New Releases for the Week of February 28, 2020


THE INVISIBLE MAN

(Blumhouse/Universal) Elisabeth Moss, Oliver Jackson-Cohen, Harriet Dyer, Aldis Hodge, Storm Reid, Michael Dorman, Benedict Hardie. Directed by Leigh Whannell

When her abusive ex takes his own life, Cecilia is at first relieved. When he leaves her his fortune, she becomes uneasy. When a series of unlikely coincidences turns lethal, she begins to suspect that her ex may not be dead but hiding in plain sight.

See the trailer here
For more on the movie this is the website
Genre: Horror
Now Playing: Wide Release
Rating: R (for some strong bloody violence and language)

Blood on Her Name

(Vertical) Bethany Anne Lind, Elisabeth Röhm, Jared Ivers, Will Patton. When a woman accidentally kills a man, she panics and hides the body. When her conscience demands that she return the body to his family, things really spiral out of control.

See the trailer here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Studio Grill Sunset Walk
Rating: NR

Disappearance at Clifton Hill

(IFC Midnight) Tuppence Middleton, Hannah Gross, David Cronenberg, Eric Johnson. A troubled young woman with a checkered past returns home to Niagara Falls. While there she is compelled to investigate a mystery that has plagued her since childhood, but that investigation will take her into a conspiracy of silence that runs deeper than she could possibly fathom.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Barnstorm Theater
Rating: NR

Emma.

(Focus) Anya Taylor-Joy, Johnny Flynn, Bill Nighy, Mia Goth. Jane Austen’s beloved tale of a queen bee in a small town who seeks an equal to marry, discovers that sometimes you have to earn your happily ever after.

=See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Altamonte Mall, Regal Winter Park Village
Rating: PG (for brief partial nudity)

Guns Akimbo

(Saban) Daniel Radcliffe, Samara Weaving, Ned Dennehy, Rhys Darby. A mild-mannered video game developer gets caught up in a real-life streaming deathmatch, waking up with guns grafted to his hands. He’s up against the game’s most successful killer and his usual fallback. of running and hiding won’t help him.

See the trailer here
For more on the movie this is the website  
Genre: Action Comedy
Now Playing: Barnstorm Theater, Studio Movie Grill Sunset Walk
Rating: R (for strong bloody violence throughout, pervasive language, drug use, sexual references and brief graphic nudity)

Impractical Jokers: The Movie

(truTV) Joe Gatto, James Murray, Brian Quinn, Sal Vulcano. The merry pranksters of truTV make the break for the silver screen, starring in a movie that involves their attempt for redemption, competing in hidden camera challenges that will help overcome a high school mishap that hangs over the lives of three of them.

See the trailer here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Altamonte Mall,  AMC Avenue 16, AMC Classic New Smyrna, AMC Disney Springs, AMC Lake Square, Cinemark Orlando, Cinepolis Polk County, Cobb Grand Winter Haven, Cobb Merritt Square, Cobb Plaza Cinema Café, Epic Theaters of Clermont, Epic Theaters of Lee Vista, Epic Theaters of Titusville, Epic Theaters of West Volusia, Fashion Square Premiere, Regal Port Orange Pavilion, Regal The Loop, Regal Wekiva Riverwalk
Rating: PG-13 (for suggestive content, language, some drug references and brief nudity)

Premature

(IFC) Zora Howard, Joshua Boone, Imani Lewis, Jimmy Lee Gary Jr. Two young people in Harlem – a poet getting ready to go to college in the fall, and an aspiring music producer, meet and fall in love. But the fantasy turns real as they – and particularly her – must deal with the consequences of their relationship

See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Barnstorm Theater, Cinematique Daytona
Rating: NR

