Lone Star Deception


Smoke gets in my eyes.

(2019) Suspense (Tri-Coast WorldwideEric Roberts, Anthony Ray Parker, Nse Ikpe-Etim, Merlisa Determined, Gary Lee Mahmoud, Eliza Roberts, Johnny Ray Gibbs, John Maciag, Sunday Flint, Karina Pal-Montaño, Brian Thornton, Chris Mayo, Melissa Wilson, Archie Ashcroft, Jeff Brody, Enrique Davila, Binette Dialio, Charles Emmott, Joe Grisaffi, Taylor Nieland, Brandi Barbee. Directed by Robert Peters and Don Okolo

 

There’s the United States and then there’s Texas. Texas is on its own planet and they’re very proud of that down in the Lone Star state. It isn’t like anywhere else and that can be a double edged sword.

Tim Bayh (Parker) is an executive at a big Texas oil firm. His boss, Bill Sagle (Eric Roberts), is masterminding the Republican gubernatorial campaign of his nephew Stuart (Mahmoud). When that is derailed by the presence of a sex tape, Bill decides to run Tim as the first African-American candidate in state GOP history.

That turns out to be not such a good idea for Tim, as he is beset on every side, by racists, members of his own community who think he’s selling out, greedy oilmen who want to keep the status quo and then there are the criminals who took down Stuart who have an idea to get another payday out of Tim. He will have to have eyes in the back of his head (and on both sides) if he’s going to make it to the finish line.

The concept is an intriguing one. Texas politics are an entirely different animal and there is definitely room for a great movie here. Sadly, this isn’t it. The script is botched, coming off as a relatively tame movie-of-the-week quality with the tension – which should have been ratcheted up into the red zone – barely discernible, and a feeling that the directors were in a rush to get from one set piece to the next without giving much thought to character development or plot development, for that matter.

Eric Roberts is an Oscar-nominated actor who has had a long and satisfying career. He’s a consummate pro who gives at the very least an entertaining performance and despite some overacting, does so here. You get the feeling that he’s giving his best, but is hamstrung by script problems and frankly, some issues with direction. While both directors are fairly experienced, they seem to have a love for camera movement and there’s a ton of panning and dolly shots which gets to be noticeable at times. You should never notice what the camera is doing; when the camera is in constant motion it takes focus away from what is going on onscreen. Trust your actors and let them be the center of attention.

Chalk this up as a good idea poorly executed. Texas Republicans tend to be the rock-ribbed sort – after all, they are the state that gave us George W. Bush – and to see what having a black front-runner for governor would do to the party would be extremely interesting, but I don’t think the writers did much in the way of research and if they did, it sure doesn’t show in the final product. It’s a shame but I can’t recommend this one.

REASONS TO SEE: Eric Roberts is always entertaining.
REASONS TO AVOID: An interesting concept lacks execution. Stiff acting and a tired plot doom the film.
FAMILY VALUES: Not for the kids; there’s violence, drug use, sexuality, profanity…everything but the kitchen sink.
TRIVIAL PURSUIT: Eliza Roberts, who plays Bill Sagle’s wife, is married in real life to Eric Roberts, the actor who plays him.
BEYOND THE THEATERS: Amazon, Fandango Now, FlixFling, Vudu
CRITICAL MASS: As of 4/4/20: Rotten Tomatoes: No score yet, Metacritic: No score yet
COMPARISON SHOPPING: Miss Sloane
FINAL RATING: 4/10
NEXT:
Robin Hood (2018)

Inside the Rain


Ben is tired of explaining that it’s NOT the Coronavirus.

(2019) Dramedy (Act 13Aaron Fisher, Rosie Perez, Eric Roberts, Ellen Toland, Catherine Curtin, Paul Schulze, Donnell Rawlings, Rita Raider, Natalie Carter, Katie Claire McGrath, Jesse Means, Jaz Goodreau, Ryan Donowho, Kerri Sohn, Thom Niemann, Alex Emanuel, Christina Toth, Jacob Wheeler, Chelsea Watts, Miriam Morales, Jowin Marie Batoon. Directed by Aaron Fisher

 

I always feel a bit guilty reviewing movies that are autobiographical. It’s like reviewing somebody’s life; “Sorry, your life isn’t interesting enough. Your life could have used a few more car chases.”

There are no car chases in Aaron Fisher’s life. Here he plays Ben Glass, a young man who has an amazing array of mental issues, including ADHD, personality disorder, and the crown jewel, bipolar disorder. He takes a staggering array of drugs to essentially function. He is under the care of brash New York psychiatrist Dr. Holloway (Perez) who thinks she can make a significant difference in his life in only six weeks.

While at a party, the often-socially awkward Ben hooks up with Daisy (McGrath), a comely co-ed but when she makes it clear that the one-night stand is just that, he goes into a downward spiral that leads to a suicide attempt. While he is welcomed back to the University following what is, judging from the reaction of his Mom (Curtin) and Dad (Schulze) not the first time he’s tried it, Daisy stops by his dorm room just as Ben is organizing his array of pills into a weekly pill container. She mistakes this for a preparation for another attempt and the police are called. The university, having a strict two-strike policy, moves to expel Ben.

