(2018) Drama (Old Academy) Kelly Lloyd, Chris Milner, Bryan Preston. Directed by Mike Finazzo
Sometimes what we need is to just talk. Not just talk, but also listen – an actual adult conversation about things that are important. You know, life things. Relationships, dreams, disappointments – the things that keep us going and the things that keep us crying.
Kelly (Lloyd) is married. She stays at home and takes care of the house; she and her husband Bryan (Preston) don’t have kids and there doesn’t seem to be a horizon where that is likely. Their sex is desultory and passionless. Kelly is filling her days as best she can but her friends are busy with their own lives, lives that make hers seem empty and small.
Chris (Milner) is a Londoner living in Baltimore but he’s preparing to return to the UK. He’s engaged to be married and is joining his fiancée back at home. He is in the process of selling his things in preparation for his departure. Despite this, he feels some uncertainty that he is making the right decision.
Kelly and Chris had met years earlier at a party. When they bump into each other, they remember their initial meeting. They get to talking and a cup of coffee turns into spending the day together. Their reflections on how their lives turned out force them to evaluate their past and the decisions they’ve made – as well as their futures.
This is a quiet film that mostly relies on the chemistry and conversational skills of the two leads. For the most part, it works. These are discussions that most of us have had at one time or another, or at least on the subject matter. Of course, your wording may vary. As someone who is interested in words, I enjoyed the ones that Kelly and Chris were uttering in general, and well-written dialogue is always a plus especially in indie films that rely on it. The exception is that Kelly is constantly making reference to the fact that this is set in Baltimore. I get the love Finazzo has for the place – Baltimore ain’t called Charm City for nothin’ – but it’s unnecessary and distracting.
There is a little bit of pretentiousness here; the decision to film the movie in black and white really doesn’t add anything to the film but it doesn’t take anything away. At one point, one of the characters says that “life is simpler in black and white” and that may be, but simpler isn’t necessarily better. Also the soundtrack is littered with French pop songs, bringing to mind film students arguing the merits of Jacques Tati while smoking clove cigarettes and drinking overpriced coffee.
That pretension will likely turn some people off but if you can get past that, this is actually a delightful little film. I wouldn’t say it’s terribly insightful; what you’re getting here are more experiential observations and they may not match your interpretation of them but that’s fine. It’s a healthy thing once in awhile to hear some differing opinions of the things you are going through, have been through or might someday go through.
REASONS TO SEE: The conversational aspect works.
REASONS TO AVOID: The film is on the pretentious side.
FAMILY VALUES: There is some profanity, sex, drug use and crude humor.
TRIVIAL PURSUIT: In addition to being a filmmaker, Finazzo is also a standup comedian.
BEYOND THE THEATER: Amazon, Vimeo
CRITICAL MASS: As of 7/2/19: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: Before Sunrise
FINAL RATING: 5.5/10
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