Liam Neeson is all aglow as he releases the Kraken.
(Warner Brothers) Sam Worthington, Liam Neeson, Mads Mikkelsen, Ralph Fiennes, Gemma Arterton, Alexa Davalos, Jason Flemyng, Pete Postlethwaite, Nicholas Hoult, Polly Walker, Elizabeth McGovern, Alexander Siddig, Danny Huston, Vincent Regan. Directed by Louis Leterrier
One should be grateful to those who gave us life, but if those who gave us life are then cruel and capricious towards us, should we not then rise against them?
Spyros (Postlethwaite) is a simple fisherman, his ship drifting in a storm when he comes across a coffin-like box. When he opens it, he finds a beautiful woman, dead and an infant, alive. He decides to raise the boy as his own with his wife Marmara (McGovern). The boy grows up to be a handsome, strong man named Perseus (Worthington). Perseus loves his parents, but still understandably has questions about who he is and who he is meant to be.
However, all is not perfect. The Gods of Ancient Greece, led by brothers Zeus (Neeson), the King of the Gods, Poseidon (Huston) the God of the Sea and Hades (Fiennes), the Lord of the Underworld, had overthrown their parents the Titans mostly due to Hades creating the Kraken, a fearsome beast, from his own flesh. Zeus created men to worship and love the Gods who are in turn made powerful and immortal by the prayers of men. Hades, tricked by Zeus, lives on the fear of men.
However, men are chafing at the often capricious and cruel behavior of the Gods. Kepheus (Regan), the King of Argos, has declared war on the Gods at the urging of his wife, Queen Cassiopeia (Walker). His troops pull down a gigantic statue of Zeus, which earns the notice and wrath of Hades, who wipes out most of the troops at the statue. Unfortunately, Hades notices Spyros’ ship floating by and in a moment of pique sinks it with all aboard drowning. All aboard, that is, save Perseus.
The survivors of Kepheus’ army pull Perseus from the water and take him back to Argos, where Kepheus is declaring victory. Draco (Mikkelsen), Kepheus’ general, is less sanguine about the loss of most of his men but in the midst of Cassiopeia’s boasting that they, the royalty of Argos, are the new gods and their daughter Andromeda (Davalos) is more beautiful than Aphrodite herself, Hades appears. He ages Cassiopeia to death and warns the assemblage that Argos will be destroyed ten days hence during an eclipse unless they sacrifice Andromeda to the Kraken.
He also identifies Perseus as the son of Zeus. Perseus doesn’t believe it at first but Io (Arterton), a demigod herself, confirms it, telling him that he is the son of Zeus and the wife of King Acrisius (Flemyng), who also rebelled against the Gods. Driven mad by the despoiling of his wife, Acrisius orders the newborn and his mother thrown into the sea but Zeus disfigured Acrisius and sent Spyros’ ship to rescue Perseus.
Only the Stygian Witches have the knowledge to destroy the Kraken but only a demigod would have the strength and endurance to make the journey there and back in time to save Argos and Andromeda in particular. Draco and a few good men, including Eusebios (Hoult) and Io – okay, a few good men and a woman – accompany Perseus. Hades, aware of Perseus, enlists Acrisius (who now goes by the name of Calibos) to stop him, infusing the mad disfigured King with his essence.
Perseus is given a gift of a sword by the Gods, but he refuses, saying he wants to accomplish these feats as a man, not a God. Draco puts the sword in his pack, hoping Perseus will come to his senses. They then encounter Calibos, wounding him in the process but giant scorpions spring from his blood.
They make it to the Witches’ lair, but they inform Perseus that in order to destroy the Kraken they must get the head of Medusa (Natalia Vodianova) whose gaze turns any living flesh to stone, including that of a God. However to get to Medusa they must first cross into the Underworld and nobody has ever emerged from Medusa’s lair alive.
This is a remake of the 1981 film reviewed in this blog yesterday, and it is faithful only in that there is a Perseus and a Kraken in it (there is also a mechanical owl, Bubo, from the first film, a cameo only but done in a clever way as a nod to fans from the original). Director Louis Leterrier has amped up the special effects and made it far less comedic. This is strictly action and eye candy and both are of the highest order.
Sam Worthington is turning into a fine leading man. He carries the movie effectively, continuing his run of successful roles in Terminator Salvation and Avatar. He makes a more muscular and military Perseus than Harry Hamlin did in the original, Hamlin being a bit of a pretty boy. Worthington’s Perseus is less starry-eyed and more stubborn than the 1981 incarnation.
The special effects are what are worth the price of admission. The monsters are nightmare-inducing and all look realistic. Particularly in the case of the Medusa and the scorpions it was hard to tell that it was all CGI. Considering this is an action movie, there are some pretty fine performances, particularly from Mikkelsen and Postlethwaite.
This is solid, fun popcorn entertainment. It isn’t brain surgery and it isn’t rocket science but it isn’t easy by any stretch of the imagination to make a movie with the kind of intricate effects this one has. Director Leterrier, fresh off The Incredible Hulk, is proving to be a serious talent in that department. While there’s a little more cheese in the dish than I usually like, it is nonetheless all a lot of fun for the entire family except for those who are easily given to nightmares by the very realistic-looking monsters.
REASONS TO GO: Great special effects and Worthington proves himself a solid leading man.
REASONS TO STAY: Although in many ways a more serious film than the original, it still has a certain amount of cheese in the recipe.
FAMILY VALUES: Plenty of fantasy violence and some horrifically gory scenes but it is the monsters that make this not for small children or those given to nightmares. Fine for teens, though.
TRIVIAL PURSUIT: Ray Harryhausen, co-producer and special effects designer of the original film, was invited to participate in this one but declined, citing that he had retired in 1981 and intended to stay that way.
HOME OR THEATER: Theater definitely, preferably with a big tub of popcorn in your lap.
FINAL RATING: 6/10
TOMORROW: How to Train Your Dragon