Ben feels the injustice of the thing and won’t go down without a fight, despite advice from his parents and shrink to do just that. Ben plans to appeal and when Dad won’t provide a lawyer, Ben hits upon the idea of filming a dramatic recreation of events which he feels sure will convince the board of appeals of his innocence and get him reinstated immediately. He even has a female lead – Emma (Toland), an escort/stripper/sushi girl who he grows sweet on after rescuing her from some boorish Wall Street types. If Ben’s parents and therapist thought fighting the expulsion was a bad idea, wait until they get a load of this idea…

I’m not sure how much of the material here is fictional and how much is based on actual incidents in Fisher’s life; certainly there are elements of both in the movie. There are times it’s hard to watch Fisher self-destruct as he goes off his meds; it gives viewers a hint of what the families of those with severe mood changes can go through. Amazingly, Fisher remains for the most part sympathetic throughout, although Ben can be profoundly unlikable at times. How willing you are to tolerate those phases are going to really inform how much you like the movie. Some folks simply won’t have the patience for it.

I can’t give this an unqualified recommendation though; at times this feels very much like Fisher made this for himself and without regard for a potential audience. Some of the humor doesn’t exactly hit the target squarely, although there are some really genuinely funny bits here.

In some ways this is a frustrating movie; there is tons of potential here but the missteps and perhaps the ego of the director keep it out of our grasp. Leaving a film feeling frustrated is never a good thing and that’s essentially why I didn’t give the movie higher marks. That doesn’t mean I don’t respect what was being done here.

REASONS TO SEE: A nifty surf guitar soundtrack.
REASONS TO AVOID: Spending time with Ben can be exhausting.
FAMILY VALUES: There is profanity, sex, drug use, and violence.
TRIVIAL PURSUIT: Former welterweight world champion Zab Judah makes a cameo as one of Dr. Holloway’s patients, much to the delight of boxing fan Perez who wasn’t aware he would be on set.
CRITICAL MASS: As of 3/23/20: Rotten Tomatoes: 82% positive reviews, Metacritic: 51/100
COMPARISON SHOPPING: Aspie Seeks Love
FINAL RATING: 5.5/10
NEXT:
Ema

King Cohen: The Wild World of Filmmaker Larry Cohen


Who loves ya, baby?!?

(2017) Documentary (Dark Star) Larry Cohen, Martin Scorsese, Jon Landis, Yaphet Kotto, Leonard Maltin, J.J. Abrams, Eric Roberts, Tara Reid, Traci Lords, Fred Williamson, Robert Forster, Michael Moriarty, Joe Dante, Rick Baker, Cynthia Costas-Cohen, Mick Garris, Barbara Carrera, F.X. Feeney, Laurene Landon, Daniel Pearl, Eric Bogosian, Janelle Webb, David J. Schow, Megan Gallagher. Directed by Steve Mitchell

Back in the 1970s, B movies in many ways reached their nadir. Guys like Roger Corman, Joe Dante and Melvin van Peebles were cranking out low-budget (or no-budget) horror flicks, exploitation movies of all manner and of course the Blaxploitation films that changed cinema as we know it. Among the icons of that era was Larry Cohen.

Cohen remains active today in films, a career spanning now six decades (he sold his first screenplay at 17 and will turn 77 this summer). He is credited with creating the Blaxploitation genre with Black Caesar (1973) and wrote and directed three of horror’s most revered films: Q (1982), It’s Alive (1974) and The Stuff (1985).

This clips-and-interview documentary has made the rounds of genre film festivals around the world (and other festivals, including our own Florida Film Festival this past April) and is shortly going to get a brief theatrical run before hitting VOD in August. The list of those giving testimony to Cohen’s lasting influence on moviemaking include such luminaries as Martin Scorsese, Jon Landis, Mick Garris and Dante; actors he worked with including Yaphet Kotto, Eric Roberts, Tara Reid, Traci Lords, Fred Williams, Robert Forster, Barbara Carrera,  Eric Bogosian, Laurene Landon and his close friend Michael Moriarty (who appeared in several of Cohen’s films) also appear.

The best part of the movie is Cohen himself. He’s a natural storyteller and his writing process is often unique. Around his house he has bits and pieces of ideas that he is busy turning into screenplays. H is a prolific writer, starting his career in television as one and working for live TV back in the 50s. He also created such shows as Branded and The Invaders. However, despite being the creator of these shows, the producers and studios generally wielded creative control of his own creations. This frustrated him to the point where he determined to make his own films his own way. Without millions of dollars to back him, he made films guerrilla-style, often shooting without permits in the streets of New York, staging certain stunts and then whisking his cast and crew away before the cops could arrive.

He is generally regarded with much affection even among those who are part of the studio system these days; Scorsese praises him as “the last of the maverick generation.” Cohen wasn’t (and isn’t) afraid to step beyond cultural mores and look closely at the darker side of life. While his films often had female nudity and much gore, his female characters were often much more than the standard victim or damsel in distress that most women in genre films were at the time.

One gets some glimpses of the inner Larry. He talks reverently about the great composer Bernard Herrmann (of the iconic Psycho score) and how they became close until his passing. One can see that his death hit the director hard. Those are the moments that elevate a documentary.

If I have any faults with the documentary it’s that it feels a bit hagiographic. In other words, this is more of a puff piece than a hard-hitting documentary but I suppose it doesn’t really have to be. If Cohen is presented without warts, who am I to complain? The man certainly seems nice enough. There may be those, like myself, who are not overly fond of talking head interviews and there are  a whole lot of them here. I grant you that this movie is really aimed primarily at those who are aware of his filmography and have seen many of these movies already. If you’re not that familiar with his work I’d recommend going to see some of his movies before watching this documentary. I think that would be much more edifying.

