(2011) Supernatural Action (Summit) Nicolas Cage, Amber Heard, William Fichtner, Billy Burke, David Morse, Todd Farmer, Christa Campbell, Charlotte Ross, Tom Atkins, Katy Mixon, Jack McGee. Directed by Patrick Lussier
It is said that a man will walk through the fires of Hell for his daughter. For some that’s more literally true than for others.
John Milton (Cage) has been away for a very long time. You might think he’s been in prison and he has, after a fashion; y’see, Milton’s been dead for several years – in the biggest, nastiest, prison of them all, Hell.
But he’s out now, walking the Earth from a place where you don’t exactly get paroled for good behavior. He’s a man on a mission; as it turns out, his daughter has been murdered by a charismatic cult leader going by the name of Jonah King (Burke) and not merely murdered, but butchered. To make things worse, her infant daughter (Milton’s granddaughter) has been kidnapped by King, earmarked for human sacrifice that will bring about a new world order – Hell on Earth.
Chasing him is the Accountant (Fichtner), an urbane demon who never gets ruffled but is someone you definitely do NOT want to mess with, as well as the police, as personified by the brutal Cap (Atkins). Assisting him is Piper (Heard), a waitress at a diner who Milton saves from being beaten up by her boyfriend (Farmer, who co-wrote the movie incidentally), and Webster (Morse), a former compadre of Milton’s.
Piper and Milton drive through the south, chasing the cult and trying to retrieve the baby before the full moon. Hell is walking the Earth and things are going to get strange before all is said and done.
Director Lussier has been impressive in some of the opportunities he’s had; this is very much a tribute to a variety of different grindhouse genres. Quentin Tarantino would have a field day with this kind of thing; in many ways, his Deathproof has the same pedigree as this does, which owes a little more to Race with the Devil in many ways with its satanic cult overtones.
Nicolas Cage has had a really bad run in terms of box office. The one-time Oscar winner and A-lister has taken on enough B movie projects to become in danger of becoming the next Steven Seagal. Milton is not really given much of a personality and Cage doesn’t really supply him one. He talks in a laconic monotone and doesn’t show very much anger or desperation. Maybe it’s because he’s dead, but he doesn’t seem to have much passion about…well, much of anything. The title of the film may be Drive Angry but Drive Irritated might have been more suitable to the tone as Cage projected it.
The movie is carried to a very large extent by Amber Heard. She kicks ass, but not in an unrealistic way; she gets beaten up early on but she takes no crap from anybody. The fact that she looks awesome in her Daisy Dukes (yeah, there are all sorts of references like that here) doesn’t hurt. She isn’t so much a damsel in distress, even though there’s a little bit of that here.
Fichtner, who’s created a nice niche for himself as a bureaucratic corporate sort, takes that role and plays it to the “nth” degree here, only with a certain amount of a sly wink. He has a good time with the role, giving it the right amount of attitude to make it memorable. I found myself looking forward to Fichtner’s screen time more than Cage’s.
Burke, best known for his work in the Twilight series, channels both Tommy Lee Jones and Josh Brolin as the cult leader. It’s not amazing work, but solid enough; fortunately Cage doesn’t provide enough fireworks to make their showdown more meaningful.
However, there is plenty of bang for your buck here. Plenty of things get blown up, lots of jiggling boobs (including a great scene when Cage is having sex with a barmaid (Ross) when his hotel room is attacked by a horde of farm tool-wielding cultists, Cage starts shooting at his attackers, all the while remaining inside his partner even when one hits him with a taser, giving the lady a good shaking) and enough bullets flying to make an NRA highlight reel.
This movie is essentially mindless fun. If you try to think about what the plot means too much, your head might just spontaneously combust. However, it’s fine grindhouse entertainment that stands proudly alongside the best of that genre from the 70s and 80s.
REASONS TO GO: Mindless entertainment, lots of things blow up and lots of sex and violence.
REASONS TO STAY: Little plot, zero plausibility and Nicolas Cage is strangely flat.
FAMILY VALUES: Hmmm, where to begin? There’s violence, sex, nudity, rough language and disturbing images. There’s also baby sacrificing going on but that’s a whole other ball of wax.
TRIVIAL PURSUIT: In the film, Milton drives a 1964 Buick Riviera, 1969 Dodge Charger and a 1971 Chevy Chevelle.
HOME OR THEATER: I know I’m in the minority here but I think this is one that should be seen on the big screen.
FINAL RATING: 6/10
TOMORROW: Sophie Scholl: The Final Days