Thunderbolt and Lightfoot


Jeff Bridges and Clint Eastwood share a Zen moment.

Jeff Bridges and Clint Eastwood share a Zen moment.

(1974) Crime Comedy (United Artists) Clint Eastwood, Jeff Bridges, George Kennedy, Geoffrey Lewis, Catherine Bach, Gary Busey, Jack Dodson, Gene Elman, Burton Gilliam, Roy Jenson, Claudia Lennear, Bill McKinney, Vic Tayback, Dub Taylor, Gregory Walcott, Erica Hagen, Alvin Childress, Virginia Baker, Stuart Nisbet, Irene K. Cooper, Cliff Emmich, June Fairchild, Karen Lamm. Directed by Michael Cimino

Once a mainstay of Saturday afternoon television movie programming, this Clint Eastwood action thriller is notable for being Oscar nominated back in the day. All the digital splendor of a DVD doesn’t hide just how dated this movie is, though.

Notable as the first directorial effort of Michael (Heaven’s Gate) Cimino, the film concerns the pairing of a middle-aged, jaded bank robber now in hiding (Eastwood) and a young, impetuous and, er, highly vigorous young man named Lightfoot (Jeff Bridges, who garnered a Best Supporting Actor Oscar nomination for the role) who literally run into each other in a wheatfield while bullets whiz around them. That pretty much sets the tone for the movie.

They are being chased by Red Leary (Kennedy), a foul-tempered former member of the Thunderbolt gang (Thunderbolt is Eastwood’s character, by the way). Eventually, they all hook up and plan to duplicate the gang’s legendary heist of Montana Armored. But you just know that Lightfoot, so full of piss and vinegar, will get on stodgy old Red Leary’s nerves like stink on a two-dollar cigar, and that the fur will fly because of it.

The location in Great Falls, Montana, brings out the feeling of desolation and isolation that couldn’t be pulled off on a studio backlot. Cimino shows some decent writing skills with a few unexpected twists here and there, but mainly he borrows too heavily on a stylistic level from such movies as Bonnie and Clyde, The Wild Bunch and Easy Rider.

Eastwood is at the point of his career here where he was beginning to stretch his acting wings (Thunderbolt and Lightfoot immediately followed Play Misty For Me on Eastwood’s resume). Of course, the basics of his persona honed in so many badass Italian westerns are there, but the tough guy he plays here has a vulnerable, world-weary and dog-loyal soul beneath the veneer. Bridges was at the very start of his career which was somewhat checkered for awhile but has been awash with Oscar nominations and lately, Oscar wins. The supporting cast includes some of the era’s most solid character actors in Lewis, Tayback, Taylor and Dodson, while Bach is lustrous and Busey turns in one of his earlier performances.

Few movies age well, especially those that try to make a hipness quotient that generally eludes Hollywood movies. What’s hip in one era becomes hopelessly anachronistic in the next. Thunderbolt and Lightfoot has some meat on its bones, but generally speaking, holds up about as well as The Partridge Family does. Those who love ’70s movies or are students of the era however might find this a hoot.

WHY RENT THIS: Fine performances by Bridges and Eastwood. Very much a product of its times.

WHY RENT SOMETHING ELSE: Extremely dated and doesn’t hold up well. Derivative of other, superior works.

FAMILY MATTERS: A bit of violence and sexuality.

TRIVIAL PURSUITS: Eastwood’s son Kyle had his first movie role in this film at age 5; because he had one word of dialogue, he had to be paid union scale for actors with dialogue rather than extras, which meant he got $128 (scale at the time) for his work.

NOTABLE HOME VIDEO FEATURES: None listed.

BOX OFFICE PERFORMANCE: $21.7M on a $4M production budget.

FINAL RATING: 5.5/10

NEXT: Prisoners

Back to the Future Part III


Christopher Lloyd shows Michael J. Fox how he did the Judge Doom pop-eyes effect.

Christopher Lloyd shows Michael J. Fox how he did the Judge Doom pop-eyes effect.