REASONS TO GO: A fascinating look at grindhouse cinema and one of its greatest auteurs.
REASONS TO STAY: The movie fawns over its subject a little bit too much.
FAMILY VALUES: There is some nudity in the various film clips from Cohen’s career.
TRIVIAL PURSUIT: Cohen grew up in the Bronx and majored in film at City College of New York, graduating in 1963.
CRITICAL MASS: As of 6/13/18: Rotten Tomatoes: 100% Positive Reviews. Metacritic: No score yet.
COMPARISON SHOPPING: Corman’s World: Exploits of a Hollywood Rebel
FINAL RATING: 6.5/10
NEXT:
Borg/McEnroe

New Releases for the Week of April 22, 2016


The Huntsman Winter's WarTHE HUNTSMAN: WINTER’S WAR

(Universal) Charlize Theron, Chris Hemsworth, Emily Blunt, Jessica Chastain, Nick Frost, Rob Brydon, Sam Claflin, Sophie Cookson, Sheridan Smith. Directed by Cedric Nicolas-Troyan

This prequel to Snow White and the Huntsman pits Queen Ravenna and her sister the Ice Queen Freya, at odds over the magic mirror. Following a tragic heartbreak, Freya retreats to a remote ice castle where she works on training an army of huntsmen with one rule; harden your hearts against love. When her two best break that law, they are banished but when Freya is betrayed by her sister, only the banished Huntsmen can save her.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy Adventure
Now Playing: Wide Release

Rating: PG-13 (for fantasy action violence and some sensuality)

A Hologram for the King

(Saban) Tom Hanks, Ben Whishaw, Tom Skerritt, Sarita Choudhury. A businessman, down on his luck and desperate, goes to Saudi Arabia to close the deal that could save him. However the inevitable culture clashes stymie his attempts to make the deal happen. He is forced to rely on a wise-cracking taxi driver and an alluring Saudi doctor to help him win through.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Altamonte Mall, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some sexuality/nudity, language and brief drug use)

 Compadres

(Pantelion) Eric Roberts, Kevin Pollak, Omar Chaparro, Joey Morgan. A Mexican cop, framed for a crime he didn’t commit, is released from prison and sets his sights on Santos, who is the one who framed him. However, Santos has kidnapped the cop’s girlfriend and taken her across the border to San Diego. The cop’s one chance at getting his girlfriend alive is to work with an unlikely ally – a teenage American hacker who stole $10 million from the crime boss. But it will take all their disparate skills to stay one step ahead of Santos who wants the both of them dead.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs, Regal The Loop

Rating: NR

Elvis & Nixon

(Bleecker Street) Michael Shannon, Kevin Spacey, Alex Pettyfer, Johnny Knoxville. It’s a legendary photo; rock legend Elvis Presley and President Richard M. Nixon shaking hands at the White House. But what were the circumstances for this historic meeting? This film is a fanciful and funny supposition as to what really happened.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village

Rating: R (for some language)

Everybody Wants Some!!

(Paramount) Blake Jenner, Juston Street, Ryan Guzman, Tyler Hoechlin. Doing for the 80s what Dazed and Confused did for the 70s, director Richard Linklater goes to college in that decade, following a bunch of freshmen trying to navigate the social minefield that is higher education while trying to make the baseball team. As is usual for a Linklater film, expect an awesome soundtrack.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Period Dramedy
Now Playing: AMC Altamonte Mall, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language throughout, sexual content, drug use and some nudity)

Louder Than Bombs

(Paladin) Jesse Eisenberg, Gabriel Byrne, Amy Ryan, David Strathairn. When a famous war photographer passes away, her sons and their father drift apart. When they reunite for a celebration of her life several years later, the fractured family is forced to confront their feelings about the woman who spent so much time away from them, and each other. This played the Florida Film Festival last week.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Enzian Theater

Rating: PG (for language, some sexual content, nudity and violent images)

Miles Ahead

(Sony Classics) Don Cheadle, Ewan McGregor, Michael Stuhlbarg, Emayatzy Corinealdi. After a period of inactivity jazz legend Miles Davis is returning to the limelight with an album that would eventually take its place among the greatest ever recorded. He spends a few lost days with a writer from Rolling Stone conspiring to recover stolen master tapes and reminiscing about his romance with Frances Taylor.

See the trailer and clips here.
For more on the movie this is the website
.
Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village

Rating: R (for strong language throughout, drug use, some sexuality/nudity and brief violence)

New Releases for the Week of July 31, 2015


Mission Impossible - Rogue NationMISSION: IMPOSSIBLE – ROGUE NATION

(Paramount) Tom Cruise, Rebecca Ferguson, Jeremy Renner, Simon Pegg, Alec Baldwin, Ving Rhames, Simon McBurney, America Olivo. Directed by Christopher McQuarrie

The IMF is on the verge of being shuttered by a government that doesn’t truly understand how unique they are and what they do to protect not just the United States but the world. In this tumultuous time they come up against their greatest foe – the Syndicate. Long a rumor in the intelligence community, IMF Agent Ethan Hunt has discovered that they are real and out to destroy the IMF by any means necessary. How does one fight a mirror image of oneself, a group trained to do what the IMF does, only more ruthless and amoral – a rogue nation in the intelligence community? The remaining agents of the IMF must find a way.

