for his cruel actions as a boy.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Universal Cineplex

Rating: NR

All I See is You

(Open Road) Blake Lively, Jason Clarke, Ahna O’Reilly, Yvonne Strahovski. A woman blinded since childhood after a horrific car crash relies on her husband to help her “see” the world through his descriptions. When a new type of surgery restores her sight, she finds that the world isn’t as she imagined it was – and neither was her husband.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Oviedo Mall, Regal Pointe Orlando

Rating: R (for strong sexual content/nudity, and language)

Crash Pad

(Vertical) Nina Dobrev, Domhnall Gleeson, Christina Applegate, Thomas Haden Church. A young man whose hopeless romanticism has stopped previous relationships dead in their tracks thinks he’s finally found The One; a beautiful older woman. However, he learns that she’s married and is using their affair as a means of getting back at her neglectful husband.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Universal Cineplex

Rating: R (for strong crude sexual content, language. some nudity, drug use and alcohol abuse)

Goodbye Christopher Robin

(Fox Searchlight) Domhnall Gleeson, Margot Robbie, Will Tilston, Alex Lawther. Alan, a British author, learns to appreciate the imagination of his son Christopher and is inspired to write stories about his son and his beloved stuffed bear Pooh. This is the story of A.A. Milne and how he came to invent the 100 Acre Wood and Winnie the Pooh.

See the trailer and clips here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, AMC Universal Cineplex, Regal Winter Park Village, Rialto Spanish Springs

Rating: PG (for thematic elements, some bullying, war images and brief language)

Suburbicon

(Paramount) Matt Damon, Julianne Moore, Oscar Isaac, Jack Conley. A quiet suburb in the 1950s is shaken when a home is invaded and a housewife murdered. Shocking as that was, the more details about the crime that come out, the more twisted it becomes. From the warped minds of the Coen Brothers and director George Clooney comes this much-anticipated gem.

See the trailer and interviews here
For more on the movie this is the website

Release Formats: Standard
Genre: Black Comedy
Now Playing: Wide Release

Rating: R (for violence, language and some sexuality)

Thank You for Your Service

(New Line) Miles Teller, Haley Bennett, Keisha Castle-Hughes, Kate Lyn Shell. Back from a tour in Iraq, a group of soldiers try to reintegrate themselves back into civilian life. For one heroic soldier, that task is much more difficult than going to war was.

See the trailer, clips, interviews, a featurette and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: War Drama
Now Playing: Wide Release

Rating: R (for strong violent content, language throughout, some sexuality, drug material and brief nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Let There Be Light
Lucky
Seven Sundays
Vunnadi Okate Zindaagi

ALSO OPENING IN MIAMI:

Aida’s Secrets
California Typewriter
Calle 54
Chavela
El Amparo
Let There Be Light
The Queen of Spain
Ramaleela
Seven Sundays
Take Every Wave: The Life of Laird Hamilton
Vunnadi Okate Zindaagi

ALSO OPENING IN TAMPA:

The Heyday of the Insensitive Bastards
Let There Be Light
Njandukalude Nattil Oridavela
Ramaleela
Vunnadi Okate Zindaagi

ALSO OPENING IN JACKSONVILLE:

Let There Be Light
Seven Sundays
Vunnadi Okate Zindaagi

SCHEDULED FOR REVIEW:

Goodbye Christopher Robin
Jigsaw
Lucky
Suburbicon
Thank You For Your Service

The Revenant (2015)


Leo in the wilderness.

Leo in the wilderness.

(2015) Western (20th Century Fox) Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck, Paul Anderson, Kristoffer Joner, Joshua Burge, Duane Howard, Melaw Nakehk’o, Fabrice Adde, Arthur RedCloud, Christopher Rosamond, Robert Moloney, Lukas Haas, Brendan Fletcher, Tyson Wood, McCaleb Burnett, Grace Dove. Directed by Alejandro González Iñárritu

Nature has a way of reducing us to our primal, primordial selves. Life becomes reduced to a single choice; survive or die. There is nothing complex about it – but nothing simple either.

