American Reunion


Stifler's mom and Jim's dd - now why didn't I think of that?

Stifler’s mom and Jim’s dd – now why didn’t I think of that?

(2012) Comedy (Universal) Jason Biggs, Alyson Hannigan, Chris Klein, Seann William Scott, Eugene Levy, Thomas Ian Nicholas, Tara Reid, Mena Suvari, Eddie Kaye Thomas, Jennifer Coolidge, Natasha Lyonne, Shannon Elizabeth, John Cho, Dania Ramirez, Katrina Bowden, Jay Harrington, Ali Cobrin, Chris Owen, Neil Patrick Harris, Charlene Amoia. Directed by Jon Hurwitz and Hayden Schlossberg

When we’re in high school, we are different people than we are as adults. We lack the life experiences that we gain as adults so we look back at ourselves back then and cringe, generally speaking, at how awkward and naive we were. Still, most of us tend to look back at our time back then with some nostalgia – in our ignorance we are kings of the world with everything we could possibly desire still stretched out before us. Perhaps this is why reunions are such big business.

The gang at East Great Falls High are getting together for their 13th reunion – apparently they’re a bit fuzzy on the concept – and some of the boys are getting a head start on the festivities. Jim (Biggs) and Michelle (Hannigan) are married with a two-year-old son who takes up all of their time, leaving none for romance and (especially) sex. Jim’s dad (Levy) is a widower and hasn’t quite gotten over the passing of his wife.

Oz (Klein) is a sportscaster on a 24-hour sports network who famously had a meltdown on a Dancing With the Stars-like show. His relationship with his girlfriend is strained and he is suddenly brought face to face with just how hot Vicky (Reid) still is and that the torch he has held for her still burns brightly.

Kevin (Nichols) is a somewhat emasculated house-husband whose wife Ellie (Amoia) has essentially turned him into a shell of his former self – which isn’t exactly what she had in mind. Finch (Thomas) has managed to get out of East Great Falls and gone on a series of adventures in South America which makes his mates just a little bit jealous of the freedom that he still has in his life.

The one person not invited to their mini-reunion is Stifler (Scott) who has a crap job at a securities firm for a douchebag he can’t stand, but in all other ways he is still the same Stifler they all know and love – which is precisely why he wasn’t invited. His penchant for getting them into trouble is exactly what they don’t need as adults with their responsibilities spelled out.

In a bit of an uncomfortable twist, Jim’s next door neighbor Kara (Cobrin) whom he used to babysit for has just turned 18 and filled out rather nicely. She’s always had a thing for her babysitter (who hasn’t) and has decided that his return to town affords her the excellent opportunity to fulfill her own bucket list dream – to have Jim be the one to take her virginity.

None of them are the same people they were in high school and yet all of them have those people buried deep inside them. As the weekend goes on, they are forced to deal with the changes that growing up has wrought in their lives and struggle to find the bonds that tied them together in the first place. Still, those bond are strong and perhaps nothing can’t be solved when you have a dish of American Pie for desert.

Hurwitz and Schlossberg, who co-wrote and helmed the Harold and Kumar trilogy (and perform the same duties here) manage to capture much of the essential elements that made the first American Pie films work – the genuine bonds between the characters that have been made even more unbreakable by the passage of time.

While the first films were raunchy comedies about teens feeling their way through the minefield of sexuality with often varying results, this is a different kind of rite of passage. Having had the privilege of attending my own high school reunion earlier this summer, I’m perhaps in a more sanguine frame of mind when it comes to reviewing a movie about the subject – I get the nostalgia and the warm glow that comes from it. We tend to look back with rose colored glasses to a certain extent, glossing over the monotony of homework, the agony of broken hearts (and nothing is quite so unbearable as unrequited teenage love or worse, a broken teen romance) and the chafing against parental authority. Instead, we tend to focus on the friendships, the good times, the epic failures that were nevertheless noble for their audacity, and what it all meant.

Seeing this is a bit like a reunion for those who had a fondness for the first movie or its two sequels (there were four direct-to-video sequels but they featured essentially completely different casts). Most of the actors in it have gone on to careers with varying degrees of success but we can recall the characters pretty clearly particularly as introduced here. The actors seem to have developed bonds of their own for each other – the chemistry between them is the kind that comes from genuine affection rather than from the script. You can’t fake that kind of thing and it shows here that they don’t.