See the trailer, interviews, featurettes and a clip here.
For more on the movie this is the website.
Release Formats: Standard, IMAX (opens Thursday)
Genre: Action
Now Playing: Wide Release
Rating: PG-13 (for sequences of action and violence, and brief partial nudity)

Drishyam

(White Hill/Viacom18) Ajay Devgn, Tabu, Shriya Saran, Rajat Kapoor. When the teenage son of a powerful and corrupt police officer disappears, suspicion falls on the family of a local cable TV outlet in the remote village of Goa. The father, a thrifty man who dropped out of the 4th grade as an orphan and made what little he has off of hard work and determination, will do anything to protect his family. Absolutely anything – and he’ll have to pull out all the stops as his powerless family feels the full weight of the law coming down upon them.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Thriller
Now Playing: Touchstar Southchase
Rating: NR

The Farewell Party

(Goldwyn) Ze’ev Revach, Levana Finkleshtein, Aliza Rosen, Ilan Dar. A handyman and mechanical prodigy is now living out his golden years tinkering with gadgets and hanging out with a group of friends who are also retired. When a close friend begs him to help her husband end his suffering, he devises a euthanasia machine which the sufferer can operate and end the life at the moment of his or her choosing. It was meant to be used once, but word gets out and soon he has become a serial killer according to his wife who is not at all happy with what he is doing. But when she is diagnosed with a terminal illness, suddenly the usefulness of his machine takes a whole new turn. This Florida Film Festival favorite from last spring is now making a run at the Enzian; you can read my Festival review of it here.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater
Rating: NR

The Human Centipede III: Final Sequence

(IFC Midnight) Dieter Laser, Eric Roberts, Lawrence Harvey, Bree Olsen. A sadistic prison warden and his accountant are in the crosshairs of the governor who finds their methods extreme. After watching the first two movies in The Human Centipede series, the accountant hits upon the idea of suturing the prison population face to anus in a gigantic 500-person human centipede. The warden is at first dismissive but at last comes around, leading to general ickiness. Critics have lambasted the film but it is likely to appeal to the sick and twisted, and those who love them. One showing only, at 11:59pm Friday.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Horror Comedy
Now Playing: Enzian Theater
Rating: NR

Jimmy’s Hall

(Sony Classics) Barry Ward, Francis Magee, Aileen Henry, Simone Kirby. Jimmy runs a dance hall that is also a center for discourse and social life for the Irish rural town in the 1920s. The fun the powers that be might tolerate but not the nascent anti-church socialist talks and the hall is shut down and Jimmy chased out of the country. A decade later, he returns at the height of the Depression, with the objective to live a quiet life and take care of his ailing ma. However, he sees that the grip of the church and the powerful is tighter than ever. He will have to fight the same losing battle all over again, but this time he is determined to win.

See the trailer and a clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for language and a scene of violence)

Twinsters

(Small Package) Samantha Futerman, Anais Bordier. Two young girls who were adopted from South Korea believe they are twins who were separated by birth. Although they were adopted by families on two different continents, they look nearly identical and are determined to discover the truth about their birth but the dive into this particular pool is not an easy one and there are all kinds of rocks and dangers to contend with.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Regal Winter Park Village
Rating: NR

Vacation

(New Line) Ed Helms, Christina Applegate, Chris Hemsworth, Chevy Chase. Rusty Griswold decides to take a page out of his father’s book and take his family on a road trip. When you’re a Griswold, you can never say die after all and Wally World is a shining El Dorado in the distance. However, when you’re a Griswold, vacations are never easy.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: Comedy
Now Playing: Wide Release
Rating: R (for crude and sexual content and language throughout, and brief graphic nudity)

Inherent Vice


Joaquin Phoenix counts the number of people in the theater.

Joaquin Phoenix counts the number of people in the theater.

(2014) Mystery (Warner Brothers) Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Reese Witherspoon, Benicio del Toro, Jena Malone, Martin Short, Maya Rudolph, Eric Roberts, Michael Kenneth Williams, Jordan Christian Hearn, Jeannie Berlin, Joanna Newsom, Hong Chau, Michelle Sinclair, Elaine Tan, Martin Donovan, Erica Sullivan, Sasha Pieterse. Directed by Paul Thomas Anderson

Those of a certain age will remember the hippie movement of the late 60s and early 70s. The flower children whose innocence combined with rampant drug use and sexual experimentation and some new age noodling ended up making them targets for ridicule in the 80s and beyond. Long haired sorts blissed out on whatever drug of choice was handy, smiling beatifically and mouthing pseudo-philosophical aphorisms of pseudo-depth that were in the end senseless became something of a cultural stereotype, but in truth they did believe in love and peace, which has to be better than believing in money and war.

Larry “Doc” Sportello (Phoenix) is a private eye living in Manhattan Beach – called Gordita Beach here – in 1970. Sporting mutton chops that both Wolverine and a British sailor from the 1820s would envy, he is mainly content to work on such cases that came in to his office that he shares with dentists and the rest of the time, smoke pot and hang out with his latest lady friends who at the moment happens to be Assistant D.A. Penny Kimball (Witherspoon).  Life is pretty sweet.

Into his life comes an ex-girlfriend, Shasta Fay Hepworth (Waterston). She happens to be having an affair with big-time L.A. developer Mickey Wolfmann (Roberts) and who has been undergoing some sort of guilt trip, possibly brought on by heroin addiction. He has surrounded himself with neo-Nazi bikers which is interesting since he himself is Jewish. His wife and her boyfriend want to put Mickey away in a sanitarium and throw away the key by which means they’ll gain control over his fortune. Shasta Fay begs Doc to look into it and Doc, being the last of the knights errant, agrees to. Shasta Fay promptly disappears.

I could tell you how the rest of the story goes but it won’t make sense. It is, after all, based on a Thomas Pynchon novel. However, I will say that there is an ambitious cop named Bigfoot (Brolin) who may be a staunch ally of Doc or setting him up for a murder charge – or maybe both, an Indonesian heroin cartel laundering their money through a consortium of dentists called The Golden Fang, a saxophone player (Wilson) and heroin addict who has disappeared, leaving his wife (Malone) frantic, a shady Hispanic lawyer (del Toro) and a sweet but scatter-brained assistant who narrates the movie (Newsom).