Loosely based on an actual incident, the story is about Hugh Glass (DiCaprio), an explorer and trapper in the 1820s American frontier who is leading a party of trappers set upon by the Pawnee, who erroneously believe they kidnapped one of their women. The Americans, under the command of the dauntless Captain Andrew Henry (Gleeson) are forced to stash their hard-won pelts and flee, led by Glass and his compatriot John Fitzgerald (Hardy). When Glass is attacked by a bear and gravely injured and the Pawnee hard on their trail, Captain Henry is forced to leave him under the care of three men, including Fitzgerald, young Bridger (Poulter) and Glass’ son Hawk (Goodluck), who is half-Native American. Glass’ wife (Dove) had been killed by soldiers a few years earlier.

However, the cowardly Fitzgerald, thinking that Glass is a goner for sure, decides to bury him prematurely while Bridger is away. Hawk discovers him and tries to fight him off but gets stabbed to death for his trouble. Fitzgerald quickly buries Hawk and then convinces Bridger that the Pawnee are almost upon them, and throws Glass into a shallow grave, still alive. Bridger reluctantly agrees but his conscience is absolutely bothering him.

The trouble is, Glass is not quite dead yet. And having witnessed his son’s murder, he is full on with a thirst for revenge. The trouble is, he is hundreds of miles away from anything and anyone and he can barely walk. It is the middle of winter and his chances of survival are nearly nil, but never count out the human spirit – and the thirst for vengeance.

This is one of the most beautifully shot films you’re likely to see. In my admittedly inexpert opinion cinematographer Emmanuel Lubezki is far and away the Oscar favorite and this has been a superb year for cinematographers. It is bleak and cold, but there is so much beauty. The shots are carefully constructed to frame the action but at the same time look like works of art, with the trees and the sky and the snow all combining to bring the audience into the frame. I couldn’t help but shiver at times.

DiCaprio was nominated for the Golden Globe for his work here and also has been nominated for an Oscar which are a few weeks away as of this writing and while his performance isn’t my favorite of the year, it was certainly worthy of the nominations and has a good shot at winning the statuette, Eddie Redmayne notwithstanding. He doesn’t have a whole lot of dialogue here and has to communicate much of his performance through wild looks, spittle blown out of his mouth and wordless screams. As elegant as Redmayne’s also-Oscar worthy performance was, this is primal and raw, a caveman to the sophisticate of Redmayne. It is rare to see such diversity of styles in a single nominated group and I don’t envy the Academy voters their task to pick just one winner.

Ryuichi Sakamoto and Alva Noto provided the minimalist score which often was comprised of found sounds, both natural and man-made. The composers also knew when silence would be more effective; the entire bear attack scene had no music other than DiCaprio’s agonized screams and the bear’s grunts and groans. As that scene almost has to be the most effective in the movie in order for the film to work, Iñárritu made some wise choices in setting up and executing not only the action (the bear was CGI from what I understand and quite frankly I couldn’t tell) but also in how that action was framed.

Iñárritu is a bit of a mystic and some of the scenes have that sense, almost like Carlos Castaneda translated to celluloid. He captures the brutality of life on the frontier almost too well; at times the intensity and the starkness is hard to watch. More sensitive viewers may find the film too grim for their liking. While this isn’t my favorite movie in the director’s filmography, it may well be his best in many ways but for reasons that may well be personal (I was literally exhausted while I was watching it after a sleepless night the evening before) it didn’t connect to me the way his other works have. In my case, this is a film that I admire more than I love, but that doesn’t mean you won’t love it. This is certainly when all is said and done essential viewing if you intend to capture the very best of 2015.

REASONS TO GO: An amazing technical achievement. One of DiCaprio’s finest performances of his career. Realistic almost to a fault.
REASONS TO STAY: Not for everybody; grim, relentless and sometimes too intense for some.
FAMILY VALUES: Along with frontier violence and some gory images, there’s also a scene of sexual assault, brief nudity and some foul language.
TRIVIAL PURSUIT: DiCaprio, a vegetarian, at an actual raw buffalo liver in the scene that called for it.
CRITICAL MASS: As of 1/20/16: Rotten Tomatoes: 82% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: A Man Called Horse
FINAL RATING: 8.5/10
NEXT: Road to Nowhere