New Releases for the Week of November 1, 2019


TERMINATOR: DARK FATE

(Paramount) Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Diego Boneta, Tristán Ulloa. Directed by Tim Miller

After having prevented Judgment Day, Sarah Connor is presented with a new threat from the future and must turn to an old friend/nemesis if she is to save the human race once again.

See the trailer here
For more on the movie this is the website
Genre: Science Fiction
Now Playing: Wide Release
Rating: R (for violence throughout, language and brief nudity)

Arctic Dogs

(Entertainment Studios) Starring the voices of Jeremy Renner, Heidi Klum, James Franco, Alec Baldwin. An ambitious arctic fox, dreaming of becoming the top dog – number one courier in the Arctic – stumbles upon a nefarious plot to release greenhouse gasses to further melt the icepack and establish an evil walrus as the supreme ruler of the planet.

See the trailer here
For more on the movie this is the website  
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for some mild action and rude humor)

Harriet

(Focus) Cynthia Erivo, Leslie Odom Jr., Janelle Monáe, Joe Alwyn. Harriet Tubman went from being a slave to a heroic figure who rescued thousands and who would become a symbol of African-American pride.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Wide Release
Rating: PG-13 (for thematic content throughout, violent material and language including racial epithets)

Inside Game

(iDream Machine) Scott Wolf, Eric Mabius, Will Sasso, Lindsey Morgan. A small-time con-man teams up with two childhood friends – a bookie and a referee for the NBA – to bet on games his friend is working and make millions.

See the trailer here
For more on the movie this is the website  
Genre: True Life Drama
Now Playing: AMC Disney Springs. Regal Waterford Lakes
Rating: R (for language and drug use throughout, and some sexual content)

Motherless Brooklyn

(Warner Brothers) Edward Norton, Gugu Mbatha-Raw, Bruce Willis, Bobby Cannavale. A private detective with Tourette’s Syndrome must use his obsessive mind to solve the murder of his friend and mentor.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Orlando, Regal Oviedo Marketplace, Regal Pavilion Port Orange, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs Square
Rating: R (for language throughout including some sexual references, brief drug use, and violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Adopt a Highway
Badland
Everybody’s Talking About Jamie
For Sama
Greener Grass
Meeku Maathrame Chepthra
Paradise Hills

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Jojo Rabbit
Meeku Maathrame Chepthra

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Dark Justice
Meeku Maathrame Chepthra

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Give Me Liberty
Meeku Maathrame Chepthra

SCHEDULED FOR REVIEW:

Badland
Harriet
Jojo Rabbit
Motherless Brooklyn
Terminator: Dark Fate

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Fort Lauderdale International Film Festival, Fort Lauderdale

Isle of Dogs


Some dogs and their boy.

(2018) Animated Feature (Fox Searchlight) Starring the voices of Bryan Cranston, Bill Murray, Jeff Goldblum, Greta Gerwig, Bob Balaban, Edward Norton, Koyu Rankin, Kunichi Nomura, Frances McDormand, Akira Takayama, Akira Ito, Scarlett Johansson, Harvey Keitel, F. Murray Abraham, Yoko Ono, Tilda Swinton, Ken Watanabe, Liev Schreiber, Mari Natsuki. Directed by Wes Anderson

 

Those who love the works of the quirky director will love this; those who are turned off by his oeuvre will not. The second stop-motion animated feature by Wes Anderson is so Wes Anderson.

In the future, the Japanese megalopolis of Megasaki has banished all dogs to an island formerly used as trash disposal. An intrepid young orphan boy (Rankin), who is also the mayor of Megasaki’s ward, flies to the island to locate his dog Spots (Schreiber). A pack of alpha dogs, including Chief (Cranston), Boss (Murray), King (Balaban), Duke (Goldblum) – a kind of four-legged TMZ – and Rex (Norton) along with the only female dog in the pack Nutmeg (Johansson) agree to help the boy find his friend. It doesn’t help that he speaks only Japanese while the Japanese dogs speak only English – or at least that’s how we perceive them. Meanwhile, back on the mainland, Tracy (Gerwig), a school reporter, discovers a terrible secret behind the cat-loving mayor’s (Nomura) proclamation.

