(2019) Horror (Orion) Taylor Schilling, Jackson Robert Scott, Peter Mooney Colm Feore, Paul Fauteux, Brittany Allen, Paula Boudreau, Elisa Moolecherry, Olunike Adeliyi, Janet Land, Martin Roach, Byron Abalos, Ashley Black, Tristan Vasquez, Nicholas McCarthy, Jim Annan, Milton Barnes, Grace Armas, Brock Johnson, Michael Dyson, Mark Sparks, Martha Girvin. Directed by Nicholas McCarthy
The creepy kid is a horror trope that goes back half a century. Kids are innocent, angelic; they are the future and we can’t see anything bad in them – after all, they’re just kids – but who says a kid can’t be a psychopathic monster? There is evidence that some kids have exactly that trait within them from birth.
But the film is quick to point out, in this case, that it isn’t really the poor little dear’s fault. Young Miles Blume (Scott) is born to his protective mom (Schilling) and disbelieving dad (Mooney) just as serial killer Edward Scarka (Fauteux) is killed during a police raid, the cops having been led to his in-the-middle-of-nowhere farmhouse by the sole survivor of his escapades (Allen), who had her hands chopped off for her trouble.
At first, the kid just seems precocious to the delight of mommy. But that soon gives way to genuine creepiness – the dead-eyed stares, the animal abuse, the accident befalling a babysitter (Black). The kid is speaking a rare dialect of Hungarian in his sleep, one spoken by Scarka. It appears the serial killer is not quite dead yet and he has an axe to grind with the woman who got away – and he doesn’t have a problem using young Miles to do it.
Although there are some nice twists and plot points here, this is pretty standard for the subgenre. The big reveal about what is wrong with Miles is answered way too early in the film and rather than giving us a parental “is my kid really a monster” conundrum to deal with, we just get one parent (the mom) denying reality, the other perhaps embracing reality too easily.
Schilling (Orange is the New Black) and Scott (the doomed younger brother in the IT movies) are actually pretty good, particularly Scott who is truly convincing; the movie doesn’t work with a lesser performance in place. But the movie relies too much on jump scares (the refuge of unimaginative directors) and hackneyed dark house stalker clichés to really be of more than passing interest.
REASONS TO SEE: Schilling and Scott give pretty decent performances.
REASONS TO AVOID: Very predictable, utilizing too many jump scares.
FAMILY VALUES: There are some disturbing images, violence, terror, profanity, a sexual reference and brief graphic nudity.
TRIVIAL PURSUIT: Scott sandwiched the filming of The Prodigy in between shoots for IT and IT Chapter 2, thus meaning he filmed three straight horror movies.
BEYOND THE THEATERS: Amazon, AppleTV, Epix, Fandango Now, Google Play, Hulu, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 7/6/20: Rotten Tomatoes: 42% positive reviews: Metacritic: 45/100.
COMPARISON SHOPPING: The Bad Seed
FINAL RATING: 6/10
NEXT: The Outpost