Not Going Quietly


Ady Barkan having a dad moment with his young son.

(2021) Documentary (Greenwich) Ady Barkan, Racheal King, Elizabeth Jaff, Cory Booker, Helen Brosnan, Brad Kleffer, Bernie Sanders, Elizabeth Warren, Tracey Corder, Nate Smith, Kamala Harris, Carl Barkan, Ana Maria Archila. Directed by Nicholas Bruckman

 

There are those who consider COVID-19 little worse than the average flu (rightly or wrongly) but one disease that everyone agrees is absolutely horrible is ALS. It is a fatal degenerative disease that slowly robs the victim of every facility and sense, until they are imprisoned in a body that is unable to do anything, all the while retaining full cognizant function. There is no cure and no treatment for it; all one can do is ride it out to the bitter end. Both baseball Hall-of-Famer Lou Gehrig and Nobel-winning physicist Stephen Hawking were among the most notable people to contract the disease.

Ady Barkan was a progressive activist and lawyer who worked for a number of causes. An engaging young man with a room-blinding smile, he had a young wife and a beautiful baby boy. But then, the 32 year old was given the devastating diagnosis; ALS, and doctors figured he had three to five years to live.

But worse still than that diagnosis was dealing with the medical insurance companies. Doctors prescribed a breathing apparatus that was absolutely essential for Baran’s continued living, a device they termed “uncontroversial,” but his insurance company denied it as “experimental.” Frustrated and angry, Barkan chose to channel his frustrations into activism and began advocating for universal health care. And then, Trump got elected and Barkan, wo was going to become more and more dependent on the health care system for his very survival, realized he was in serious trouble.

A chance meeting on a plane home saw a conversation between Barkan and then-Senator Jeff Flake from Arizona in which Barkan pleaded with the Republican politician to “be a hero” and vote against the Trump tax cut (a plea that ultimately proved futile). However the media-savvy activist Liz Jaff, who filmed the encounter, co-founded the Be a Hero PAC with Barkan and they set out to change hearts and minds.

In some things they were successful; aided by their efforts, the 2018 elections saw the Democrats retake the House of Representatives. In other things, they were not; despite their efforts, Supreme Court nominee Brett Kavanaugh was confirmed, despite accusations of sexual misconduct. Barkan worked diligently, trying to advance the agenda of the left while holding the tide back on the politics of the right, but it was taking a toll. The disease was ravaging his body, soon confining Barkan to a wheelchair; he became unable to do basic things like dress himself, bathe himself and feed himself. Eventually, the disease robbed him of his very voice and the film begins and ends with Barkan, addressing Congress by the aid of a computer voice that Barkan operates by using his eyes.

Throughout, we are shown Barkan’s indefatigable sense of humor, his continuing passion, and his unassailable love for his family – wife Racheal (herself a college professor and published author) and infant/toddler son Carl. We also see the toll that the disease coupled with the workload takes on Barkan physically. One cannot help but admire Barkan’s courage.

And if the film gets a little bit hagiographic in that sense, it is understandable Most people given a diagnosis of a fatal disease are not going to use their last years working hard as an activist for a cause; they are going to spend as much time as humanly possible with their families, and do things that are important to them, be it a trip to Disney World or taking a luxury cruise.

Most of what is onscreen is footage from Barkan’s activism coupled with home movies. Amazingly, although his wife Rachael is very much in evidence in the film, we don’t hear from her much, or at least not in meaningful ways. We see the toll taken on Barkan, but we rarely see how the care for a person in Ady Barkan’s position takes its own toll on his loved ones.

For a man for whom family is so demonstrably important, it is a glaring omission. Still, watching Barkan push ahead through his own body’s breakdowns, his occasional despair and the indifference of politicians who mouth platitudes of sympathy out of one side of their mouths and then vote to imperil his life out of the other. Of course, politicians are an easy target to despise, just as people like Barkan who are tilting at windmills with the last of their strength are as easy to admire. Nevertheless, those like Barkan should receive the plaudits they deserve – as the politicians who oppose them the ignominy.

REASONS TO SEE: Barkan is courageous, engaging, and inspiring. Points out the cowardly nature of politics.
REASONS TO AVOID: Fails to get enough commentary from Racheal.
FAMILY VALUES: There is profanity and a sexual assault is discussed.
TRIVIAL PURSUIT: Among the producers of this documentary are actor/activist Bradley Whitford and the Duplass brothers.
CRITICAL MASS: As of 8/18/21: Rotten Tomatoes: 100% positive reviews; Metacritic: 76/100.
COMPARISON SHOPPING: Pride of the Yankees
FINAL RATING: 7.5/10
NEXT:
Raging Fire

Capital in the 21st Century


The geometrics of poverty.