Seberg

(Amazon) Kristen Stewart, Jack O’Connell, Anthony Mackie, Colm Meaney. Actress Jean Seberg was the darling of the French New Wave cinema, but her involvement in the civil rights movement brought her to the attention of the FBI who did their best to derail her career and tarnish her reputation.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Old Mill Playhouse, Regal Oviedo, Regal Winter Park Village
Rating: R (for language, sexual content/nudity and some drug use)

ALSO OPENING IN ORLANDO/DAYTONA:

Forensic
Hit
My Hero Academia: Heroes Rising
Nuuk
Thappad

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Forensic
Hit
My Hero Academia: Heroes Rising
Nuuk
Once Were Brothers: Robbie Robertson and the Band
Thappad
Viral: Antisemitism in Four Mutations
Zombi Child

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Baahu
Forensic
Hit
My Hero Academia: Heroes Rising
Nuuk
Once Were Brothers: Robbie Robertson and the Band
Thappad
Viral: Antisemitism in Four Mutations

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Forensic
Hit
My Hero Academia: Heroes Rising

SCHEDULED FOR REVIEW:

Disappearance at Clifton Hill
Emma
The Invisible Man
Viral: Antisemitism in Four Mutations

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Bonita Springs International Film Festival, Bonita Springs FL
Vero Beach Film and Wine Festival, Vero Beach FL

Wish Upon (2017)


Love at first sight.

(2017) Horror (Broad Green) Joey King, Ryan Phillippe, Ki Hong Lee, Mitchell Slaggert, Shannon Purser, Sydney Park, Elisabeth Röhm, Josephine Langford, Alexander Nunez, Daniela Barbosa, Kevin Hanchard, Sherilyn Fenn, Raegan Revord, Alice Lee, Victor Sutton, Albert Chung, Michelle Alexander, Natalie Prinzen-Klages, Nora Prinzen-Klages. Directed by John R. Leonetti

Who hasn’t ever dreamed of having an Aladdin’s lamp, granting us wishes that would make our lives better? Most of us have those dreams without remembering that these stories generally have things turn out much worse for the heroes than they anticipated.

Claire Shannon (King) has had a rougher life than most. As a young girl (Revord) she witnessed her mother (Röhm) hang herself in the attic. The event so traumatized her that she never rode her little pink bike again, leaving it where she left it that horrible day to rust in the weeds. Her father (Phillippe) has a bit of a screw loose; he’s a dumpster diver and a hoarder. At school, Claire is an outsider bullied by Darcie Chapman (Langford) and the other popular kids. She hangs around fellow outsiders June (Purser) and Meredith (Park).

One day her father finds an old Chinese music box in the trash near some sort of Chinese temple and decides to make a gift of it to his daughter. At first it seems harmless enough but that day had been particularly horrible for Claire in regards to the bullying and she exclaims impulsively “I wish Darcie Chapman would just rot!” Not an unheard of sentiment for a high school teen but in this case Darcie develops a severe case of necrotizing fasciitis, meaning she is literally rotting. On the negative side, Claire’s beloved dog is attacked and eaten by feral rats.

After a couple of other wishes come true, Claire puts two and two together and realizes the music box is somehow granting her wishes. It takes her a little bit longer to add the third “two” and realize that for each wish granted, someone close to her dies and for the most part in an inventively gruesome way. She enlists her token Chinese friend Ryan (K.H. Lee) and his cousin Gina (A. Lee) to help translate the characters on the music box and what they discover is unsettling. It seems that Claire only gets seven wishes and once she uses them all, the diabolical music box will claim her soul. The terrifying thing is that she’s already used up five wishes and the now not-quite-right in the head Claire seems perfectly willing to use her other two up…

A lot of different movies have utilized the MacGuffin of a wish-granting device with varying degrees of success. Most of them are influenced to varying degrees by the short story “The Monkey’s Paw” which really is the standard setter for the perils of granting wishes. Most of us have seen at least a few of them, enough to know that wishes rarely turn out the way we expect them to. That’s at least the life lesson that the original author wished to impart.