In the interests of fairness, there are a lot of people whom I respect that really liked this movie a lot but for me, this is more like The Master than There Will Be Blood, Anderson’s worst and best films to date (although I must admit Boogie Nights comes close to the latter). I can understand why they liked the movie – the visual style, the well-written dialogue (with Pynchon you can’t go wrong in that regard) and the performances but this is one of those movies that depends on excess but sometimes, more is way too much.

Like most Paul Thomas Anderson movies, this meanders all over hell and gone, following one thread until it gets played out or Anderson gets bored with it and then suddenly switching to another. Keeping track of who is allied with who is apt to cause your brain to spontaneously ignite into flames. Don’t bother because it doesn’t really matter much in the end anyway.

The thing is that Anderson (like Pynchon before him) is doing a kind of stoner noir here, a hard-bitten detective story with a soft-chewing hippie detective. You’ll smell the intoxicating mix of patchouli, marijuana smoke and incense blending together at the same time as you feel like you’re in a stoners apartment in which a fine layer of ash coats everything and every container possible has stubbed out cigarette butts and the counter tops faint signs of cocaine lines left behind. Both Da Queen and I felt the squalor permeating our skin and exited the theater into the cool night air, relieved to be breathing in something fresh and unadulterated by intoxicants.

Phoenix and Brolin are fine actors, Oscar nominees both. Phoenix does befuddled about as well as anybody and he plays stoned perhaps better than anybody save Seth Rogen. He captures the part of Doc about as well as anybody’s going to without doing the copious amounts of weed that Doc does during the film – and who knows, maybe he did. Brolin on the other hand plays the flat topped brush cut cop who wants to be the next Jack Webb but is more likely to be the most recent Martin Milner. He’s the best part of the movie, partially comic relief but not always.

We get that people did a lot of drugs in the 70s. We don’t have to see them light up in every fucking scene, take a long drag, and then proceed with the scene. I would estimate that about 20 minutes of the two and a half hour run time is devoted to watching people go through the mechanics of smoking dope and cigarettes and it gets monotonous. So too does the story, which meanders from place to place, becoming maddeningly interesting but just when it’s about to, takes off on another tangent with the previous story elements never to reappear again. Eventually the last 30 minutes the film picks up steam and for that reason the movie isn’t getting the first Zero rating this site has ever given out but it came damn close.

I get the sense that Paul Thomas Anderson’s ego wrote checks that this movie didn’t have the funds to cash and I’m not talking budget here. Pynchon as a writer has a delightful command of language and to Anderson’s credit as the screenwriter adapting his work, he does try to utilize that in the script where he can. Sadly, both Pynchon and Anderson are guilty of the same kinds of excesses – one in literature, the other in cinema – and the two don’t make a good match.

I’ve always admired Anderson for his creativity and for making movies that don’t conform to any standards, but that is a double edged sword and the blade is cutting deep here. Whereas There Will Be Blood is damn near a masterpiece, this is kind of a sordid mess that never really manages to get going and throws so many characters at you that pretty soon you begin confusing one longhair for another. That’s never a good sign. I had hopes that the combination of Pynchon and Anderson might yield up a great movie. Some folks may argue that it did. I would contend that it did not.

REASONS TO GO: You can always walk out.
REASONS TO STAY: Way long. Dwells on minutiae too much. Watching stoners being stoned is about as entertaining as watching mimes at work.
FAMILY VALUES: Near-constant drug use and profanity. Some violence. There’s also a good deal of sexual content and occasional graphic nudity.
TRIVIAL PURSUIT: This is the first time that Rudolph has appeared in a Paul Thomas Anderson film. The two have been a couple for more than a decade.
CRITICAL MASS: As of 1/20/15: Rotten Tomatoes: 70% positive reviews. Metacritic: 81/100.
COMPARISON SHOPPING: Forbidden Zone
FINAL RATING: 1/10
NEXT: Listen Up, Philip

New Releases for the Week of March 28, 2014


NoahNOAH

(Paramount) Russell Crowe, Jennifer Connelly, Ray Winstone, Emma Watson, Anthony Hopkins, Logan Lerman, Nick Nolte, Marton Csokas. Directed by Darren Aronofsky

The world has grown wicked and cruel and God is displeased. He has decided to wipe out the world and everything in it and start over again but determines to spare one of the few good men in the world, Noah. He commands Noah to build a gigantic ship which will ride out the coming flood along with two of each species of animal, one male and one female, in order to repopulate the world. Not everyone is happy with this plan however and Noah will have to overcome ridicule and eventually desperation to see God’s plan through.