The look of the film owes a lot to legendary Japanese animator Hayao Miyazaki and is consistently beautiful throughout, even on the industrial garbage heap that is Trash Island. The Oscar nomination it received earlier this year was no fluke even though it eventually lost out to Spider-Man: Into the Spiderverse. The dogs are exquisitely rendered and are genuinely hilarious. Anderson’s trademark deadpan sense of humor very much rules the day here; not everyone gets it or likes it. Bill Murray has made a career of it, including many of Anderson’s films but the two were made for each other.

This isn’t everybody’s cup of sake and I don’t think Anderson ever sets out to make a film that is. There are moments that are beautiful and others that are ugly, so young kids should be warned away due to the latter. There is a lot of Japanese cultural references here which will appeal to Japanophiles everywhere although SJW-types might mutter things about “cultural appropriation.” The bottom line here is the same as the top; those who love the works of the quirky director will love this; those who are turned off by his oeuvre will not.

REASONS TO SEE: The animation is brilliant. The sense of humor is droll, a welcome change.
REASONS TO AVOID: Guilty of occasionally being too quirky for its own good.
FAMILY VALUES: There are some images of violence and the thematic elements might not sit well with the very young.
TRIVIAL PURSUIT: This marked the first time in 14 years that a Wes Anderson film didn’t feature Jason Schwartzman in the cast (he did co-write the script).
BEYOND THE THEATER: Amazon, Apple TV, Fandango Now, Fios, Google Play, HBO Go,  Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 6/22/19: Rotten Tomatoes: 90% positive reviews: Metacritic: 82/100.
COMPARISON SHOPPING: The Fantastic Mr. Fox
FINAL RATING: 7.5/10
NEXT:
Killbird

New Releases for the Week of April 6, 2018


A QUIET PLACE

(Paramount) Emily Blunt, John Krasinski, Noah Jupe, Millicent Simmonds, Leon Russom, Cade Woodward, Doris McCarthy. Directed by Steven Spielberg

The Earth has been overrun by deadly creatures that hunt totally by sound; even the slightest noise an be fatal. A family finds a refuge in an abandoned home but soon determines that survival does not thrive in silence.

See the trailer, clips, video featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, DBOX, Dolby Atmos, IMAX, RPX, XD
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for terror and some bloody images)

Blockers

(Universal) Leslie Mann, John Cena, Ike Barinholtz, Kathryn Newton. The parents of three beautiful high school-aged daughters are horrified to discover that their sweet little princesses have made a pact to lose their virginity on prom night. Now they head out on a desperate mission to keep the maidenheads of their daughters strictly out-of-bounds.

See the trailer, clips, video featurettes, an interview and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R  (for crude and sexual content, and language throughout, drug content, teen partying, and some graphic nudity)

Chappaquiddick

(Entertainment Studios) Kate Mara, Clancy Brown, Jason Clarke, Olivia Thirlby. This is the story of the infamous scandal that rocked the Democratic Party to its core and essentially put a permanent “Keep Out” sign on the White House lawn for Ted Kennedy.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material, disturbing images, some strong language, and historical smoking)

Isle of Dogs

(Fox Searchlight) Starring the voices of Bryan Cranston, Greta Gerwig, Bill Murray, Edward Norton. In a future where a tyrant has banished all dogs to a contaminated island, a brave young boy goes to the forbidden island to find his lost dog and bring him home. This is the latest from Wes Anderson of The Grand Hotel Budapest and The Fantastic Mr. Fox fame.

See the trailer, video featurettes, interviews and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic elements and violent images)

The Miracle Season

(LD Entertainment) Helen Hunt, William Hurt, Tiera Skovbye, Erin Moriarty. A powerhouse high school girls volleyball team is hit by a terrible tragedy. They must find a way to pull together and put themselves in a position to win the State Championship but the odds are against them.

See the trailer, clips, interviews, a video featurette and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Sports Drama
Now Playing: Wide Release

Rating: PG (for thematic elements)

ALSO OPENING IN ORLANDO/DAYTONA:

Chal Mohan Ranga
Furlough
Never Not Love You
Spinning Man

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Chal Mohan Ranga
Gemini
Never Not Love You
Subedar Joginder Singh
The Workshop

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Never Not Love You

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Other Side of Hope

SCHEDULED FOR REVIEW:

A Quiet Place
The Workshop

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Florida Film Festival, Orlando FL

Collateral Beauty


Just sitting on a park bench chatting with Death; nothing crazy going on here...