This is clearly an ensemble film and all of the characters are given their moments to shine; if you had favorites from the original films you won’t be disappointed with the amount of screen time they get. There are a number of references to the earlier films, enough that those who are unfamiliar with them might get a little lost.

Also, like the first films, there is some heavy raunchiness going on here and if that isn’t your thing chances are you aren’t going to be reading this review anyway since chances also are that you have no intention of seeing this or any of the other films in the series. Ever.

If you liked the other movies in the series, you’ll more than likely like this one too. If you didn’t, you won’t like this one either. The same elements are all here that made up those films – the sometimes uncomfortable wisdom passed on to Jim by his dad, the outrageous attitude of the Stifmeister, the sometimes awkward antics of Finch and Kevin and of course the gorgeous girls who have grown up to become gorgeous women.

I liked this a lot more than I expected to but looking back, I’m not sure why my expectations were so low to begin with. This isn’t rocket science, after all – this is life and the common experiences most of us share. Sure, we don’t necessarily have our sexual failures broadcast on YouTube or sleep with the moms of one of our best friends – at least I didn’t – but all of us have had some awkward moments dealing with sex and attraction as teenagers, and experienced the disappointment of our lives not turning out how we expected them to. Hopefully, you’ll be granted the wisdom to accept that however our lives turned out that they are what we make of them and that good friends and loving family will make them bearable no matter what.

WHY RENT THIS: Surprisingly warm and fuzzy. Nice to see “the gang” after so long.

WHY RENT SOMETHING ELSE: Relies on crude humor like all the films in the series. Cliché-heavy. Too many references to previous films in the series for newcomers to jump comfortably in.

FAMILY VALUES:  Well, it’s crude. And obnoxious. There’s nudity, foul language and all sorts of sexual humor of varying degrees of grossness. There’s also some teen drinking and drug use.

TRIVIAL PURSUIT: Levy is the only actor to appear in all eight American Pie films including the direct-to-video ones.

NOTABLE HOME VIDEO EXTRAS: There’s a look at how the producers were able to re-assemble nearly all of the original cast, a mini-featurette focusing on the cast’s predilection for punching each other in the balls (I couldn’t make that up if I wanted to) and finally, an interactive yearbook in which you can click on various characters, find out information about them and see interviews with the actor who played them.

BOX OFFICE PERFORMANCE: $235.0M on a $50M production budget.

COMPARISON SHOPPING: Grosse Point Blank

FINAL RATING: 6/10

NEXT: The 13th Warrior

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A Very Harold & Kumar 3D Christmas


Neil. Patrick. Harris. Is. God.

Neil. Patrick. Harris. Is. God.

(1988) Comedy (New Line) John Cho, Kal Penn, Paula Garces, Danneel Harris, Tom Lennon, Danny Trejo, Elias Koteas, Eddie Kaye Thomas, Neil Patrick Harris, Amir Blumenfeld, David Krumholtz, Patton Oswalt, RZA, Richard Riehle, Jake Johnson, Melissa Ordway. Directed by Todd Strauss-Schulson

 The Holly and the Quill

Christmas is a time for family. For bonding with those friends who have been beside you the entire year. To have kindness and concern for others, to have peace and compassion on your mind.

This movie is about none of those things. Our heroes, following the events of Harold and Kumar Escape From Guantanamo Bay have drifted apart. Kumar Patel (Penn) has left medical school after failing the drug test and lives in the same ratty apartment he once shared with Harold Lee (Cho), who has become a big-time Wall Street investor (and has protestors ringing his office). He is married to Maria (Garces) whom he is trying to get pregnant in order to impress his father-in-law (Trejo) who doesn’t impress easily.

Kumar has been dumped by Vanessa (Harris) who is pregnant with his rugrat. He’s also scored an impressive stash from a mall Santa (Oswalt) which he intends to spend Christmas smoking himself into sweet spliff oblivion. But he receives a package that is meant for Harold and decides to deliver it in person to his former best bud.