See the trailer, clips, interviews, featurettes, videos and promos here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Biblical Epic

Rating: PG-13 (for violence, disturbing images and brief suggestive content)

Boys of Abu Ghraib

(Vertical) Luke Moran, John Heard, Sara Paxton, Sean Astin. An American soldier from a small town in middle America is assigned as a guard to Abu Ghraib prison in Iraq. Tasked to guard some of the highest priority prisoners in the war on terror, he is pressured by his superiors to use harsh techniques on a seemingly innocent prisoner. Retaining his own humanity will be at the crux of a moral dilemma of following immoral orders or violating his oath. Based on actual events.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: War Drama

Rating: R (for disturbing situations involving torture and violence, language throughout and some sexual content)

Cesar Chavez

(Pantelion) Michael Pena, Rosario Dawson, America Ferrera, John Malkovich.Migrant farm workers have had little or no representation and fewer rights until the advent of the United Farm Workers and activist Cesar Chavez. Torn between his commitment to securing living wages and better working conditions and his need to support his family, Chavez would become a legend in California and a hero to the labor movement.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Biographical Drama

Rating: PG-13 (for some violence and language)

If You Build It

(Long Shot Factory) Erick Bowen, Steve Mizelle, Emily Pilloton, Dr. Chip Zullinger. A pair of designers living on grant money and their own savings go to the poorest school district in North Carolina to take on a radical education project; substituting for a shop class, they have students design and build a farmer’s market for their community. Fought by a change-resistant school board as well as the apathy of the students themselves, they soon find the students and the community transformed by a project that teaches all of them that what’s possible is limited only by the imagination and the will to make it happen.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (Special Engagement Saturday March 29)

Genre: Documentary

Rating: NR

Road to the Open

(Zoeco) Eric Roberts, John Schneider, Troy McKay, Phillip DeVona.  Grieving for his recently departed wife, a single parent and former tennis prodigy is pressured by his best friend – desperately in need of anger management skills – to enter a club tennis tournament. The winner of this will get a shot at an at-large berth in a national tournament. Standing in their way are the Gollant brothers – who haven’t lost a club tournament in more than a decade.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG (for mild thematic elements and language)

Sabotage

(Open Road) Arnold Schwarzenegger, Olivia Williams, Sam Worthington, Josh Holloway.After an elite DEA team takes down a high ranking member of a Mexican drug cartel, members of the team start getting picked off one by one. It’s not just revenge – ten million dollars are missing from their take. The team leader with the help of an internal affairs officer must find out who stole the money and save the rest of the team.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Action

Rating: R (for strong bloody violence, pervasive language, some sexuality/nudity and drug use)

Christmas in Compton


Sheryl Lee Ralph does Christmas Africa-style.

Sheryl Lee Ralph does Christmas Africa-style.

(2010) Holiday Comedy (Barnholtz Entertainment) Omar Gooding, Keith David, Sheryl Lee Ralph, Eric Roberts, Porscha Coleman, Miguel A. Nunez Jr., Orlando Brown, Edwin Hodge, Charles Kim,  Arif S. Kinchen, Charlotte Ayanna, Jayda Brown, Kristinia DeBarge, Melanie Comacho, Leslie Jones, Evan Rayner, Darryl Alan Reed, Emiliano Torres, Malin Yhr. Directed by David Raynr

hollynquill-2013

Having lived in Los Angeles for many years, I can say with certainty that the South Central community of Compton means different things to different people. Mainly populated by minorities (in particular African-Americans), the white community tends to view it with suspicion and perhaps a little fear. For the African-American community, Compton means something else entirely.

Big Earl (David) owns a Christmas tree lot that doubles as a flea market and community center. He is a well-respected member of the community, one who dispenses wisdom as well as Christmas cheer. However, his son Derek (Gooding) is a source of frustration. He wants his son to be a winner, successful as Big Earl himself is.

Derek though has other definitions of success. He dreams of being a music producer but Tommy Maxell (Roberts), the unscrupulous owner of a major record label, has stolen one of his acts and now has his greedy paws at the ready for his latest one, Sugar Stuff – a Destiny’s Child-like girl group. Derek is not real good about reading the fine print on contracts and is consistently getting screwed by those who write that fine print. Big Earl is anxious for Derek to give up what he considers to be unrealistic dreams and take over the Christmas tree lot, but Derek is reluctant.

Surrounding them are a cast of oddballs and hangers on like Steve Ho (Kim) who seems to relish being the token Korean, Squeaky (Kinchen) and Pookie (Hodge) who are kind of boys from the hood sorts, the beautiful single mom Kendra (Campbell) whom Derek becomes sweet on and her precocious 8-year-old daughter (Brown), and Abuta (Ralph) who has a love-hate relationship with Big Earl who looks upon her obsession with Kwanzaa as anti-Christmas and as such suspicious behavior. Abuta is kind of the surrogate mom for Derek since his own mom and Big Earl’s wife had passed on some years earlier.

Derek hates the thought of losing Sugar Stuff – they’re really his last shot at his dream – so he hatches a plan to steal some jewelry from Tommy and his wife and fence it with Delicious (Nunez), a fast-talking fence who constantly refers to himself in the third person, then use the money he gets to retain the rights to Sugar Stuff who are dazzled by the dollars being dangled by Maxell. Predictably, things don’t go as planned.

As plots go, this one is about as stale as a re-gifted fruit cake. It’s fairly standard for an urban comedy – think Barbershop and Friday for starters. Gooding doesn’t have the charisma and likability to really carry the movie – he comes off a bit bland. David, however, lends gravitas and genuine warmth which really makes up for it.

While not all the humor really appealed to me – keep in mind I’m not really the target audience for this film – there were some laugh-out-loud moments for me. Most of all though you want a Christmas movie to deliver heart and the warm fuzzies and Christmas in Compton does that. I don’t know that Compton in 2013 is anything like this – I suspect it isn’t all Kumbaya and neighborhood barbecues but the community spirit depicted here is at the core of what Compton is and was when I lived and worked there (just out of college I sold a subscription TV service there). Sure, there are problems there. Poverty will do that to a community, but there has always been a sense of togetherness that is enviable. I often wonder how much could be accomplished were the spirit of Compton a more universal thing.