Just sitting on a park bench chatting with Death; nothing crazy going on here…

(2016) Drama (New Line) Will Smith, Edward Norton, Kate Winslet, Michael Peña, Helen Mirren, Keira Knightley, Jacob Lattimore, Naomie Harris, Ann Dowd, Lisa Colón-Zayas, Natalie Gold, Kylie Rogers, Shirley Rumierk, Alyssa Cheatham, Benjamin Snyder, Mary Beth Peil, Andy Taylor, Michael Cumpsty, Jonathan Rivera Morales, Joseph Castillo-Midyett, Ella Monte-Brown. Directed by David Frankel

 

We all deal with grief in different ways. Some of us pour ourselves into our work; others lose all focus. Some of us rage against the universe; others try to find something constructive to do, such as create or work for a charity. Sooner or later however all of us must deal with the loss of a loved one.

Howard (Smith) is doing just that. His beloved daughter has passed away and now, two years later, the successful advertising agency he built is floundering, losing clients left and right because Howard, their main creative force, just doesn’t care anymore. His best friends all work at the company; Whit (Norton), who co-founded the company with him, Claire (Winslet) who has given up marriage and children to give her full focus on the company and Simon (Peña), the numbers man.

There is an offer on the table to buy the company but Howard won’t even consider it. All of the principals stand to lose everything if they can’t salvage the situation and the window of opportunity is rapidly closing. Whit, Claire and Simon, desperate to understand what’s going on with Howard, hire a private detective (Dowd) to figure out what their friend is doing. Nothing much; mainly building domino constructions, biking back and forth from work and writing letters.

The latter is kind of the peculiar part; they’re not letters to people but to things; concepts, really. He’s been writing to Love, Death and Time. The three partners hit upon an idea that, well, never would have occurred to me; to hire three unemployed actors that Whit has found who can play the parts of Love, Death and Time who will personally answer Howard’s letters. They’re not really hoping that this performance will bring Howard back but the detective can film Howard talking to them (yelling at them really) and then digitally remove the three actors so that Howard can be proven incompetent and the sale go through without him.

The actors that Whit recruits – Brigitte (Mirren) who plays Death, Amy (Knightley) who plays Love (now, that I can believe) and Raffi (Lattimore) who plays Time each begin to spend time with one of the partners – Brigitte with Simon, Amy with Whit and Raffi with Claire – and end up helping them with their own problems. In the meantime, Howard has started attending a support group for grieving parents run by the lovely Madeleine (Harris) and looks like he might finally be emerging from his shell. But will it be in time to save everything he’s built, including his friendships?

If the plot summary sounded implausible that’s pretty much because it is. I can’t imagine “friends” doing something that awful to a friend, and the movie portrays them as genuinely concerned for Howard’s well-being. I can’t really reconcile the actions of concocting an elaborate scam to prove their friend incompetent (which has other ramifications beyond the sale of his company) with all the mea culpa chest-beating about what a great guy Howard is and how much they “miss” the old Howard. I mean, friends just don’t do that.

The cast is one of the best you’ll see gathered in a single movie with a couple of Oscar winners and four nominees. None of them will be adding to their nomination total here but the performances are nonetheless solid. Peña caught my attention for a very emotional performance as a family man facing a terrible crisis of his own, and Smith who is the main performance in what is essentially an ensemble cast gets to keep everything in until the last scene in which he unleashes some of his best acting of his career.

That ending however contains a twist so unbelievable that at that point most people are just going to throw their hands up in the air and give up on the movie, and I can’t blame them. However, if you do as I do and just enjoy the ride rather than try to make sense of things, you’ll be far happier.

Now as you can tell the critical response has been harsh. Keep in mind however that most professional critics don’t like being emotionally manipulated and films that do that tend to get harsh scores. In that sense, critics can’t be trusted with films like this. You really have to go and experience it on your own and judge for yourself. You, after all, may not mind being having your emotions manipulated. Maybe you need it. I do, sometimes. Sometimes I need the release of a good cry. Catharsis makes us all emotionally healthier after all.