Whoever wrote this movie probably should have taken that to heart. There are some interesting elements here, like the rather convoluted (in a good way) death scenes which brings an overall Final Destination vibe which is, in my opinion, a good thing since I have always found those movies clever in a morbid kind of way. In other words, my kind of movie.

King is at least age-appropriate for the casting (she was 16 years old during filming) but is hung out to dry by the writing, which really makes her character hard to relate to. I do get that the music box is somehow influencing Claire to use its powers but that isn’t made as clear as it could be other than her Gollum-like “Mine! MINE!” sequence when Ryan tries to convince her not to use the box again. King seems to have a good deal of talent but her character is just so selfish and unlikable that even by the film’s end as a viewer I really found myself taken out of the film, thinking “well she deserved what she got.”

The death scenes and the music box itself are pretty nifty, I admit and are the film’s saving graces. They are plenty clever and the music box, which becomes more shiny and new with each use (another little detail I admired) plays some pretty eerie music and the movement of the device is well-done so kudos to whoever constructed the music box itself.

The rest of the supporting cast is essentially pretty meh, although Phillippe as usual is the consummate professional, giving an effort to go above and beyond playing a role that frankly is a bit different than we are used to seeing from him. His performance here reminds me that we don’t see him in important roles as much as we should.

I would say that overall the movie is pretty much just average. It’s neither bad nor good which isn’t going to win it a lot of people seeking it out when it becomes more generally available. I know I’m damning the film with faint praise but I really can’t do otherwise. It’s definitely another case of a good concept squandered by a derivative plot and weak character development.

REASONS TO GO: The wish box sequences are pretty nifty. Phillippe is actually pretty decent in an unusual role for him.
REASONS TO STAY: The plot is extremely derivative. King doesn’t distinguish herself in the lead role.
FAMILY VALUES: There is some violence and disturbing images, adult thematic elements and profanity.
TRIVIAL PURSUIT: The movie borrows elements from the W.W. Jacobs short story “The Monkey’s Paw.”
BEYOND THE THEATERS: Amazon, Google Play, iTunes, YouTube
CRITICAL MASS: As of 10/28/17: Rotten Tomatoes: 17% positive reviews. Metacritic: 32/100.
COMPARISON SHOPPING: Wishmaster
FINAL RATING: 5/10
NEXT:
More Six Days of Darkness

Joy


Jennifer Lawrence anticipates another Oscar nomination.

Jennifer Lawrence anticipates another Oscar nomination.

(2015) Dramedy (20th Century Fox) Jennifer Lawrence, Bradley Cooper, Robert De Niro, Edgar Ramirez, Diane Ladd, Virginia Madsen, Isabella Rossellini, Dascha Polanco, Elisabeth Röhm, Susan Lucci, Laura Wright, Maurice Benard, Jimmy Jean-Louis, Ken Howard, Donna Mills, Melissa Rivers, Ray De La Paz, John Enos III, Marianne Leone, Drena De Niro. Directed by David O. Russell

The world isn’t designed so that the little guy achieves success. It is even less designed so that the little gal achieves it.

Joy (Lawrence) is not your ordinary housewife. For one, she is surrounded by a family that seems tailor-made to bring her down. Her father Rudy (De Niro) owns a body shop and after being tossed out on his ass by his girlfriend, moves into the basement of Joy’s house where Joy’s ex-husband Tony (Ramirez), a budding Latin singer, is living. Also in the house is Joy’s mother Terry (Madsen) who has withdrawn from everything, staying in her bedroom and watching her soap operas. Only Joy’s grandmother Mimi (Ladd) – who is narrating – believes in Joy other than maybe her daughter and her son. Also in the mix is Joy’s super-critical and bitter half-sister Peggy (Röhm).

Joy has always had an imagination and a willingness to make things but has been held back by circumstances; she is basically the one who cooks and cleans in her household; she also is the breadwinner, although her Dad helps with the mortgage. Then, after an outing in which she is required to mop a mess of broken glass and ends up cutting her hands when she wrings the mop – regularly – she comes up with an idea for a mop that not only is more absorbent and requires less wringing, but also wrings itself. She calls it the Miracle Mop.