In any case, despite the staleness of the plot, I actually found myself warming to Christmas in Compton which I didn’t honestly expect to. Sometimes a good heart can overcome an unremarkable script.

WHY RENT THIS: Nails the heartwarming aspect. Gives a sense of community.

WHY RENT SOMETHING ELSE: Been there done that. Some of the jokes fall flat.

FAMILY VALUES: There is a fair amount of foul language, some sexuality and some crude humor.

TRIVIAL PURSUIT: Gooding is the younger brother of Cuba Gooding Jr. and also has a thriving rap career as Big O.

NOTABLE HOME VIDEO EXTRAS: There is a short film, Santa Better Do Me Right.

BOX OFFICE PERFORMANCE: Not available.

COMPARISON SHOPPING: The Best Man Holiday

FINAL RATING: 6/10

NEXT: The last day of The Holly and the Quill 2013!

New Releases for the Week of March 9, 2012


March 9, 2012

JOHN CARTER

(Disney) Taylor Kitsch, Lynn Collins, Willem Dafoe, Samantha Morton, Mark Strong, Ciaran Hinds, Dominic West, James Purefoy, Bryan Cranston, Thomas Haden Church. Directed by Andrew Stanton

A Civil War veteran finds himself inexplicably transported to a strange new world. No, not Bolivia – Mars. He finds himself caught up in a genocidal civil war there, falling in with an unexpected ally, an eight-foot-tall four-armed green man named Tars Tarkas and the beautiful Martian princess (and more human-looking) Dejah Thoris. Carter will have to confront the demons of his past and learn from them if he is to save himself and Mars. From the series of books by “Tarzan” creator Edgar Rice Burroughs.

See the trailer, clips, promos, featurettes and a film short here.

For more on the movie this is the website.

Release formats: Standard, 3D and IMAX 3D

Genre: Science Fiction

Rating: PG-13 (for intense sequences of violence and action)

A Separation

(Sony Classics) Leila Hatami, Peyman Moaadi, Shahab Hosseini, Sareh Bayat. An Iranian woman initiates divorce proceedings to get custody of her daughter and move away from their home which her husband won’t leave because he is caring for his Alzheimer’s-stricken father. The daughter winds up staying and the man hires a maid to help care for his father, but discovers she’s been lying to him and events begin to escalate beyond control.

See the trailer and a clip here.

For more on the movie this is the website

Release formats: Standard

Genre: Drama

Rating: PG-13 (for mature thematic material)

A Thousand Words

(Paramount) Eddie Murphy, Kerry Washington, Cliff Curtis, Allison Janney. A glib literary agent who prides himself over being able to talk anyone into anything discovers that after failing to get a new age guru for representation that a bodhi tree has miraculously appeared in his yard. For every word the agent speaks, a leaf will fall from the tree and once the tree is bare, both the agent and the tree will die. He will have to use different means of communicating and treasure his words wisely.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for sexual situations including dialogue, language and some drug-related humor)

Deadline

(Roadside Attractions) Eric Roberts, Steve Talley, J.D. Souther, Anna Felix.  An investigative journalist re-opens a case of an African-American boy who had been murdered twenty years earlier. The case had never been properly investigated and thus the murderer had gone uncharged for the crime, let alone punished for it. Inspired by actual events, the movie is based on a novel called “Grievances” by Mark Ethridge.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: True-Life Drama

Rating: PG-13 (for sexual content, language, some violence and thematic material)

Friends With Kids

(Roadside Attractions) Adam Scott, Jennifer Westfeldt, Jon Hamm, Kristen Wiig.  A group of young twenty-somethings who have been friends for awhile have mostly paired off. The last two singles in the group observe the effect of kids on the lives of their friends and decide they want a child of their own – they just don’t want to get married to each other so they decide to have a kid together – and date other people.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for sexual content and language)

Silent House

(Open Road) Elizabeth Olsen, Adam Trese, Eric Sheffer Stevens, Julia Taylor Ross. A young woman and her father decide to renovate their secluded lake house. While there they are mysteriously sealed in and all contact with the outside world cut off and soon strange and terrifying things begin to occur as they soon realize that their lives are in mortal danger in this silent place. The movie is presented as a single uninterrupted shot taking place in real time and is based on an Uruguayan movie of the same name that was their country’s official Foreign Language Oscar submission last year.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for sexual content, graphic nudity, language and drug use)

The Dark Knight


The Dark Knight

Batman heads towards Sturgis, not realizing he's about to have the crap kicked out of him by 100,000 bikers.

(2008) Superhero (Warner Brothers) Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine, Maggie Gyllenhaal, Gary Oldman, Morgan Freeman, Eric Roberts, Nestor Carbonel, Cillian Murphy, Monique Gabriela Curnen, Ritchie Coster, Anthony Michael Hall, Michael Jai White, William Fichtner, Ng Chin Han.  Directed by Christopher Nolan

Most of us have light and darkness within our souls in equal or near-equal measures. There are few of us who are truly evil or completely good. In many ways, those sorts of personalities are aberrations, mutants that deviate from the norm. For most of us, that darkness and light are constantly at war as we strive to do the right thing…or the easy thing. For some of us that war ends in victory; for others, crashing defeat.

A bank robbery of a bank that launders money for the mob sets a chain of events in motion. The gangs, once completely in control of Gotham City are on the defensive after Batman (Bale) has largely cleaned up crime. They are approached by The Joker (Ledger), who offers to kill their nemesis for half of their funds, which their Chinese accountant Lau (Han) has transported to Hong Kong for safekeeping. The crime lords turn down the Joker’s generous offer, with one of them, Gambol (White) putting a bounty on the Joker’s head. That doesn’t end so well for Gambol and his gang is taken over by the Joker.