REASONS TO GO: Strong performances throughout, particularly by Peña and Smith. The premise is at least intriguing.
REASONS TO STAY: Many of the plot twists are telegraphed. The ending is a bit preposterous.
FAMILY VALUES: There is a little bit of profanity but mostly the themes are pretty adult in nature.
TRIVIAL PURSUIT: Winslet, Mirren and Smith were all nominated for Oscars in 2007, although only Mirren was victorious.
CRITICAL MASS: As of 1/7/17: Rotten Tomatoes: 12% positive reviews. Metacritic: 24/100.
COMPARISON SHOPPING: Meet Joe Black
FINAL RATING: 6/10
NEXT: The True Memoirs of an International Assassin

New Releases for the Week of December 16, 2016


Rogue One: A Star Wars StoryROGUE ONE: A STAR WARS STORY

(Disney) Felicity Jones, Diego Luna, Alan Tudyk, Donnie Yen, Wen Jiang, Ben Mendelsohn, Forest Whitaker, Riz Ahmed, Mads Mikkelsen, Jimmy Smits. Directed by Gareth Edwards

The first stand-alone theatrical film in the Star Wars universe concerns the plans of the Death Star. How did the Rebels acquire them? It was only a couple of lines about how many died getting those plans to the Alliance. Now we can see the story of how it happened. Expect this to be one of the biggest (if not the biggest) box office hits of the year.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for extended sequences of sci-fi violence and action)

Collateral Beauty

(New Line) Will Smith, Edward Norton, Keira Knightley, Kate Winslet. After a successful advertising executive on Madison Avenue suffers an incalculable tragedy, he retreats from life, trying to find answers. In his suffering, he writes letters to Love, Time and Death. What he doesn’t expect is to get personal answers.

See the trailer, clips, an interview and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and brief strong language)

Jackie

(Fox Searchlight) Natalie Portman, Peter Sarsgaard, Greta Gerwig, Billy Crudup. The story of Jacqueline Bouvier Kennedy Onassis, one of America’s most iconic figures of the 20th century, at one of the defining points in American history – the assassination of her husband. Portman’s performance is considered the strong favorite to take the Oscar for Best Actress this year.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Enzian Theater (opens on Wednesday)

Rating: R (for brief strong violence and some language)

La La Land

(Summit) Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt. An actress and a musician, both struggling, are drawn together by their passion for their art and eventually that passion is amplfied  for each other. However as they each begin to achieve success they are forced to make choices between their relationship and their careers which threaten both.

See the trailer, interviews, a featurette, a clip and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical
Now Playing: AMC Disney Springs, Regal Winter Park Village (expanding Christmas Day)

Rating: R (for some disturbing violence and language throughout)

We Are X

(Drafthouse) Yoshiki, Gene Simmons, Toshi, Pata. In America, the band X are punk legends, but this isn’t about them. This is about the Japanese band X, one of the most accomplished metal bands in the world.  Their story isn’t well-known in America nor is their music but that should change once people see this documentary, part of the Music Mondays series at the Enzian. This is a band that may be considered rock gods but that doesn’t mean they’ve had it easy.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater (Monday only)

Rating: R (for some language)

Birdman


The angel on Michael Keaton's shoulder may be a devil in disguise.

The angel on Michael Keaton’s shoulder may be a devil in disguise.

(2014) Drama (Fox Searchlight) Michael Keaton, Edward Norton, Emma Stone, Zach Galifianakis, Naomi Watts, Andrea Riseborough, Amy Ryan, Lindsay Duncan, Jeremy Shamos, Damian Young, Keenan Shimizu, Merritt Weaver, Natalie Gold, Clark Middleton, Jimmy Marsh Garland, Akira Ito, Michael Siberry, Katherine O’Sullivan. Directed by Alejandro Gonzalez Inirritu

Our identity is sometimes self-affixed. Other times it is forced upon us by circumstances, or by others. When you are a celebrity, you are often trapped within the latter situation. A memorable role or performance can change people’s perception of you until you realize that you aren’t seen as anything separate from that performance or role. You become trapped in that role forever.

Riggan Thomson (Keaton) has had such a role. The superhero Birdman made his career through three hugely successful movies but after three of them he decided to turn his back on the part which by then was far too late. By the time he’d turned down Birdman 4 he was already yesterday’s news, a has-been.

Itching to make a comeback, he’s putting on a Broadway production that he has written, directed and is starring in. adapted from the Raymond Carver short story What We Talk About When We Talk About Love. With his closest friend and lawyer Jake (Galifianakis) helping him with the business end, he has cast his girlfriend Laura (Riseborough), first time Broadway actress Lesley (Watts) and Ralph (Shamos), possibly the worst actor ever. When a fluke accident knocks Ralph out before the first preview performance and Jake frantic to find a replacement, Lesley offers to call Mike (Norton), with whom she once had a relationship. Mike, being a big star who could certainly draw larger audiences, is immediately brought in even though some have misgivings about Mike’s general attitude and backstabbing tendencies.