But a good idea requires money to become reality and she is forced to convince her Dad’s new girlfriend Trudy (Rossellini) to invest. Attempting to market and sell the mop on her own turns into dismal failure but it’s okay because that’s what everyone expects out of Joy. Heck, that’s what she expects of herself. But with the unflagging support of her best friend Jackie (Polanco), she takes her product to something new – a home shopping network on cable called QVC and an executive there named Neil Walker (Cooper) and a legend is born, not to mention a whole new way to market and sell new products.

Loosely (make it very loosely) based on the life of the real Miracle Mop inventor Joy Mangano, the movie has a lot of David O. Russell trademarks; a dysfunctional family that seems hell-bent on destroying the dreams of the lead character, resolve in the face of insurmountable odds and an extraordinary performance by Jennifer Lawrence.

Say what you want about Russell (and there are critics who make no secret of the fact that they think him overrated) but he seems to be a muse for Lawrence. Perhaps the most gifted actress of her generation, Lawrence has received most of her Oscar attention (and she’s pretty much a lock for a nomination here after winning the Golden Globe last weekend) in films she has been directed in by Russell, including her win. Some have criticized the film for a variety of reasons, but you can’t fault Lawrence. She has given yet another outstanding performance as Joy, going from a nearly abusive lifestyle that seems bound to keep her down to becoming a wealthy, self-confident self-made entrepreneur whose success is like a protective shield. In the latter part of the movie, there is an almost emotionless feel to Joy who has erected barriers even when expressing warmth to women who were in similar circumstances to herself. I found Lawrence’s range inspiring, and even though her character keeps a lot in, it’s there if you know where to look for it.

In fact, most of the cast does a terrific job here, with De Niro once again showing he can do comedy just as well as anybody, and the trio of Rossellini, Ladd and Madsen all wonderful as older women with at least some sort of quirky characteristics to them although Ladd is more of a traditional grandmother as Hollywood tends to imagine them. Madsen in particular impressed me; she has been to my mind underutilized throughout her career which is a shame; she has given some terrific performances in films like Creator.

Where the movie goes wrong is in a couple of places. For one, the middle third is tough sledding for the viewer as the pace slows to a crawl. The ending is a little bit off-kilter and I left the screening curiously unsatisfied, sort of like craving good Chinese food and eating at Panda Express. One of the complaints I’ve noticed about the film is that most of the characters in the film are really not characters as much as caricatures. I understand the beef; there are actions taken by some of them that for sure don’t feel like things real people would do. However, I think this was a conscious decision by Russell and although at the end of the day I don’t think it worked as well as he envisioned, I understood that this was part of the comic element of the film in which Joy’s family was somewhat ogre-ish, particularly towards her dreams.

I blow hot and cold when it comes to Russell; I think he has an excellent eye for good cinematic material but other than The Fighter there really hasn’t been a film of his that has blown me out of the water. Joy is in many ways the most meh of his movies, neither hot nor cold, good nor bad. It hasn’t lit the box office on fire and quite frankly I’m siding with the moviegoers on this one; it’s certainly one worth seeing on home video but there are plenty of other movies out there in the theaters that I would recommend you see before this one.

REASONS TO GO: Another fine performance by Lawrence. She gets plenty of support from the rest of the cast.
REASONS TO STAY: Lags in the middle. The ending is ludicrous.
FAMILY VALUES: Some rough language.
TRIVIAL PURSUIT: Joy Mangano, one of the main sources for the Joy character, developed the Miracle Mop (as seen on TV) in 1990 – the same year Jennifer Lawrence was born.
CRITICAL MASS: As of 1/12/16: Rotten Tomatoes: 60% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Jobs
FINAL RATING: 6/10
NEXT: Carol