(1990) Science Fiction (Universal) Michael J. Fox, Christopher Lloyd, Thomas F. Wilson, Mary Steenburgen, Elisabeth Shue, Lea Thompson, Richard Dysart, Matt Clark, James Tolkan, Pat Buttram, Harry Carey Jr., Dub Taylor, Marc McClure, Wendie Jo Sperber, Jeffrey Weissman, Flea, J.J. Cohen, ZZ Top, Donovan Scott. Directed by Robert Zemeckis

If you’re going to end a trilogy, there should be a definite ending, one which brings the franchise to a close in case no further films are made, but leaves the possibility for further films if they are warranted. That, in Hollywood terms, is the definition of success of a final entry in a film franchise.

Following the events of Back to the Future Part II (NOTE: If you haven’t seen the first two films there are spoilers in the synopsis of the third. Skip ahead or don’t read if you’d rather not know what happened) Marty McFly (Fox) is stranded back in 1955 and the Doc Brown (Lloyd) of his time has been stranded back in 1885. Marty has to enlist the aid of the 1955 Doc Brown to get Marty home – except they discover that Doc will be murdered in 1885 not long after he arrives.

Marty instead returns back to 1885 a few days before the date on Doc’s tombstone but in the process the gas tank of the Delorean is punctured and all of the gas leaks out, leaving the car essentially an inert hunk of metal. However Doc and Marty figure out a way to get the car moving to 88 MPH and return to the future using a souped-up steam train.

But as always there are complications. Doc and Marty have angered an outlaw named Buford “Mad Dog” Tannen (Wilson) and Doc has fallen in love with pretty schoolteacher Clara Clayton (Steenburgen). Doc is torn between his love for Clara and the need to get Marty home; will Marty be able to make it back to the future?

My main complaint about the second film was that it didn’t possess the heart of the original. This one more than makes up for it, particularly in the relationship between Doc and Clara. Marty in some ways takes a back seat to Doc in this movie, which is a bit of a refreshing change.

The movie was the least successful at the box office of the three having as much to do with its Western setting as anything else. Westerns were very much out of favor at the time this was made (and continue to be fairly low on the cinematic totem pole, no pun intended, even today) and might have kept away a segment of the audience who preferred the more sci-fi elements of the first two films.

The train scene that is the film’s climax is one of the most impressive of the trilogy and will keep even the most jaded movie buff on the edge of their seats. The camaraderie between Doc and Marty is as always the heart of the film and never is it more in evidence here. In many ways we watch Marty grow from a teenager into a man during the course of the film and for no small reason because Fox went through so much during the back-to-back filming of the last two films in the trilogy; his father passed away while this film was being shot (and filming was suspended for two weeks so he could grieve) and his first child was born as well. Those are the kind of life events that can make even the most immature of men grow up quickly (and no, I’m not trying to imply that Fox was immature back then – hater!) and Fox certainly did that.

This is a fitting end of the trilogy, with a believable romance, great action sequences and is just plain fun to watch. I would put up the Back to the Future trilogy with any film series in Hollywood in terms of sheer entertainment value. Even though I’ve seen all three of the films a dozen times apiece, they still never fail to bring a warm feeling into my heart every time I see them. What more can you ask from a movie?

WHY RENT THIS: Big on thrills. Steenburgen makes an excellent addition to the cast. Reclaims the heart of the first film.

WHY RENT SOMETHING ELSE: Deviates a bit from formula.

FAMILY VALUES:  There is a little bit of violence and some mild bad language.

TRIVIAL PURSUIT: The only actors who appear in all three films are Fox, Lloyd, Thompson, Wilson, Tolkan and Cohen (McClure appeared in a single scene in Part II but the scene was cut).

NOTABLE HOME VIDEO EXTRAS: There are outtakes and a Q&A session with film students at the University of Southern California and producer Bob Gale and director Robert Zemeckis. There’s also a music video of ZZ Top’s “Doubleback.”. A Back to the Future FAQ text feature illustrates the obstacles of time travel and is an entertaining read if you’re so inclined. There are also animated factoid pop-ups which can be set to appear periodically throughout the film. The movie is available on Blu-Ray currently only as part of a boxed set including the entire trilogy which IMHO is worth owning as a complete set.

BOX OFFICE PERFORMANCE: $244.5M on a $40M production budget; while it still is considered a blockbuster it was strangely the least financially successful of the three films.

COMPARISON SHOPPING: Cowboys and Aliens

FINAL RATING: 8.5/10

NEXT: Turbo