(2019) Documentary (Kino-LorberThomas Piketty, Kate Williams, Suresh Naidu, Bryce Edwards, Rana Foroohar, Joseph Stiglitz, Ian Bremmer, Francis Fukuyama, Lucas Chancel, Faiza Shaheen, Paul Mason, Simon Johnson, Paul Piff, Gabriel Zucman, Gillian Tett. Directed by Justin Pemberton

 

Okay. So it’s not exactly news that there is a massive disparity between haves and have-nots in this country, and the middle class – once the backbone of American prosperity – has been shrinking at an alarming rate until, now, it barely exists. In this country, to quote Midnight Oil, the rich get richer, the poor get the picture.

And in case they haven’t, economist Thomas Piketty presents it very clearly for them hear. Base on his bestselling book which may be the biggest selling economics book since Karl Marx wrote Das Kapital, the book and the movie it is based on explains why the rich get richer and how the deck is stacked against the rest of us. It is a moment in time where that has been displayed clearly by the coronavirus; it infects everybody regardless of the size of their bankbook, but the poor, who haven’t been able to afford decent health care, have been hit disparately harder than the wealthy.

Piketty warns that the conditions that gave rise to Marxism are returning again, with a massive concentration of wealth in the hands of the few, social mobility becoming nearly impossible and nationalism and fascism both on the rise. The baby boomers may be the last generation to reasonably expect to have a better life than their parents; it is nearly impossible to do now – unless you are part of the one percent.

Piketty leads a parade of economists, historians and sociologists in interviews that show how the privileged classes manipulated the hearts and minds of the poor, demonizing any sort of program that would actually help them – including breeding a mistrust of education – and creating a stigma over any social program, linking it with the dreaded socialism *shudder* which is, of course, anti-American, right? Welllllllll…

New Zealand-based director Pemberton laces the film with plenty of pop culture references, from a hit song by Lorde to clips from The Grapes of Wrath and Elysium. In one of the more fascinating sequences, UC Irvine professor Paul Piff details an experiment in which two students were randomly selected to play Monopoly. A roll of the dice gave one player the role of the rich player, and the other the poor player. The rich player was given hella advantages, including more cash to begin with, the ability to roll two dice at a time (the poor player could only roll one) and more income every time they passed Go ($200 to the poor player’s $100). An interesting thing happened; the rich players grew arrogant and cocky, attributing success to superior game play rather than the nearly insurmountable advantages they were given. Gordon Gekko opined that greed is good and maybe it is (although evidence says no), but it is certainly ingrained in nearly all of us.

While there are some solutions offered – many of which were put forth by Elizabeth Warren during her Presidential campaign last year – they are unlikely to be enacted by politicians who are largely in the pocket of the super-rich. I would have liked to have seen the same kind of analysis given to the solutions as there was to the problems, which aren’t exactly breaking news. For those who believe that the rich are superior to those who don’t have money, there is the specter of the French Revolution – which is what happens when people have nothing to lose. We are rapidly getting to that point not only here in America but all over the world. Those who refuse to learn from history, after all, are doomed to repeat it, often to their great regret.

The movie is currently available through Kino-Lorber’s virtual cinema program which benefits local art houses. Although the Enzian currently isn’t one of them, Floridians wishing to check out the movie and benefit local art houses have four to choose from; the Tampa Theater in Tampa, the Sun-Ray Cinema in Jacksonville, the Coral Gables Art House in Miami and the Tropic Cinema in Key West. Click on the picture for more information.

REASONS TO SEE: A fairly sober explanation of how we got to where we are.
REASONS TO AVOID: There isn’t a lot of analysis of where we go from here.
FAMILY VALUES: The content is definitely not for the young.
TRIVIAL PURSUIT: Based on the bestselling non-fiction book by Piketty, which has sold more than three million copies worldwide to date.
CRITICAL MASS: As of 5/4/20: Rotten Tomatoes: 96% positive reviews, Metacritic: 74/100
COMPARISON SHOPPING: Freakanomics
FINAL RATING: 6.5/10
NEXT:
My Darling Vivian