Lieutenant Jim Gordon (Oldman) and Batman decide to bring in the new crusading District Attorney Harvey Dent (Eckhart) on board their attempts to bring down the mob once and for all. Dent is dating assistant D.A. Rachel Dawes (Gyllenhaal), who was the childhood sweetheart of Bruce Wayne, Batman’s civilian alter ego. While that raises Batman’s hackles somewhat, he realizes that Dent is the city’s great white hope and the best chance for him to retire the Batman cowl and live a normal life.

Batman captures Lau in a spectacular and daring raid in Hong Kong, allowing Gordon and Dent to arrest the mob en masse. The Joker announces that until Batman reveals his true identity, he is going to kill somebody in Gotham and he makes good on it, murdering the police commissioner and the judge presiding over the mobster’s trial. An attempt to murder the mayor is foiled by Gordon who is apparently killed in the process. Wayne decides to reveal his secret identity and is about to do so when Dent announces that he is the Batman, prompting Dent to be put into protective custody. The Joker goes after him and Batman rushes to the rescue. The Joker is captured with the help of Gordon, who had faked his death.

It turns out however that Dent was captured after all as was Rachel. The two of them have been taken to buildings on opposite ends of town, and are set to blow up at the same time. While the police and Batman race to rescue both Dent and Rachel, events are set in motion that will change the lives of Bruce Wayne and Harvey Dent forever, transmute friend into foe and change Batman’s image in Gotham City from Dark Knight to something far more sinister.

This was the movie that owned 2008 and to a large extent the ripples of its success still rumble through Hollywood and influence the way movies are made. For many, this is not only the best comic book movie ever made; it’s the best movie period. I can certainly see their point.

Nolan made a movie that is all about choices and that war between good and evil in all of us. The best of us can be pushed towards darkness under the right circumstances. Nolan seems interested in seeing how far the breaking point is for a good man and his interest in this is seen through the eyes of the Joker. It’s hard to even comprehend, but our avatar in the movie is the villain and most of us don’t even recognize. That is an act of filmmaking genius in my book.

What helps pull it off is a performance for the ages by the late Heath Ledger. By now most everybody knows that Ledger died shortly after filming completed of an accidental overdose of prescription medicines and would win nearly every acting award posthumously for his work here. There are those who felt that it might well have been a sympathy vote but even had Ledger not passed away he would have deserved every accolade. His Joker is complex, insane yes but not a caricature – this is a real flesh and blood madman who is equal parts brilliant to equal parts insane. He is the center of the movie even if he’s not onscreen for much of it. His presence is felt in every moment of the film and when he is onscreen, there is no doubt that Ledger is the center of audience attention.

It also helps that nearly every other performance in this movie is outstanding. Eckhart’s craggy good looks make him the all-American hero, from dimpled chin to brilliant smile making his fall all the more wrenching. Gyllenhaal, who replaced Kate Holmes in the role (she inexplicably gave up the part to work in Mad Money with Diane Keaton and Queen Latifah…huh?) is much sweeter and more down-to-earth, making her a better fit than the fidgety Holmes. Freeman and Caine are also terrific, playing both ends of Batman’s moral compass. Oldman gets to play the hero, something he rarely gets to do (although his Sirius Black performance in the Harry Potter film might bring more of those roles his way).

Bale is the lead role here but to be quite honest he isn’t the focus. It takes a generous performer to allow his cast mates to shine, particularly when you are the de facto lead but Bale did that here, stepping out of the spotlight (or the Bat-Signal more appropriately) to become a part of an ensemble more than the heroic lead. It’s a gutsy move by both director and star and it pays off in spades.

The movie has an epic sense to it as well as a sense of tragedy which elevate this above the usual popcorn fare. The excellent script, by Nolan and his brother Jonathan, is almost Shakespearean in its scope. Those who denigrate comic books and the movies based on them as childish and one-dimensional would do well to watch this movie. These are characters you care about that have problems you can relate to in a setting that’s grand and larger than life.

The Dark Knight proves beyond a shadow of a doubt that a big popcorn movie can be intelligent and daring as well, and still make box office bucks. It establishes Nolan as one of the great directors working today. A sequel is currently being filmed as of this writing for release in July of 2012 and barring a complete meltdown will likely be the Big Kahuna in terms of box office next year. If it’s half as good as this movie was, it will earn that title proudly.

WHY RENT THIS: Ledger’s performance is one of the greatest ever on film. Tremendous action and a great story make this one of the best comic book movies ever made.

WHY RENT SOMETHING ELSE: Too many characters create too many subplots.

FAMILY VALUES: Some of the violence is awfully intense and the Joker can be extremely disturbing.

TRIVIAL PURSUIT: The first Batman movie that features none of the following elements – Bruce Wayne in a tuxedo, Wayne manor or live/CGI bats. It is also the fourth movie to bring in a billion dollars in worldwide box office, and the first comic book-based movie to win an acting Oscar (Heath Ledger for Best Supporting Actor).

NOTABLE DVD EXTRAS: The 2-Disc DVD set includes some promotional viral videos of various cast members in characters being interviewed on a faux news program about the notorious Batman. There are also some featurettes on the Blu-Ray that cover the gadgets Batman uses as well as examining the psychology of Bruce Wayne.

BOX OFFICE PERFORMANCE: $1B on a $185M production budget; the movie was a ginormous blockbuster.

FINAL RATING: 9.5/10

TOMORROW: Mammoth