Answers to Nothing


Dane Cook emoting.

Dane Cook emoting.

(2011) Drama (Roadside Attractions) Dane Cook, Elizabeth Mitchell, Julie Benz, Barbara Hershey, Zach Gilford, Erik Palladino, Gillian Vigman, Kali Hawk, Hayes MacArthur, Greg Germann, Tony Denison, Alan Rachins, Mark Kelly, Caitlin Gerard, Karley Scott Collins, Jacqueline Pinol, Brian Palermo, Aja Volkman, Miranda Bailey, Leslie Durso. Directed by Matthew Leutwyler

Ensemble movies with inter-weaving storylines can be really interesting when done well. When they’re not, they can be exceedingly frustrating to the viewer.

Here the lives of several people entwine and intersect in L.A. against the backdrop of a high-profile child abduction case that has Angelinos riveted to the unfolding events. Here we meet Ryan (Cook), a psychologist who is having an affair with a singer (Volkman) that is strongly conflicting him. His wife Kate (Mitchell) is an attorney and the two of them are having trouble conceiving a child. She finds out about his affair just before going under anesthesia for an in vitro fertilization although unbeknownst to her he has already decided to call off the affair.

One of his patients is Allegra (Hawk), an African-American who writes for TV. She also hates African-Americans which is not as unusual as you might think. She has been dating a young white guy (Gilford) who is sort of caught in the middle of her identity issues. Meanwhile one of Kate’s clients, Drew (Bailey) has all sorts of guilt issues. Her brother Bill (Palermo) is completely disabled but was only a year earlier an accomplished marathon runner. She feels guilty because his injury occurred in a post-race car crash after a celebration in which both Bill and Drew, who was driving, had both been drinking. She means to run the same marathon in tribute to her brother. Meanwhile she is fighting her parents who want to put Bill in a home.

Frankie (Benz) is Kate’s best friend and the lead detective on the child abduction case. She initially suspects Mr. Beckworth (Germann), the next door neighbor of the family but when some questionable porn is found on the father’s computer the suspicion shifts over to him. Lonely school teacher Carter (Kelly) becomes even further obsessed with the case and pesters his neighbor Jerry (Palladino), a police officer and a fellow gamer, to do some investigating. Jerry, a beat cop, tries to keep Carter calm but Carter is growing more and more psychotic about the case and the fate of the little girl.

That’s an awful lot of stuff happening for a single film, even one that’s more than two hours long. I think a good deal of the fluff could have been trimmed, as much as half an hour’s worth. As it is there are too many characters, too many storylines and not enough really holding it together. The entire Allegra subplot could have been excised from the story quite easily and really, so could the Drew and Bill story.

It’s not that I mind character studies – in fact, I love them but there has to be some strong characters worth studying and there simply aren’t many here. I did like Palladino’s performance as the police officer and Mitchell, a veteran of Lost, as the lawyer. Both were the most sympathetic characters. As for most of the rest of them, I really didn’t want to get to know them any better. That spells bad news for any film.

Leutwyler has been involved with some pretty impressive films before now as producer, writer and/or director (he performs all three functions here) but this is sadly not one of them. There are some worthwhile moments if you want to check them out but quite frankly this is a bit of a hot mess.

WHY RENT THIS: Some of the performances here are top-notch.

WHY RENT SOMETHING ELSE: Too many storylines and not enough story. Way too long.

FAMILY VALUES: There’s some fairly strong sexual content and nudity, a fair amount of bad language and some violence.

TRIVIAL PURSUIT: Leutwyler studied film at the San Francisco Institute of Art.

NOTABLE HOME VIDEO EXTRAS: There are a couple of music videos.

BOX OFFICE PERFORMANCE: $22,029 on a $3M production budget.

COMPARISON SHOPPING: Crash

FINAL RATING: 4.5/10

NEXT: Paranormal Activity: The Marked Ones

U-571


The crew of a WW2 sub has 99 problems and you're not one of them.