Riggan and Jake have sunk everything into this venture and know that if it fails, Riggan’s career is done. With Riggan’s adult daughter Sam (Stone) acting as his personal assistant to offer support – okay, to rip her father a new one at every opportunity, a vicious New York Times theater critic (Duncan) waiting in the wings to savage the play because she hates Hollywood stars with a passion, it is no wonder Riggan is beginning to have delusions of telekinetic superpowers, of hearing the voice of his cinematic alter-ego in his head with whom he has long conversations. Can Riggan pull this off and save his career?

Inirritu has tended to do dramas with a kind of heavy hand in the past with movies like Babel and Biutiful to his credit. This is more of a heavy handed comedy in many ways although at the end of the day I think it is more accurately classified a drama with fantasy and comedic overtones.

Keaton, who once played Batman in two Tim Burton movies back in the day, is inspired casting. In return he delivers his greatest performance to date. Riggan is a tortured soul of missed opportunities, bad turns and ill-advised choices. Those are the kinds of things that keep a person up all night and Riggan clearly isn’t getting much sleep. His chance at redemption is a long-shot at best and Riggan knows it. Years wasted away from his family that ended his marriage to a faithful wife (Ryan) and created a rift between Riggan and Sam. On top of that, he’s having delusions, hallucinations – call them what you will – which make more sense to him than the sensory input from the reality around him.

Give him a good supporting cast and a terrific script and you have a winner without fail. One of the things I like about Birdman besides Keaton is the ambiguity within the script. In many ways, you are given “just the facts” without any editorializing. You are left to make your own opinions with the information you’re given. If you need an example ask yourself this when you leave the theater: What did Sam see at the window? Those who have seen the movie will get the reference. My friends and I debated that very question after the movie was over and I don’t think any two of us had exactly the same answer.

Inarritu chose to shoot the film to resemble one long continuous shot a la Rope by Alfred Hitchcock. A lot of critics have praised this technique but I thought it got a little gimmicky, particularly near the end of the movie when they were running out of ways of transitioning from one point of view to the next.

This isn’t a mainstream movie although it isn’t so far out that mainstream audiences can’t enjoy it. This isn’t a typical indie movie either although it isn’t so Hollywood that indie audiences won’t embrace it. Not everyone is going to like it although critics have thus far enthusiastically recommended the movie but while most of the people who saw it with me admitted that they liked it, there were some who were ambivalent about it. I won’t say it’s a transformative movie experience although I will say it’s insightful – and allows you to reach those insights honestly. It is likely to be an Oscar contender although I suspect that there are other movies that are more likely to win the gold statue come February. However, I think a lot of people are going to see this as one of the year’s best movies and I really can’t fault them for that.

REASONS TO GO: May be Keaton’s best performance ever. Line between fantasy and reality is thin. Ambiguous where it needs to be. Terrific supporting cast.
REASONS TO STAY: A little gimmicky in places.
FAMILY VALUES: A whole lot of swearing, some brief violence and sexuality.
TRIVIAL PURSUIT: Most of the movie was shot at the St. James theater on Broadway, one of the most prestigious theaters on the Great White Way where such plays as Oklahoma, The King and I, Becket and Hello, Dolly all made their Broadway debuts.
CRITICAL MASS: As of 11/10/14: Rotten Tomatoes: 94% positive reviews. Metacritic: 89/100.
COMPARISON SHOPPING: Big Fish
FINAL RATING: 8.5/10
NEXT: St. Vincent

New Releases for the Week of November 7, 2014


InterstellarINTERSTELLAR

(Paramount) Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Ellen Burstyn, John Lithgow, Casey Affleck. Directed by Christopher Nolan

The Earth is dying. It will soon be unable to support life as all our ecological chickens are coming home to roost. Desperate to preserve our species, an expedition is sent through a newly-discovered wormhole to find habitable planets that one day may be our new homes, but the trip will be full of perilous unknowns and those who are sent to the stars will be separated from everyone and everything they love.

