(2017) Dramedy (Free Chicken) Katee Sackhoff, Jeremy Sisto, Jade Pettyjohn, Heather Matarazzo, Judy Reyes, Diego Joseph, Isabella Acres, Max Baroudi, Robert Farrior, Fallon Heaslip, Grace Olsen, Jonah Beres, Arianna Ortiz, Marem Hassler, Golden Bachelder, Amanda Troop, Jovan Armand, Kyle Kittredge, Jackson Royce Laurence, Kelly Straub Hull, Madison Dae Clarion. Directed by Dorie Barton
Let’s face it; girls have it much rougher than boys. They generally are taken less seriously, are paid less money for doing similar work, are expected to take care of the house and the kids even when they feel like crap and let’s not even start about menstruation. Or, if you’re director Dorie Barton, let’s do just that.
Robyn (Pettyjohn) who has been called “Baby Bird” by her mother since she was a baby, a nickname that irks her (she grudgingly settles for “Bird” which people seem dead set on referring to her as), is not a happy 12-year-old Her mother Jenny (Sackhoff) moved her from the (San Fernando) Valley where she was happy into Echo Park (an L.A. neighborhood) where she is not. She is bullied by Rachel (Acres) who isn’t afraid to get physical. And to top it off, at her Middle School Graduation party, she gets her first period – wearing her grandma’s white pants, no less. There is probably nothing on earth that could have mortified her more.
That is, until her mother tries to connect with her daughter. Jenny is actually far less mature than Bird; she basically lives to get high and have sex with her musician boyfriend Arlo (Sisto) while refusing to commit to him even though he’s anxious to take their relationship to the next level. Jenny also has issues with her own mother who is at the moment at an Ashram in India. Jenny wants to be there for her daughter and help her through all the lovely things that goes with one’s first period; the cramps, the mood swings, the tears, the rage – and doesn’t understand when Bird gets livid with her. Jenny really doesn’t do the mothering thing very well.
Barton is a first-time feature film director and I give her props for taking on a subject matter that makes members of both sexes uncomfortable. Rough, tough, macho men can turn into squeamish little children when discussing their wife/girlfriend’s menstrual issues, while I can’t imagine women who have to endure the monthly visit of Auntie Flo (as an ex-girlfriend used to refer to it as) discussing it with much enthusiasm beyond saying “Oh GAWD it sucks!” Still, she brings the subject out in an often humorous and always sensitive way.
The movie is nicely shot, giving the overall effect of a sun-drenched L.A. summer (although some of it takes place on rainy days). There is definitely a feminine point of view here and the fact that those types of films are becoming more and more prevalent is encouraging. We certainly need more women who direct in the film industry and the indie ranks are beginning to develop a nice talent base among the fairer sex. That can only translate to more women directing big Hollywood productions over the next few years. One of the best points of this movie is that it allows men like myself to experience a bit what adolescent girls go through. That kind of thing can lead to more understanding, more empathy and maybe down the line the death of rape culture. One can only dream.
I do have a few issues with the film however and the main one is Precocious Child Syndrome; that’s the one where the child is adultier than the adults. I’ve met a lot of children in my time and some of them have been very intelligent, very precocious and very responsible; invariably kids who are that way have adults as role models to guide them in that direction. Generally you don’t see a single mom who is a mess raising a kid who is as amazing as Bird. I’m not saying there aren’t kids who are like Bird out there; they just generally don’t have to rescue their parents. There’s also the misstep of Arlo pretending to be Bird’s boyfriend on a couple of occasions; that was just a little bit too creepy and I can’t imagine Jeremy Sisto felt good about the pedophile vibe that was in the background there.
Sackhoff shows herself to be a fine comic actress and here she brings out her inner Goldie Hawn. Jenny is a bit of a ditz and a bit self-centered and maybe she is the poster child for unfit mothers (in a fit of rage she leaves her child at a fire station; Jade promptly calls a cab to drive her to Reseda, paying with a wad of cash she took from her mom) but Sackhoff makes Jenny vulnerable and scared which gives the audience something to sympathize with.
Pettyjohn is a capable actress; I would have liked to have seen her character be more of a 12-year-old and less of a prodigy. She handles the emotional histrionics of a young girl encountering her hormones for the very first time and the wicked mood swings that brings with it. Parents of young girls will exchange looks of recognition at some of the things Bird puts Jenny through; parents who don’t have girls in their brood will look heavenward with gratitude that they only had boys.
I think this had the potential of being a really important movie but I just can’t get past the pandering to young adult girls that is done here. I think it sets unrealistic images of how moms and daughters actually get along and may give kids the idea that their parents are unstable idiots and that they are wiser and more responsible than they are. Believe it or not, kids do take those sorts of messages to heart.
REASONS TO GO: The film tackles head-on some taboo women’s issues.
REASONS TO STAY: The film suffers from precocious child syndrome. The subject matter may make some feel a bit awkward.
FAMILY VALUES: There is drug use and smoking, a fair amount of profanity and some sexuality.
TRIVIAL PURSUIT: The movie debuted at last year’s Los Angeles Film Festival.
CRITICAL MASS: As of 4/25/17: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: 20th Century Women
FINAL RATING: 4.5/10
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