The crew of a WW2 sub has 99 problems and you’re not one of them.

(2000) War Thriller (Universal) Matthew McConaughey, Bill Paxton, Harvey Keitel, Jon Bon Jovi, Jake Weber, David Keith, Thomas Kretschmann, Jack Noseworthy, Tom Guiry, Will Estes, Terrence “T.C.” Carson, Erik Palladino, Dave Power, Derk Cheetwood, Matthew Settle, Rebecca Tilney, Burnell Tucker, Robin Askwith, Carsten Voigt. Directed by Jonathan Mostow

After the success of Saving Private Ryan, movies about the Second World War began to creep into the studio release schedules in the first years of the new millennium, with this film and Pearl Harbor (among others) both hoping to recapture the magic of the Steven Spielberg classic.

This time, the focus is on the submarine service of the U.S. Navy. Lt. Tyler (McConaughey) is the very competent exec of the S-33, one of the Navy’s older rustbuckets. He is chafing for his own command, but hasn’t been able to get the recommendation of his commanding officer (Bill Paxton), so he continues to be second in command as the battle in the Atlantic shipping lanes continues to go badly for the Allies. German U-Boats continue to sink allied ships at a terrifying rate and the navy is virtually powerless to break their codes.

However, that’s about to change. During a battle at sea, a U-boat is left crippled and sends a radio signal to Berlin. Allied intelligence manages to figure out what happened (don’t ask how, since they supposedly don’t know German codes) and have sent a taciturn intelligence officer, Lt. Hirsch (Weber) and a gung-ho Marine (Keith) to lead a mission to rendezvous with the crippled German sub posing as its supply vessel and steal the Enigma decoder and codebook. Along with them they bring Tyler, his respected by the men chief (Keitel) and a group of seamen to help take over the sub.

After a bloody battle, they manage to secure the German U-boat and get the decoder, when the REAL supply boat arrives and sinks the American submarine. The survivors are left aboard a vessel that’s unfamiliar and in which everything is written in a language they can’t read. To make matters worse, the U-boat is still crippled (although they manage to make some jury-rigged repairs) and is engaged in a cat-and-mouse game with a German destroyer.

Mostow manages to capture the claustrophobic feel of submarine service of the time, and the amazing stress that comes with avoiding depth charges, enemy torpedoes and the pressure of the deep. The sacrifice and bravery of the men and the coming of age of Tyler are the center of the storyline. Along the way, you get a pretty good idea of what terror a depth-charge barrage can be.

In the early years of his career McConaughey was a bit wooden more often than not but here he plays the heroic role with a certain amount of stoicism. Keitel plays the cliché gruff ole seadog pretty well, considering it’s not the kind of role he’s known for. But then nobody really expects the acting to be this film’s strong point. It’s the stomach-knotting tension that makes or breaks U-571 and there are times when this movie makes you want to leap out of your skin. However, they are unable to maintain the atmosphere consistently.

The reality of submarine service during the war, as nasty as this movie depicts it, was way more intense. If you are looking for a more realistic portrayal, try Wolfgang Petersen’s Das Boot, which is THE best submarine movie ever done. If that doesn’t keep you on the edge of your seat, nothing will.

WHY RENT THIS: Realistic sub battles. A good sense of tension. Keitel makes a terrific seadog.

WHY RENT SOMETHING ELSE: Inconsistent. McConaughey was a bit too laid back.

FAMILY MATTERS: A pretty goodly amount of violence and some scenes of extreme tension and fear.

TRIVIAL PURSUITS: The Enigma machine depicted here wasn’t a prop; it was an actual Enigma that was loaned to the production by a collector.

NOTABLE HOME VIDEO FEATURES: There are some newsreel and archived material which are used to explain what inspired the making of the film. The Blu-Ray version makes this available in the U-Control Picture-in-Picture function.

BOX OFFICE PERFORMANCE: $127.7M on a $62M production budget.

FINAL RATING: 6.5/10

NEXT: Thor: The Dark World