See the trailer, interviews, a featurette and a promo here.
For more on the movie this is the website.
Release formats: Standard, IMAX (opened Tuesday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for some intense perilous action and brief strong language)

Big Hero 6

(Disney/Marvel) Starring the voices of Ryan Potter, Scott Adsit, T.J. Miller, Jamie Chung. In a future megalopolis, a young boy stung by a family tragedy gets involved with his brother’s inflatable robot Baymax who was programmed to heal the sick. However, the boy, his robot and his friends get caught up in the machinations of an evil villain who was at the core of the boy’s pain. The boy will transform himself, his robot and friends into high tech heroes to fight the madman who threatens to destroy everything – and everyone – he loves. Sound familiar?

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for action and peril, some rude humor, and thematic elements)

 

Birdman

(Fox Searchlight) Michael Keaton, Zach Galifianakis, Edward Norton, Emma Stone. An actor best known for playing a costumed superhero decades before is making one last comeback on Broadway in the hopes of reviving a moribund career as well as to reconnect with a family that has given up on him. Getting in the way is his own ego and an encroachment of his fantasy life into his reality.

See the trailer, a clip and B-roll video here.
For more on the movie this is the website.
Release formats: Standard
Genre: Dark Comedy/Fantasy
Now Playing: Enzian Theater
Rating: R (for language throughout, some sexual content and brief violence)

The Blue Room

(IFC/Sundance Selects) Matthieu Amalric, Lea Drucker, Stephanie Cleau, Laurent Poitrenaux. A torrid extramarital affair between a successful family man and a beautiful woman ends with the man being question by the police. What happened to their relationship? And what is the man accused of doing? This stylish and sexy thriller was directed by Amalric, one of France’s most accomplished actors.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Thriller
Now Playing: Regal Winter Park Village
Rating: R (for sexual content including graphic nudity) 

Elsa and Fred

(Millennium) Shirley MacLaine, Christopher Plummer, Marcia Gay Harden, Scott Bakula. A curmudgeonly man who wants only to live out his remaining years with as little human contact as possible moves into a seniors apartment complex in New Orleans. However, a gregarious neighbor absolutely refuses to let him give up on life and the two strike up a friendship that deepens unexpectedly. Now treading in an emotional minefield, the two struggle to make it through without everything blowing up in their faces.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Downtown Disney
Rating: PG-13 (for brief strong language)

Laggies

(A24) Keira Knightley, Chloe Grace Moretz, Sam Rockwell, Jeff Garlin. 26 and not ready for adulthood quite yet, a young woman panics when her boyfriend proposes and goes to live with her new 16-year-old friend and her friend’s damaged dad. Dragging herself kicking and screaming into adulthood is one thing but arriving there wiser than when you left childhood is a whole other thing.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release formats: Standard
Genre: Dramedy
Now Playing: Select Theaters
Rating: R (for language, some sexual material and teen partying)

 

Mr. Pip

(Freestyle Releasing) Hugh Laurie, Kerry Fox, Eka Darville, Xzannjah Matsi. During the brutal civil war in Bougainville in the 1990s, an English teacher – the last Englishman in the village – makes a connection with his students through the reading of Dickens’ Great Expectations. A wildly imaginative young girl begins to believe that Pip, whom the young girl calls “Mr. Pip” is her friend and he takes her into the fantastic world of Dickens’ London. However her belief in her friend Mr. Pip inadvertently puts the entire village in mortal peril.

See the trailer and clips here.
For more on the movie this is the website.
Release formats: Standard
Genre: Drama
Now Playing: Touchstar Southchase
Rating: PG-13 (for disturbing situations involving violence and threat, and for some mature thematic material and brief language)

On Any Sunday, The Next Chapter

(Rd Bull Media House) Travis Pastrana, Marc Marquez, Dani Pedrosa, Doug Henry. The 1971 documentary film On Any Sunday helped popularize motorcycle racing in the United States. More than four decades later, the oldest son of the original film’s director revisits the sport, showing its acceptance as an Extreme Sport and becoming more popular than ever.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Documentary
Now Playing: Select Theaters
Rating: PG-13 (for disturbing situations involving violence and threat, and for some mature thematic material and brief language)

Whiplash

(Sony Classics) Miles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist. An ambitious jazz drummer, wanting to become elite at his chosen profession, is tutored by an autocratic teacher who continues to push him to the breaking point. Either the student will crack like a walnut and lose everything or he’ll reach his potential and become one of the best drummers in the world.

See the trailer and clips here.
For more on the movie this is the website.
Release formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for strong language including some sexual references)