Harold though has problems of his own. His home has been invaded by his future family (who arrived by the busload) and his dad-in-law wants this Christmas to be perfect. To that end he’s brought a 12-foot Douglas Fir that he has spent the last eight years raising, making sure that the dimensions were just right, that the branches opened up just so. Once decorated, it is indeed a magnificent tree.

As he and his family go to celebrate Mass, Kumar comes by with the package which turns out to be a gigantic joint. As Harold no longer partakes, he tosses the massive thing out the door. Kumar, irritated, decides to light it up for himself but somehow, almost by magic, the joint floats back into the house and lights the tree on fire.

Harold is mortified. He has only a few hours to replace the tree and potentially save his marriage. Kumar, feeling a little guilty, decides to help out along with his friend Adrian (Blumenfeld) and Harold’s friend Todd (Lennon) and Todd’s toddler. In the course of the night, they will deal with Ukrainian mobsters, ghetto tree lot entrepreneurs, a coked-out infant, emergency surgery on the real Santa after they accidentally shoot him, and appearing in the chorus line of a Broadway musical starring Neil Patrick Harris which is a bit disconcerting to our intrepid heroes since he was killed in the last movie. Listen, he’s N.P. Freakin’ H, motherf****r so don’t be hatin’.

It’s been said in other places by finer writers than I that Harold and Kumar are essentially the Cheech and Chong for the 21st century. That’s cool by me; not being a stoner I don’t really get the humor as much but then there’s room for all sorts of movies and who am I to deny the Stoner Nation their due. I’ve seen the first and now this, the third, movie in the franchise and in all honesty, the first is a much better movie than this (to the surprise of no one). That doesn’t mean it doesn’t have it’s worthwhile moments however.

This is no Christmas movie for the entire family to gather around the flat screen for. There is a lot of sexual humor, some of it quite crude as well as plenty of nudity and drug use. While some will laugh out loud at some of the pretty consistently lowbrow humor (it wouldn’t hurt to fire one up before you fire up the Blu-Ray), I don’t think even those toasted out of their skulls are going to find this a laugh fest from start to finish.

I will say that Cho and Penn have an easy-going chemistry and I think it was a bit of a mistake to have them on the outs for most of the movie. Part of the charm of the first movie was the relationship between the two and that’s largely missing here until the end. However, one cannot discount the contributions of Neil Patrick Harris. Even though he’s essentially in one scene, it’s the best scene and illustrates why the man’s an icon, a credit to the human race and just a gosh-darned all around nice guy. While he’s no Dr. Horrible here, he constitutes one of the main reasons to see the film – or any film for that matter. Even if he’s not in it.

The 3D is pretty nifty although I suppose at this point it will largely depend on if your 3D set is nifty as well – I’ve found a pretty staggering range of quality in 3D televisions. The jokes are more or less uneven although I found some sequences (as one where they start hallucinating that they are Claymation figures) to be pretty worthwhile. This isn’t a family holiday movie by any stretch of the imagination – but I think it’s not necessarily a bad thing if there are a few out there that aren’t.

WHY RENT THIS: Three words: Neil. Patrick. Harris. Also, Cho and Penn still have good chemistry. Some nifty 3D effects.

WHY RENT SOMETHING ELSE: The humor is a bit tired and not all of it works.

FAMILY VALUES:  Lots and lots and lots of sexual content with occasional nudity and regular crudity, plenty of drug use, a boatload of foul language and a bit of violence. Just a bit.

TRIVIAL PURSUIT: Adrian calls Harold “Sulu” at one point. John Cho plays Sulu in the Star Trek reboot.

NOTABLE HOME VIDEO EXTRAS: Actor Tom Lennon rants about his fellow actors and the films in six separate interview segments and there’s also a bit on the brief Claymation sequence in the film.

BOX OFFICE PERFORMANCE: $35.4M on a $19M production budget; the numbers were disappointing enough that a fourth Harold & Kumar movie isn’t on the radar.

COMPARISON SHOPPING: Cheech and Chong’s Nice Dreams

FINAL RATING: 5.5/10

NEXT: The Holly & the Quill concludes!